Finery at its best in Michaan’s auction Dec. 5

Alexander Stirling Calder, (American 1870-1945), ‘Star Maiden.’ Image courtesy of Michaan’s Auctions. Estimate: $20,000-$30,000.
Alexander Stirling Calder, (American 1870-1945), ‘Star Maiden.’ Image courtesy of Michaan’s Auctions. Estimate: $20,000-$30,000.

Alexander Stirling Calder, (American 1870-1945), ‘Star Maiden.’ Image courtesy of Michaan’s Auctions. Estimate: $20,000-$30,000.

ALAMEDA, Calif. – Michaan’s Auctions’ December Fine Art Sale features superior items with property coming from estates, private collections and institutions throughout the West Coast. LiveAuctioneers.com will provide Internet live bidding for the Dec. 5 auction, which will begin at 10 a.m. Pacific.

Fine art has a selection that includes 18th-, 19th- and 20th-century American and European paintings, prints, sculptures and works on paper. Furniture and decorative arts include European and American items from the 18th and 19th centuries including furniture, glass works, silver and porcelain. Finishing the sale is jewelry offerings with fine contemporary and period pieces, jadeite jade, diamonds and luxury timepieces. The sale will be held on Monday, Dec. 5, at Michaan’s main gallery located at 2751 Todd St., Alameda, CA 94501. Bidding will commence at 10 a.m. Pacific.

Michaan’s Auctions Fine Art Department will feature 138 works of fine art. Sale highlights include a matched pair of framed oils by Royal Academician Marcus Stone (United Kingdom 1840-1921) titled The Lover’s Spate and The Lover’s Embrace (lot 1014, $25,000-35,000). Painted in 1884, Stone exhibits his mastery of the romantic visual narrative by depicting the internal struggle between the sexes as they strive to find romantic harmony.

Sure to peak strong interest is Afternoon, Long Beach by renowned American painter of ship, sea and shore, Francis Augustus Silva (1835-1886). The artist methodically renders the crashing and retreating surf along the beach in meticulous detail as sailboats dot the horizon off the famed shores of Nassau County. Silva’s refined depiction of atmosphere, light and water are an especially poignant achievement as the artist was self-taught (lot 1034, $80,000-120,000).

A sculptural highlight in the sale is Star Maiden by Alexander Stirling Calder (American 1870-1945). Named director of the 1915 Panama-Pacific International Exposition, Calder created the bronze statue in a highly refined Beaux Arts style with silent film star Audrey Munson posing for the piece. One of the great American sculptors of the early 20th century, his work is found from New York City to San Francisco and is considered highly collectable in the current marketplace (lot 1134, $20,000-30,000).

Other noteworthy works in the sale include a newly discovered still-life by famed California painter Maurice Braun (lot 1073, $4,000-6,000) and an exquisite floral depiction by 18th-century master Jan van Huysum (lot 1005, $40,000-60,000). Finnish female artist Amelie Lundahl offers an exceptionally rare painting of a young Normandy girl (lot 1015, $10,000-15,000) and works on paper include a rare lithograph by Paul Klee (lot 1107, $15,000-25,000). Artists Rafeal Coronel, Francesco Clemente and Joan Miro offer remarkable pieces in the sale as well.

Leading the clock selection for the Furniture and Decorations Department is a Westminster oak long-case clock (lot 1214, $2,000-4,000). In excellent overall condition, the arch-form hood is headed with an arch pediment above a bearded male mask. The pair of turned finials open to reveal a silver and gilt dial with applied Arabic numerals over a rectangular shaped case. Adorning the door is a harvest trophy motif and the paneled shaft is carved with a lovely tavern scene as well.

Once owned by a pop-culture figure is a massive American Aesthetic Movement stained glass window (lot 1223A, $18,000-22,000). The window was extracted from the former estate of P.T. Barnum, or what is known in Denver as the Barnum House. Phineas Taylor Barnum became one of the most recognizable entertainers of the 19th century, founding what became known as the Ringling Brothers and Barnum and Bailey Circus.

Measuring approximately 108 by 51 inches, the window depicts a partially painted winged nymph child playing the flute. She is then accented by a smattering of stylized, pastel pansy flower heads that contrast beautifully with a dark green verdant forest ground. The piece is then finished by a topaz and gold scrolling vine border and jeweled and beaded pendant swag lengths. Believed to be from around the time of the 1890s, the bottom right hand corner bears a spurious Tiffany signature.

