Anish Kapoor’s ‘Leviathan’ balloon unveiled in Paris

Anish Kapoor in 2008. Image courtesy of Wikimedia Commons.

Anish Kapoor in 2008. Image courtesy of Wikimedia Commons.
Anish Kapoor in 2008. Image courtesy of Wikimedia Commons.
PARIS (AP) – A blood-colored, globulous balloon ensconced in Paris’ Grand Palais seems to suck you into its vortex as you lose your sense of balance. And that’s not such a bad thing.

The city’s latest monumental exhibit, by Anish Kapoor, is at once enveloping and vertigo-inducing, and as often with the outspoken British artist, political. Kapoor dedicated it to jailed Chinese artist and government critic Ai Weiwei.

Leviathan, which opened Wednesday and runs through June 23, really is just one 75,000-cubic-meter balloon filling up much of the Art Nouveau, glass-roofed Grand Palais. Its “skin” is PVC vinyl, barely thicker than the skin of a toy balloon. Its four orbs are sustained by fans pumping whooshes of air that become the exhibit’s soundtrack.

It’s a show you experience from inside and out. A stiff, narrow revolving door releases visitors into what curator Jean de Loisy calls “this strange monster.”

The initial sense of darkness and the deep red tones do make you feel you’re in the belly of some beast. It mesmerizes gradually, as the sunlight coming in through the Palais’ windowed roof shifts its shadows. The seams in the balloon form lines that lead to a black hole in the center of one orb.

“It offers the possibility of going inside ourselves,” de Loisy told The Associated Press at the opening. “You are at the origin of the world.”

That black hole creates such a pull, and the lines are so dizzying, that one visitor swayed and stumbled as she tried to find the exit. She sought to steady herself on a wall, but instead found herself reaching inside a deeply concave balloon.

From outside, the balloon resembles a mutant blimp, bulging in four directions. Visitors walk under and around the bulges, touching the smooth skin of the burgundy vinyl.

The exhibit is the latest in a series staged by the Grand Palais called Monumenta, in which artists create massive artworks taking into account the scale and structure of the domed venue. Past Monumenta exhibitors included U.S. artist Richard Serra and German artist Anselm Kiefer.

“It’s both monumental and intimate,” said visitor Sabyne Soulard, who teaches art in Toulouse. Waving her hand to watch the shadows it created, she said, “It feels like it’s breathing.”

Kapoor, one of Britain’s best-known artists, is known for embracing enormity. He is designing a 375-foot twisting steel tower to overlook the Olympic Stadium in east London, intended to draw tourists to the London Olympic Park after the 2012 Games. His 110-ton stainless steel Cloud Gate sculpture on Chicago’s lakefront has become one of the city’s most photographed landmarks.

Indian-born Kapoor dedicated the exhibit to Ai Weiwei, who was detained trying to board a flight to Hong Kong last month amid a Chinese crackdown on dissidents.

“His arrest, disappearance and alleged torture are unacceptable. When governments silence artists it bears witness to their barbarity,” Kapoor said in a statement.

___

Online:

www.monumenta.com

Copyright 2011 Associated Press. All rights reserved. This material may not be published, broadcast, rewritten, or redistributed.

AP-WF-05-11-11 1424GMT

Yale offers free online access to its collections

Sioux chief Red Cloud’s war bonnet is one of millions of images that will be made available by Yale University. Image copyright Yale Peabody Museum of Natural History.

Sioux chief Red Cloud’s war bonnet is one of millions of images that will be made available by Yale University. Image copyright Yale Peabody Museum of Natural History.
Sioux chief Red Cloud’s war bonnet is one of millions of images that will be made available by Yale University. Image copyright Yale Peabody Museum of Natural History.
NEW HAVEN, Conn. (AP) – Yale University announced Tuesday that it will offer free online access to digital images of millions of objects housed in its museums, archives and libraries, and the school said it’s the first Ivy League university to make its collections accessible that way.

