Spanish artist’s giant sculpture unveiled in NYC

NEW YORK (AP) – A giant sculpture of a girl’s head by Spanish artist Jaume Plensa has landed in a New York City park.

The 44-foot (13.5-meter)-tall “Echo” was unveiled Thursday in Madison Square Park by the park’s conservancy.

The internationally renowned artist says the white fiberglass resin work was inspired by the Greek mythological nymph Echo. She could only utter other people’s thoughts but not her own.

The massive scale of the work also draws parallels to Echo’s origin as a mountain nymph.

It will remain in the park until Aug. 14.

The artist says the sculpture’s face is based on the 9-year-old daughter of a restaurant owner near his home in Barcelona.

Plensa is known for his monumental forms. Chicago’s Millennium Park is home to his 50-foot(15-meter)-high ‘Crown Fountain.”

Copyright 2011 Associated Press. All rights reserved. This material may not be published, broadcast, rewritten, or redistributed.

AP-WF-05-05-11 1902GMT

 

Arts funding gains support in Kan. budget talks

TOPEKA, Kan. (AP) – The Kansas Arts Commission has an improved chance of getting funded in the state budget approved by legislators this year.

Budget negotiators moved closer Tuesday to including $689,000 for the commission in a $14 billion spending plan for the fiscal year beginning July 1.

Republican Gov. Sam Brownback has proposed eliminating the commission as a state agency and replacing it with a private, non-profit foundation. The House endorsed that proposal, but the Senate rejected it.

The $689,000 approved by the Senate represents a 14 percent cut in the commission’s current budget.

In budget negotiations, House members agreed to accept the Senate’s position.

Many lawmakers expect Brownback to veto any budget line funding the commission, though he hasn’t promised it publicly.

Copyright 2011 Associated Press. All rights reserved. This material may not be published, broadcast, rewritten, or redistributed.

#   #   #

 

100,000 dollar bills will become art at Guggenheim

Conceptualist artist Hans-Peter Feldman. Image courtesy of Wikimedia Commons, licensed under the Creative Commons Attribution-Share Alike 3.0 Unported license.

Conceptualist artist Hans-Peter Feldman. Image courtesy of Wikimedia Commons, licensed under the Creative Commons Attribution-Share Alike 3.0 Unported license.
Conceptualist artist Hans-Peter Feldman. Image courtesy of Wikimedia Commons, licensed under the Creative Commons Attribution-Share Alike 3.0 Unported license.
NEW YORK (AP) – A German artist is using his $100,000 contemporary art prize to create a conceptual piece – literally.

He’s pinning 100,000 used dollar bills to the gallery walls of a major New York City museum.

Hans-Peter Feldmann’s installation at the Guggenheim Museum opens May 20 and runs until Nov. 2.

Feldmann is the 2010 winner of the Hugo Boss Prize, established by the museum and named after the German fashion company.

The Guggenheim says Feldmann is portraying currency as mass-produced material used every day, rather than a symbol of capitalism.

The 70-year-old artist previously has created a sequence of 100 portraits of people, from babies to age 100.

Extra security cameras and guards will ensure the bills remain on the wall.

Feldmann will keep the money after the exhibition.

Copyright 2011 Associated Press. All rights reserved. This material may not be published, broadcast, rewritten, or redistributed.

AP-WF-05-04-11 1710GMT

 

First Tower now Paris’ tallest office block

View of La Defense district, home to the new First Tower, as seen in a photo taken from the Eiffel Tower by Harouin. Licensed under the Creative Commons Attribution-Share Alike 3.0 Unported license.
View of La Defense district, home to the new First Tower, as seen in a photo taken from the Eiffel Tower by Harouin. Licensed under the Creative Commons Attribution-Share Alike 3.0 Unported license.
View of La Defense district, home to the new First Tower, as seen in a photo taken from the Eiffel Tower by Harouin. Licensed under the Creative Commons Attribution-Share Alike 3.0 Unported license.

PARIS  (AFP) – Paris unveiled the latest giant to grace its famous skyline Thursday, with the formal inauguration of France’s tallest skyscraper, known as the “First Tower.”

At 21,000 tonnes, the First is more than twice as heavy as the French capital’s tallest and most famous landmark, the Eiffel Tower, which nevertheless beats it for sheer height at 324 metres (1,063 feet).

The spire was born when developers stripped down and rebuilt the mighty Axa block in La Defense business quarter on the western edge of the city, adding 69 metres to send it soaring to 231 metres. Now, the tower tops the city’s previous – famously unloved – tallest office block, the slab-like Tour de Montparnasse, which looms over the Left Bank at 210 metres (758 feet) tall.

Compared to major financial centers like London, Frankfurt, New York or Hong Kong, Paris has a low-rise skyline, with planners keen to preserve the look of its elegant 19th century boulevards.

