Teddy Roosevelt’s home overdue for $6.2M rehab

The National Park Service will restore Teddy Roosevelt's home, Sagamore Hill. Image courtesy of Wikipedia Commons.
The National Park Service will restore Teddy Roosevelt's home, Sagamore Hill. Image courtesy of Wikipedia Commons.
The National Park Service will restore Teddy Roosevelt’s home, Sagamore Hill. Image courtesy of Wikipedia Commons.

OYSTER BAY, N.Y. (AP) – Theodore Roosevelt had a lot of stuff.

There’s the massive head of a 2,000-pound African cape buffalo hanging over a fireplace near the front entrance of his home, Sagamore Hill, on the north shore of Long Island. Next to a large desk in the North Room sits a wastepaper basket made from the hollowed foot of an elephant. Nearby, there’s an inkwell crafted from part of a rhino. More than four dozen rugs made from bearskins and other creatures taken down by the noted big game hunter adorn nearly every room.

There are 8,000 books, and thousands of items from flags to furniture, busts to baubles and medals to mementoes.

Everything must go.

The entire contents of Sagamore Hill are being packed up and put in storage as the National Park Service prepares for a three-year, $6.2 million renovation of the 28-room, Queen Anne Shingle-style mansion in Oyster Bay. The 26th president of the United States, who had the home built for him in 1885, lived there until his death in 1919. He used Sagamore Hill as a “summer White House” during his presidency from 1901-1909.

Workers have already spent nine months packing books and other smaller items into boxes, using special care to catalog every one and place it on a computer spreadsheet. The three-story home has 15 bedrooms and three bathrooms, as well as sitting rooms and offices. It sits on nearly 83 acres high atop a hill overlooking an inlet that leads to Long Island Sound.

Sagamore Hill, which sees about 50,000 visitors annually, closes to the public on Dec. 5 so craftspeople can begin the heavy lifting in earnest to rehabilitate the home that hasn’t seen any major renovations in more than a half century. A much smaller display of Roosevelt memorabilia—including his White House china—will remain on display in a smaller building on the property throughout the three-year project.

Plans call for upgrades to the electrical, heating, security and fire suppression systems throughout the home, which has been a National Park Service historic site since the early 1960s. Exterior work will include a new roof, gutter and drainage system, foundation waterproofing, and restoration of 78 historic windows, doors, porches and siding.

Also to be restored are Sagamore Hill’s original rear porch and a skylight in the center of the house, both of which were altered or removed in the 1950s when the Theodore Roosevelt Association owned the property and first opened it to public visits. The association ran Sagamore Hill for about a decade before the National Park Service took over in 1962—a somewhat fitting custodian for the home of the man who championed the creation of the national park system.

“Theodore Roosevelt’s house is like anybody else’s house,” said Amy Verone, chief of cultural resources at Sagamore Hill. She joked, however, that not everyone tackling a renovation project in their home has to contend with finding a place for 10-foot elephant tusks adorned with silver inlays.

“You should replace your furnace system, you should update your electrical system, you should do all those kinds of things,” Verone said. “But in order to facilitate that work, we have to empty the house, because the artifacts are historic. We can’t just run out and buy a new one if we drop or break something.”

National Park officials at Sagamore Hill first talked of rehabilitating the mansion in the late 1990s, competing for finances with other park projects across the country. Finally, funding was awarded in 2008, and after three years of planning, actual construction is set to begin next spring.

Although officials have consulted with museum experts—including someone at the Smithsonian Institution who advised on the care and storage of the animal skin rugs—they confess finding inspiration in many places. “We love This Old House, Verone said of the Public Broadcasting Service series on home fix-ups. “We’re always watching it for clues.”

Sagamore Hill is somewhat of a precursor to the modern concept of presidential libraries, which didn’t come into fashion until one was built for President Herbert Hoover in the 1930s, Verone said. Before that, presidents usually gave their official papers to the Library of Congress, as was the case with Roosevelt, although his personal papers went to Harvard, his alma mater, she said.

The first national historic site was designated in the 19th century when volunteers worked to rehabilitate George Washington’s home at Mount Vernon after it had fallen into disrepair. Thomas Jefferson’s home at Monticello and several locations associated with Abraham Lincoln are among the other sites. Most former presidents are remembered in some way, either by private associations, the park service or state-run programs, she said.