Dutch American artisan Dirk Koperlager van Erp is best known for his metalsmith expertise, namely copper work that includes lamps, vases, bowls and candlesticks. Upon moving his shop to San Francisco in 1910, he entered a partnership with artist Elizabeth Eleanor D’Arcy Gaw. The collaboration produced collectable decorative objects of beauty, highly coveted in the current decorative marketplace. Michaan’s Auctions is fortunate to have a prime example of their copper works of art in lot 1285, a hammered copper and mica lamp ($8,000-10,000). The conical shade is fitted with double layers of mica panels with four tapering riveted battens and a domed cap. Raised on four curving upswept cylindrical arms, the bulbous ovoid copper body is fashioned with an appealing texture whose original patina remains intact.

The ornately feminine and regal appearance of period jewelry is unmistakable in the Jewelry Department’s Fine Sale collection. Heralding back to this era of refinement and elegance is a Georgian multi-stone stomacher/brooch (lot 1383, $8,500-10,000). The piece is a gorgeous example of the style of the period, containing a massive approximate 49.00-carat total gemstone weight. Estimated to be from the time of the 1830s to ’50s, it centers an approximately 15.00-carat cushion-cut tourmaline surrounded by a bevy of gemstones that includes aquamarines, topaz, garnets, amethysts, peridots, tourmalines, sapphires and zircons. Finishing the exceptional effect is a silver-topped, 12K yellow gold crown-shape mounting suspending three dangling drops. Using a variety of dissimilar but complimentary colored gemstones in Georgian jewelry is known as a technique called “harlequin,” which creates a vibrantly colored look as seen in this impressive piece. Accompanied by its original fitted and contoured pigskin box, the set is a true representation of Georgian artistry and ingenuity.

Lot 1473 is a genuine Art Deco lavalier necklace featuring a rectangular jadeite plaque attractively carved with floral and foliate motifs giving it a delicate, lace-like appearance ($4,000-6,000). It is then suspended from a platinum bail accented by 22 single-cut diamonds. The platinum chain holds 90 dainty seed pearls, perfectly accenting the antique feel of the piece. The piece also hangs gorgeously about the neckline and décolletage, greatly adding to its allure and wearability.

From a private family collection is an outstanding and authentic Art Deco ring dating to the 1930s that features completely natural components of supreme quality. The ring centers a square cut Columbian emerald weighing approximately 5.75 carats in a stunningly vibrant, translucent green hue. The sizeable gemstone is accented by six triangular-cut and 36 round-cut diamonds weighing a total of approximately 0.75 carats, set in an ornate and feminine Art Deco platinum mounting, beautifully finishing the piece (lot 1486, $9,000-15,000).

The illustrated auction catalog will be online for review at www.michaans.com. Previews will open at Michaan’s Auctions on Dec. 2 and continue daily until the day of the auction. For more information visit Michaan’s website www.michaans.com or call (510) 740-0220.

View the fully illustrated catalog and register to bid absentee or live via the Internet as the sale is taking place by logging on to www.LiveAuctioneers.com.


ADDITIONAL LOTS OF NOTE


Alexander Stirling Calder, (American 1870-1945), ‘Star Maiden.’ Image courtesy of Michaan’s Auctions. Estimate: $20,000-$30,000.

Alexander Stirling Calder, (American 1870-1945), ‘Star Maiden.’ Image courtesy of Michaan’s Auctions. Estimate: $20,000-$30,000.

Marcus Stone (British 1840-1921), two works: ‘Lovers’ Spat’ and ‘Lovers’ Embrace.’ Estimate: $25,000-$35,000. Image courtesy of Michaan’s Auctions.

Marcus Stone (British 1840-1921), two works: ‘Lovers’ Spat’ and ‘Lovers’ Embrace.’ Estimate: $25,000-$35,000. Image courtesy of Michaan’s Auctions.

Francis Augustus Silva (American 1835-1886), ‘Afternoon, Long Beach.’ Estimate: $80,000-$120,000. Image courtesy of Michaan’s Auctions.

Francis Augustus Silva (American 1835-1886), ‘Afternoon, Long Beach.’ Estimate: $80,000-$120,000. Image courtesy of Michaan’s Auctions.

Westminster oak long-case clock, late 19th century. Estimate: $2,000-$4,000. Image courtesy of Michaan’s Auctions.

Westminster oak long-case clock, late 19th century. Estimate: $2,000-$4,000. Image courtesy of Michaan’s Auctions.

Massive American Aesthetic Movement stained glass window, circa 1890. Estimate: $18,000-$22,000. Image courtesy of Michaan’s Auctions.

Massive American Aesthetic Movement stained glass window, circa 1890. Estimate: $18,000-$22,000. Image courtesy of Michaan’s Auctions.

