Lot 0235

PIRANESI Etching Tempio Detto Della Concordia

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Domenico Amici - Topographical Print - Tempio d'Ercole Sassano / Detto della Sibilla: Rare antique etching topographical view by Domenico Amici originates from Raccolta delle principali vedute di Roma; [Raccolta delle vedute dei contorni di Roma]. Rome: G. Raffaelli, 1835 [plates dated

2024Domenico Amici - Topographical Print - Tempio d'Ercole Sassano / Detto della SibillaSee Sold Price

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Giuseppe Vasi - La veduta della Basilica di S. Paolo fuori delle Mura ed adiacente dal Monte Aventin: Large etching "La veduta della Basilica di S. Paolo fuori delle Mura ed adiacente dal Monte Aventino, e dal Fiume Tevere." by Giuseppe Vasi piblished in Rome, Italy. Size: 69 cm x 100 cm.

2024Giuseppe Vasi - La veduta della Basilica di S. Paolo fuori delle Mura ed adiacente dal Monte AventinSee Sold Price

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Avanzi di antiche terme in Albano denominati Cello Majo: Avanzi di antiche terme in Albano denominati Cello Majo (Tab. VII). Giovanni Battista Piranesi (1720-1778). Etching from Antichita d'Albano...Rome, 1764. 21 1/2 x 29 1/2 inches

2016Avanzi di antiche terme in Albano denominati Cello MajoSee Sold Price

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G.B. Piranesi Engraving, " Veduta del Tempio Antonino e: Giovanni Battista Piranesi (Italian 1720-1778) " Veduta del Tempio Antonino e Faustina in Campo Vaccino, " c. 1758, engraving on laid paper, matted and framed. 16 x 21 in. plate size 28 x 33 in. as fr

2021G.B. Piranesi Engraving, " Veduta del Tempio Antonino eSee Sold Price

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Francesco Piranesi (after Louis-Jean Desprez) - Fuoco artificiale detto la Girandola: This dramatic view, etched by Francesco Piranesi (1758/59-1810), the son of the famous Italian artist and architect Giovanni B. Piranesi, shows a fireworks display above the Castel Sant'Angelo, Rome.

2024Francesco Piranesi (after Louis-Jean Desprez) - Fuoco artificiale detto la GirandolaSee Sold Price

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Giovanni Piranesi (1720-1778)The Arch of Titus c.1760: Giovanni Battista Piranesi , Italian (1720-1778). Circa 1760 etching on woven paper of Veduta dell Arco di Tito (The Arch of Titus) from Piranesi series Vedute di Roma (Views of Rome). Focillon 209, T

2020Giovanni Piranesi (1720-1778)The Arch of Titus c.1760See Sold Price

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GIOVANNI PIRANESI - Veduta Interna Del Panteon: Giovanni Battista Piranesi (Italian, 1720Â–1778). Veduta interna del Panteon Â… (Interior View of the Pantheon Ã‚Â… ), from Vedute di Roma (Views of Rome). Etching. 26 5/8 x 18 5/8 in. (Pl

2018GIOVANNI PIRANESI - Veduta Interna Del PanteonSee Sold Price

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GIOVANNI BATTISTA PIRANESI (Italian 1720-1778) TWO PRINTS, "Castel Sant'Angelo," 1754 and "Teatro: GIOVANNI BATTISTA PIRANESI (Italian 1720-1778) TWO PRINTS, "Castel Sant'Angelo," 1754 and "Teatro Marcello," 1757, etchings on laid paper, Gerhard Wurzer Gallery, Houston, Texas, labels on reverse, fr

2023GIOVANNI BATTISTA PIRANESI (Italian 1720-1778) TWO PRINTS, "Castel Sant'Angelo," 1754 and "TeatroSee Sold Price

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Two G.B.Piranesi Engravings: Giovanni Battista Piranesi (Italian 1720-1778) Comprising; "Gruppo di Colonne..." and "Tempio Antico," 1743, engravings on laid paper, matted and framed. Dimensions: 16 x 10 in. plate size, 28 x 21 in

2021Two G.B.Piranesi EngravingsSee Sold Price

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Joan Miró, etching and aquatint, carborundum: Artist Joan MIRO (1893-1983).Title of the work "L'Oiseau destructeur"Technical Etching, aquatint, carborundum in colors.Edition of 75ex hand Signed.Page 269 of the catalog.Measures 72 cm x 94 cm.Notes

2016Joan Miró, etching and aquatint, carborundumSee Sold Price

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Joan Miro, Collage and etching, 1979: Type of work: Etching and collage.Title: Serie Personatges I Estels.Year 1979.Edition 50.Signed Hand Signed and numbered.Measures without frame 90 x 63 cm. Arches watermark

2016Joan Miro, Collage and etching, 1979See Sold Price

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James Ensor (Belgian, 1860-1949) Etching on Simili Japon 1895, Bataille Des Éperons D'or: James Ensor (Belgian, 1860-1949) Etching on Simili Japon 1895, Bataille Des Éperons D'or (Battle of the Golden Spurs), H 7" W 9.3" | Signed in pencil lower right, dated and annotated Bataille des