No license will be required for the transmission of the images and no limitations will be imposed on their use, which will allow scholars, artists and others around the world to use Yale collections for study, publication, teaching and inspiration, Yale said.

It will take many years for the university to digitize all its objects. The school has harvested 1.5 million records from all its catalogs and digitized 250,000 of them, which are available through a newly developed collective catalog (http://tinyurl.com/4x2x2f3 ). Yale expects the 1.5 million records to grow much larger as it continues to harvest its catalogs.

Images now accessible under the new policy include pictures of the war bonnet of Sioux chief Red Cloud, a Mozart sonata in the composer’s own hand and a 15th-century Javanese gold kris, or dagger, handle.

Yale says its collections are among the strongest in depth and breadth of any academic institution in the world, ranging from anthropology to vertebrate zoology and including world-renowned art collections from antiquity to the present.

“That Yale has achieved the goal of making its collections available online to students, scholars, and the general public, in a free and open-access environment, is a splendid achievement that we hope will inspire other colleges and universities internationally to follow suit,” said Amy Meyers, director of the Yale Center for British Art. “The ability to publish images directly from our online catalogs without charge will encourage the increased use of our collections for scholarship, a benefit to which we look forward with the greatest excitement.”

Researchers will be able to examine individual items online in detail and compare objects from different collections side by side.

“High costs of reproduction rights have traditionally limited the ability of scholars, especially ones early in their careers, to publish richly illustrated books and articles in the history of art, architecture, and material and visual culture,” according to Mariet Westermann, vice president of the Andrew W. Mellon Foundation. “Yale’s new policy provides an important model to follow.”

Copyright 2011 Associated Press. All rights reserved. This material may not be published, broadcast, rewritten, or redistributed.

AP-WF-05-10-11 2108GMT

 

LiveAuctioneers, eBid.net lead thriving online-auction sector

MIAMI – Recently published statistics indicate that revenue from online auctions and e-commerce experienced astounding growth at a cumulative rate of 469% from 2000 to 2009, outperforming most retail sectors and making the category the third-fastest-growing industry behind only VoIP and search engines. The pattern is expected to continue, with a 125% growth rate projected for online auctions and e-commerce through 2019.

Among the Internet sites leading the sector are Manhattan-based LiveAuctioneers.com and the Miami, Fla., company eBid.net.

LiveAuctioneers.com, headed by CEO Julian R. Ellison, has seen its corporate revenues increase by 205% from 2004 to 2010. “Knowing how to generate traffic that directly results in bids being made in our clients’ auctions has been a key element to our success,” said Ellison. “During the first quarter of 2011, there were more than 7.1 million visits to LiveAuctioneers.com. This was an increase of nearly 87% over the comparable quarter of 2010.”

The 67% increase in online affiliate marketing program investments in 2010 is viewed as having been a reaction to the uncertain job market. Many individuals are opting to start independent, Web-based businesses, and such marketing programs are essential to their success.

The online auction site eBid (http://www.ebid.net), announced today that it is preparing the launch of a new affiliate marketing program with Commission Junction, the largest pay-for-performance marketing network in the world. Commission Junction will provide eBid affiliates with trusted third-party tracking, real-time reporting and monthly commissions.

“The online auction and e-commerce market is a $95 billion industry, with healthy growth projected,” said eBid co-founder Gary Sewell. “Connecting millions of people around the world since 1999, our position as the leading eBay alternative online auction site, coupled with our new program, gives affiliates a solid foundation and an unmatched opportunity to earn high-paying commissions. Sewell said the partnership will allow eBid to reach affiliate marketers, entrepreneurs, work-at-home-moms and opportunity seekers in a broader fashion. Their concept is simple: drive traffic to eBid and get paid for it.

Ellison said the LiveAuctioneers business model is structured from top to bottom with traffic generation as the goal. “It’s what drives our various revenue streams, and it’s challenging because it’s not a static concept,” Ellison said. “The Internet is endlessly self innovative. It changes every day, and we make sure we change right along with it.”