D'Arcy Gaw Dirk Van Erp hammered copper and mica lamp, circa 1911. Estimate: $8,000-$10,000. Image courtesy of Michaan’s Auctions.

D’Arcy Gaw Dirk Van Erp hammered copper and mica lamp, circa 1911. Estimate: $8,000-$10,000. Image courtesy of Michaan’s Auctions.

Georgian multi-stone, silver- topped, 12K yellow gold stomacher/brooch. Estimate: $10,000. Image courtesy of Michaan’s Auctions.

Georgian multi-stone, silver- topped, 12K yellow gold stomacher/brooch. Estimate: $10,000. Image courtesy of Michaan’s Auctions.

Mid-Hudson to auction dazzling Liberace archive, jewelry, Dec. 3

In this photograph, Liberace is dressed to entertain in a dazzling stage costume, his fingers bedecked with gold and diamond jewelry. Mid-Hudson Galleries image.
In this photograph, Liberace is dressed to entertain in a dazzling stage costume, his fingers bedecked with gold and diamond jewelry. Mid-Hudson Galleries image.

In this photograph, Liberace is dressed to entertain in a dazzling stage costume, his fingers bedecked with gold and diamond jewelry. Mid-Hudson Galleries image.

NEW WINDSOR, N.Y. (LAPRS) – Before Elton John, Madonna or Lady Gaga dominated the world stage with their outrageous costumes and over-the-top performances, there was Liberace – a charismatic showman whose onstage presence combined the glitz of Las Vegas with a dash of quaint but endearing schmaltz. For nearly two decades, Liberace (1919-1987) was the world’s highest-paid entertainer, earning as much as $300,000 per week and garnering some 40,000 fan letters per month.

Eye-popping diamonds and flashy clothes were Liberace’s trademark, both onstage and off. He took pleasure in giving gifts of jewelry and apparel from his lavish wardrobe to friends in his inner circle, which included a man named James Myers. When Myers died in 2005, he bequeathed his treasured archive of Liberace mementos to his mother, Helen. Now a nonagenarian, Mrs. Myers has chosen to consign the unique collection to Mid-Hudson Galleries, who will offer it in a 425-lot auction on Dec. 3rd.

The vast collection – which arrived from California in 80 boxes – includes custom-designed gold and diamond jewelry, stage-worn clothing and accessories; manuscripts from books Liberace penned, a huge cache of celebrity letters, cards and other correspondence; and thousands of studio and personal family photos. Additionally, the auction features Liberace’s renowned collection of Christmas decorations, including a large-scale, museum-quality Nativity scene with richly dressed hand-painted figures.

More than 70 pieces of jewelry will be offered, including many favorites that Liberace wore in photos appearing in his autobiographical books. In many cases, jewelry lots will be accompanied by one or more photos of Liberace wearing the item.

A top jewelry highlight is Liberace’s signature 14K gold and platinum ring set with marquise, round and baguette diamonds forming the shape of a candelabrum. A heavy, oversize piece that easily could be adapted to fit a woman’s finger, the ring is known to have been one of Liberace’s favorites. “This ring makes a statement – it definitely says ‘Liberace,’” said Mid-Hudson Galleries’ owner, Joanne Grant.

Also ranking among Liberace’s most treasured jewelry items is the 14K gold open-link chain with diamond-laden pendant created from an 1881 US $10 gold piece. It is prominently visible in the photo of Liberace that appears on the cover of his book The Wonderful Private World of Liberace. Yet another highlight is Liberace’s large and impressive gold-nugget watch with a diamond face and diamond surround.

Not many people knew that Liberace – a devout Catholic – collected fine crosses. “He was inspired to collect them after receiving a cross from Pope Pius XII during an audience with the pontiff in 1956,” Grant explained. The entertainer’s specialty collection includes many exquisite examples encrusted with sapphires, diamond and rubies.

Among the articles of stage-worn apparel to be auctioned are a fur jacket pictured in one of Liberace’s books, a custom-made gold brocade tuxedo vest with a label stating it was custom made for Liberace, and many very expensive shoes – some of them gently worn and others appearing never to have been worn at all. Liberace also owned many handmade bow ties embellished with rhinestones, crystals and faceted stones. For especially important occasions – including the first time he met President Reagan – Liberace would select an After Dark by Serrano navy blue satin bow tie accented by a crown-shape brooch. This personal favorite is included in the Dec. 2 auction.

The collection contains manuscripts or other written representations for each of Liberace’s books. Of particular interest are three spiral notebooks containing the handwritten original manuscript (92 pages total) for one of Liberace’s autobiographies, which he wrote while on tour and between shows.

