Grace Hartigan abstract painting commands $682K at Revere

‘Dublin’ by Grace Hartigan, which sold for $525,000 ($682,500 with buyer’s premium) at Revere Auctions on March 20.

ST. PAUL, Minn.– This large abstract expressionist painting titled Dublin, by Grace Hartigan (1922-2008) was created between 1958 and 1959 as part of the artist’s European Place painting series, which followed her travels to eight European cities. The pictures were not literal views of where she visited, but rather ‘evocations of place.’

Hartigan had become associated with the New York School of avant-garde artists in the early 1950s, and was notably close to Willem de Kooning, Jackson Pollock, Helen Frankenthaler, Alfred Leslie, and Franz Kline.

Dublin, rendered in muted colors with splashes of bright blue and purple, is very similar to a work in the collection of the Guggenheim titled Ireland, which is the largest work in this series. Hartigan felt a special affinity for her “dear, dirty Dublin,” which reminded her of New York as well as her Irish heritage. The white linear patterns to the lower edge of this picture are, she later revealed, a reference to her relationship with Franz Kline. She has described them as “a love letter to Franz.”

The 6ft 10in square canvas was exhibited in 1960 as part of the Contemporary American Painting exhibition at the Columbus Gallery of Fine Arts in Ohio and later sold by the Tibor de Nagy Gallery of New York. It was offered in the March 20 Fine Art Evening Sale at Revere Auctions from a private collection in Minnesota. Estimated at $150,000-$200,000, it hammered for $525,000 ($682,500 with buyer’s premium).

Original 1934 and 1935 Monaco Grand Prix posters could top $25K at Lyon & Turnbull April 24

Georges Hamel, 1935 Monaco Grand Prix poster, estimated at £15,000-£20,000 ($18,845-$25,125) at Lyon & Turnbull.

LONDON – Original printings of two of the most reproduced of all automotive posters will appear at Lyon & Turnbull this month. The Wednesday, April 24 auction of Travel & Vintage Posters includes the posters designed by Georges Hamel for the Monaco Grand Prix in 1934 and 1935. They share the sale’s highest estimate at £15,000-£20,000 ($18,845-$25,125) apiece.

Posters for the oldest race on the Formula 1 racing calendar – ’34 and ’35 were the sixth and seventh stagings of the race – are among the most reproduced of all vintage poster artwork. Those designed by Georges Hamel (who signed his works Geo Ham) are particularly popular, combining bucket-loads of Art Deco styling with views of classic prewar vehicles racing on the Riviera.

Georges Hamel (1900-1972), the Prince of Speed, was at the top of his game when these two posters were produced. Having received the first of many commissions from French car magazine Omnia and the weekly L’Illustration in 1920, he was quickly engaged by race organizers and car marques to produce artwork for the Machine Age. He lived and breathed his subject matter: inspired to take up painting after watching a motor race in his hometown of Laval in 1913, he was himself an amateur racer and mechanic. He co-drove a 2-liter V8 Derby L8 at Le Mans in 1934 and owned a Bugatti Type 40.

Hamel’s pastel-hued design for the 1934 Monaco Grand Prix was commissioned by race organizers Association Internationale des Automobile Clubs Reconnus (AIACR) and printed by Monegasque of Monte-Carlo. Although he chose as his subject gentleman racer Lord Howe (the 5th Earl Howe, Francis Richard Henry Penn Curzon) pulling ahead in his Maserati, the April 2 race was dominated by the successes of the Alfa Romeo team. The Algerian Guy Moll took the checkered flag at the age of 23 years and 10 months old, and remained the youngest driver to have won a Monaco Grand Prix until Lewis Hamilton (aged 23 years and 4 months) did so in 2008.

The 1935 poster, which depicts a shining aluminium Mercedes-Benz W25 out front, proved more prophetic. A tight race on April 22 was dominated by Mercedes and Alfa-Romeo, with Luigi Fagioli — the Abuzzi Robber — taking the flag in his W25B, slightly more than 31 seconds ahead of René Dreyfus in his Alfa-Romeo P3.

Several original copies of both posters have sold in recent years, with most passing the $20,000 mark.

Toshiko Takaezu turned clay into poetry

A Toshiko Takaezu Moon vessel set a new auction record for the artist when it achieved $430,000 plus the buyer’s premium in April 2023. Image courtesy of Rago Arts and Auction Center and LiveAuctioneers.

NEW YORK – A handful of artists have taken the material of clay to new heights. One of the most celebrated is Toshiko Takaezu (1922-2011), whose ceramics are prized for their artistic skill and complex execution as well as their poetic surfaces.