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Romania recovers priceless ancient treasure

Remains of sanctuaries at the ancient Dacian fortress Sarmizegetusa, currently under reconstruction. The solid circular object made of stone pavers is a solar disc. 2007 photo by Fdominec, licensed under the Creative Commons Attribution-Share Alike 3.0 Unported, 2.5 Generic, 2.0 Generic and 1.0 Generic license.
Remains of sanctuaries at the ancient Dacian fortress Sarmizegetusa, currently under reconstruction. The solid circular object made of stone pavers is a solar disc. 2007 photo by Fdominec, licensed under the Creative Commons Attribution-Share Alike 3.0 Unported, 2.5 Generic, 2.0 Generic and 1.0 Generic license.
Remains of sanctuaries at the ancient Dacian fortress Sarmizegetusa, currently under reconstruction. The solid circular object made of stone pavers is a solar disc. 2007 photo by Fdominec, licensed under the Creative Commons Attribution-Share Alike 3.0 Unported, 2.5 Generic, 2.0 Generic and 1.0 Generic license.

BUCHAREST (AFP) – Romania has recovered more of a priceless ancient treasure, stolen years ago from the archaeological site of Sarmisegetusa Regia, the head of the national history museum said Wednesday.

A total of 232 artifacts, including a gold bracelet, two iron shields and gold and silver coins were bought back from a German collector, Ernest Tarnoveanu told a press conference.

The 933-gram (two pound) bracelet is the 13th such artefact recovered since 2005, Tarnoveanu said, stressing that 11 more bracelets, all dating from the 1st century BC, are still missing.

“These bracelets are the most spectacular Dacian artefacts handed down to us,” Tarnoveanu said.

The Dacians, an Indo-European people conquered by the Romans in the 1st century AD, are the ancestors of the Romanians.

After the treasure of Pietroasele, which includes gold figurines weighing more than 19 kilos, “this is the most important find made on Romanian territory,” Tarnoveanu said.

The 13 beautifully decorated golden spiral bracelets recovered so far were among 24 stolen between 1998 and 2001, when the Sarmisegetusa site in southwest Romania was plundered.

Elements of the hoard have been recovered from American, German and Swiss collectors who had bought them in good faith, prosecutor Augustin Lazar said.

Lazar said 28 Romanians have so far been indicted for plundering Sarmisegetusa, part of UNESCO’s world heritage. Thirteen of them received prison sentences of between seven and 12 years in December 2009.

Interpol and law enforcement authorities of Austria, Britain, Belgium, France, Germany, Serbia, Switzerland and the United States helped with the investigation, Lazar said.

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ADDITIONAL IMAGE OF NOTE


Remains of sanctuaries at the ancient Dacian fortress Sarmizegetusa, currently under reconstruction. The solid circular object made of stone pavers is a solar disc. 2007 photo by Fdominec, licensed under the Creative Commons Attribution-Share Alike 3.0 Unported, 2.5 Generic, 2.0 Generic and 1.0 Generic license.
Remains of sanctuaries at the ancient Dacian fortress Sarmizegetusa, currently under reconstruction. The solid circular object made of stone pavers is a solar disc. 2007 photo by Fdominec, licensed under the Creative Commons Attribution-Share Alike 3.0 Unported, 2.5 Generic, 2.0 Generic and 1.0 Generic license.

Report: Suspect detained in Forbidden City theft

Forbidden City Imperial Guardian Lions. Jan. 18, 2003 photo by Allen Timothy Chang, licensed under the Creative Commons Attribution-Share Alike 3.0 Unported license.
Forbidden City Imperial Guardian Lions. Jan. 18, 2003 photo by Allen Timothy Chang, licensed under the Creative Commons Attribution-Share Alike 3.0 Unported license.
Forbidden City Imperial Guardian Lions. Jan. 18, 2003 photo by Allen Timothy Chang, licensed under the Creative Commons Attribution-Share Alike 3.0 Unported license.