2024James Ensor (Belgian, 1860-1949) Etching on Simili Japon 1895, Bataille Des Éperons D'orSee Sold Price

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PABLO PICASSO, ETCHING 1968, SUITE 347: Pablo Picasso (1881–1973).EtchingTitle: Ecuyère de cirque, homme Rembranesque. Suite 347, plate 291, 1968 Etching, numbered 20/50.Hand signed and numbered;size 27,9 x 39 cm (plate); 45,5 x 55,2 cm

2016PABLO PICASSO, ETCHING 1968, SUITE 347See Sold Price

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Joan Miro (SPANISH, 1893-1983) Etching And Aquatint On Arches Paper With Collage, C. 1979,: Joan Miro (SPANISH, 1893-1983) Etching And Aquatint On Arches Paper With Collage, C. 1979, Personatge I Estels V, H 35.8'' W 24.9'' Signed in pencil, numbered 5/50, published by Maeght Editeur, Barcel

2022Joan Miro (SPANISH, 1893-1983) Etching And Aquatint On Arches Paper With Collage, C. 1979,See Sold Price

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Joan MIRO, etching and carborundum: Title of the work Salvador Espriu.Artist Joan MIRO (1893-1983).Engraving.Technical Etching, carborundum in colors.Date of its creation 1975.Edition of 50, H.C.Measures 70 cm x 85 cm.Notes [Dupin 870 a

2017Joan MIRO, etching and carborundumSee Sold Price

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Joan Miro "Fusees" Color Etching & Aquatint: Joan Miro (Spain/France: 1893-1983) color etching and aquatint on wove paper titled "Fusees" (Rockets). Hand signed in pencil to lower right. Pencil Roman numeral edition to lower left. Edition: 1/15.

2022Joan Miro "Fusees" Color Etching & AquatintSee Sold Price

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GIOVANNI BATTISTA PIRANESI LARGE ETCHING ORNAMENTI DI STUCCO: Giovanni Battista Piranesi very large antique etching. 34 X 24.25 Inches Approx. Stiff paper. Etching is Unframed. Comes rolled in a tube. Shipping In the U.S via USPS Priority Mail is $30

May 19, 2024GIOVANNI BATTISTA PIRANESI LARGE ETCHING ORNAMENTI DI STUCCO

$500

G. COTTAFAVI (19th), Temple of Vesta in Tivoli, 1832, Etching: Gaetano Cottafavi (19th century): Resting company at the Roman temple of Vesta in Tivoli, Lazio, 1832, Etching Technique: Etching on Paper Inscription: At the lower part signed in the printing plate:

May 11, 2024G. COTTAFAVI (19th), Temple of Vesta in Tivoli, 1832, Etching

€400

F. PIRANESI (1758-1810), Cooking utensils from Pompeii, 1805, Etching: Francesco Piranesi (1758 Rom - 1810 Paris): Ancient cooking and household utensils from the ruins of Pompeii, 1805, Etching Technique: Etching on Paper Inscription: lower left signed in the printing p

May 11, 2024F. PIRANESI (1758-1810), Cooking utensils from Pompeii, 1805, Etching

€300

F. PIRANESI (*1758) after PIRANESI (*1720), Temple of Isis, Pompeii, 1806, Etching: Francesco Piranesi (1758 Rom - 1810 Paris) after Giovanni Battista Piranesi (1720 Mogliano Veneto - 1778 Venice): Temple of Isis, Pompeii, landscape of ruins in destroyed Pompeii with figures, 1806, E

May 11, 2024F. PIRANESI (*1758) after PIRANESI (*1720), Temple of Isis, Pompeii, 1806, Etching

€500

F. PIRANESI (*1758) after PIRANESI (*1720), Tomb of Mamia, Pompeii, 1804, Etching: Francesco Piranesi (1758 Rom - 1810 Paris) after Giovanni Battista Piranesi (1720 Mogliano Veneto - 1778 Venice): Ustrinum, burial site at the tomb of Mamia on the via dei Sepolcri, Pompeii, landscape

May 11, 2024F. PIRANESI (*1758) after PIRANESI (*1720), Tomb of Mamia, Pompeii, 1804, Etching

€500

F. PIRANESI (1758-1810), Farming tools from Pompeii, 1805, Etching: Francesco Piranesi (1758 Rom - 1810 Paris): Ancient farming tools from Pompeii, 1805, Etching Technique: Etching on Paper Inscription: lower left signed in the printing plate: "Dessiné et Grav&#2

May 11, 2024F. PIRANESI (1758-1810), Farming tools from Pompeii, 1805, Etching

€500

F. PIRANESI (*1758) after PIRANESI (*1720), Figurine capital from Pompeii, 1806, Etching: Francesco Piranesi (1758 Rom - 1810 Paris) after Giovanni Battista Piranesi (1720 Mogliano Veneto - 1778 Venice): Figural capital from Pompeii with male and female figures from the house opposite the