Also to be auctioned are thousands of vintage photographs documenting Liberace’s life, from his childhood and teenage years in Wisconsin through his long career as an international superstar. Some of the pictures are of Liberace with celebrity friends, at home with his staff or at other private occasions. Many are the actual photos seen in Liberace’s three books, while others have never before been published. A trove of ephemera includes letters and holiday cards sent to Liberace by movie stars, TV personalities, U.S. presidents and other notables.

“Liberace made headlines throughout his career, and with the upcoming HBO production about his life, which will star Michael Douglas and Matt Damon, we anticipate there will be strong interest in the items in this collection,” said Joanne Grant. “He was one of a kind and a true Hollywood legend.”

‘Liberace The Auction’ will be held on Saturday, Dec. 3, commencing at 3 p.m. Eastern Time. All forms of bidding will be available, including live at the auction venue, absentee, by phone or live via the Internet through www.LiveAuctioneers.com. The auction will be held at 171 Temple Hill Rd. (Rt. 300) in New Windsor, NY 12553. For additional information call 914-882-7356 or e-mail mag2715jag@aol.com. Online: www.midhudsongalleries.com.

A gala wine and hors d’oeuvres auction preview will be held at Mid-Hudson Galleries’ auction venue on Friday, Dec. 2, from 6-9 p.m. A 7 p.m. talk by Joanne Grant will discuss the auction, its origins and the items being sold. Admission is $20 per person, with proceeds benefiting Orange AHRC, a nonprofit whose programs both encourage those with unique abilities and provide support to those who are challenged. To RSVP, call 914-240-4795.

View the fully illustrated catalog and sign up to bid absentee or live via the Internet at www.LiveAuctioneers.com.

# # #

View the fully illustrated catalog and register to bid absentee or live via the Internet as the sale is taking place by logging on to www.LiveAuctioneers.com.


ADDITIONAL LOTS OF NOTE


In this photograph, Liberace is dressed to entertain in a dazzling stage costume, his fingers bedecked with gold and diamond jewelry. Mid-Hudson Galleries image.

In this photograph, Liberace is dressed to entertain in a dazzling stage costume, his fingers bedecked with gold and diamond jewelry. Mid-Hudson Galleries image.

Kovels – Antiques & Collecting: Week of Nov. 14, 2011

These two traps are from a set of four stoneware ant traps that sold for $275 at a 2011 auction sponsored by the Southern Folk Pottery Collectors Society of Bennett, N.C. The traps are covered with a rust brown Albany slip glaze. The traps, probably made in South Carolina, date from about 1900.
These two traps are from a set of four stoneware ant traps that sold for $275 at a 2011 auction sponsored by the Southern Folk Pottery Collectors Society of Bennett, N.C. The traps are covered with a rust brown Albany slip glaze. The traps, probably made in South Carolina, date from about 1900.
These two traps are from a set of four stoneware ant traps that sold for $275 at a 2011 auction sponsored by the Southern Folk Pottery Collectors Society of Bennett, N.C. The traps are covered with a rust brown Albany slip glaze. The traps, probably made in South Carolina, date from about 1900.

Ants have been sneaking inside warm houses for centuries. Our ancestors did not use poison, but they had a way to keep the ants away from their food. They made ant traps of pottery or glass designed to keep ants from climbing up the legs of a kitchen or dining room table. The trap was shaped like a tube pan. The legs of the table were inserted in the center hole in the pan, and kerosene or turpentine was poured into the “canal.” The ants could not safely travel across the liquid. But the kitchen probably smelled like a refinery. One set of four pottery traps, one for each table leg, sold last year at the Southern Folk Pottery Collectors Society auction. It was attributed to the J.G. Baynham shop because of the glaze used on the traps. They were made in about 1900. Each trap is 7 inches wide, so it might trip unwary children reaching for food. But the idea of a dish of liquid around a table leg to discourage crawling bugs is still useful.

Q: We live in Minnesota, where it’s very cold in the winter and hot and humid in the summer. What’s the best way to store cardboard boxes of collectibles to prevent mold and mildew?

A: Store cardboard boxes in a dry place. Cardboard absorbs moisture. The basement may be too damp, unless a dehumidifier is used to keep the humidity between 45 percent and 65 percent. If the box has already begun to mildew, you may notice a white powdery substance on it. You can remove the mildew by wiping it off with a sponge dipped in a mixture of one part chlorine bleach to four parts water. Wring out the sponge until it’s almost dry and then wipe the mildew off the box. Rinse with a sponge dipped in clean water and wrung out. Then put the box in the sun to dry.

Q: I have an old Lassie metal ring. It has a portrait of the famous collie with an “L” on either side of her head. It’s in very good condition. Is it possible for you to put a price on this? I have been unable to locate anything regarding price or past sales.

