follower of JOHN (1738-1818) AND THOMAS SEYMOUR

follower of JOHN (1738-1818) AND THOMAS SEYMOUR (1771-1848) A FEDERAL REVIVAL INLAID MAHOGANY CARD TABLE, LAST QUARTER 19TH CENTURY, in the Boston taste, the serpentine, rectangular top with ovolo sha

Boston, MA. Special Publications. Vernon C. Stoneman 1959. hardcover clothbound with slip cover. Inscribed by the author. 12 1/2 x 9 inches

matched set, in the manner of John & Thomas Seymour, Boston cabinetmakers, similar to plate 126, page 386 in Mussey, "The Furniture Masterworks of John & Thomas Seymour" 2003. Later 19th century. 36"

extremely diminutive Sheraton ca 1800 Boston 4 dr chest (possibly for a child) in salmony pink over orig grain paint - displaying many characteristics of a John & Thomas Seymour piece of furniture - 3

Including, John Thomas Seymour, Hester Brothers, John Shaw, Duncan Phyfe, and Honore Lannuier. All books sold "as is." No guarantees made about number of books in lot or condition of books. No returns

20th century, all folio and smaller, largely with fabric boards, featuring Furniture Masterpieces of Duncan Phyfe; American Furniture: The Federal Period ; John & Thomas Seymour: Cabinetmakers in Bo

A FEDERAL MAHOGANY INLAID CHEST Attributed to the workshop of John and Thomas Seymour, Boston, Massachusetts, circa 1800-1810 height 42 3/4in (108.6cm); width 42in (106.7cm); depth 21in (53.3cm) Footn

Tiger maple and mahogany. Height 29.5 inches, width 36 inches, depth 17.75 inches. Repaired break to front right leg, age cracks to veneer.

attrib. John and Thomas Seymour, Boston, late 18th c. bellflower inlay to tapering legs ending in unusual spade feet; both back legs swing out to support the top when open; 29"h; 36"w; 17.75"d From th

SHERATON CARD TABLE - Boston Mahogany Serpentine Front Card Table, attributed to the workshops of John and Thomas Seymour, early 19th c., having turreted and stepped corners, two board top with string

Attributed to John and Thomas Seymour or one of their contemporaries, Boston. The rear rail bears a Levy Gallery label. 29"h x 36"w x 17-1/8"d Provenance: Bernard & S. Dean Levy, New York Provenance:

American Federal Mahogany Game Table Boston, school of John and Thomas Seymour, circa 1800, the semi-ovolu top hinged and opening to a gaming surface, above a conforming frieze centered by a satinwood

Federal Inlaid Mahogany Corner Chamberstand Attributed to John and Thomas Seymour, Boston, MA, circa 1805 With original turned inserts to top. Height 40 inches, depth of shelf 16 inches. C

Books – two books on furniture – Mussey, Furniture Masterworks of John and Thomas Seymour; Kugelman, Connecticut Valley Furniture.

Follower of Thomas John Baines Follower of Thomas John Baines Port Elizabeth, South Africa from the sea; Views of Middelburg and further topographical subjects five, watercolour 12.5 x 17.5cm, unframe

Group of ten engravings, some hand-colored, including: two by William Hogarth (English, 1697-1764); one by John Sands (Australian, 1818-1873) after Thomas Allom (English, 1804-1872

Follower of John Singleton Copley (American/British, 1738-1815), "Theodore Atkinson," 1769, pastel laid down on canvas, unsigned, name plate affixed lower center of frame, overall (with frame): 30"h x

John, Thomas & Richard Penn 1738 Indenture. Newcastle County, Pennsylvania. Framed 19" x 28-1/2" overall.

George III Sterling Silver Inkstand John & Thomas Settle, Sheffield, 1818 Casket form with shell and gadroon rim raised on paw feet, the hinged domed cover opening to three glass pots. Length 6 inches

English Sterling Footed Tray John & Thomas Settle 1817-1818 8 1/4" x 10" 1/8" 12oz. Troy. Together with a Steuben Decanter Ht. 9". Two Glasses and a sterling Sherry Label.

"Thomas Beck (1818-1842) Gorham Maine and Charleston, SC. Hand colored lithograph 16 1/2 x 20 inches (overall including frame)

Thomas Cook (1744-1818) British after William Hogarth (1697-1764) British. "The Rake's Progress", Coloured Engraving published by J Robinson 1796, London, 16.25" x 14", and seven others in the series,

Follower of Thomas Sidney Cooper (1803-1902) British. Cattle in a Meadow at Dusk, Oil on Panel, bears a Signature, 13.5" x 15".

Follower of Thomas Girtin, A view of Bath with the Abbey, watercolour and pencil, 5" x 8.75", (12.5x22cm)