BEIJING, May 11, 2011 (AFP) – Police in Beijing Wednesday detained a 28-year-old man suspected of stealing several items from the Forbidden City, in a rare theft at China’s ancient imperial palace museum, state media reported.

Police seized the suspect, Shi Baikui, Wednesday evening in southwest Beijing and he had confessed to the theft, Xinhua news agency said.

Some of the items had been recovered and the investigation was continuing, it said. Shi was from the eastern province of Shandong but no further details were released about him.

Officials at the Forbidden City earlier told police that seven items belonging to an exhibit on loan from a private Hong Kong museum and valued at up to 10 million yuan ($1.5 million) were stolen on Sunday, the Beijing News reported.

Police said a “suspicious” man had fled after being stopped by a palace museum worker, Xinhua said. Several items were later discovered to be missing from the temporary exhibition.

The stolen items, which date from the early 20th century, include jewelry boxes and women’s make-up cases, reports said.

The items were taken from the Zhai Gong exhibit hall in the northeastern part of the sprawling palace, where the display was to continue until June 27, the Beijing News said. The section was closed to tourists following the incident.

The exhibit was on loan from the Liang Yi Museum, which is owned by a Hong Kong collector identified as Feng Yaohui, the paper said.

In the most recent theft attempt at the heavily guarded Forbidden City, police in 1987 captured a man identified as Xiang Dexiang, who was unsuccessful but was still sentenced to life in prison, the Global Times reported.

According to police records, only four thefts have been recorded at the Forbidden City between 1949 and 1987, the paper said.

Located in central Beijing, the Forbidden City was first built in the early decades of the 15th century and served as the imperial palace of China’s Ming and Qing Dynasties. It was transformed into the Palace Museum in 1925 after the fall of the Qing.

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ADDITIONAL IMAGE OF NOTE


Forbidden City Imperial Guardian Lions. Jan. 18, 2003 photo by Allen Timothy Chang, licensed under the Creative Commons Attribution-Share Alike 3.0 Unported license.
Forbidden City Imperial Guardian Lions. Jan. 18, 2003 photo by Allen Timothy Chang, licensed under the Creative Commons Attribution-Share Alike 3.0 Unported license.

Madoff wine collection to hit auction block

NEW YORK (AFP) – Anyone with a taste for toasting the rich, famous and incarcerated might want to know about this: fraudster Bernard Madoff’s wine cellar is coming to the auction block.

Morrel and Company, a New York concern, will hold the sale May 18 on the Internet.

Up for grabs will be 58 lots running from the very upmarket bottle of 1975 Chateau Petrus worth an estimated $700-$1,000 dollars to a more mundane bottle of Cinzano vermouth expected to fetch perhaps $60.

“The proceeds from the sale of these items will go towards the general recovery effort,” a company statement said.

“As artifacts of history they are unique, which is why we have chosen to offer all of the bottles seized, including those which normally wouldn’t pass muster and make it into our auction. Some of the bottles are better viewed as conversation pieces rather than valued for their contents, but conversation pieces they are,” it added.

Madoff, 72, who touted himself as one of New York’s most successful money managers, was arrested in late 2008 and sentenced in June 2009 to 150 years in prison in what was described as one of the biggest pyramid schemes ever.

His victims, including charities, major banks, Hollywood moguls and savvy financial players, entrusted him with tens of billions of dollars over more than two decades.

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Gen. Lee’s sword returning to Appomattox, Va.

Gen. Robert E. Lee, photographed in 1863. Image courtesy of Wikimedia Commons.

Gen. Robert E. Lee, photographed in 1863. Image courtesy of Wikimedia Commons.
Gen. Robert E. Lee, photographed in 1863. Image courtesy of Wikimedia Commons.
RICHMOND, Va. (AP) – It’s an enduring myth of the Civil War: Robert E. Lee surrendered his sword to Ulysses S. Grant at Appomattox, and his Union counterpart refused the traditional gesture of surrender.