A: Your ring was a premium distributed by the Campbell Soup Co., sponsor of the Lassie TV series. The original series ran from Sept. 12, 1954, to March 24, 1973. The ring was featured in an episode in January 1958. It has been estimated that more than 77,000 rings were given out as premiums. Occasionally the rings show up for sale online. You can find out more about Lassie collectibles on the website LassieWeb.org/lassfaq.htm.

Q: My brother bought a porcelain traveling tea service for two at the Gloria Swanson estate sale in 1983. It is decorated with the Napoleonic emblem, gold bees and gold rims. The tray has an “N” in a wreath in the center. The tray and two saucers are marked in red with a crown over an “N” on the back. The traveling case is made of wood. The case fell apart, so I glued it back together. Inside the case, there’s a gold pillow that lies over the top of the china to protect it when the case is closed. I’m interested in the history of this set. Was it made for Napoleon, or was it just a commemorative piece?

A: Your traveling set was not made for Napoleon, but it is decorated with Napoleonic elements. Bees were part of Napoleon’s heraldic emblem. One story says that he didn’t want to spend the money to redecorate when he moved into the Royal Palace. He didn’t like the draperies decorated with fleur-de-lis, the French Royal emblem, so he hung them upside down, which made the fleur-de-lis look like bees. A good story, but he may have chosen the bee because it’s a symbol of industriousness, immortality and power. The “crown over N” mark was used on Capo-di-Monte porcelain. It was made in Naples, Italy, from 1743 to 1759 and in Madrid, Spain, from 1771 to 1821. The molds and mark were sold and the mark is being used today by Societa Ceramica Richard of Milan, Italy. The set’s value is helped because it belonged to Gloria Swanson, but it’s hurt because of the repairs.

Q: I have a mantel clock made by the Wm. L. Gilbert Clock Co. It has a cranberry-colored glass case. It’s engraved “Pat. Dec. 23, 1902” on the bottom, where there are also other numbers I can’t make out. The back is engraved “Gilbert Clock Co., Winsted, Conn., USA.” The clock has been in my family for many years. I’d like more information about it.

A: William Lewis Gilbert and his brother-in-law, George Marsh, founded Marsh, Gilbert & Co. in 1828. The company changed owners and Connecticut locations several times during the years it was in business. The name was changed several times, too, but always included the name “Gilbert.” The Dec. 23, 1902, patent was for a beat adjuster for pendulum clocks. In about 1910, Gilbert made a model called “Orleans” that had a glass case. Gilbert also made clocks with cases made of china, metal or wood. During World War II, when metal was scarce, papier-mache cases were made. The company was bought by General Computing Machines Co. in 1957 and was sold again in 1964. A Gilbert clock with a glass case is worth about $800.

Tip: Don’t use cooking oil to polish furniture, cutting boards or even wooden salad bowls. The oil eventually will become rancid, the wood will stink and the bowl could even contaminate food.

Sign up for our weekly email, “Kovels Komments.” It includes the latest news, tips, readers’ questions and our answers, and it’s free if you register on our website. Kovels.com has lists of publications, clubs, appraisers, auction houses, people who sell parts or repair antiques and more. Kovels.com adds to the information in this column and helps you find useful sources needed by collectors.

Terry Kovel answers as many questions as possible through the column. By sending a letter with a question, you give full permission for use in the column or any other Kovel forum. Names, addresses or email addresses will not be published. We cannot guarantee the return of any photograph, but if a stamped envelope is included, we will try. The volume of mail makes personal answers or appraisals impossible. Write to Kovels, Auction Central News, King Features Syndicate, 300 W. 57th St., New York, NY 10019.

 

 