Roosevelt’s birthplace in Manhattan, the site where he was inaugurated in Buffalo after the assassination of William McKinley, a national park in North Dakota and a small island in the Potomac River in Washington, D.C., are also historic sites operated by the Park Service. Sagamore Hill superintendent Tom Ross said “TR” also has a “home” at Mount Rushmore.

Sagamore Hill, Ross said, “is a priceless, irreplaceable resource.” He said the preservation is important “so that we can preserve the history and heritage and share it with future generations.”

Verone said visitors to Sagamore Hill learn that Roosevelt tackled many of the same problems the country faces today. “What kind of country will we be? A place like Sagamore Hill helps remind the public of that.

“These aren’t new problems; these are conversations we’ve been having for 100 years.”

Copyright 2011 Associated Press. All rights reserved. This material may not be published, broadcast, rewritten, or redistributed.

AP-WF-11-26-11 2308GMT


ADDITIONAL IMAGE OF NOTE


The National Park Service will restore Teddy Roosevelt's home, Sagamore Hill. Image courtesy of Wikipedia Commons.
The National Park Service will restore Teddy Roosevelt’s home, Sagamore Hill. Image courtesy of Wikipedia Commons.

Crescent City offers fine art, Chinese objects, antique weapons, Dec. 3

Original oil on canvas painting by George Rodrigue (b. 1944), titled 'Blue Dog is Happy,' artist signed. Image courtesy Crescent City Auction Gallery.
Original oil on canvas painting by George Rodrigue (b. 1944), titled 'Blue Dog is Happy,' artist signed. Image courtesy Crescent City Auction Gallery.

Original oil on canvas painting by George Rodrigue (b. 1944), titled ‘Blue Dog is Happy,’ artist signed. Image courtesy Crescent City Auction Gallery.

NEW ORLEANS – More than 1,100 lots of mostly fresh-to-the-market items – culled from prominent local estates and collections and spanning a wide variety of categories – will be sold on Saturday, Dec. 3, by Crescent City Auction Gallery. The all-day event will be held in the firm’s spacious gallery, located at 1015 Julia Street in New Orleans, beginning at 8 a.m. Central Time, with Internet live bidding available through LiveAuctioneers.com.

Offered will be original works of art (mostly by regional artists, but some by national and international artists as well), fine Chinese objects, antique weaponry (to include two rare and highly collectible antique guns), wonderful estate jewelry, silver, period American and European furniture, objets d’art, chandeliers, Persian rugs, Moorcroft pottery and decorative accessories.

“The auction before the holidays is always an exciting one,” said Adam Lambert of Crescent City Auction Gallery. “We are getting an early start to accommodate over 1,100 items, but we’ll probably wrap up around 5 o’clock in the afternoon. This is the last auction of the year, and the quality of the merchandise is truly impressive.”

Two antique guns are expected to generate much bidder interest. The first is a scarce Confederate Civil War Whitworth sharpshooter’s rifle, made circa 1860. What makes this weapon so desirable to collectors is the fact that it is stamped “Natchez” on the underside, below the trigger guard. Also, it is in fine condition. The rifle is expected to realize $15,000-$25,000.

The other is a very rare V.G.W. Libeau New Orleans-made percussion cap derringer gun, manufactured pre-1845 and with the barrel engraved “V.G.W. Libeau New Orleans” (Libeau is listed as a gunsmith in the New Orleans city directories from 1832-1845, at No. 9 Camp Street). The pistol should change hands for $5,000-$7,000. A Japanese Samurai sword is also on the auction roster.

Original works of art will be served up in abundance. Two works expected to wow the crowd are an oil on canvas by David Johnson (1827-1908), titled Forest Landscape with Stream, unframed and signed and dated lower right (est. $5,000-$7,000); and a large (3 feet by 4 feet) oil on canvas work by George Rodrigue (b. 1944), titled Blue Dog is Happy (est. $25,000-$35,000).

Other notable artworks will include an 1858 oil on board rendering by Arthur Fitzwilliam (1819-1905), titled Teepee on the Shore, signed and dated and measuring 7 ¼ inches by 16 inches (est. $7,000-$12,000); and a signed, early 20th-century pastel on board work by Fremont Ellis (1897-1985), titled New Mexico Landscape with Adobe Houses, (est. $5,000-$7,000).

