Mamluk 14th-century brass candlestick lit up Leland Little, selling for $125K

[av_heading heading=’Mamluk 14th-century brass candlestick lit up Leland Little, selling for $125K’ tag=’h1′ style=” subheading_active=” show_icon=” icon=’ue800′ font=’entypo-fontello’ size=” av-desktop-font-size-title=” av-medium-font-size-title=” av-small-font-size-title=” av-mini-font-size-title=” subheading_size=” av-desktop-font-size=” av-medium-font-size=” av-small-font-size=” av-mini-font-size=” icon_size=” av-desktop-font-size-1=” av-medium-font-size-1=” av-small-font-size-1=” av-mini-font-size-1=” color=” custom_font=” subheading_color=” seperator_color=” icon_color=” margin=’,,35px,’ av-desktop-margin=” av-desktop-margin_sync=’true’ av-medium-margin=” av-medium-margin_sync=’true’ av-small-margin=’,,20px,’ av-mini-margin=” av-mini-margin_sync=’true’ headline_padding=” headline_padding_sync=’true’ av-desktop-headline_padding=” av-desktop-headline_padding_sync=’true’ av-medium-headline_padding=” av-medium-headline_padding_sync=’true’ av-small-headline_padding=” av-small-headline_padding_sync=’true’ av-mini-headline_padding=” av-mini-headline_padding_sync=’true’ padding=’10’ av-desktop-padding=” av-medium-padding=” av-small-padding=” av-mini-padding=” icon_padding=’10’ av-desktop-icon_padding=” av-medium-icon_padding=” av-small-icon_padding=” av-mini-icon_padding=” link=” link_target=” title_attr=” id=” custom_class=” template_class=” av_uid=’av-lptv0p74′ sc_version=’1.0′ admin_preview_bg=”][/av_heading]

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HILLSBOROUGH, N.C. — Estimated at $5,000-$10,000, a 14th-century candlestick made during the classical period of Mamluk artistic production hammered for $100,000 and sold for $125,000 with buyer’s premium at Leland Little on December 1. The 9in high silver-inlaid brass candlestick was likely used in court ceremonies or celebrations to honor the reigning potentate — either Sultan al-Malik al-Nasir Muhammad ibn Qalawun (1293–1341), or his son, Sultan al-Nasir Hasan (1334-1361).

The decoration is distinctive. By the period in which the candlestick was made, circa 1320-1360, the figural scenes that had appeared on much earlier Mamluk metalware made in both Egypt and Syria had been replaced by large calligraphic panels. This example, with its typical profile of a drum base, a drip tray, a cylindrical neck, and a flared socket, is inscribed in Thuluth script with an acclamation. It reads: Glory to our Master the Sultan, al-Malik al-Nasir, wise, diligent and just, who exerts himself [in time of war], who stands ready [to protect the realm]. Other inlaid motifs of flying birds, palmettes and six-petaled rosettes are also recognizable emblems of the Qalawunid dynasty, considered the apogee of Mamluk metalwork.

A very different lot, but one that generated similar levels of competition, was a rai stone ‘coin’ from the Pacific Island of Yap. Estimated at $1,000-$2,000, it hammered for $15,500 ($19,375 with buyer’s premium).

Though universal currencies have since become the norm on Yap, rai stones are still used for status and for important transfers of wealth. The largest of these stones, fashioned from carved and drilled crystalline calcite, can exceed 10 feet in diameter and are recognized as one of mankind’s most unusual means of exchange.

Exports of stone currency from Yap were restricted in 1965, with very few examples coming to market since. This 2ft wide example was consigned from a North Carolina collection with paperwork demonstrating its legitimate importation to the USA more than 60 years ago.

The auction house pointed to another example of similar size and condition (the one offered at Leland Little had been broken and was offered as two pieces) held by the Smithsonian. It is thought to date from the late 19th to the early 20th century.