Skyscrapers allowed in Paris have been pushed to the edge of the city center to leave a clear view to the iconic Eiffel Tower, and efforts have been made to attract global business to the outlying La Defense district.

But, despite the triumph of its architecture, First has so far not proved a hit with tenants: Only half of its office space, 80,000 square metres spread over 52 floors, has so far been allocated.

Building on the 300 million euro (440 million dollar) tower began in 2008. The first tenant, accountancy giant Ernst and Young, will move in during the second half of the year.

#   #   #

 


ADDITIONAL IMAGE OF NOTE


View of La Defense district, home to the new First Tower, as seen in a photo taken from the Eiffel Tower by Harouin. Licensed under the Creative Commons Attribution-Share Alike 3.0 Unported license.
View of La Defense district, home to the new First Tower, as seen in a photo taken from the Eiffel Tower by Harouin. Licensed under the Creative Commons Attribution-Share Alike 3.0 Unported license.

Austria museum to sell Schiele painting to pay for ‘Wally’

The Leopold Museum of Vienna's prized Egon Schiele (Austrian, 1890-1918) painting Portrait of Wally, 1912. Image source: The Yorck Project.
The Leopold Museum of Vienna's prized Egon Schiele (Austrian, 1890-1918) painting Portrait of Wally, 1912. Image source: The Yorck Project.
The Leopold Museum of Vienna’s prized Egon Schiele (Austrian, 1890-1918) painting Portrait of Wally, 1912. Image source: The Yorck Project.

VIENNA (AFP) – The Leopold Museum in Vienna said Thursday it would sell a key painting by Austrian painter Egon Schiele to help finance last year’s acquisition of the Portrait of Wally by the same artist.

The museum said in a statement it planned to put up for auction at Sotheby’s in London next month Schiele’s 1914 canvas entitled House with coloured linen. The Leopold Museum put the painting’s estimated value at 30 million euros ($44.5 million), but said it could sell for even higher and perhaps achieve a record for Schiele’s works at auction.

Sotheby’s said it viewed the picture as “one of Schiele’s most important works” and valued it at $36-50 million (24-33 million euros).

The museum will use the proceeds to pay for “Wally,” which it managed to buy last year for $19 million after years of legal wrangling with the family of the painting’s previous Jewish owner.

In 2006, a landscape by Schiele went for a record $22.4 million. Schiele (1890-1918) was one of Austria’s major expressionist painters, alongside Gustav Klimt and Oskar Kokoschka.

#   #   #

 


ADDITIONAL IMAGE OF NOTE


The Leopold Museum of Vienna's prized Egon Schiele (Austrian, 1890-1918) painting Portrait of Wally, 1912. Image source: The Yorck Project.
The Leopold Museum of Vienna’s prized Egon Schiele (Austrian, 1890-1918) painting Portrait of Wally, 1912. Image source: The Yorck Project.

Japanese police end nuclear art stunt

TOKYO (AFP) – An anonymous painter in Japan at the weekend added an image of the stricken Fukushima atomic plant to a public mural about the horrors of a nuclear explosion by the late abstract master Taro Okamoto.

The clandestine add-on image – painted in a style mimicking that of Okamoto’s “Myth of Tomorrow” on display at a busy Tokyo train station – created a stir on Twitter before police took it down Sunday evening.

The small wooden panel – which shows black smoke billowing from reactor buildings resembling those at Fukushima – was attached to the wall without causing damage to the original 30-meter-long (100-foot-long) wall painting.

Okamoto, who was born 100 years ago and died in 1996, is one of Japan’s best-known modern artists. Strongly influenced by Pablo Picasso, he is known for his abstract paintings and sculptures, including his “Tower of the Sun” erected for the Osaka Expo in 1970.

“Myth of Tomorrow,” created in Mexico in 1968-69, went missing for years but was rediscovered in 2003, returned to Japan and finally installed at a pedestrian overpass at the capital’s busy Shibuya railway station in 2008.

The non-profit organisation that is the guardian of the painting was quoted as saying by local media: “It is an outrageous prank and we are troubled.”

An official with the group said “it is problematic to create a link when many people are suffering” between the horror of an atomic bomb explosion and the crisis at the tsunami-hit nuclear plant, the Tokyo Shimbun reported.

Japan’s massive earthquake and tsunami on March 11 destroyed the cooling systems of the Fukushima plant, causing explosions and fires. The plant has since leaked radioactive substances into the air, ground and sea.