Oriental objects will include a Chinese famille verte wine cup from the 18th century, decorated with a fisherman wading in the water (4½ inches tall by 3½ inches in diameter); and a 7-inch-tall Chinese matte white carved baluster vase made circa 18th century from the Ching Dynasty, under the Emperor Chien Lung (1735-1796), with intricate relief scenic decoration.

Furniture pieces feature a Georgian inlaid mahogany bow-front chest-on-chest, made circa 1800 and standing 79 inches tall (est. $1,200-$1,800); a diminutive French provincial carved cherry double-door armoire, circa 1800, 82 inches tall (est. $1,000-$1,500); and a carved rosewood double-door armoire attributed to Prudence Mallard, circa 1860 (est. $1,500-$2,500).

A marvelous selection of estate jewelry will include sapphires, diamond, rubies, emeralds and pearls. Also offered will be an unusual 18kt white and yellow gold flamingo pendant brooch, made in the 20th century and modeled after the Duchess of Windsor’s example, mounted with diamonds, baguette emeralds, sapphires and rubies and signed “Blanco” (est. $9,000-$12,000).

Also offered will be a Newcomb College pottery vase, made in 1931 by Sadie Irvine in the “Moon and Moss” pattern. The 5¼ inch tall, 6½ inches in diameter vase should hammer for $2,500-$3,500. Bidders will also be treated to a nice collection of 20th-century Moorcroft pottery.

Returning to fine art, examples will include a signed and dated (1925) oil on canvas by William Woodward (1859-1939), titled Oak Lawn Biloxi, 22 inches by 28 inches, titled verso on the original price tag (est. $15,000-$25,000); and a 20th-century unsigned oil painting by Conrad Albrizio (1892-1973), titled Olympia Brass Band, 47 inches by 35¾ inches (est. 4,000-$6,000).

Other original works of art will feature an early 20th century signed oil wash landscape by Alexander J. Drysdale (1870-1934), titled Moss Draped Oak Tree (est. $2,500-$3,500); an oil on board by Gideon Townsend Stanton (1885-1964), titled Woman in a Pink Dress Walking on a Country Road, signed and inscribed (est. $2,000-$4,000); and an oil on canvas by Colette Pope Heldner (1902-1990), titled Swamp Idyll, signed lower left and titled verso (est. $1,200-$2,000).

Rounding out the artwork category is a 19th century signed work by Benjamin William Leader (1831-1923), titled Welsh River Landscape With Fishermen, signed lower left (est. $2,000-$4,000); a 1983 oil on canvas painting by William Tolliver (1951-2000), titled Bare Oak Tree in the Woods, signed and dated (est. $2,000-$4,000); and a signed and dated 19th century oil on canvas painting by Louis C. Girault, titled Cabin and Boat on the Bayou (est. $1,500-$2,500).

Also sold Dec. 3 will be a stunning 70-piece set of sterling flatware, in the “Rhapsody” pattern, weighing 87.73 troy silver ounces (est. $2,500-$3,500); other sets of sterling flatware; and a large, early 20th century cast stone fountain figure of the sea god Poseidon on a conforming cast stone plinth (est. $2,000-$4,000).

Exhibition previews will be held through Friday, Dec. 2, from 10-5. There will also be a late evening preview on Wednesday, Nov. 30, until 8 p.m.

For additional information on any item in the sale, call 504-529-5057 or e-mail info@crescentcityauctiongallery.com.

View the fully illustrated catalog and sign up to bid absentee or live via the Internet through www.LiveAuctioneers.com.

#   #   #

View the fully illustrated catalog and register to bid absentee or live via the Internet as the sale is taking place by logging on to www.LiveAuctioneers.com.


ADDITIONAL LOTS OF NOTE


Original oil on canvas painting by George Rodrigue (b. 1944), titled 'Blue Dog is Happy,' artist signed. Image courtesy Crescent City Auction Gallery.

Original oil on canvas painting by George Rodrigue (b. 1944), titled ‘Blue Dog is Happy,’ artist signed. Image courtesy Crescent City Auction Gallery.

18th century Chinese matte white carved baluster vase from the Ching Dynasty, 7½ inches tall. Image courtesy Crescent City Auction Gallery.