The lineup of paintings included three oils by local favorite Francis Speight (1896-1989) and all beat their estimates. The top seller was W.P.A. Workers Grading Playground from 1939-40, an affectionate scene of one of the blue-collar industrial towns surrounding Philadelphia, which hammered for $77,000 ($96,250 with buyer’s premium) against an estimate of $10,000-$20,000. It came for sale from a collection in eastern North Carolina with an earlier provenance to the Sid Deutsch Gallery of New York.

The scene may depict Manayunk, the industrial area on the Schuylkill River where Speight lived until moving to Doylestown with his new family in 1943. In 1961 he moved back to his home state, with the North Carolina Museum of Art mounting a retrospective to mark his return.

Woman with Gloves, a 14 by 11in panel by Boston artist William McGregor Paxton (1869-1941), hammered for $22,000 ($27,500 with buyer’s premium) against an estimate of $5,000-$10,000. Paxton, who trained at the Cowles School in Boston and then in Paris at both the École des Beaux-Arts and the Académie Julian, is well known for quiet paintings of fashionable well-to-do women at ease in windowless parlors touched by soft light. He credited his distinctive technique to Vermeer. This particular composition, which showed no evidence of restoration or overpaint, was signed and dated 1907, when the artist was at the peak of his powers and teaching at the Museum of Fine Arts.
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14th-century candlestick made during the classical period of Mamluk production, which sold for $100,000 ($125,000 with buyer’s premium) at Leland Little.
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Rai stone ‘coin’ from the Pacific Island of Yap, which sold for $15,500 ($19,375 with buyer’s premium) at Leland Little.
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Francis Speight, ‘W.P.A. Workers Grading Playground,’ which sold for $77,000 ($96,250 with buyer’s premium) at Leland Little.
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William McGregor Paxton, ‘Woman with Gloves,’ which sold for $22,000 ($27,500 with buyer’s premium) at Leland Little.
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Vintage glass and Americana made for solid results at Jeffrey S. Evans

[av_heading heading=’Vintage glass and Americana made for solid results at Jeffrey S. Evans ‘ tag=’h1′ style=” subheading_active=” show_icon=” icon=’ue800′ font=’entypo-fontello’ size=” av-desktop-font-size-title=” av-medium-font-size-title=” av-small-font-size-title=” av-mini-font-size-title=” subheading_size=” av-desktop-font-size=” av-medium-font-size=” av-small-font-size=” av-mini-font-size=” icon_size=” av-desktop-font-size-1=” av-medium-font-size-1=” av-small-font-size-1=” av-mini-font-size-1=” color=” custom_font=” subheading_color=” seperator_color=” icon_color=” margin=’,,35px,’ av-desktop-margin=” av-desktop-margin_sync=’true’ av-medium-margin=” av-medium-margin_sync=’true’ av-small-margin=’,,20px,’ av-mini-margin=” av-mini-margin_sync=’true’ headline_padding=” headline_padding_sync=’true’ av-desktop-headline_padding=” av-desktop-headline_padding_sync=’true’ av-medium-headline_padding=” av-medium-headline_padding_sync=’true’ av-small-headline_padding=” av-small-headline_padding_sync=’true’ av-mini-headline_padding=” av-mini-headline_padding_sync=’true’ padding=’10’ av-desktop-padding=” av-medium-padding=” av-small-padding=” av-mini-padding=” icon_padding=’10’ av-desktop-icon_padding=” av-medium-icon_padding=” av-small-icon_padding=” av-mini-icon_padding=” link=” link_target=” title_attr=” id=” custom_class=” template_class=” av_uid=’av-lpsgmadl’ sc_version=’1.0′ admin_preview_bg=”][/av_heading]

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MT. CRAWFORD, Va. — Jeffrey S. Evans & Associates achieved strong results for its consignors in the three day 18th- and 19th-century glass and Americana sales held November 30, December 1 and December 2. Complete results are available at LiveAuctioneers.

