Carpaccio the artist, not the appetizer, now getting his due

Vittore Carpaccio, ‘Virgin Reading,’ circa 1510. Oil on canvas transferred from panel. Overall, 78 by 51cm (30 11/16 by 20 1/16in); framed, 119.7 by 86.4 by 10cm (47 1/8 by 34 by 3 15/16in). National Gallery of Art, Washington, Samuel H. Kress Collection
Vittore Carpaccio, ‘Virgin Reading,’ circa 1510. Oil on canvas transferred from panel. Overall, 78 by 51cm (30 11/16 by 20 1/16in); framed, 119.7 by 86.4 by 10cm (47 1/8 by 34 by 3 15/16in). National Gallery of Art, Washington, Samuel H. Kress Collection

VENICE, Italy (AP) – When most people think of “carpaccio,” they think of the thinly sliced raw beef appetizer made famous by Venice’s iconic Harry’s Bar. Few people know that the dish is named for a lesser-known Venetian, the Renaissance painter Vittore Carpaccio, because of the intense red hues he favored. Carpaccio the painter has recently received more attention outside his native Venice. In November, the National Gallery in Washington inaugurated the first retrospective exhibit of his work outside Italy. The show, Vittore Carpaccio: Master Storyteller of Renaissance Venice, is set to close in Washington on Feb. 12 and move to Venice’s showcase Palazzo Ducale on March 18. The Washington exhibit includes two Carpaccio paintings that left Venice for the first time in more than 500 years.

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Freshly restored 16th C. Carpaccio painting unveiled in Madrid

Vittore Carpaccio, ‘Young Knight in a Landscape,’ circa 1505, details of test patch cleaned. Museo Nacional Thyssen-Bornemisza, Madrid.
Vittore Carpaccio, ‘Young Knight in a Landscape,’ circa 1505, details of test patch cleaned. Museo Nacional Thyssen-Bornemisza, Madrid.
Vittore Carpaccio, ‘Young Knight in a Landscape,’ circa 1505, details of test patch cleaned. Museo Nacional Thyssen-Bornemisza, Madrid.

MADRID – Following completion of the restoration of one of the Thyssen-Bornemisza National Museum’s most celebrated paintings, Young Knight in a Landscape, created circa 1505 by Vittore Carpaccio, the results of the work carried out will be presented in a special installation in Room 11 of the permanent collection where the restoration took place on view to the public throughout 2020 and part of 2021. The special exhibit, which opened on May 17, will run through November 1.

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