Born in Hawaii, she worked in several mediums during her five-decade career, from painting and bronze sculpture to fiber art, but she is renowned for her ceramics and, in particular, what she called her “closed form” vessels.

These works have been likened to abstract paintings in the round. “Her gestural style, distinctive palettes, and complex layering of glazes align with the practices of Abstract Expressionists who were her contemporaries,” according to the website of the MFA Boston museum.

Another view of the Toshiko Takaezu Moon vessel that set a world auction record for the artist in April 2023 when it achieved $430,000 plus the buyer’s premium. Image courtesy of Rago Arts and Auction Center and LiveAuctioneers.
Another view of the Toshiko Takaezu Moon vessel that set a world auction record for the artist in April 2023 when it achieved $430,000 plus the buyer’s premium. Image courtesy of Rago Arts and Auction Center and LiveAuctioneers.

Her most famous closed-form sculptures were her Moon vessels, which are also her most coveted. A circa-1985 Moon vessel, having fine glazing all over in shades of purple and maroon, achieved an auction record for the artist of $430,000 plus the buyer’s premium in April 2023 at Rago Arts and Auction Center.

“This one had it all. Great provenance, excellent condition, great scale, iconic form, and killer glaze combination,” said David Rago of Rago Arts and Auction Center in Lambertville, New Jersey, explaining that the record-setting Moon came from a Hawaiian collection of friends of the artist who were the sole owners of the piece before it was consigned for sale.

Details of the record-setting Toshiko Takaezu Moon vessel that set a world auction record for the artist in April 2023 when it achieved $430,000 plus the buyer’s premium. Image courtesy of Rago Arts and Auction Center and LiveAuctioneers.
Details of the record-setting Toshiko Takaezu Moon vessel that set a world auction record for the artist in April 2023 when it achieved $430,000 plus the buyer’s premium. Image courtesy of Rago Arts and Auction Center and LiveAuctioneers.

Describing her work as sublime, quiet, meditative, and Zen, Rago said, “I know of no other potter, possibly with the exception of Rose Cabat, who captured the moon pot form and played with it so successfully for so long. She found many variations on the theme beyond how she chose to color them. There is a Zen quietude she captured in clay and in the way she decorated the vessels.”

A Toshiko Takaezu ‘Spring Moon’ vessel with a rattle embedded inside it brought $140,000 plus the buyer’s premium in October 2023. Image courtesy of Rago Arts and Auction Center and LiveAuctioneers.
A Toshiko Takaezu ‘Spring Moon’ vessel with a rattle embedded inside it brought $140,000 plus the buyer’s premium in October 2023. Image courtesy of Rago Arts and Auction Center and LiveAuctioneers.

Takaezu’s Moon vessels were all unique, and occasionally, she would place a clay bead wrapped in paper inside one so it would make a rattling sound when moved. A Spring Moon with an embedded rattle brought $140,000 plus the buyer’s premium in October 2023 at Rago Arts and Auction Center.

An alternate view of Toshiko Takaezu's ‘Spring Moon’ vessel with a rattle embedded inside it. The piece brought $140,000 plus the buyer’s premium in October 2023. Image courtesy of Rago Arts and Auction Center and LiveAuctioneers.
An alternate view of a Toshiko Takaezu ‘Spring Moon’ vessel with a rattle embedded inside it. The piece brought $140,000 plus the buyer’s premium in October 2023. Image courtesy of Rago Arts and Auction Center and LiveAuctioneers.

“Works at this level are one in 500, maybe? She just didn’t go here that often. I think, when she made something like this, because of all the time and effort put into it, she really just WENT for it,” Rago said, citing Spring Moon’s variation of form, excellent scale, and wonderful glaze combinations. The piece, which was shown at a key Chicago exhibition on the Navy Pier in 2000, also had fine provenance and was in great condition.

This ‘Full Moon’ vessel by Toshiko Takaezu is notable for the leaf-like fine glazing design at the top. The circa-1970 sculpture took $15,000 plus the buyer’s premium in October 2021. Image courtesy of Los Angeles Modern Auctions (LAMA) and LiveAuctioneers.
This ‘Full Moon’ vessel by Toshiko Takaezu is notable for the leaf-like fine glazing design at the top. The circa-1970 sculpture took $15,000 plus the buyer’s premium in October 2021. Image courtesy of Los Angeles Modern Auctions (LAMA) and LiveAuctioneers.

Moon vessels range in size as well as color, with some of the largest measuring about 30in. A circa-1970 Full Moon vessel, distinguished by its leaf-like fine glazing design, took $15,000 plus the buyer’s premium in October 2021 at Los Angeles Modern Auctions.