CURRENT PRICES

  • Current prices are recorded from antiques shows, flea markets, sales and auctions throughout the United States. Prices vary in different locations because of local economic conditions.
  • “Betty Crocker’s Do-Ahead Cookbook,” 1st edition, color photos, 160 pages, General Mills, 1972, $40.
  • Schoenhut Spark Plug figure, jointed wood, leather ears, cloth blanket with name, King Features Syndicate copyright, 1920s, 9 x 6 1/4 inches, $115.
  • “Moon Mullins Gets the Run-a-Round” game, cover has Emmy kicking Moon out of house as Kayo and Uncle Willie look on, Milton Bradley, 1930s, 7 x 14 inches, $115.
  • Lladro figurine, Boy Meets Girl, No. 1188, boy trying to kiss girl, issued 1972-1989, 8 1/2 inches, $375.
  • Roberto Clemente model sneakers, red canvas uppers, white rubber bottoms, facsimile signature inside, 1960s, size 9 1/2 inches, $400.
  • Limoges cuspidor, cottage and lake on front in blue, purple, green and browns, gold strokes outline trees, fences and house, yellow and white ground, circa 1880, 5 3/4 x 6 1/2 inches, $700.
  • General Electric coin-operated fan, white paint with gold stripes, single speed, takes nickel, 1911, $850.
  • Meriden Britannia Co. humidor, silver plate, four compartments, hammered scene of birds, flowers and leaves around sides, two angels holding center column on top, late 1800s, marked, 11 x 8 inches, $1,100.
  • Armour’s Peanut Butter sign, cardboard, navy ground with Mother Goose characters around pictured tin, bottom of sign shows two children playing in sand, 21 x 15 inches, $1,300.
  • Neoclassical side chairs, mahogany, lyre back with brass rod accents, padded seat, splayed legs, 1850s, 37 in., set of eight, $1,475.

Keep up with changes in the collectibles world. Send for a free sample issue of our 12-page, full-color newsletter, “Kovels on Antiques and Collectibles,” filled with prices, news, information and photos, plus major news about the world of collecting. To subscribe at a bargain $27 for 12 issues, write Kovels, PO Box 8534, Big Sandy, TX 75755; call 800-829-9158; or subscribe online at Kovelsonlinestore.com.

© 2011 by Cowles Syndicate Inc.

 

 

‘Sully’ Sullenberger to fly passengers in vintage airliner

The restored DC-7B N836D at San Juan International Airport in May 2011. Image courtesy of Wikimedia Commons.
The restored DC-7B N836D at San Juan International Airport in May 2011. Image courtesy of Wikimedia Commons.
The restored DC-7B N836D at San Juan International Airport in May 2011. Image courtesy of Wikimedia Commons.

OPA-LOCKA, Fla. (AP) – The pilot who landed a U.S. Airways flight safely into the Hudson River will fly a vintage plane out of Florida on a charity mission.

The South Florida Sun Sentinel reports that Capt. Chesley “Sully” Sullenberger and co-pilot Jeff Skiles will fly a 1958 Eastern Airlines DC-7B airplane from Opa-Locka to Charlotte, N.C. on Nov. 18.

Seats on the flight were ticketed at $1,000 each and are sold out. Proceeds from the event will go to the Historical Flight Foundation, a museum that promotes awareness of aviation history.

Sullenberger was at the helm of an Airbus 320 en route from New York City to Charlotte when the plane hit a flock of geese. The now retired pilot made an emergency landing in the river and all 150 passengers survived.

Copyright 2011 Associated Press. All rights reserved. This material may not be published, broadcast rewritten, or redistributed.

AP-WF-11-12-11 2044GMT


ADDITIONAL IMAGE OF NOTE


The restored DC-7B N836D at San Juan International Airport in May 2011. Image courtesy of Wikimedia Commons.
The restored DC-7B N836D at San Juan International Airport in May 2011. Image courtesy of Wikimedia Commons.

Bloomsbury to sell early American New Testament, Nov. 29

The title page of the New Testament published by Robert Aitken in 1777 in Philadelphia. Image courtesy of Bloomsbury Auctions.
The title page of the New Testament published by Robert Aitken in 1777 in Philadelphia. Image courtesy of Bloomsbury Auctions.
The title page of the New Testament published by Robert Aitken in 1777 in Philadelphia. Image courtesy of Bloomsbury Auctions.

LONDON (AP) – A rare copy of the first English-language edition of the New Testament to be published in the United States is being offered at auction in London.

Bloomsbury Auctions says the small volume, published in 1777, is estimated to fetch 100,000 pounds ($160,000) or more at the sale on Nov. 29. The identity of the seller was not disclosed.

LiveAuctioneers.com will provide Internet live bidding.

The New Testament was published by Robert Aitken, a Scotsman who settled in Philadelphia, who acted to fill a void after British authorities cut off the supply of Bibles following the American Colonies’ Declaration of Independence in 1776.

Although Aitken published further editions of the New Testament in 1778, 1779 and 1781, “this is the first and obviously the most important,” Rupert Powell, deputy chairman of Bloomsbury Auctions, said Friday.

He said only two other copies of the edition are known to survive, one held by the Philadelphia Historical Society and the other by the New York Public Library.

The title page of Aitken’s New Testament proclaims it is “newly translated out of the original Greek; and with the former translations diligently compared and revised. Appointed to be read in churches.”

With a few slight changes, that repeats the wording on the title page of the first edition of the King James Bible published in 1611; Aitken omitted the King James Bible’s reference to the king.

