Lot 1002

CARLO GIUSEPPE RATTI

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Giuseppe Vasari (Italian, 1934-2005) Gilt and Silvered Metal Chess Set complete with chess pieces,: Giuseppe Vasari (Italian, 1934-2005) Gilt and Silvered Metal Chess Set complete with chess pieces, table with onyx top along with a matching pair of lowboy upholstered stools height 22 inches, top 22"

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Lutrario Carlo Mollino Pair of stools: Width cm 43 Depth cm 32 Height cm 45 Pair of Stools made for Lutrario Hall in Turin, Italy. Laminated metal legs, brass, bent plywood seat upholstered in red leatherette. Prod. Italy, 1959

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Carlo Mollino Lutrario stools: Width cm 43 Depth cm 32 Height cm 45 Pair of Stools made for Lutrario Hall in Turin, Italy. Laminated metal legs, brass, bent plywood seat upholstered in red leatherette. Prod. Italy, 1959

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CARLO FRANCESCO NUVOLONE (attr. a): (Milano, 1608/1609 ; 1661/1662) Riposo nella Fuga in Egitto Olio su rame, cm 37X29 Provenienza: Milano, collezione privata Membro della dinastia di pittori che ebbe come capostipite Panfilo (Cremona,

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CARLO BUGATTI (1856 - 1940) AN EARLY 20TH CENTURY WALNUT EBONY AND IVORY INLAID STOOL: CARLO BUGATTI (1856 - 1940) AN EARLY 20TH CENTURY WALNUT EBONY AND IVORY INLAID STOOL in the Eastern style with geometric inlaid mosaic top and stepped sides; raised on copper bound turned legs with s

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AN PAINTED IRON STOOL WITH FLOATING RED UPHOLSTERED TOP BY CARLO MOLLINO: An Italian painted iron stool with floating red upholstered top by Carlo Mollino C 1950s. Ht: 17.75" Wd: 16.25" Dpth: 11"

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Item Details

Description

(Savona, 1737 - Genova, 1795)
Caduta dei giganti
Carboncino e acquarello, cm 37X28,5

Inscritto: Per far una simil coglioneria perdo la notte tutta, e pur pazzia

Provenienza:
Borgo San Martino, raccolta Durazzo?

Formatosi nella bottega paterna, il pittore si trasferì a Roma nel 1756 dove frequentò la bottega di Placido Costanzi e gli atelier di Pompeo Batoni e Anton Raphael Mengs, per poi tornare in patria nel 1759. Durante i primi anni sessanta, il Ratti iniziò la stesura del manoscritto dedicato alle Vite degli artisti genovesi con l'intento di dare seguito all'opera storiografica di Raffaele Soprani (1674) e nel 1766 iniziò a redigere la guida intitolata Instruzione di quanto può vedersi di più bello in Genova in pittura, scultura e architettura. Sono gli anni questi che il Ratti diviene accademico di merito della Ligustica e intraprende una costante attività pittorica.

Bibliografia di riferimento:
L. Rossi, in Pittura e decorazione a Genova e in Liguria nel Settecento, a cura di E. Gavazza e L. Magnani, Genova 2000, p. 432