18th century Chinese matte white carved baluster vase from the Ching Dynasty, 7½ inches tall. Image courtesy Crescent City Auction Gallery.

Unusual 18Kwhite and yellow gold flamingo brooch, modeled after the Duchess of Windsor's famous brooch. Image courtesy Crescent City Auction Gallery.

Unusual 18Kwhite and yellow gold flamingo brooch, modeled after the Duchess of Windsor’s famous brooch. Image courtesy Crescent City Auction Gallery.

Original oil on canvas by David Johnson (1827-1908), titled 'Forest Landscape With Stream.' Image courtesy Crescent City Auction Gallery.

Original oil on canvas by David Johnson (1827-1908), titled ‘Forest Landscape With Stream.’ Image courtesy Crescent City Auction Gallery.

V.G.W. Libeau New Orleans-made percussion cap derringer, pre-1845, with engraved barrel. Image courtesy Crescent City Auction Gallery.

V.G.W. Libeau New Orleans-made percussion cap derringer, pre-1845, with engraved barrel. Image courtesy Crescent City Auction Gallery.

A marvelous selection of 20th century Moorcroft pottery will change hands Dec. 3rd. Image courtesy Crescent City Auction Gallery.

A marvelous selection of 20th century Moorcroft pottery will change hands Dec. 3rd. Image courtesy Crescent City Auction Gallery.

Newcomb College pottery vase, made in 1931 by Sadie Irvine in the 'Moon and Moss' pattern. Image courtesy Crescent City Auction Gallery.

Newcomb College pottery vase, made in 1931 by Sadie Irvine in the ‘Moon and Moss’ pattern. Image courtesy Crescent City Auction Gallery.

Large cast stone fountain figure of the sea god Poseidon, on a conforming cast stone plinth. Image courtesy Crescent City Auction Gallery.

Large cast stone fountain figure of the sea god Poseidon, on a conforming cast stone plinth. Image courtesy Crescent City Auction Gallery.

Connecticut antique show moving to Massachusetts

HARTFORD, Conn. (AP) – The Connecticut Spring Antiques Show is heading to Massachusetts.

As many as 70 dealers and 15,000 visitors will travel next spring to the Eastern States Exposition in West Springfield, Mass., home of the Big E.

The Hartford Courant reports that organizers were set to gather at the Connecticut Expo Center in Hartford where the 39-year-old show has drawn visitors for a decade.

However, new owners of the Expo Center rejected the event.

The Haddam Historical Society, the host of the antique show, looked at about 30 sites in Connecticut but none was acceptable.

Terry Smith, co-president of the historical society’s board of directors, says the show’s organizers would prefer to stay in Connecticut. But she says being 10 miles over the state line will not hurt the show.

___

Copyright 2011 Associated Press. All rights reserved. This material may not be published, broadcast, rewritten, or redistributed.

Information from: The Hartford Courant, http://www.courant.com

AP-WF-11-23-11 1238GMT

 

 

 

 

Libyans recover Roman antiquities looted from museum

The Red Castle and entrance to the National Museum in Tripoli, where the artifacts were removed. This file is licensed under the Creative Commons Attribution-Share Alike 3.0 Unported, 2.5 Generic, 2.0 Generic and 1.0 Generic license.
The Red Castle and entrance to the National Museum in Tripoli, where the artifacts were removed. This file is licensed under the Creative Commons Attribution-Share Alike 3.0 Unported, 2.5 Generic, 2.0 Generic and 1.0 Generic license.
The Red Castle and entrance to the National Museum in Tripoli, where the artifacts were removed. This file is licensed under the Creative Commons Attribution-Share Alike 3.0 Unported, 2.5 Generic, 2.0 Generic and 1.0 Generic license.

TRIPOLI, Libya (AP) – Moammar Gadhafi’s forces tried to flee Tripoli with a sack of ancient Roman artifacts in hopes of selling them abroad to help fund their doomed fight, Libya’s new leaders said Saturday as they displayed the recovered objects for the first time.

The director of the state antiquities department, Saleh Algabe, hailed the find of 17 pieces, mostly small stone heads, as an important recovery of national treasures.

The pieces included a female figurine evocative of ancient fertility symbols, several small stone human heads and two ornate terracotta fragments. Algabe said the figurines were likely used in pagan worship and dated back to the second and third centuries, when a swathe of North Africa belonged to the Roman Empire.

