Beth Van Hoesen (1926-2010), "Nasturtiums," circa 1961, Etching and drypoint on paper, Plate:

Beth Van Hoesen(1926-2010)"Nasturtiums," circa 1961Etching and drypoint on paperEdition: 28/50Signed, titled, and numbered in pencil in the lower margin: beth van hoesenPlate: 14.875" H

Beth Van Hoesen(1926-2010)"Radishes," 1962Etching and drypoint on paperEdition: 9/35Signed, titled, and numbered in pencil in the lower margin: beth van hoesenPlate: 17.75" H x 13.75&qu

Beth Van Hoesen(1926-2010)"Deer"Etching on wove paper, watermark ArchesEdition: 19/25Signed, titled, and numbered in pencil in the lower margin: beth van hoesenPlate: 9.25" H x 5.75&quo

Beth van Hoesen (American, 1928-2010), "Leeks," 1961, etching and drypoint, pencil signed lower right, A.P., titled lower left, overall (sheet/unframed): 14"h x 11"w

Beth Van Hoesen (1926 - 2010) etching of a chinchilla titled Marvin. Pencil signed and numbered 21 from an edition of 100, dated 1979. Unframed; paper size 15 3/8" x 14 7/8". From the collection of Ma

Rembrandt Harmensz Van Rijn (Holland, 1606-1669)Christ before Pilateetching with drypoint and engraving on laid paperLarge Plate (B., Holl. 77; H. 143) Etching with drypoint and engraving, 1635-36, wa

Rembrandt van Rijn (1606-1669)The Raising of Lazarus: Small PlateEtching and drypoint, circa 1642, a good clear impression of New Hollstein's first state (of two) before any re-working to the plate an

Rembrandt van Rijn (1606-1669)The Presentation in the Temple: Oblong Plate (Simeon's Hymn of Praise)Etching and drypoint, circa 1639, a good but later impression of New Hollstein's fifth state (of fiv

Claude Monet (1840 - 1926). Paysage a Antibes (Landscape in Antibes). Hand Pulled Copper plate etching and drypoint, printed in Sepia ink, on cream laid paper after the original by Auguste Marie Lauze

Claude Monet (1840 - 1926). Mueles a Giverny (Haystacks in Giverny). Hand Pulled Copper plate etching and drypoint, printed in Sepia ink, on cream laid paper after the original by Auguste Marie Lauzet

Rembrandt van Rijn (1606-1669)The Raising of Lazarus: The Larger PlateEtching, circa 1632, a slightly worn impression of New Hollstein's fifth state (of nine), before any rework by later hands, on lai

Rembrandt Harmensz van Rijn (1606-1669) The Little Jewish Bride (Saskia as Saint Catherine) (Bartsch, Hollstein 342, Hind 154, New Hollstein 169), 1638 Etching with drypoint on laid paper, New Hollste

Friedrich Wilhelm Lion Kuhnert (1865-1926) Untitled (Moose) etching on paper, 6/30 19 x 26 inches 19 3/4 x 27 x 1/2 inches (frame) dated in plate: 1924 editioned lower left: 6-30 signed lower right: W

1922; from Small Worlds portfolio; drypoint etching on heavy laid paper; from an edition of 200; pencil signed lower right; 9 1/4 x 7 5/8 inches plate; 17 x 15 inches frame

Rembrandt van Rijn (Dutch, 1606-1669), St. Jerome in a Dark Chamberetching, 1642, on laid paper, possibly a Basan edition, with additional window pane bars, signed and dated in the plate lower center,

"Untitled (Woman)" by Kerry James Marshall, 2010 Signed Etching. Paper size is 26.25 x 21 inches, with an image size of 15.75 x 12 inches. The Etching is from an edition size of 50 and is currently fr

JOHN MARIN (AMERICAN, 1870-1953), ETCHING AND DRYPOINT, 1913, PLATE SIZE: H 12 3/4", W 10 1/4", "WOOLWORTH BUILDING #2:Pencil signed (within the plate mark); signed, titles and dated in the plate; ins

(Spanish, 1881-1973) Femme acrobate au maquillage paillet‚ et spectateurs, (Bloch 1739), 1968, edition 26/50, signed lower right "Picasso", etching on wove paper, plate 7 x 8-3/4 in., sheet 12-1/4 x

PABLO PICASSO (after)Intériour Rouge avec un Transatlantique Bleu.Color aquatint, 2 impressions, and 2 original copper etching plates, circa 1960. 405x325 mm; 16x12¾ inches, full margins. On

CHARLES WHITE (American, 1918ñ1979), "Cat's Cradle," 1972, etching on cream wove paper, plate: 23.375 x 26.5 inches; sight: 24.875 x 28 inches; overall with frame: 35.5 x 38.5 inches, pencil sign

MARTIN LEWIS (AUSTRALIAN-AMERICAN, 1881-1962) "THE PASSING FREIGHT, DANBURY", drypoint etching on paper, a fine, crisp impression, pencil signed and inscribed "Trial Proof #2 / Martin Lewis" in lower

Artist: Louis Icart Title: Illusion Year: 1940 Dimensions: 19in. by 8.5in. Edition: From the rare limited edition of apprx. 100 in platinum Medium: Original dry

David Hockney (English b. 1937), 'Three Kings & a Queen', 1961, etching and aquatint on paper, pencil signed and dated to lower right, titled and numbered A.P. to lower left, framed. Provenance: From

Artist: Louis Icart Title: Illusion Year: 1940 Dimensions: 19in. by 8.5in. Edition: From the rare limited edition of apprx. 100 in platinum Medium: Original dry