Attributed to Jack Youngerman, no coa, private collection, medium: acrylic measurements: 27"WX35"H framed, mint condition Biography: Jack Albert Youngerman was an American artist known for his constructions and paintings. In 1950, Youngerman had his first group exhibition, Les Mains eblouies at Galerie Maeght in Paris, which also included Pierre Alechinsky, Eduardo Chillida and Corneille. He visited the studios of Constantin Brancusi and Jean Arp with Kelly, and found himself influenced by their sense of organic form. He met Alexander Calder through his father-in-law, Henri Seyrig, a renowned archaeologist and cultural attache to the Free French delegation to the United States. During this time he became interested in the resurgence of geometric abstraction in Paris, especially in exhibitions such as Salon des Réalités Nouvelles which included Max Bill, Auguste Herbin and Richard Lohse. Youngerman also visited the Salon de Mai to see the most current work of the School of Paris artists, among them such masters as Henri Matisse. Youngerman's exposure to the contemporary art in post-war France was critical to his development; he introduced aspects of geometric abstraction and Constructivism into his painting.In 1951 he mounted his first one-person exhibition at Galerie Arnaud in Paris. During this time he met the French artist, Francois Morellet, with whom he developed a life-long friendship. A few years later he travelled to visit Henri Seyrig in Beirut, then Director of Institut Francais d'Archeologie. In 1954 Youngerman was commissioned by the architect Michel Ecochard to create a color design for the College Protestant Français in Beirut.In 1956 he designed sets for the French actor and director, Jean-Louis Barrault's production of Georges Schehaed's Histoire de Vasco. The American art dealer Betty Parsons visited Youngerman's Paris studio that summer, where she encouraged him to move to New York City.In December 1956, he returned to the U.S. with his wife, Delphine Seyrig, and son; they rented a space in lower Manhattan's Coenties Slip, an area of largely abandoned loft buildings that would become a legendary artists' colony. There his friends and neighbors included Robert Indiana, Jasper Johns, Ellsworth Kelly, Agnes Martin, and Robert Rauschenberg.Youngerman's first one-person show at Betty Parsons Gallery marked his 1958 New York City debut.His development was unique among his peers, with elemental forms and fluid contours that marked his canvasses through the 1950s with imagery often emanating from a central core. Early in his growth the forms were organic; sometimes botanical in nature. He worked in thick black pigment as if it resided within the color spectrum.