Algabe said the pieces were seized from a car on the road to Tripoli’s airport in August as revolutionary forces were sweeping into the capital. It appeared Gadhafi’s forces wanted to smuggle them out of the country and sell them at auction to fund their fight, he said. Officials did not know how much the objects were worth.

The pieces probably do not represent a major component of Libya’s wealth of artifacts from the Roman era. Still, officials played up their recovery as significant.

Khalid Alturjman, a representative from the country’s National Transitional Council, said the anti-Gadhafi’s fighters’ seizure of them stands as “a great example of the sacrifice of these revolutionary men for this country.”

He formally handed them over to the antiquities department Saturday.

Algabe stressed that although they dated to the Roman era, they exhibited clear signs of local influence.

“This confirms the role of Libyans in civilization,” he said.

The conference was held in Tripoli’s main archaeological museum, which boasts a collection of ancient Roman statues and mosaics. The museum is housed within the Red Castle, a medieval fort that faces the Mediterranean Sea.

A museum employee said the recovered objects had once been part of the institution’s collection. However, members of Gadhafi’s regime had taken them, saying they were to be exhibited in European museums—and never returned them.

Libya boasts many ancient Roman structures, including the famed seaside ruins of Leptis Magna, east of Tripoli.

Almost all of Libya’s ancient archaeological sites and museums were spared damage during the recent civil war. NATO made a point of avoiding them during its bombing campaign, and Agabe said that the revolutionaries also made an effort to protect them.

“The Libyan people decided to protect their heritage,” Algabe said.

Copyright 2011 Associated Press. All rights reserved. This material may not be published, broadcast, rewritten, or redistributed.

AP-WF-11-26-11 1601GMT


ADDITIONAL IMAGE OF NOTE


The Red Castle and entrance to the National Museum in Tripoli, where the artifacts were removed. This file is licensed under the Creative Commons Attribution-Share Alike 3.0 Unported, 2.5 Generic, 2.0 Generic and 1.0 Generic license.
The Red Castle and entrance to the National Museum in Tripoli, where the artifacts were removed. This file is licensed under the Creative Commons Attribution-Share Alike 3.0 Unported, 2.5 Generic, 2.0 Generic and 1.0 Generic license.

Metropolitan Museum of Art presents ‘Storytelling in Japanese Art’

Image from 'Storytelling in Japanese Art' poster, The Metropolitan Museum of Art, promoting the Museum's Nov. 19, 2011 - May 6, 2012 exhibition. The exhibition is made possible by The Miriam and Ira D. Wallach Foundation. Additional support is provided by the Japan Foundation. Image courtesy of The Metropolitan Museum of Art.
Image from 'Storytelling in Japanese Art' poster, The Metropolitan Museum of Art, promoting the Museum's Nov. 19, 2011 - May 6, 2012 exhibition. The exhibition is made possible by The Miriam and Ira D. Wallach Foundation. Additional support is provided by the Japan Foundation. Image courtesy of The Metropolitan Museum of Art.
Image from ‘Storytelling in Japanese Art’ poster, The Metropolitan Museum of Art, promoting the Museum’s Nov. 19, 2011 – May 6, 2012 exhibition. The exhibition is made possible by The Miriam and Ira D. Wallach Foundation. Additional support is provided by the Japan Foundation. Image courtesy of The Metropolitan Museum of Art.

NEW YORK – Japan has enjoyed a long tradition of storytelling through paintings and illustrated books, which continues today in the popular art of manga (comic books for children and adults). Showcasing more than 90 vibrant works drawn from the New York Public Library and other local collections, as well as works from the Metropolitan Museum of Art’s own holdings, “Storytelling in Japanese Art” will trace the rich history of illustrated narratives that thrived in the medieval and early modern periods of Japan.

The focus of the exhibition will be on some 20 rare illustrated hand scrolls called emaki. Highlights among them will be: an exceptional fragment of the set of hand scrolls nicknamed Frolicking Animals, whose parent scrolls in Japan have the designation of National Treasure and are often referred to as ancestors of modern manga; The Tale of the Drunken Demon, capturing a dramatic and gory scene of a warrior chopping off a demon’s head; and the Illustrated Legend of Kitano Shrine, a set of five hand scrolls that will be displayed simultaneously for the first time. Dating from the 12th to the 19th century, the exhibition will also include works in other formats: hand scroll, fan, book and screen.