#   #   #

Street artists in Benghazi take aim at Gaddafi

Still frame depicting a caricature of Muammar Gaddafi from a YouTube video about the slain graffiti artist Qais Ahmed Al-Hilali. Courtesy Repubblica Radio TV, TM News and YouTube.
Still frame depicting a caricature of Muammar Gaddafi from a YouTube video about the slain graffiti artist Qais Ahmed Al-Hilali. Courtesy Repubblica Radio TV, TM News and YouTube.
Still frame depicting a caricature of Muammar Gaddafi from a YouTube video about the slain graffiti artist Qais Ahmed Al-Hilali. Courtesy Repubblica Radio TV, TM News and YouTube.

BENGHAZI, Libya (AFP) – Muammar Gaddafi pumping petrol into a winged camel, Gaddafi with the tail of a snake and a forked tongue, Gaddafi as Dracula.

The flamboyant Libyan strongman is fueling a flourishing cartoon caricature scene in the rebel stronghold of Benghazi. Those are just a few of the themes produced by a group of young artists who reached not for their guns but for their colored pens and spray cans when Libya’s revolution kicked off in mid-February. One of them paid for it with his life, gunned down by secret police.

The group now goes by the name of their dead colleague, Qais al-Halali, and continues its work from a ramshackle office in a makeshift media centre next to the rebel headquarters on the city’s seafront.

“We draw caricatures here and then distribute them around the city. We give them to people to show at demonstrations or hang on walls,” said Akram al-Bruki, 32, who uses the moniker Kimo to sign his work.

Bruki took out two commemorative posters of Halali, one showing a picture of his fresh-faced late colleague, the other showing the bruised and bloodied head of a dead man.

“He got a message to stop,” delivered by Kadhafi’s forces before they were chased out of the eastern city. “But he didn’t stop. When we started doing this we swore that no-one would stop us.”

The secret police finally caught up with Halali in late March, shooting him dead as he drove up to a checkpoint, said Bruki.

Bruki and his three colleagues vowed afterwards to step up their production to play their part in trying to bring about the downfall of the man who had ruled their country since before they were born.

“We didn’t go to the front. We fight with pictures and words,” said Ahmed Ahreb, 33, who writes captions and speech bubbles for the cartoons his friends make.

The walls of their office and of the whole media centre were jammed with their pictures and nearby buildings are daubed with graffiti and grotesque depictions of Gaddafi.

On the wall behind Bruki was a picture of Hosni Mubarak, the ex-president of Egypt who was ousted in a popular uprising in February, presenting a tray of drinks to Gaddafi.

“Take some Red Bull to help you fly,” says the speech bubble above the Egyptian.

“I’m not the kind who flies. I’m going to stay,” replies the Libyan.

Bruki said that the eccentric Gaddafi, with his jowly face, bushy hair, colourful clothes and penchant for glamorous female bodyguards, was an easy target for satire.

He pointed to his own favourite caricature on a wall in the media center corridor.

“Gaddafi Cats” was the slogan above a drawing of the strongman snuggled up between two buxom women bodyguards in green army uniforms and red berets.

Bruki produced a folder with several drawings he had just finished, which he said were being sent to Egypt to figure in an exhibition there before going on to another show in Qatar.

He also proudly took out his mobile phone to display a photo of himself spray-painting a cartoon of the leader he hates on the wall of an army barracks in central Benghazi.

“It was really dangerous to do this at the time because the secret police were in the streets,” he said.

He said he was convinced his group’s work not only boosted morale in rebel-held areas but that it also unnerved Gaddafi, whose forces control the western half of the country.

“Gaddafi definitely sees them and they make him nervous. Many journalists have come here and filmed us or wrote articles about us, and he will see that on the television,” he said.

# # #

Click here to view a YouTube video of a Repubblica Radio TV/TM News Italian-language news story about Qais al-Halali, a graffiti artist who was executed by Libya’s secret police for his unflattering portrayals of Muammar Gaddafi:

www.youtube.com/watch?v=doP81BDuDXg

 

Banksy’s Kissing Cops to be sold in USA

LONDON (ACNI) – Several British newspapers are reporting that an artwork titled Kissing Cops by graffiti artist Banksy is to be flown to the United States and sold through a New York gallery.

The artwork depicting two British policemen embracing and kissing each other has been a tourist attraction for a number of years in the seaside resort town of Brighton. In 2008, Chris Steward, owner of the Prince Albert pub on Trafalgar Street, where the wall art appeared after a stealth visit from Banksy, had the painting chemically transferred onto canvas. Steward said he resorted to this measure because the original painting had been vandalized so many times.

The second-generation painting is expected to sell by private treaty for as much as $1.6 million. Some reports, however, say the work is destined for the auction block.

Copyright 2011 Auction Central News International. All rights reserved. This material may not be published, broadcast, rewritten, or redistributed.

