**Originally Listed At $400**

Fritz William Scholder (American - Mission/Luiseno, 1937-2005). Lithograph, n.d. Hand signed and numbered 15-20 in pencil in lower margin. A precious lithograph depicting a cluster of pink orchids by Fritz William Scholder, who while best known for his "Indian" series of paintings that subverted the romanticized stereotypes of the noble savage also created floral works that demonstrated his connection to Pop Art like this example. Scholder, who was a student of Wayne Thiebaud and also sat for Andy Warhol, blended Pop Art with Abstract Expressionism, and first and foremost considered himself to be a colorist, emphasizing the formalist nature of his art. A lovely piece by Scholder set in an attractive custom frame. Size of image (plate mark): 5.875" L x 4.375" W (14.9 cm x 11.1 cm) Size of sheet: 14" L x 11.125" W (35.6 cm x 28.3 cm) Size of frame: 20.5" L x 17.625" W (52.1 cm x 44.8 cm)

Fritz Scholder is best known for his powerful depictions of Native Americans that depart from stereotypes. Interestingly, although Scholder was enrolled as a member of the Luiseno tribe, he oftentimes claimed that he was not actually Indian. Nevertheless, his art demonstrated a refreshing rejection of sentimental, romantic portrayals of indigenous peoples. In his words, "I have painted the Indian real, not red." He based his imagery on actual historical research. For example, Scholder revealed that his painting of a Native American wrapped in an American flag, an image that has become iconic, was based on "19th-century prison photographs of Indians dressed in surplus flags in lieu of their confiscated tribal regalia." In addition to the meaningful political messages of this art, Scholder's style, with its kinetic brushwork and vibrant colors, have truly set him apart. Various art historians have described Scholder's style as a fusion of Pop Art and Abstract Expressionism. Scholder, however, referred to himself an "American expressionist" who celebrated paint and what it can do. In his words, "Paint drips, it smears. It's not because I'm trying to fool anyone into thinking this is a three-dimensional object on a two-dimensional surface ..."

Provenance: ex-private Bishop Family Trust collection, the Trust of the late Bill Bishop, a noted antiquarian with shops in Scottsdale, Arizona and Allenspark, Colorado, USA, acquired before 2010

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#173144

Hand signed and numbered 15-20 in pencil in lower margin. This artwork is set in a custom frame under glass and has not been examined outside the frame but appears to be in excellent condition save very slight waviness to the paper. Frame shows a few minute nicks/scuffs. Glass shows slight residue from a former label but is otherwise intact and excellent, fitted with a suspension wire and ready to display.