Illustrated hand scrolls represent an artistic tradition that stretches back to the eighth century in Japan. Extant emaki from the 12th and 13th centuries represent the quintessence of narrative presentation in this highly developed format. The tales, many now part of the canon of classical Japanese literature, include miraculous events of the Buddhist and Shinto religious traditions, romantic trysts of courtiers and court ladies, heroic adventures of men and women during times of war, antics of animals in the roles of humans, and the macabre escapades of ghosts and monsters.

The exhibition also will feature works in various formats illustrating dramatic episodes from The Great Woven Cap, a tale of Fujiwara no Kamatari, the founder of the powerful Fujiwara clan. In its climactic scene, a female diver is chased by a dragon.

Some 20 works of art will be rotated into the exhibition in February.

The exhibition will include full views of some of the hand scrolls in the exhibition on iPad displays within an exhibition reading area. A lavishly illustrated publication and an Audio Guide will also be available.

In conjunction with the exhibition, a variety of education programs will offer various audiences opportunities to consider the themes and visual richness of the show. These include a Sunday at the Met on Feb. 26, gallery talks, a special afternoon gallery workshop exploring storytelling traditions in Asian art, films and a manga workshop for teens connecting works in Nolen Library’s new graphic novel collection with in-gallery explorations of the exhibition. Unless otherwise noted, all programs are free with museum admission.

The exhibition, which runs through May 6, will be featured on the museum’s website (www.metmuseum.org).


ADDITIONAL IMAGE OF NOTE


Image from 'Storytelling in Japanese Art' poster, The Metropolitan Museum of Art, promoting the Museum's Nov. 19, 2011 - May 6, 2012 exhibition. The exhibition is made possible by The Miriam and Ira D. Wallach Foundation. Additional support is provided by the Japan Foundation. Image courtesy of The Metropolitan Museum of Art.
Image from ‘Storytelling in Japanese Art’ poster, The Metropolitan Museum of Art, promoting the Museum’s Nov. 19, 2011 – May 6, 2012 exhibition. The exhibition is made possible by The Miriam and Ira D. Wallach Foundation. Additional support is provided by the Japan Foundation. Image courtesy of The Metropolitan Museum of Art.

Smithsonian opens its largest mummy exhibit ever

Doorway to the 1885 Smithsonian Institution Building (The Castle), which originally housed all of the Institution's collections and remains its symbol. Photo by David Bjorgen, licensed under the Creative Commons Attribution-Share Alike 3.0 Unported license.
Doorway to the 1885 Smithsonian Institution Building (The Castle), which originally housed all of the Institution's collections and remains its symbol. Photo by David Bjorgen, licensed under the Creative Commons Attribution-Share Alike 3.0 Unported license.
Doorway to the 1885 Smithsonian Institution Building (The Castle), which originally housed all of the Institution’s collections and remains its symbol. Photo by David Bjorgen, licensed under the Creative Commons Attribution-Share Alike 3.0 Unported license.

WASHINGTON (AP) – Mummies have returned to the National Mall in a bigger home at the Smithsonian’s National Museum of Natural History.

The museum has opened its largest exhibition of ancient Egyptian mummies and artifacts in its history. “Eternal Life in Ancient Egypt” is a new permanent exhibit that includes more mummies than ever before on the National Mall.

Curators say the artifacts and new research tools will show how scientists have pieced together details on the lives of ancient Egyptians through their burial practices and rituals preparing for eternal life.

Two cases in the exhibit are focused on mummy science with techniques like CT scanning to see inside mummy cases.

The exhibit also includes mummified animals, including cats, raptors, crocodiles and snakes.

___

National Museum of Natural History: http://www.mnh.si.edu

Copyright 2011 Associated Press. All rights reserved. This material may not be published, broadcast, rewritten, or redistributed.

AP-WF-11-22-11 0525GMT


ADDITIONAL IMAGE OF NOTE


Doorway to the 1885 Smithsonian Institution Building (The Castle), which originally housed all of the Institution's collections and remains its symbol. Photo by David Bjorgen, licensed under the Creative Commons Attribution-Share Alike 3.0 Unported license.
Doorway to the 1885 Smithsonian Institution Building (The Castle), which originally housed all of the Institution’s collections and remains its symbol. Photo by David Bjorgen, licensed under the Creative Commons Attribution-Share Alike 3.0 Unported license.