It’s always remarkable when 18th- or 19th-century collectible glass is found not only intact, but in nearly new condition. Prized by collectors, these items are regular stars at auction, as seen with this circa-1840-1860 pressed Bigler vase. Standing 11.5in in height and made from brilliant deep amethyst-colored glass, it is believed to be the output of either Boston & Sandwich Glass Co. or Mt. Washington Glass Works. Estimated at $500-$1,000, it hammered for $3,500, or $4,375 with buyer’s premium.

Thomas W. Commeraw (circa 1772–1823) was born into slavery but was freed at age seven when his owner, Manhattan pottery manufacturer William Crolius, manumitted the entire Commeraw family upon his death in 1779. Commeraw’s adult pottery output period spans 1796 to 1819, during which he produced this wide-mouth jug bearing his name. Bidders saw the inherent historic value in the jug, sending it to a hammer price of $12,000 ($15,000 with buyer’s premium) from an estimate of only $800-$1,200. Like many freed blacks of the time, Commeraw attempted to relocate back to Africa (in his case, Sierra Leone), but the attempt was not successful and he returned to America destitute. He would pass away soon after, ending an important chapter in American ceramics history.

Long before mass-manufacturing of advertising, there were carvers who crafted trade signs from wood. Much of this industry was based in the heart of American commerce, New York City, as was the case with Thomas V. Brooks (1828-1895), a leading provider of trade-stimulating figural displays. American Indian chiefs were popular subjects for tobacconists, whose tribal communities introduced Europeans to the native leaf for smoking enjoyment. This example stood 82in in height and had a historically accurate paint-decorated surface restored by master conservator Peter Deen. It sold within range at $35,000 ($43,750 with buyer’s premium).

Believed to have originated in England, this tobacconist display featured a man wearing what the lot notes described as a “Scottish-style cap and blue coat while holding a bundle of cigars” and stood only 41in in height, far shorter than Brooks’ chiefs. Estimated at $400-$600, it brought $5,500 ($6,875 with buyer’s premium).

Founded in 1889, Preservation Virginia is a private non-profit organization dedicated to celebrating and saving artifacts of Virginian history. At one time, its collection included this stunning folk art console consisting of a hand-carved eagle holding up a marble top. Believed to have been made in the late 19th century, the console sold for $10,000 ($12,500 with buyer’s premium) against a presale estimate of $1,000-$2,000.
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Circa-1840-1860 pressed Bigler vase, which sold for $3,500 ($4,375 with buyer’s premium) at Jeffrey S. Evans.
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Thomas W. Commeraw wide-mouth jug bearing his name, which sold for $12,000 ($15,000 with buyer’s premium) at Jeffrey S. Evans.
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Thomas V. Brooks American Indian chief tobacco store display, which sold for $35,000 ($43,750 with buyer’s premium) at Jeffrey S. Evans.
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English tobacconist display, which sold for $5,500 ($6,875 with buyer’s premium) at Jeffrey S. Evans.
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Folk art console featuring a hand-carved eagle and marble top, which sold for $10,000 ($12,500 with buyer’s premium) at Jeffrey S. Evans.
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Shenandoah Valley painted box dulcimer, which sold for $32,500 ($40,625 with buyer’s premium) at Jeffrey S. Evans.
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Wonderful ‘Alice in Wonderland’ collection realized $230K at Potter and Potter

First edition of the 1923 Russian translation of ‘Alice’s Adventures in Wonderland,’ done under a pseudonym by Vladimir Nabokov, which once belonged to the former Alice Liddell, aka the real-world Alice. It sold for $36,000 ($45,000 with buyer’s premium) at Potter & Potter.

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CHICAGO – The staying power of Alice’s Adventures in Wonderland – a story invented by Charles Lutwidge Dodgson to delight a small girl and her sisters in Oxford, England, and later published by him under the pen name of Lewis Carroll – cannot be denied. Stephen and Nancy Faber set out to build a book collection anchored by the beloved 19th-century story and its sequel, and ultimately consigned it to Potter & Potter Auctions. Offered on November 30, the collection earned a total of $230,000 and a sell-through rate of 92 percent. Absentee and Internet live bidding was provided through LiveAuctioneers.