# # #

 

 

Montreal artist unveils Warhol-inspired royal portraits

MONTREAL (AFP) – Just before the royal wedding of the century, a Montreal artist has unveiled stunning contemporary portraits of Prince William and Kate Middleton, amid much buzz in the art world.

The portraits by Andre Monet, a former graphic artist who worked in advertising until five years ago, were put on display Tuesday in London, and will be given to the royal couple after Friday’s wedding, the gallery that commissioned the work told AFP.

The paintings come nearly three decades after Andy Warhol unleashed his iconic portraits of Prince Charles and Diana, the Princess of Wales.

Monet’s depiction of the royal family’s newest couple are definitely a pop realist nod to Warhol’s work. Warhol’s 1982 photographic-like paintings of Charles and Diana were done in silkscreen ink on canvas.

But Monet’s portraits, which are a hybrid of painting and collage, have a unique, 21st-century feel and are striking for their luminosity and texture.

“I was inspired by Warhol’s vision,” Monet told AFP from London, where the Opera Gallery, which has close ties with the royal family, is showing his work this week.

The gallery will offer the portraits to Prince William and his bride as a gift, shortly after the wedding, Florie-Anne Mondoloni of Opera Gallery London said.

Monet wanted to give his mixed media paintings a fresh allure. Inspired by a photo of William and Kate, he painted their smiling faces with delicate precision. “I was trying to express their personality,” he said.

“When you look at them, in my vision, they look like a couple that’s happy, in love.”

Beneath the smiles are a collage of historical references to the monarchy that Monet found in dozens of books, most of them more than a century old, from London bookstores.

The artist tore out pages from the books – referencing figures such as Queen Elizabeth I and Queen Victoria – and layered them behind the couple’s faces, creating gold and yellow accents that are meant to symbolize the “glow” of the young couple.

“When you see the paintings up close, you can read what’s behind them,” Monet said.

The artist’s backers are convinced that his work will survive the test of time.

“His work is so delicate and strong at the same time. It’s a real voice in the art world,” said Eric Allouche, a co-owner of Opera Gallery New York and Miami.

Allouche said the manner in which Monet respects the authenticity of the photographic image while adding his own touch is “absolutely phenomenal.”

On rue Saint Paul, in a historic district of Montreal, Monet’s portraits of Madonna, Jackie Kennedy, the Dalai Lama and Twiggy cover the walls.

It is here that gallery owner Lydia Monaro first displayed Monet’s work.

“He works with his fingers and a very small brush, and goes to great lengths to paint the eyes,” Monaro explained.

And while Monet’s subjects are icons of the modern age, his textures give his paintings an ancient feel.

“I always say to him, you are such an ancient soul, and he always laughs at me,” Monaro said.

It didn’t take long before his work caught the eye of art lovers, and even celebrities. His first client was the American actress Halle Berry.

“It was my first portrait,” Monet said of the French fashion designer, Yves St Laurent collage painting he had exhibited at the Montreal gallery.

“When Halle Berry came in and bought it, I thought maybe I had done something.”

Now, Monet likens his life “to a dream.”

“It’s the dream of a lifetime. I’m able to survive from my paintings. Every day I wake up I am happy.”

# # #

Copyright AFP 2011

 

 

Gagosian Gallery to represent Avedon’s works

Richard Avedon, 2004. This file is licensed under the Creative Commons Attribution 2.0 Generic license.

Richard Avedon, 2004. This file is licensed under the Creative Commons Attribution 2.0 Generic license.
Richard Avedon, 2004. This file is licensed under the Creative Commons Attribution 2.0 Generic license.
NEW YORK (AP) – Gagosian Gallery, in partnership with The Richard Avedon Foundation, will have exclusive representation of the renowned photographer’s works.

The New York-based gallery and the foundation made the announcement Tuesday. They said Gagosian will be the only gallery worldwide to sell and mount exhibitions of Avedon’s work.

Avedon, whose career spanned 60 years, died in 2004 at the age of 81.

He’s famous for his striking fashion images, celebrity portraits and other photographs on subjects ranging from the civil rights movement to war protests.

He worked for Harper’s Bazaar, Vogue and many other magazines. He was named the first staff photographer for The New Yorker in 1992.

The New York-based Richard Avedon Foundation is the largest repository of Avedon’s works. It was founded during Avedon’s lifetime.

___

Online:

www.richardavedon.com

www.gagosian.com

Copyright 2011 Associated Press. All rights reserved. This material may not be published, broadcast, rewritten, or redistributed.

AP-WF-04-26-11 1748GMT

 


ADDITIONAL IMAGE OF NOTE


Richard Avedon, 2004. This file is licensed under the Creative Commons Attribution 2.0 Generic license.
Richard Avedon, 2004. This file is licensed under the Creative Commons Attribution 2.0 Generic license.