Man jailed in Picasso theft faces similar charges in N.Y.

Picasso's etching ' Sculpteur et Deux Têtes.' Image courtesy of Picassomio.com.

Picasso's etching ' Sculpteur et Deux Têtes.' Image courtesy of Picassomio.com.
Picasso’s etching ‘ Sculpteur et Deux Têtes.’ Image courtesy of Picassomio.com.
SAN FRANCISCO (AP) – A man who stole a sketch by Pablo Picasso has done his time but remained jailed in San Francisco on Monday until he is picked up by New York authorities to face similar charges in that state.

Mark Lugo of New Jersey completed his 138-day sentence after pleading guilty to grand theft in a plea deal involving the taking of the 1965 Picasso drawing called Tete de Femme (Head of a Woman).

He will be taken to New York to face charges of lifting artwork and fine wines, his lawyer Douglas Horngrad said.

In July, Lugo snatched the Picasso drawing worth $275,000 from the walls of the Weinstein Gallery in San Francisco. Quick police work, video surveillance cameras and an alert taxi driver led to his arrest within 24 hours.

Police tracked him to a Napa hotel, where the Picasso was found unframed and prepared for shipping.

When investigators searched his apartment in New Jersey, they reported finding a treasure trove of stolen art worth some $430,000. They say the 30-year-old Lugo worked at upscale Manhattan restaurants and as a wine steward.

The San Francisco district attorney said the other stolen works included another Picasso print worth $30,000, a Fernand Leger sketch valued at $350,000, and three bottles of Chateau Petrus Pomerol wine worth $6,000.

The taking of another Picasso from the William Bennett Gallery in Manhattan’s Soho district was similar to the San Francisco heist. Authorities said the thief came into the gallery during business hours on June 27, lifted the piece off the wall and walked out with a rare print of the etching Sculpteur et Deux Têtes (Sculptor and Two Heads) worth about $30,000, said William Ledford, managing partner of the gallery.

Horngrad said his client was relieved to finish his California sentence and get on with the next court case. He said the initial bail of $5 million was overblown, due to media hype. Lugo had no prior arrests.

“This is more like someone who was in the midst of a psychiatric episode than someone who had the wherewithal and ability to steal a Picasso,” Horngrad said. “Nobody got killed; nobody got assaulted. This is not the crime of the century.”

Police who raided his apartment said the stolen works were prominently displayed and may not have been meant for sale.

Lugo also faces grand theft charges in New Jersey for allegedly stealing $6,000 worth of wine in April. The other charges include possession of stolen property and second-degree burglary.

Copyright 2011 Associated Press. All rights reserved. This material may not be published, broadcast, rewritten, or redistributed.

AP-WF-11-22-11 0027GMT

 

 

 

Morton Kuehnert auction has treasures from afar Dec. 11

Japy Freres bronze dore Oriental-themed figural mantel clock, 26 3/4 x 16 1/2 x 10 inches. Estimate: $4,000-$6,000. Image courtesy of Morton Keuhnert Auctioneers & Appraisers.

Japy Freres bronze dore Oriental-themed figural mantel clock, 26 3/4 x 16 1/2 x 10 inches. Estimate: $4,000-$6,000. Image courtesy of Morton Keuhnert Auctioneers & Appraisers.

Japy Freres bronze dore Oriental-themed figural mantel clock, 26 3/4 x 16 1/2 x 10 inches. Estimate: $4,000-$6,000. Image courtesy of Morton Keuhnert Auctioneers & Appraisers.

HOUSTON – Morton Kuehnert Auctioneers & Appraisers has carefully chosen more than 200 items to interest every member of the family during its Fine Antiques, Jewelry and Decorative Art Auction Sunday, Dec. 11. The Sunday preview begins at 9 a.m. and hammer time is 11 a.m. Central.

The catalog may be previewed online at www.mortonkuehnert.com or www.LiveAuctioneers.com. Bidders may bid online at LiveAuctioneers; leave absentee bids, arrange a phone bid at 713-827-7835, or bid live in the auction gallery at 4901 Richmond Ave, Houston, TX 77027.