“Lee never offered it, and Grant never asked for it,” said Patrick Schroeder, historian at Appomattox Courthouse National Historical Park.

In an historical twist, though, Lee’s French-made ceremonial sword is returning to Appomattox 146 years later, leaving the Richmond museum where it has been displayed for nearly a century.

The Museum of the Confederacy in downtown Richmond is delivering one of its most-treasured pieces to Appomattox for a new museum that it’s building less than a mile from where Lee met with Grant to sign the document of surrender on April 9, 1865. The Army of Northern Virginia’s formal surrender followed three days later, effectively drawing to a close the Civil War that left about 630,000 dead.

The sword, scabbard and the Confederate gray uniform Lee wore to his fateful meeting with Grant, are all destined to be displayed about 75 miles west of Richmond when the museum opens next spring.

Senior curator Robert F. Hancock said the Lee sword remains one of the Confederacy museum’s biggest attractions.

“It’s a one-of-a-kind piece,” he said. “There’s really no replacement so you can’t put a value on it. It’s like putting a value on the Mona Lisa. It can’t be done.”

Wearing white gloves, Hancock lifted the glittering sword and its scabbard from a metal case, both freshly conserved after years of polishing had erased much of the gold gilt from the brass. With the gold gone, the sword’s elaborate hilt had turned a dull ocher.

The 40 1/2-inch sword now sparkles, from the lion head on its pommel to the gilded relief on its steel sword. It has an ivory grip.

One side of the blade, in raised letters, reads: “Gen. Robert E. Lee CSA from a Marylander 1863.”

The Lee admirer who had it commissioned in Paris by Louis-Francois Devisme is not known, Hancock said.

The other side of the blade reads: “Aide toi dieu l’aidera.” Translated, it means, “Help yourself and God will help you.”

The scabbard is made of blued steel.

“This would have been very expensive to produce and purchase,” Hancock said of the sword. “It’s the only one like this I’ve ever seen and the fanciest one I’ve ever seen from a Confederate officer.”

The museum claims to possess the world’s largest collection of Confederate artifacts, including battle flags, military gear, uniforms and domestic items.

Russell Bernabo, a fine object conservator, was selected by the museum to restore the piece to its original luster. He considered 12 different samples of gold before settling on a match: 23-karat Italian gold in tissue-thin sheets, used to restore gilt to the engraved text on the blade, the hilt and pommel.

Bernabo approached the job with reverence.

“For an object of this iconic significance, the most important consideration is to not do anything that is too intrusive,” he said. “This sword is of the very highest workmanship. This is absolutely top notch.”

Bernabo was also mindful of the man whose hand once grasped its ivory grip.

“At no moment did I ever consider this to be a burden,” he said. “It was an effervescent treat to be working with such an object. It truly had an energy of its own.”

The sword was intended for ceremonial use. There is no evidence Lee used it in battle.

Lee surrendered after his forces were blocked near Appomattox Court House.

The Virginian returned to Richmond after the surrender and then became president of what is now Washington and Lee University; he died on Oct. 12, 1870 and is buried in the university’s chapel.

Lee’s descendants permanently loaned the sword to the Museum of the Confederacy in 1918. The family bequeathed the sword and scabbard to the museum in 1982.

The museum is sharing its collection – a fraction of which is on display at the Richmond facility, which will remain open – at three planned centers in Virginia. Besides Appomattox, others are planned in the Fredericksburg area and in Hampton Roads.

“I’ll miss not seeing it every day,” Hancock said of the Lee sword. “It’s such an important icon for Lee and the South and the war, and specifically Appomattox. I think any disadvantage of it not being in Richmond will be far outweighed by its presence in Appomattox.”

