Goya Etching, #30 from The Disasters of War Series

Francisco Goya (Spain, 1746 - 1828) etching #30 from his Los Desastres de la Guerra (Disasters of War) series titled ESTRAGOS DE LA GUERRA, (Ravages of war). Possibly early edition, the number 1 and c

An etching by Francisco Goya (Spain, 1746-1828), etching #29 from the Disasters of War series, "No Quiren", image 7.5 x 5.5, framed 12x14 (posthumous impression)

**Originally Listed At $750** Francisco de Goya y Lucientes (Spanish, 1746-1828). Three etchings from "Desastres de la Guerra" (Disasters of War) series, executed 1810-1820, published ca. 1863. Three

Francisco Jose de Goya (Spain, 1746 - 1828) "Que Valor!" - Plate 7 Etching and aquatint from Disaster of War series. Printed by Calcografia Nacional, Madrid Published by Real Academia de Nobles Artes

Francisco Goya, (3) etchings, Francisco Jose De Goya Y Lucientes (Spanish, 1746-1828), "Para eso habeis nacido" and "Espiro sin remedio" from the series "Disasters of War", 1863 (later edition), one s

Framed etching on paper, "No se puede saber por que" (One Can't Tell Why), from the series "Los desastres de la guerra" (The Disasters of War), after Francisco Jose de Goya y Lucientes (Spain, 1746-18

ORIGINAL GOYA FRANCISCO ETCHING "DISASTERS OF WAR"

Plate 32: A man, strung from tree, being garrotted by three soldiers, from Disasters of War. Francisco Goya (1746-1828) c.1810-12. Goya made no prints for a decade after the publication of the Caprich

Francisco Goya y Lucientes etching titled "The Disasters of War". Measures approx 7 1/2" x 5 1/2" image size, 12 3/8" x 14 1/4" frame size.

of War. Preserved inscription on frame verso reads: purchased from Craddock and Barnard, Catalogue 78, item 294 (c. 1955), described as "Magnificent impression from the first edition" / Delteil, 155 i

Original etching of Goya's "Muertos Recogidos", plate #63 from "The Disasters of War", depicting huddled figures. Framed and matted under glass. [Plate: 6" H x 8" W; Frame: 16" H x 18" W]. Toning, min

DESCRIPTION: Francisco De Goya (Spain, 1746 - 1828). Etching, burnished aquatint and drypoint. "No Quieren" (They don't want to). Plate 9 from Los Desastres de la Guerra (The Disasters of War) series.

ENRIQUE CHAGOYA (American / Mexican b. 1953) "Farandula de Charlatanes" (from Homage to Goya II: Disasters of War Hard ground etching and aquatint. Sheet: 13 x 15 inches; Frame: 14 1/2 x 16 1/2 inches

DISASTERS OF WAR, plate 11, etching, from an edition after the beveling of the plate, image 8 ½ x 12 ¾”, full margins, framed with glass, discoloration, pale staining, otherwise in apparently gene

Warrington Colescott (American, B. 1921) Two Color Etchings and Aquatint. 'Goya Studies War' and 'S.W. Hayter Discovers Viscosity Printing' dated to 1976, from the 'History of Printmaking' series, eac

NO QUIEREN from the Los Desastres de la Guerra (Disasters of War), 1810-1815, plate 9, aquatint etching, plate 5 ½ x 7 ¼”, full margins, frame 14 ¾ x 16 ¾” with

A Series of 30 Etchings by William Strang, Illustrating Subjects from the Writings of Rudyard Kipling. London: Macmillan, 1901. Folio. 13.5 x 17". Complete. 1st edition. Some splitting at front inner

Frederick K. Detweller. 23.75 x 18.50. Title: The Derrick Wooden Ship Yard. War Serie. Medium: Etching. Size: 16.50 x 11.50 in. Signature: Signed on verso, signed i. Artist: Frederick K. Detweller. Fr

Salvador Dali (Spanish, 1904-1989). Color etching featuring a work from Serie De Goya. Depicts a figural scene with dogs. Signed lower right. Good overall condition with wear to frame. Measures 17 1/2

Medium: heliogravure (after the etching from Goya's Tauromaquia series). Printed in 1947 in a limited edition of 500 on Guarro laid paper, and published in Barcelona by Ediciones Omega. There is a pla

Medium: heliogravure (after the etching from Goya's Tauromaquia series). Printed in 1947 in a limited edition of 500 on Guarro laid paper, and published in Barcelona by Ediciones Omega. There is a pla

Medium: heliogravure (after the etching from Goya's Tauromaquia series). Printed in 1947 in a limited edition of 500 on Guarro laid paper, and published in Barcelona by Ediciones Omega. There is a pla

Medium: heliogravure (after the etching from Goya's Tauromaquia series). Printed in 1947 in a limited edition of 500 on Guarro laid paper, and published in Barcelona by Ediciones Omega. There is a pla

Medium: heliogravure (after the etching from Goya's Tauromaquia series). Printed in 1947 in a limited edition of 500 on Guarro laid paper, and published in Barcelona by Ediciones Omega. There is a pla