Interest in Toshiko Takaezu has remained strong since her death in 2011, and 2024 brought two concurrent museum exhibitions focused on her, one at the MFA Boston and the other at the Isamu Noguchi Foundation and Garden Museum in Long Island City, New York. Collectors’ interest has only grown across time. Rago first started offering Takaezu’s work in the 1980s and once bought personally from the artist in her New Jersey studio. But in 2023 alone, the auction house sold about 200 Takaezus.

Another view of a circa-1970 Toshiko Takaezu ‘Full Moon’ vessel that took $15,000 plus the buyer’s premium in October 2021. Image courtesy of Los Angeles Modern Auctions (LAMA) and LiveAuctioneers.
Another view of a circa-1970 Toshiko Takaezu ‘Full Moon’ vessel that took $15,000 plus the buyer’s premium in October 2021. Image courtesy of Los Angeles Modern Auctions (LAMA) and LiveAuctioneers.

“The market for her work, in general, is insane. The record at auction for anything by Toshiko, up until 11 months ago, was about $30,000,” Rago said. “We sold one piece last April [the aforementioned Moon] for $540,000 [including the buyer’s premium], and we’ve sold 15-20 pieces for more than $30,000 since then, and a number have brought over $100,000. Prices spiked in anticipation of both of the museum shows, but also because of her showing at the Venice Biennale in 2022.”

This Toshiko Takaezu tall closed-form sculpture, notable for its cylindrical shape, sold for $24,000 plus the buyer’s premium in September 2021. Image courtesy of Heritage Auctions and LiveAuctioneers.
This Toshiko Takaezu tall closed-form sculpture, notable for its cylindrical shape, sold for $24,000 plus the buyer’s premium in September 2021. Image courtesy of Heritage Auctions and LiveAuctioneers.

The late artist benefits from gallery representation in New York, and the David Zwirner Gallery mounted an online show of her work in 2024 as well, Rago said, adding: “Her time has come, especially in this contemporary mindset: a woman, not Caucasian, who ran with the AbEx artists, and was deeply respected as a teacher at Princeton University as well as an artist.”

Another tall closed form by Toshiko Takaezu, dating to circa 1995, earned $16,000 plus the buyer’s premium in June 2023. Image courtesy of Wright and LiveAuctioneers.
Another tall closed form by Toshiko Takaezu, dating to circa 1995, earned $16,000 plus the buyer’s premium in June 2023. Image courtesy of Wright and LiveAuctioneers.

While Takaezu is perhaps best known for her orb-like forms, she did not restrict herself to any one style. A tall and bullet-like closed-form vessel, standing 31 ¾in tall, sold for $24,000 plus the buyer’s premium in September 2021 at Heritage Auctions. The glazing is lyrical and reminiscent of ‘color stain’ painters such as Helen Frankenthaler.

A similar tall closed-form vessel dating to circa 1995 earned $16,000 plus the buyer’s premium in June 2023 at Wright.

An untitled closed-form vessel with rattle by Toshiko Takaezu went out at $14,000 plus the buyer’s premium in November 2022. Image courtesy of Los Angeles Modern Auctions (LAMA) and LiveAuctioneers.
An untitled closed-form vessel with rattle by Toshiko Takaezu went out at $14,000 plus the buyer’s premium in November 2022. Image courtesy of Los Angeles Modern Auctions (LAMA) and LiveAuctioneers.

Her color combinations enhanced her work, but she also added design elements such as the fine banding of horizontal incising on an untitled closed form blessed with a rattle. That circa-1995 vessel went out at $14,000 plus the buyer’s premium in November 2022 at Los Angeles Modern Auctions. She also created pieces such as a circa-1958 double-spouted bottle that realized $13,000 plus the buyer’s premium in September 2022 at Rago Arts and Auction Center.

A double-spouted bottle by Toshiko Takaezu realized $13,000 plus the buyer’s premium in September 2022 at Rago Arts and Auction Center. Image courtesy of Rago Arts and Auction Center and LiveAuctioneers.
A double-spouted bottle by Toshiko Takaezu realized $13,000 plus the buyer’s premium in September 2022 at Rago Arts and Auction Center. Image courtesy of Rago Arts and Auction Center and LiveAuctioneers.

Takaezu, who said working with clay was like poetry, allowed herself to be inspired by the earthy material as she brought pieces to life on her pottery wheel. Collectors who have a deep appreciation for these paintings-in-the-round have driven a vibrant and growing market for her otherworldly ceramics.