As for Schroeder, he’s thrilled to have it in the neighborhood. He said it’s a powerful metaphor for the day in 1865 when Grant, who was born of modest means, and the patrician Lee met.

“Lee represented what the country had been, and Grant represented more of Lincoln and what the future would be – that now the common man has a chance to make something of himself,” Schroeder said.

___

Online:

Museum of the Confederacy: www.moc.org

Russell Bernabo: www.russellbernabo.com

Appomattox Courthouse National Historic Park: www.moc.org

Copyright 2011 Associated Press. All rights reserved. This material may not be published, broadcast, rewritten, or redistributed.

AP-WF-05-10-11 1751GMT

 


ADDITIONAL IMAGE OF NOTE


Gen. Robert E. Lee, photographed in 1863. Image courtesy of Wikimedia Commons.
Gen. Robert E. Lee, photographed in 1863. Image courtesy of Wikimedia Commons.

Flood spares Graceland, Memphis music landmarks

Graceland, the Memphis home of Elvis Presley, is unaffected by the Mississippi River flooding. This file is licensed under the Creative Commons Attribution 2.5 Generic license.
Graceland, the Memphis home of Elvis Presley, is unaffected by the Mississippi River flooding. This file is licensed under the Creative Commons Attribution 2.5 Generic license.
Graceland, the Memphis home of Elvis Presley, is unaffected by the Mississippi River flooding. This file is licensed under the Creative Commons Attribution 2.5 Generic license.

MEMPHIS, Tenn. (AP) – The Mississippi crept toward the highest level ever in the river city, flooding pockets of low-lying neighborhoods and forcing hundreds from their homes, though the water was not threatening the music heartland’s most recognizable landmarks, from Graceland to Beale Street.

As residents waited for the river to reach its peak as early as Monday night – several inches short of the record mark set in 1937 – those downstream in Mississippi and Louisiana evacuated prisoners and diverted water from the river in an attempt to stave off catastrophic flooding in a region prone to such disasters.

In Memphis, emergency officials warned the river was still dangerous and unpredictable, but they were confident the levees would hold and there were no plans for more evacuations. Sandbags were put up in front of the 32-story tall Pyramid Arena, but the former home of college and professional basketball teams was believed to be safe. Also out of the way were Stax Records, which launched the careers of Otis Redding and the Staple Singers, and Sun Studio, which helped make Elvis the king of rock ’n’ roll.

Sun Studio still does some recording, but Stax is now a museum and tourist attraction. Graceland, which is several miles south of downtown, was also spared.

“I want to say this: Graceland is safe. And we would charge hell with a water pistol to keep it that way and I’d be willing to lead the charge,” said Bob Nations Jr., director of the Shelby County Emergency Management Agency.

Authorities spent the weekend knocking on doors to tell a couple hundred more people that they should abandon their homes before they are swamped by waters. More than 300 people were staying in shelters, and officials said they had stepped up patrols in evacuated areas to prevent looting.

Aurelio Flores, 36, his pregnant wife and their three children have been living at a shelter for 11 days. His mobile home had about four feet of water when he last visited the trailer park Wednesday.

“I imagine that my trailer, if it’s not covered, it’s close,” said Flores, an out-of-work construction worker. “If I think about it too much, and get angry about it, it will mean the end of me.”

He was one of 175 people staying in a gymnasium at the Hope Presbyterian Church in east Shelby County. He said morale was good at the shelter, mostly because there were friends and neighbors staying there, too.

“The main thing is that all left that trailer park with our lives,” Flores said. “God will help us find a new place to live.”

Forecasters said it looks like the river was starting to level out and could crest at or near 48 feet, just shy of the 48.7-foot mark set in 1937. Forecasters had previously predicted the crest would come as late as Wednesday. On the horizon, however, rain was forecast for later in the week, which could bring the danger of flash flooding.

Kevin Kane, president and chief executive of the Memphis Convention and Visitors Bureau, said he believed the media had overblown the flooding.

