A tale of two Eames DCM chairs illustrated the mid-century market at LAMA

An early Charles and Ray Eames DCM chair by Evans Plywood Division. $28,000 at Los Angeles Modern Auction.

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LOS ANGELES – In the mid-century market, the devil is in the details. It’s why two vintage examples of Charles and Ray Eames’ DCM chair carrying similar estimates at Los Angeles Modern Auctions (LAMA) on November 15 could bring vastly different prices.

The DCM (Dining Chair on Metal) was one of four plywood chairs by the husband-and-wife design team released to the marketplace in 1946. In time, the DCM would become a standard fixture in the Herman Miller catalog, but only after 1949, when the manufacturing know-how and licenses were bought from its original maker, Evans Plywood Division. These early Evans chairs in rosewood ply and solid zinc-plated steel rods are super rare and distinctive for two specific construction details: construction, namely the metal feet, and the circular ends to the ribs that connect the seat and the backrest. To serious collectors, these are catnip. Estimated at $1,500-$2,500, the rosewood ply Eames DCM chair took $28,000 ($36,680 with buyer’s premium).

Under Herman Miller the DCM – which is still made today – has gone through a series of subtle changes that also help with determining a chair’s date. Outwardly similar, an ash plywood chair in the sale was probably from Miller’s second or third iteration, with its rubber feet and oval ends to the backrest connectors. Made a decade later than the Evans chair, it was estimated at $1,000-$1,500 but took a modest $350 ($458 with buyer’s premium).

The LAMA sale also included the return to auction of a chair created by Charles Eames and Eero Saarinen for the Museum of Modern Art’s Organic Design in Home Furnishings contest in 1940. It was the event that announced the arrival of both designers, with their joint entries winning in both the chair design and the living room categories.

Not only did the winners have their work exhibited in New York from September 4-November 9, 1941, they were also awarded contracts for manufacture and distribution. As indicated by a manufacturer’s label to the underside, the Eames and Saarinen chair was made by the Gardner, Massachusetts firm Heywood-Wakefield, with the complex Honduran mahogany shell created by the Haskelite Corporation using an iron mold. However, although stocked by department stores from the day the exhibition opened, full-scale production of the chair never happened due to the U.S.’s impending involvement in the Second World War.

This chair, previously owned by Lilian Swann Saarinen, first wife of Eero Saarinen, was last sold in May 2003 at Wright in Chicago, when it realized $37,440. This time, estimated at $10,000-$15,000, it sold for $24,000 ($31,440 with buyer’s premium).

A set of four chairs in one of Jean Prouve’s best-known plywood designs, the Tout Bois, achieved $28,000 ($36,680 with buyer’s premium). The form was first made in metal in 1934, but Prouve adapted it many times throughout his career. During the Second World War, Prouve worked with the Vauconsant Company to produce the chair in wood due to the scarcity of metal. The earliest wartime examples, such as these, dating to circa 1941, feature a frame of solid oak with side tenons passing through the back frame. Bought by the consignor from New York dealership Sebastian + Barquet in 2010, they were estimated at $20,000-$30,000.

Works by the African American ceramicist Doyle Lane (1923–2002) proved particularly popular as well. Of the six pieces on offer, five sold above their estimates.

The best of these, sold at $20,000 each ($26,200 with buyer’s premium), were two of Lane’s trademark ‘weed pots’ — the delicately potted vases with tiny necks that could hold only a single sprig of flowers. One with a turquoise glaze, the other in a matte black, both dated from the 1960s, when Lane was working from a studio on the El Sereno district of Los Angeles and exhibiting his work at the Brockman Gallery in Leimert Park and the Ankrum Gallery on La Cienega Boulevard, two galleries known for their support of black artists.

Lane’s star has been rising of late. A weed pot with a blue drip glaze sold for $30,000 at LAMA’s equivalent sale in July – the same time that the David Kordansky Gallery was holding a show of 100 Lane ceramics in New York.
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Early Charles and Ray Eames DCM chair by Evans Plywood Division, which sold for $28,000 ($36,680 with buyer’s premium) at Los Angeles Modern Auction.
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Charles Eames and Eero Saarinen chair from the Museum of Modern Art Organic Design competition, which sold for $24,000 ($31,440 with buyer’s premium) at Los Angeles Modern Auction.
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Set of four Tout Bois chairs by Jean Prouve, which sold for $28,000 ($36,680 with buyer’s premium) at Los Angeles Modern Auction.
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Weed pot by Doyle Lane, which sold for $20,000 ($26,200 with buyer’s premium) at Los Angeles Modern Auction.
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Weed pot by Doyle Lane, which sold for $20,000 ($26,200 with buyer’s premium) at Los Angeles Modern Auction.
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Lionel factory prototypes on track to win at Weiss Dec. 21

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LYNWOOD, N.Y. — In the world of model train collecting, nothing is more exciting than discovering an item that is clearly not from regular production, but has all the hallmarks of being a pre-production sample or design study. Known as ‘factory prototypes,’ these items can command huge sums in the contemporary collector market due to their one-of-one status and high desirability.

