A Philip D'Antoni group of material for Bullitt
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A Philip D'Antoni group of material for Bullitt
Solar Productions, 1968. Comprising 14 black-and-white stills of Philip D'Antoni and/or Steve McQueen on set during the filming; a color illustrated pressbook; a program for the Benefit Press Premiere of Bullitt, San Francisco, November 15, 1968; Philip D'Antoni's copy of Mute Witness by Robert L. Pike, New York: 1963, the front free end paper inscribed in pencil, 'P. D'Antoni, E. Pintoff'; a corresponding itinerary; a quantity of loose script pages for Bullitt II, screenplay by Alan Trustman, 2007; a Bullitt 1968 Ford Mustang die cast car activity set, made by American Muscle Body Shop; a copy of the DVD; and a large quantity of press clippings. Bullitt was Philip D'Antoni's first outing as producer on a feature length film, with his next production becoming the Academy Award®-winning The French Connection.
Photographs: 9.5 x 14 in. and smaller; pressbook: 12 x 9 in.; program: 11 x 8.5 in.; car: 7 x 13.75 in.
Solar Productions, 1968. Comprising 14 black-and-white stills of Philip D'Antoni and/or Steve McQueen on set during the filming; a color illustrated pressbook; a program for the Benefit Press Premiere of Bullitt, San Francisco, November 15, 1968; Philip D'Antoni's copy of Mute Witness by Robert L. Pike, New York: 1963, the front free end paper inscribed in pencil, 'P. D'Antoni, E. Pintoff'; a corresponding itinerary; a quantity of loose script pages for Bullitt II, screenplay by Alan Trustman, 2007; a Bullitt 1968 Ford Mustang die cast car activity set, made by American Muscle Body Shop; a copy of the DVD; and a large quantity of press clippings. Bullitt was Philip D'Antoni's first outing as producer on a feature length film, with his next production becoming the Academy Award®-winning The French Connection.
Photographs: 9.5 x 14 in. and smaller; pressbook: 12 x 9 in.; program: 11 x 8.5 in.; car: 7 x 13.75 in.
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A Philip D'Antoni group of material for Bullitt
Estimate $800 - $1,200
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