Powell said he was unable to say whether Aitken had simply lifted the text of the King James Bible, or had gone to the trouble of preparing his own edition.

Aitken was not the first to publish a Bible in the United States. A version of the New Testament in the Algonquin (Native American) language was translated by the English Puritan clergyman John Eliot and published in 1661, followed by a full Bible in 1663.

Christopher Saur, a German immigrant, also was ahead of Aitken, publishing a German-language Bible in 1743 in Philadelphia.

Copyright 2011 Associated Press. All rights reserved. This material may not be published, broadcast rewritten, or redistributed.

 

AP-WF-11-11-11 1221GMT


ADDITIONAL IMAGE OF NOTE


The title page of the New Testament published by Robert Aitken in 1777 in Philadelphia. Image courtesy of Bloomsbury Auctions.
The title page of the New Testament published by Robert Aitken in 1777 in Philadelphia. Image courtesy of Bloomsbury Auctions.

Ground broken for Tuskegee Airmen memorial in Pa.

A 1943 poster for war bonds featured a Tuskegee Airman. Image courtesy of Wikimedia Commons.

A 1943 poster for war bonds featured a Tuskegee Airman. Image courtesy of Wikimedia Commons.
A 1943 poster for war bonds featured a Tuskegee Airman. Image courtesy of Wikimedia Commons.
SEWICKLEY, Pa. (AP) – Officials have broken ground on a memorial honoring the Tuskegee Airmen from western Pennsylvania.

A surviving member of the famous unit of World War II black pilots was among those who attended a groundbreaking ceremony Thursday at the Sewickley Cemetery.

The planned memorial will honor 84 members of the unit who were from western Pennsylvania. Two granite towers bearing their names will flank a porcelain reproduction of a painting of P-51 Mustang.

Organizers are currently raising money for the $250,000 memorial. Construction could begin early next year.

Copyright 2011 Associated Press. All rights reserved. This material may not be published, broadcast rewritten, or redistributed.

AP-WF-11-11-11 1103GMT

 


ADDITIONAL IMAGE OF NOTE


A 1943 poster for war bonds featured a Tuskegee Airman. Image courtesy of Wikimedia Commons.
A 1943 poster for war bonds featured a Tuskegee Airman. Image courtesy of Wikimedia Commons.

Well sheds light on William and Mary’s Civil War history

The rear of the Wren Building at the College of William and Mary. Image courtesy of Wikimedia Commons.
The rear of the Wren Building at the College of William and Mary. Image courtesy of Wikimedia Commons.
The rear of the Wren Building at the College of William and Mary. Image courtesy of Wikimedia Commons.

RICHMOND, Va. (AP) – Archaeologists at the College of William and Mary have uncovered what’s believed to be a Civil War-era well and other artifacts, a discovery that opens a window into a part of history largely overshadowed by the school’s close association with the Colonial era.

Crews doing archaeological studies ahead of a planned utility project on the oldest part of the Williamsburg campus recently uncovered the well, as well as minie balls, or lead bullets first used in the Civil War. They also found remnants of what could be a brick wall, along with pieces of bottle glass and pottery that date to the period when federal troops occupied school grounds.

“The Civil War is definitely a period where there was concentrated activity,” said Joe Jones, director of William and Mary’s Center for Archaeological Research.

William and Mary was among many Southern colleges that closed during the 1861-1865 war. In the war’s run-up, William and Mary students overwhelmingly supported Virginia’s secession, thinking doing so could help create a new nation where their state would be at the forefront, said historian Sean Heuvel, a leadership and American Studies instructor at Christopher Newport University.

All but two of its 63 students returned home to enlist with Confederate regiments, and the college was forced to shut down, Heuvel said.

Williamsburg became a strategic military location during the 1862 Peninsula Campaign in southeastern Virginia. The college was at the front lines, with the division between Union and Confederate territories going through the campus and earthen fortifications crossing school grounds.

While it wasn’t unheard of for soldiers to use colleges during the Civil War, troops found William and Mary an especially good place to build encampments because it was in the heart of Williamsburg, near main roads leading in and out of town, Jones said.

“The archaeology also suggests there was a focused destruction of buildings on campus, changing things on campus to suit the military’s needs in the near term,” Jones said.

After Union forces took over Williamsburg, about 1,500 troops occupied William and Mary, using school buildings for soldier barracks and hospitals. Confederate cavalry members would periodically skirmish with federal troops but never retook Williamsburg.

Among other damage, the Sir Christopher Wren Building, which was built between 1695 and 1700, was burned by troops in September 1862, just three years after a fire in 1859. It ultimately was returned to its original 17th-century appearance in the early 20th century as part of a restoration of Colonial Williamsburg.

