Guercino Italian Baroque Ink on Paper Portrait
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Description
Ink on paper. Featuring sketch of a portrait, angel. Signed Guercino on the lower right corner. Inscribed in pencil on the lower right corner, verso 1600. Attributed to Geurcino (1591-1666, Italian). 25 x 18.5 cm (9.8 x 7.3 inches). PROVENANCE: Southern Ontario estate
Guercino (1591-1666) was an Italian Baroque painter famed for his imaginative use of allegorical and religious themes. Best known for his prolific execution of large commissions, he employed a free-flowing, calligraphic-quality drawing style filled with idiosyncratic marks. Born Giovanni Fracesco Barbieri on February 8, 1591 in Cento, Italy, he was nicknamed Guercino—which translates to “squinter”—early on for being cross-eyed. Guercino went on to study under Benedetto Gennari the Elder, moving to Bologna in 1615 where he gained respect from older artist Ludovico Carracci and members of the clergy. He then moved to Rome in 1621, where he gained Pope Gregory XV as a patron and painted several altars and ceilings throughout the Vatican and Rome. After the Pope’s death in 1623, Guercino returned to Bologna, where he continued making his own paintings and completing commissions for local clergy members. Today, his works can be found in the collections of the Art Institute of Chicago, the Louvre Museum in Paris, The Metropolitan Museum of Art in New York, the National Gallery in London, the Prado Museum in Madrid, and the Rijksmuseum in Amsterdam, among others. Guercino died on December 22, 1666 in Bologna, Italy.
Guercino (1591-1666) was an Italian Baroque painter famed for his imaginative use of allegorical and religious themes. Best known for his prolific execution of large commissions, he employed a free-flowing, calligraphic-quality drawing style filled with idiosyncratic marks. Born Giovanni Fracesco Barbieri on February 8, 1591 in Cento, Italy, he was nicknamed Guercino—which translates to “squinter”—early on for being cross-eyed. Guercino went on to study under Benedetto Gennari the Elder, moving to Bologna in 1615 where he gained respect from older artist Ludovico Carracci and members of the clergy. He then moved to Rome in 1621, where he gained Pope Gregory XV as a patron and painted several altars and ceilings throughout the Vatican and Rome. After the Pope’s death in 1623, Guercino returned to Bologna, where he continued making his own paintings and completing commissions for local clergy members. Today, his works can be found in the collections of the Art Institute of Chicago, the Louvre Museum in Paris, The Metropolitan Museum of Art in New York, the National Gallery in London, the Prado Museum in Madrid, and the Rijksmuseum in Amsterdam, among others. Guercino died on December 22, 1666 in Bologna, Italy.
Condition
All lots that do not carry established documented provenance nor any past record of auction history record are described in the catalog as attributed .
All authorship of items in this catalog are described according to the following terms:
Signed [Artist Name] : In cases in which the signature is legible in the lot, this work is described as-is with no attributions given.
By [Artist Name] : The work is by the artist.
Attributed to [Artist Name] : The work may be ascribed to the artist on the basis of style, but there may be some question as to actual authorship.
In the manner of [Artist Name] : The work was executed by an unknown hand, but was designed deliberately to emulate the style of the artist.
After [Artist Name] : The work was executed by an unknown hand, but is a deliberate copy of a known work by the artist.
Circle of [Artist Name] : A work of the period of the artist showing his influence, closely associated with the artist but not necessarily his pupil.
Follower of [Artist Name]: A work by a pupil or a follower of the artist (not necessarily a pupil).
American, 19th century : This work was executed by an unknown hand, and can only be identified by origin (i.e., region, period).
All authorship of items in this catalog are described according to the following terms:
Signed [Artist Name] : In cases in which the signature is legible in the lot, this work is described as-is with no attributions given.
By [Artist Name] : The work is by the artist.
Attributed to [Artist Name] : The work may be ascribed to the artist on the basis of style, but there may be some question as to actual authorship.
In the manner of [Artist Name] : The work was executed by an unknown hand, but was designed deliberately to emulate the style of the artist.
After [Artist Name] : The work was executed by an unknown hand, but is a deliberate copy of a known work by the artist.
Circle of [Artist Name] : A work of the period of the artist showing his influence, closely associated with the artist but not necessarily his pupil.
Follower of [Artist Name]: A work by a pupil or a follower of the artist (not necessarily a pupil).
American, 19th century : This work was executed by an unknown hand, and can only be identified by origin (i.e., region, period).
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Guercino Italian Baroque Ink on Paper Portrait
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