HIDEKO FUKUSHIMA, JAPAN (1927-1997) O/C

Signed lower right. With Brazilian gallery label verso. Dimensions: (Frame) H 37" x W 43.75"; (Painting) H 31.5" x W 39.5" Condition: A few scuffs, nicks and finish losses to frame.

Hideko Fukushima (Japanese 1927-1997)- Untitled- lithograph, 1960, signed in pencil, dated, edition of 15, dedicated to and printed by the printer Arthur Flory. 18 x 14''

Oil on canvas, country garden. Signed lower right. Garden with a couple of buildings. Painted with impasto. Dimensions: (Frame) H 24" x W 27", (Painting) H 15" x W 18" Condition: Uneven varnish. Drips

Gregory Hull (American, b. 1950), "Lilies and Koi, 1997", oil on canvas, signed lower right; signed, titled and dated verso. John Pence Gallery, San Francisco label verso. 16" x 20"; frame: 23 1/2" x

Carlo Hauner (1927-1997)& Martin Eisler (1913-1977)CostelaPair of lounge chairsWood, lacquered metal, brass and fabricEdited by Forma di Brescia, ItalyModel created circa 1965H 83 × L 70 × W

MARTIN EISLER + CARLO HAUNER (Argentine, 1913–1977, Brazilian, 1927-1997)Armchair, ca. 1950Jacaranda, metal, sheepskin. Produced by Forma, Brazil.One leg with Brazilian export sticker stamp

CLIFTON WAYNE KARHUMinnesota/Japan, 1927-2007"Evening Lights", 1979. Signed and dated in pencil lower right. Edition 70/100.Woodblock print, 7" x 23". Framed 10" x 26".

THOMAS STRUTH (1954- ) Sonnenaufgang in den Bergen bei Kiso-Fukushima, Japan. Chromogenic print, the image measuring 10x14¼ inches (25.4x36.2 cm.), the sheet 12x16 inches (30.5x40.6 cm.), with St

Clifton Karhu (America/Japan,1927-2007), Maruyama Park1985, woodblock print on paper, pencil signed, titled, and numbered 5/100 at lower margin, matted and framed under glass. Sheet sight 10 1/2 x 26

Yolande Ardissone (B 1927) French, O/C. Circa mid-80s. Signed in lower left. Abstract impasto oil on canvas of a garden. Overall Size: 40 3/4 x 51 1/2 in. Sight Size: 34 5/8 x 45 1/8 in. Yolande Ardis

KIYOSHI SAITOJapan, 1907-1997Black and gray cat. Signed and seal marked in image lower left. Numbered 189/300 and dated 1955.Oban tate-e woodblock print. Framed 24" x 16.5". Provenance:Priva

(Japan, 1907-1997), two panel folding screen mounted with 2 large woodblock prints titled "Caress (A)" and "Caress," left print signed with Saito's red seal, right print unsigned, these screens were m

ROCKWELL KENT Imperishable. Wood engraving on imitation Japan paper, 1927. 170x255 mm; 6¾x10¼ inches, full margins. Edition of 100. Signed in pencil, lower right. A superb impression of this

Limited edition woodblock print by Kiyoshi Saito (1907 - 1997) Japan. Depicts a mid century modernist abstract scene. Titled in pencil lower center. Dated 1963 in pencil lower right. Limited edition n

KIYOSHI SAITOJapan, 1907-1997"Caress": two views of cats and kittens. Each signed in image lower right. Numbered 5/50 and 6/50. Mounted on a two-panel paper-backed floor screen.Woodblock pri

Kiyoshi Saito ( 1907 - 1997, Japan ). This black and white woodblock print on paper depicts figures walking through snowy terrain with trees around. Presented in a textured carved black colored wooden

PIERO DORAZIO (1927-2005) Summertime 1997 olio su tela cm 25x25 firmato, datato, titolato e dedicato sul retro sul retro: timbro dell'Atelier Piero Dorazio N.3780 provenienza: Collezione Privata, Geno

Ernest Tino TrovaMissouri, (1927-2009)Abstraction, 1997Mixed media on boardsignedRecorded in the Estate of the Artist as inventory #37535 x 27 inches (45 x 37 inches, framed)

A Kenojuak Ashevak, C.C., R.C.A. Inuit, Cape Dorset/Kinngait, (1927-2013), 'Guardian Owl,' 1997, etching and aquatint under glass, edition 20 of 100, dated and signed lower right in Roman and in sylla

Lot 95 ABRAHAM ANGHIK RUBEN, O.C. (1951-), PAULATUK / SALT SPRING ISLAND, B.C. Bird Shaman, 1997 stone, 24.5 x 34 x 14 in (62.2 x 86.4 x 35.6 cm) signed and dated: “ANGHIK ‘97”. Prov

Gaetano Pesce (1939)LampUrethaneItaly, creation date 1989Created for El Liston (Japan), architect: Aldo Rossi (1931-1997) H: 96 - L: 66 - W: 66 cm

Theo Tobiasse, Isarel/France (1927-2012). 'Maternite a la Chaise Bleu' impasto oil on canvas, signed lower left, titled lower right. Mounted in gilt wood frame. *We would like to thank Catherine Faust

Yoshio Sekine (Japan, 1922-1988) oil on canvas monochrome abstract painting titled "No. 222" comprising grisaille geometric forms within partitioned sections depicting abacuses. Signed with script and

Willem de Kooning (American/Dutch, 1904-1997) Reflections: To Kermit for Our Trip to Japan, 1970 lithograph on Akawara paper signed, dated, and numbered 14/28 in pencil 45 3/4 x 32 inches. Property fr