May 11, 2024F. PIRANESI (*1758) after PIRANESI (*1720), Figurine capital from Pompeii, 1806, Etching

€500

F. PIRANESI (1758-1810), Tripod with satyrs, find from Pompeii, Etching: Francesco Piranesi (1758 Rom - 1810 Paris): Tripod with satyrs, archaeological find from Pompeii, 19th century, Etching Technique: Etching on Paper Inscription: lower left signed in the printing plate

May 11, 2024F. PIRANESI (1758-1810), Tripod with satyrs, find from Pompeii, Etching

€200

F. PIRANESI (1758-1810), Tripod with sphinxes, find from Herculaneum, Etching: Francesco Piranesi (1758 Rom - 1810 Paris): Tripod with sphinxes, archaeological find from Herculaneum, 19th century, Etching Technique: Etching on Paper Inscription: lower left signed in the printing

May 11, 2024F. PIRANESI (1758-1810), Tripod with sphinxes, find from Herculaneum, Etching

€200

May 11, 2024F. PIRANESI (*1758) after PIRANESI (*1720), Profile of the Ionic column order, 1805, Etching

€200

F. PIRANESI (*1758) after PIRANESI (*1720), Inscription and mosaic of the Temple of Isis, Pompeii,: Francesco Piranesi (1758 Rom - 1810 Paris) after Giovanni Battista Piranesi (1720 Mogliano Veneto - 1778 Venice): Inscription and mosaic of the Temple of Isis in destroyed Pompeii, 1806, Etching Techn

May 11, 2024F. PIRANESI (*1758) after PIRANESI (*1720), Inscription and mosaic of the Temple of Isis, Pompeii,

€300

F. PIRANESI (*1758) after PIROLI (*1752), Decorated helmet of a gladiator, Pompeii, 1805, Etching: Francesco Piranesi (1758 Rom - 1810 Paris) after Tommaso Piroli (1752 Rom - 1824 ibid.): Decorated helmet of a gladiator, Pompeii Bronze ceremonial helmet with figurative decoration, 1805, Etching Tec

May 11, 2024F. PIRANESI (*1758) after PIROLI (*1752), Decorated helmet of a gladiator, Pompeii, 1805, Etching

€400

F. PIRANESI (*1758) after PIRANESI (*1720), Temple of Isis and Egyptian temple in Pompeii, 1806, Et: Francesco Piranesi (1758 Rom - 1810 Paris) after Giovanni Battista Piranesi (1720 Mogliano Veneto - 1778 Venice): Temple of Isis and Egyptian temple in the ruins of Pompeii, 1806, Etching Technique: E

May 11, 2024F. PIRANESI (*1758) after PIRANESI (*1720), Temple of Isis and Egyptian temple in Pompeii, 1806, Et

€500

F. PIRANESI (*1758) after PIRANESI (*1720), Portal to the Temple of Isis, Pompeii, 1805, Etching: Francesco Piranesi (1758 Rom - 1810 Paris) after Giovanni Battista Piranesi (1720 Mogliano Veneto - 1778 Venice): Portal to the Temple of Isis in Pompeii, landscape of ruins with figures, 1805, Etchin

May 11, 2024F. PIRANESI (*1758) after PIRANESI (*1720), Portal to the Temple of Isis, Pompeii, 1805, Etching

€500

F. PIRANESI (*1758) after PIRANESI (*1720), Elevation of the Temple of Isis, Pompeii, 1806, Etching: Francesco Piranesi (1758 Rom - 1810 Paris) after Giovanni Battista Piranesi (1720 Mogliano Veneto - 1778 Venice): Elevation of the Temple of Isis, Pompeii, photograph of the ruins and reconstruction o

May 11, 2024F. PIRANESI (*1758) after PIRANESI (*1720), Elevation of the Temple of Isis, Pompeii, 1806, Etching

€500

F. PIRANESI (*1758) after PIRANESI (*1720), In the cella of the Temple of Isis, Pompeii, 1805, Etch: Francesco Piranesi (1758 Rom - 1810 Paris) after Giovanni Battista Piranesi (1720 Mogliano Veneto - 1778 Venice): In the cella of the Temple of Isis, Pompeii, landscape of ruins in ruined Pompeii with

May 11, 2024F. PIRANESI (*1758) after PIRANESI (*1720), In the cella of the Temple of Isis, Pompeii, 1805, Etch

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PIRANESI Etching Tempio Detto Della Concordia

Item Details

Description

Etching by Giovanni (Cavalier) Battista 1720-1778, Veduta del Tempio detto della Concordia. Frame Measures: 27" Tall x 35 1/4" Wide.

Condition

Great Condition

Buyer's Premium

PIRANESI Etching Tempio Detto Della Concordia

Name: PIRANESI Etching Tempio Detto Della Concordia
Brand: Piranesi
SKU: 51858067
Price: 180 USD
Availability: InStock

Estimate $500 - $1,000

See Sold Price

Starting Price $100

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Orange, CA, United States

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