The top lot overall was a first edition of the 1923 Russian translation of Alice, done under a pseudonym by Vladimir Nabokov. It once belonged to the former Alice Liddell, aka the real-world Alice, and was signed by her with her married name of Hargreaves in brown ink on the front pastedown. Estimated at $10,000-$15,000, it hammered for $36,000 and sold for $45,000 with buyer’s premium.

Two lots by two different creative legends, illustrator Barry Moser and Surrealist artist Salvador Dali, demonstrated how captivating the tale of Alice is and continues to be. Moser’s 1982 Pennyroyal Press version, which combined Alice’s Adventures in Wonderland and its sequel, Through the Looking-Glass and What Alice Found There into one volume had an estimate of $3,000-$5,000 and brought $6,500 ($7,800 with buyer’s premium). Dali’s take, produced in 1969 in a limited edition of 2,500, went for $6,000 ($7,500 with buyer’s premium).

Other standouts included a group of circa-1940s-1950s Pelham Puppets of Alice characters, which attained $3,000 ($3,750 with buyer’s premium) against an estimate of $400-$600, and two Alice-themed wooden jigsaw puzzles by the Vermont firm Stave Puzzles, one dating to 1991 and the other to 1997. Both estimated at $600-$800, the 1991 puzzle, which depicted a landscape view of Wonderland, earned $1,700 ($2,125 with buyer’s premium), and the 1997 version, which was shaped like a teapot and placed the Mad Hatter’s tea party at its center, realized $2,000 ($2,500 with buyer’s premium).

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First edition of the 1923 Russian translation of ‘Alice’s Adventures in Wonderland,’ done under a pseudonym by Vladimir Nabokov, which once belonged to the former Alice Liddell, aka the real-world Alice. It sold for $36,000 ($45,000 with buyer’s premium) at Potter & Potter.
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Barry Moser’s 1982 Pennyroyal press release of the two ‘Alice’ books, which sold for $6,500 ($7,800 with buyer’s premium) at Potter & Potter.
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Salvador Dali’s 1969 take on ‘Alice,’ one from a limited edition of 2,500, which sold for $6,000 ($7,500 with buyer’s premium) at Potter & Potter.
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Group of circa-1940s-1950s Pelham Puppets of ‘Alice’ characters, which sold for $3,000 ($3,750 with buyer’s premium) at Potter & Potter.
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One of two Alice-themed wooden jigsaw puzzles by the Vermont firm Stave Puzzles offered in the auction, which sold for $2,000 ($2,500 with buyer’s premium) at Potter & Potter.

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Ancient Viking jewelry for contemporary wear glitters at Jasper52 Jan. 3

[av_heading heading=’Ancient Viking jewelry for contemporary wear glitters at Jasper52 Jan. 3′ tag=’h1′ style=” subheading_active=” show_icon=” icon=’ue800′ font=’entypo-fontello’ size=” av-desktop-font-size-title=” av-medium-font-size-title=” av-small-font-size-title=” av-mini-font-size-title=” subheading_size=” av-desktop-font-size=” av-medium-font-size=” av-small-font-size=” av-mini-font-size=” icon_size=” av-desktop-font-size-1=” av-medium-font-size-1=” av-small-font-size-1=” av-mini-font-size-1=” color=” custom_font=” subheading_color=” seperator_color=” icon_color=” margin=’,,35px,’ av-desktop-margin=” av-desktop-margin_sync=’true’ av-medium-margin=” av-medium-margin_sync=’true’ av-small-margin=’,,20px,’ av-mini-margin=” av-mini-margin_sync=’true’ headline_padding=” headline_padding_sync=’true’ av-desktop-headline_padding=” av-desktop-headline_padding_sync=’true’ av-medium-headline_padding=” av-medium-headline_padding_sync=’true’ av-small-headline_padding=” av-small-headline_padding_sync=’true’ av-mini-headline_padding=” av-mini-headline_padding_sync=’true’ padding=’10’ av-desktop-padding=” av-medium-padding=” av-small-padding=” av-mini-padding=” icon_padding=’10’ av-desktop-icon_padding=” av-medium-icon_padding=” av-small-icon_padding=” av-mini-icon_padding=” link=” link_target=” title_attr=” id=” custom_class=” template_class=” av_uid=’av-lqo1zbms’ sc_version=’1.0′ admin_preview_bg=”][/av_heading]