“The country thinks were in lifeboats and we are underwater,” Kane said. “For visitors, its business as usual.”

While some evacuated, others came as spectators. At Beale Street, the famous thoroughfare known for blues music, people gawked and snapped photos as water pooled at the end of the road. Floodwaters were about a half-mile from the Beale Street’s world-famous nightspots, which are on higher ground.

Copyright 2011 Associated Press. All rights reserved. This material may not be published, broadcast, rewritten, or redistributed.

 

AP-WF-05-09-11 2117GMT

 


ADDITIONAL IMAGE OF NOTE


Graceland, the Memphis home of Elvis Presley, is unaffected by the Mississippi River flooding. This file is licensed under the Creative Commons Attribution 2.5 Generic license.[/caption]

Willie Mosconi’s pool cue, table on auction block

Willie Mosconi autographed this publicity photograph of himself. Image courtesy of LiveAuctioneers Archive and The Written Word Autographs.
Willie Mosconi autographed this publicity photograph of himself. Image courtesy of LiveAuctioneers Archive and The Written Word Autographs.
Willie Mosconi autographed this publicity photograph of himself. Image courtesy of LiveAuctioneers Archive and The Written Word Autographs.

PHILADELPHIA — When illness forced billiards great Willie Mosconi into a nursing home toward the end of his life, his equipment sponsor donated a pool table to the Cherry Hill, N.J., facility.

Mosconi refused to play the game he had dominated for much of the 20th century. Finally, he agreed to play just once to quiet his grandchildren.

“He hadn’t played in years. He ran 15 balls in. He said, ‘That’s it,'” son Bill Mosconi recalled of his father, who died in 1993 at age 80.

With the death last year of Mosconi’s widow, the family is selling his beloved pool cue, a personal pool table and other memorabilia at a weekend auction in Chicago.

The auction house handling the sale believes Mosconi’s famed “Balabushka” cue could bring $100,000. The stick, with mother-of-pearl inlays, gets its name from the Russian-born craftsman George Balabushka, considered by some the Stradivarius of cuemakers.

Mosconi used several Balabushkas during a career capped by 15 straight world championships from 1941 to 1957 and his record 526 straight shots at a two-day exhibition in Ohio in 1954. Several will remain with the family. But the one being sold was a favorite, as evidenced by the blue chalk residue and light scuff marks.

Mosconi grew up in a large family in South Philadelphia, where his father, a boxer, ran a first-floor pool hall that doubled as a hangout for boxers. Mosconi’s father hoped his son would someday join a cousin’s vaudeville act. Instead, the pint-sized pool prodigy was competing against the sport’s heavyweights by age 6.

While still a youngster in the early 1920s, he was being paid $75 or $100 for appearances around town.

“The City of Philadelphia stepped in and said, ‘You can’t do this. You’re not even allowed in a pool room,” the son said.

Mosconi went on to spend his lifetime in pool halls, criss-crossing the country much of the year for exhibits and matches. A devoted family man, he hated both the pool-hall lifestyle and the constant travel. But his drive to win – and to support his family – kept him out there.

“I think it was a very lonely life, even though he was a tough character. He was devoted to his wife, and certainly to his kids. I think that’s why he did it,” Bill Mosconi said. “(He would say), the only way you could make a living is if you’re a champion. You can’t lose.”

Mosconi earned $10,000 to $15,000 a year in the 1930s, and 10 times that by the 1960s.

And by the late 1970s and 1980s, television had come calling. He appeared in televised grudge matches against his rival, Rudolf “Minnesota Fats” Wanderone Jr. Brash ABC sports anchor Howard Cosell announced some of the showdowns between the tuxedoed men.

Bill Mosconi, 69, of Philadelphia, attributes his father’s success to his fierce competitiveness, stellar vision and soft stroke.

