Aesthetic movement porcelain by Minton and Royal Worcester brings beauty to Strawser April 23

Royal Worcester Aesthetic movement moon flask decorated with Japanese-style fauna against a black ground, estimated at $1,500-$2,500 at Strawser Auction Group.

WOLCOTTVILLE, Ind. – A collection of Aesthetic movement porcelain formed by the New York-New Jersey retailer Helene Fortunoff (1933-2021) will be presented at Strawser Auction Group on Tuesday, April 23. Fortunoff, who joined the retail operation of her husband’s family in Brooklyn in the 1950s, oversaw the firm’s expansion into jewelry and became its president in 2000.

The Aesthetic movement and its Far Eastern-inspired designs were her passion. Buying through the London dealership Nicholas Boston Antiques during the past two decades, she amassed a 243-lot collection of wares, predominantly by Royal Worcester and Minton, that epitomized the late 19th-century ‘cult of beauty.’

Japanese- and Chinese-style porcelains were first exhibited by Royal Worcester in London in 1872 – a decade after displays of Japanese works of art had caused a sensation at the expos in London (1862) and Paris (1867). R.W. Binns, the artistic director of the Royal Worcester factory, built up his own collection of Far Eastern ceramics to inspire and educate his workers in the concepts of asymmetry, flat patterning, and simplified form.

There are 54 lots of Royal Worcester wares from this singular period in the Fortunoff collection. Few are slavish copies. Instead, they are works of Orientalism, adapted and assimilating to meet Western ideals and taste. They include a remarkable pair of circa-1875 moon flasks that combine a Far Eastern form with decoration borrowed from the European Renaissance. The central floral displays are done in pate sur pate, the ‘clay-on-clay’ technique that arrived in the UK from Paris with the decorated Marc-Louis Solon in 1870. Together, these moon flasks carry the top estimate of the sale at $5,000-$7,000.

Many of the best Aesthetic movement wares of the Minton factory were designed with the input of Christopher Dresser. An expert on Eastern art and design, Dresser had drawn huge inspiration from the Japanese Court at the 1862 exhibition and visited Japan himself as a British emissary in 1876. Prior to his journey, he was hired by Tiffany & Co. of New York to assemble a representative collection of art and design objects.

The 58 lots of Minton porcelain includes several pieces from the famous series of Dresser wares designed in imitation of cloisonné. A cabinet plate, similar to others shown by Minton at the 1878 Paris International Exhibition, is estimated at $800-$1,200. As always, bidding is available via LiveAuctioneers.

A. Elmer Crowell’s ‘finest’ duck decoy swims into Guyette & Deeter April 25-26

A. Elmer Crowell, preening black duck decoy, estimated at $300,000-$500,000 at Guyette & Deeter.

LOMBARD, Ill. —The duck decoy that many consider to be A. Elmer Crowell’s finest achievement will be offered at Guyette & Deeter this month. The model of a preening black duck made by the Massachusetts carver circa 1905 is among the many highlights of the Alan and Elaine Haid collection, to be presented on the first day of the Thursday, April 25 and Friday, April 26 Annual Spring Decoy and Sporting Art Auction. The catalog is now available at LiveAuctioneers.

The supremely carved 17in model that retains its original paint under an early coat of varnish was made for one of Crowell’s most important patrons. The Boston stockbroker Stanley W. Smith (1869-1941) wintered in the city but summered in Cape Cod, where he hunted wildfowl on Little Pleasant Bay. This, one of many pieces he bought from Crowell in East Harwich, passed down in the Smith family for several generations before it entered the Haid collection. It has been pictured in a number of publications including in New England Decoys by Shirley and John Delph and in Elmer Crowell: Father of American Bird Carving by Steven O’Brien and Chelsie Olney. Such excellence does not come cheap: the estimate is $300,000-$500,000.

Alan and Elaine Haid started their collecting journey together in 1967. The fruits of more than 50 years spent in one collecting field is a grouping of some of the rarest examples by many of the leading American decoy artists.

Among the best-known works by Robert Elliston (1847-1925) of Bureau, Illinois is an oversize hollow-carved model of a preening black duck. Made in the 1880s, this 17in model with its original paint intact was found by an antique collector at a New England flea market in the spring of 1984 and sold in the first-ever Julia and Guyette auction that same year. It has since been pictured in many decoy books, including Decoys: North America’s One Hundred Greatest by Loy S. Harrell Jr. It sports an estimate of $80,000-$120,000, and is one of eight decoys by Elliston in the collection.

Alan Haid became a successful dealer and appraiser of decoys and would write two books. Chosen as a front cover illustration for Decoys of the Mississippi Flyway, which he wrote and published in 1981, was a pair of hollow carved American mergansers by the Mason Decoy Factory (1896-1924) of Detroit, Michigan. They are estimated at $50,000-$70,000.

Pictured on the front of Mason Decoys – A Complete Pictorial Guide, the book he co-authored with Russ Goldberger in 1993, was a solid-body drake in original paint. The back cover showcased a circa-1900 two-piece model of a curlew with glass eyes and iron bill. They are both included in the sale, with estimates of $80,000-$120,000 and $30,000-$40,000, respectively.