Weiss Auctions‘ Vintage Toy Trains sale on Thursday, December 21 has not one but three Lionel factory prototypes from a prominent New York-area collection. They all come with some degree of provenance, helping to boost their value. The complete catalog is available for bidding at LiveAuctioneers.

First up is a Lionel no. 6357-50 prototype caboose for the 1960 ‘father and son’ set, a one-year-only special with both traditional O gauge and newly released HO scale train consists and an oval elevated-viaduct track plan that allowed the HO to run in parallel underneath its O gauge counterpart. The ‘father and son’ nickname given to it by collectors refers both to the larger O gauge and smaller HO scale trains, as well as the depiction of a boy and his dad enjoying the set in the 1960 Lionel consumer catalog. The caboose has decal lettering and comes from a well-known collection that will be identified to the winning bidder to enhance provenance. The caboose is estimated at $2,000-$5,000.

A Lionel no. 6464 boxcar prototype for Norfolk & Western has hand-applied decals and never-run wheelsets on factory trucks. The item is unnumbered and never went into production, but may have served as inspiration for the later MPC / Fundimensions-era no. 6-9205 N&W boxcar. It is estimated at $500-$1,000 and, according to the lot notes, comes with a “letter of reputed provenance.”

Highly desirable now but a disaster upon its initial release was the 1957 Lionel ‘girl’s set,’ with locomotive, tender and rolling stock all painted in pastel colors to appeal to young girls. As it turned out, girls wanted toy trains, but they wanted them in the regular train colors offered to their brothers. Finding few takers, dealers resorted to breaking up these ‘girl’s’ sets and selling them off piecemeal. Weiss has a Lionel no. 6464-125 New York Central Pacemaker boxcar with early rubber-stamp lettering with characteristics that make this a pre-production sample. The lot notes state it comes with a “letter of reputed provenance” and, like the N&W boxcar, has been in the same collection since 1963. It carries an estimate of $2,000-$4,000.
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Lionel no.6357-50 factory prototype caboose, estimated at $2,000-$5,000 at Weiss Auctions.
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Excerpt from the Lionel 1960 consumer catalog showing the ‘father and son’ set offering.
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Lionel factory prototype no. 6464 boxcar, estimated at $500-$1,000 at Weiss Auctions.
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Lionel factory prototype no. 6464-125 ‘girl’s set’ boxcar, estimated at $2,000-$4,000 at Weiss Auctions.
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Lionel no.400E Blue Comet passenger set, estimated at $1,200-$2,400 at Weiss Auctions.
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A. C. Gilbert Erector Hudson construction toy set, estimated at $600-$1,200 at Weiss Auctions.
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Vintage fishing lures attracted and caught angling bidders at Blanchards

Heddon 409p ice fish decoy, $7,687 with buyer’s premium at Blanchards and Lang's.

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POTSDAM, N.Y. — Vintage fishing lures, like all collectible consumer goods, only become more valuable with the presence of original packaging. That was certainly the case November 3 at Blanchards Auction Service in its Fishing Tackle and Angling Auction held in conjunction with Lang’s Fishing Tackle Auction Company. Complete results are available at LiveAuctioneers.

The sale’s top lot was a Heddon 409p ice fish decoy. Founded in 1898 in Dowagiac, Michigan, Heddon is the oldest continuously operating fishing lure company in the world. Presenting with light wear and minor flaking to the decoration, the lure was accompanied by its rarely seen packaging, sending online bidders into a frenzy, blowing out the $400-$600 estimate to hammer at $6,250 ($7,687 with buyer’s premium).

Just behind it in the results tally was another Heddon lure, the Trout-Size Coast Minnow ‘Special.’ Essentially new in an intact but somewhat dirty box, and with an excellent fold-out insert sheet showing other products, it was only the second such lure to ever be offered by Lang’s, and, according to the lot notes, it was “in far better condition” than the one in the prior sale. Estimated at $500-$700, bidders jumped from a $1,500 opener in $100 increments all the way to a close at $5,500 ($6,765 with buyer’s premium).

Founded in Kalamazoo, Michigan in 1897, Shakespeare is one of America’s best-known fishing brands, having pioneered the fish-line reel that would revolutionize sport fishing worldwide. This ‘black picture box’ Sure Lure Bait by Shakespeare was in very good condition, but the presence of the almost never-seen box prompted bidders to push the hammer price to $5,250 ($6,457 with buyer’s premium) against an estimate of $500-$700.
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Heddon 409p ice fish decoy, which sold for $7,687 with buyer’s premium at Blanchards and Lang’s.
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Heddon Trout-Size Coast Minnow ‘Special,’ which sold for $6,765 with buyer’s premium at Blanchards and Lang’s.
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Shakespeare ‘black picture box’ Sure Lure Bait, which sold for $6,457 with buyer’s premium at Blanchards and Lang’s.
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Heddon ’00’ Minnow with ‘pine tree’ box, which sold for $5,043 with buyer’s premium at Blanchards and Lang’s.
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Rhodes Mechanical Swimming Frog with original packaging, which sold for $4,059 with buyer’s premium at Blanchards and Lang’s.
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