Researchers believe the well they discovered is among several federal troops dug for drinking water because of the high density of people and horses living on campus. The structure was lined with bricks and dressed fieldstone scavenged from buildings and other structures. Archaeologists are studying the artifacts found in the well.

Founded in 1693 and the nation’s second-oldest college, William and Mary is most closely tied with its Colonial history. But the recent discoveries show the campus bears the marks of many historical periods.

“If you were able to excavate the whole campus at one time, a lot of questions would be answered,” Jones said.

After the war, William and Mary President Benjamin Ewell and faculty members returned to find ruined buildings and a worthless endowment because school officials had invested in Confederate treasury bonds. Ewell tried for several years to secure reparations from the federal government, but was unable to get much money to rebuild the campus, Heuvel said.

The school closed in 1881 because not many could afford to attend college after the war. It reopened in 1888 to train teachers, then became a state-supported school in 1906.

Heuvel said much of William and Mary’s Civil War history has been lost, taking a backseat because of the college’s strong identification with its Colonial history – which was reinforced by the massive Colonial Williamsburg restoration project in the 1920s and 1930s.

“Also, as humans, we don’t like to think of painful things,” he said, and the Civil War was among the darkest periods during the school’s history.

___

Online:

College of William and Mary: http://www.wm.edu

Zinie Chen Sampson can be reached on Twitter: http://www.twitter.com/zinie

Copyright 2011 Associated Press. All rights reserved. This material may not be published, broadcast rewritten, or redistributed.

AP-WF-11-11-11 1342GMT


ADDITIONAL IMAGE OF NOTE


The rear of the Wren Building at the College of William and Mary. Image courtesy of Wikimedia Commons.
The rear of the Wren Building at the College of William and Mary. Image courtesy of Wikimedia Commons.

Public gets look at long-awaited Crystal Bridges museum

'Kindred Spirits' by Hudson River School painter Asher Durand. From the collection of the Crystal Bridges Museum of American Art.
'Kindred Spirits' by Hudson River School painter Asher Durand. From the collection of the Crystal Bridges Museum of American Art.
‘Kindred Spirits’ by Hudson River School painter Asher Durand. From the collection of the Crystal Bridges Museum of American Art.

BENTONVILLE, Ark. (AP) – Art lovers got their first look Friday at the treasures amassed by Wal-Mart heiress Alice Walton and displayed at the new Crystal Bridges Museum of American Art, an enormous facility that took six years to build.

Walton helped open the museum that’s situated on 120 acres just a 10-minute walk from Bentonville’s downtown square. The museum expects to draw about 200,000 visitors in its first year of operation.

“This is it,” Walton said during a ceremony to mark the public opening. “I’m prejudiced, but it’s the most beautiful building I’ve ever seen.”

Designed by architect Moshe Safdie, the museum includes six buildings, two of which are structured as bridges over ponds fed by a clear-running stream.

“Crystal Bridges is now yours, may it flourish,” Safdie said.

The museum is named for Crystal Spring, one of three springs that feed the stream, and light reflected by the ponds plays off the copper-roofed structures.

The museum offered a day-early preview to the 5,000 or so people who bought memberships, which cost $75 for a family. They saw galleries that progress in chronological order, starting with the Colonial era and moving on to contemporary paintings and sculpture.

The collection includes masterpieces, such as Asher Durand’s landscape Kindred Spirits, and iconic images, such as Norman Rockwell’s Rosie the Riveter and an Andy Warhol portrait of Dolly Parton.

A gallery that will be used later for traveling exhibits now features pieces from the permanent collection. In all, the museum has about 400 paintings and sculptures on display, with twice as many in the vault.

Walton, daughter of Wal-Mart Stores Inc. founder Sam Walton, has a fortune estimated at $20.9 billion by Forbes, making her the 10th-richest American.

The cost of many of her acquisitions remains unknown, but she was able to afford just about anything she wanted. She bought “Kindred Spirits” for a reported $54 million.

The opening ceremony included a video recording featuring former President Bill Clinton and a Veteran’s Day acknowledgment of soldiers, past and present.

Copyright 2011 Associated Press. All rights reserved. This material may not be published, broadcast rewritten, or redistributed.

AP-WF-11-11-11 2237GMT


ADDITIONAL IMAGE OF NOTE


'Kindred Spirits' by Hudson River School painter Asher Durand. From the collection of the Crystal Bridges Museum of American Art.
‘Kindred Spirits’ by Hudson River School painter Asher Durand. From the collection of the Crystal Bridges Museum of American Art.