Given the information that this is a 12th-century temple carving from Central India, it likely originates from the period and region where dynasties such as the Chandelas or the Kalachuris were active. These dynasties are known for their contributions to temple architecture and sculpture, particularly noted in sites like Khajuraho.The depiction of a lion standing over an elephant in temple art from this period could have specific iconographic significance. In Hindu mythology and symbolism, the lion is often associated with the goddess Durga, representing power and warrior prowess, while the elephant can symbolize strength, wisdom, and steadfastness. The depiction of the lion overcoming the elephant might symbolically represent the triumph of good over evil or the superiority of divine power over brute strength.Art from this era often incorporated intricate details not just for aesthetic value but also to convey religious and moral narratives. The placement of such a sculpture could have been strategic, possibly at the entrance of a temple or near a deity's inner sanctum, serving to remind devotees of the powerful forces protecting the sacred space.The style of the carving, with its dynamic composition and detailed execution, also reflects the sophisticated stone-carving techniques of Central Indian artisans during the medieval period. These artworks were not only devotional but also served as a testament to the patron's devotion and resources. If this piece was indeed part of a temple structure, it would have been integral to a broader iconographic and architectural program meant to educate and inspire devotion among the temple's visitors.Approximately 20 1/2 inches long, 22 inches tall, and a width of approximately 8 inches. It weighs approximately 200 lbs.

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