“He could make the cue ball stop on a dime,” the younger Mosconi said Monday, standing beside a mural of his dapper father on a somewhat neglected stretch of South Street in Philadelphia. The mural shows Mosconi playing with the black pool player Edward “Chick” Davis.

Mosconi, at the height of his power, at least once refused to play unless black players could compete beside him, his son said. Though he concedes that he heard that story – and many others – second-hand. His father did not spend much time talking about himself.

“I never heard him brag. But he was so unbelievably competitive, that if somebody said he could beat him, he had to beat him. He couldn’t let that go by,” the son said.

Mosconi, who also had two daughters, ran a pool hall in North Philadelphia, but raised his children in the New Jersey suburbs and stressed education at home. His son became an accountant and his grandson a doctor.

After suffering from Alzheimer’s disease, Mosconi died at home in Haddon Heights, N.J. His wife, Flora, died in March 2010.

The family is keeping several of his pool cues and tables, but no longer has room for all of them.

Proceeds from the cue and pool table being sold will go to the individual descendants who own them. But the son hopes to make enough from the other items – from event posters to portraits to billiards paraphernalia – to fund something in his father’s name in Philadelphia, perhaps linked to education.

Copyright 2011 Associated Press. All rights reserved. This material may not be published, broadcast, rewritten, or redistributed.

 


ADDITIONAL IMAGE OF NOTE


Willie Mosconi autographed this publicity photograph of himself. Image courtesy of LiveAuctioneers Archive and The Written Word Autographs.
Willie Mosconi autographed this publicity photograph of himself. Image courtesy of LiveAuctioneers Archive and The Written Word Autographs.

Long Beach Veterans Stadium to host huge May 15 flea market

With 800 dealers and 20 acres of antiques from which to choose, few visitors go home empty handed. Image courtesy of Long Beach Outdoor Antique & Collectible Market.
With 800 dealers and 20 acres of antiques from which to choose, few visitors go home empty handed. Image courtesy of Long Beach Outdoor Antique & Collectible Market.
With 800 dealers and 20 acres of antiques from which to choose, few visitors go home empty handed. Image courtesy of Long Beach Outdoor Antique & Collectible Market.

LONG BEACH, Calif. – The largest antiques and collectibles flea market in Southern California and will be held on Sunday, May 15 at Long Beach Veterans Stadium. Over 800 dealers from all parts of the country will present a myriad of items, from the unique to the decidedly chic.

Established in 1982, the Long Beach Flea Market was voted “best flea market” in Los Angeles by L.A. Magazine, the “best antique market” by O.C. Weekly,  and “the best flea market in the U. S.” by Good Housekeeping Magazine. Additionally, the event has been featured on ABC TV The View” and the Oprah Winfrey Show .

Among the many categories to be found at the market are: architectural items, shabby chic, metro, modern and retro, dining room sets, china, posters, fine art, pottery, oak, rattan, mahogany, Mission style and pine furniture, antique toys, country store collectibles, china cabinets, kitchen collectibles, dinnerware, silver, textiles, and much more.

Admission is $5.00 (6:30am – 2pm), and children under 12 are free. Early bird admission is $10 (from 5:30am – 6:30am). Parking is free with plenty of food and beverages on site. The Long Beach Antique Market is held the 3rd Sunday monthly.

To get to Veterans Stadium take the 405 Freeway to the Lakewood Blvd (North exit) and turn right on Lakewood Blvd. Stay on Lakewood for 1 mile and turn right at Conant St. for one block.

Log on to www.LongBeachAntiqueMarket.com for discount coupons, maps, photos and the schedule of events.

For further information contact Donald Moger by calling 323-655-5703.

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ADDITIONAL IMAGE OF NOTE


With 800 dealers and 20 acres of antiques from which to choose, few visitors go home empty handed. Image courtesy of Long Beach Outdoor Antique & Collectible Market.
With 800 dealers and 20 acres of antiques from which to choose, few visitors go home empty handed. Image courtesy of Long Beach Outdoor Antique & Collectible Market.