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NEW YORK — Treasure hunters have been unearthing ancient relics for hundreds of years throughout Europe and the Americas. A new generation of collectors have embraced these finds as fashionable jewelry and adornments, and an important collection of these items comes to market Wednesday, January 3 at 2 pm Eastern time in an exclusive online auction from Jasper52. The 126-lot catalog is now open for bidding at LiveAuctioneers.

A burial at Viden, Denmark contained the body of a woman of wealth and status interred with henbane seeds, which have hallucinogenic properties, and a wand as well as other objects. Archeologists subsequently concluded that she was a seeress or sorceress. (Among Vikings, only women were sorcerers.) The grave contained a necklace hung with three duck-foot pendants very similar to this item, which measures slightly more than 1.625in in height. Professionally refurbished with the silver surface restored, the necklace is estimated at $1,750-$2,250.

A superb Viking coil ring from the 10th-11th century was made via the lost-wax process. Sized 9 to 9.25, it features double-stipple borders enclosing a quartered motif of double-stipple matching lines. Rings this intricate are rarely found undamaged, making this an even more special item. Modern jewelry experts restored the ring with 24K gold. It is estimated at $2,500-$3,500.

Battle axes were used by Vikings in hand-to-hand combat as well as for throwing at adversaries. This example dates to the 9th-11th century, is made of well-forged iron, and measures 5.75in in height. Excavated and professionally conserved, this axe head is perfect for any historic collection. It carries an estimate of $1,500-$1,750.
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Viking sorcerer’s amulet pendant necklace, estimated at $1,750-$2,250 at Jasper52.
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Viking coil ring, estimated at $2,500-$3,500 at Jasper52.
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Viking battle axe head, estimated at $1,500-$1,750 at Jasper52.
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Art Deco cocktail shakers: the most sophisticated collectibles

An early cocktail set by Russel Wright epitomized the modernist designs of the Art Deco era. The set, including a pewter cocktail shaker and six cups, achieved $100,000 plus the buyer’s premium in March 2019. Image courtesy of Wright and LiveAuctioneers.

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An early cocktail set by Russel Wright epitomized the modernist designs of the Art Deco era. The set, including a pewter cocktail shaker and six cups, achieved $100,000 plus the buyer’s premium in March 2019. Image courtesy of Wright and LiveAuctioneers.
An early cocktail set by Russel Wright epitomized the modernist designs of the Art Deco era. The set, including a pewter cocktail shaker and six cups, achieved $100,000 plus the buyer’s premium in March 2019. Image courtesy of Wright and LiveAuctioneers.

NEW YORK — The art of the cocktail is an elegant one. Don Draper in TV’s Mad Men surely made it seem so when he effortlessly hopped across an unmanned bar and made himself an Old Fashioned, plopping a sugar cube in a glass, adding bitters, water and mixing before adding whiskey. Mixed drinks have been around since the 1800s, but the high point in innovation and style for cocktail shakers was arguably during the Art Deco era (1925-35). This was a heady time in America’s history, spanning the prosperous Roaring Twenties and the Jazz Age. Flappers and the affluent continued to party even after the Great Depression began and even more so once Prohibition ended in 1933. “Art Deco cocktail shakers epitomize the era and it’s a fun collecting category,” said Richard Wright, CEO of Rago/Wright in Chicago.

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