Previews in the Morton Kuehnert gallery will be Dec. 5 through Dec. 10, from 10 a.m. to 6 p.m. The holiday open house and champagne preview will be Thursday, Dec. 8, from 5 p.m. until 7 p.m.

Nineteen lots of jewelry and watches ready to go under the Christmas tree are in the spotlight. Lot 91, a particularly stunning piece, is a ruby and diamond bracelet with 22 rubies totaling approximately 11.9 carats and 369 round diamonds, totaling 8.83 carats. The estimate is $20,000-$25,000.

Lot 134 features a delicate white gold South Seas pearl necklace, with four pearls at 12-13mm and 468 round diamonds, totaling 5.32 carats. The estimate is $11,000-$15,000.

Lot 164 features a beautiful white gold and diamond cross ring, estimated at $1,100-$1,500.

Two top men’s wristwatches are the Jaeger Lecoultere Aston Martin Special Edition, Lot 86, estimated at $5,750-$7,000, and Lot 85, an Omega Speedmaster Professional Moonwalk Watch, estimated at $3,250-$5,000.

For the art lover or the budding collector, Lot 24 is a beautiful oil painting of a still life of fruit by Robert Hall, from the collection of former Texas Gov. Joseph Sayers, who served from 1899-1903. The painting is estimated at $4,000-$4,500.

Lots 66 and 67 are by Italian abstract expressionist Sergio Scatizzi, from a private Houston collection. The first is Mare estimated at $6,000-$8,000 and the second is Terra V, 1963, estimated at $8,000-$10,000.

Lot 118 is Dream in Forest, 1997, by Italian artist Roberto Altmann, and is estimated at $5,500-6,500. Lot 16 is a pair of life-size granite Dalmatian dog sculptures, estimated at $4,000-$6,000. Also, Lot 81 is a pair of life-size cherubim, hand-carved from Sienna marble, on wooden bases, estimated at $4,000-$6,000. If you’re a fan of Mozart, or have a music school, Lot 156, a life-size bronze of the composer holding a violin is the perfect muse. The bronze is estimated at $3,000-$5,000.

Lot 50 is a pair of life-size Italian figural torchieres, sure to make a statement in your entrance way New Year’s Eve. The lights are estimated at $10,000-$20,000. Lot 107, a Tiffany Studios pendant lamp, the perfect gift for an Arts & Crafts enthusiast, circa 1915, is estimated at $4,000-$6,000. An unusual pair of rock crystal lamps, Lot 27, is estimated at $2,000-$4,000.

Lot 74, a Louis XVI-style bronze and crystal chandelier, always appropriate, is estimated at $2,000-$4,000.

Straight from the Warner Brothers studio in Los Angeles is Lot 29, a baronial Italian Renaissance Revival-style walnut and rosewood dining room set, estimated at $9,000-$12,000.

For the budding pianist on your Christmas list, Lot 15 is a Steinway grand piano, circa 1912, estimated at $4,000-6,000. It is 6 feet 1 inch long.

One of the most distinguished lots in the auction, perfect for a library, study or office, is a 19th century northern Italian figured oak and marquetry secretary, Lot 101, which is estimated at $3,000-$4,000

Lot 183, a pair of 19th century Empire-style mahogany fauteuils, elegant seating for an after-holiday dinner aperitif, is estimated at $1,000-$2,000. Another pair of charming chairs is the 19th century Hepplewhites, Lot 185, estimated at $900-$1,800.

For the wine connoisseur, Lot 191, a late 19th century George III wine cellaret, makes for an elegant evening and enlightened conversation. The estimate is $600-$1,000.

For the builder or interior designer, Lots 57 and 26 are sure to bring smiles to their faces. Lot 57 is a pair of beautifully hand-carved 19th century Italian panels featuring musical instruments: three recorders (flute-like instruments) and a violin and bow. It is estimated at $2,000-$3,000. Three 19th century Spanish carved doors, Lot 26, feature Don Quixote, Sancho Panza and the Windmills. The estimate is $1,500-$2,000.

To add a touch of Europe to your Christmas, bid on an absolutely charming group of Danish gilt sterling and enamel Christmas and New Year spoons and forks, stamped “A. Michelesen Copenhagen, Sterling Denmark,” circa 1910-1929. Lot 146, which includes 19 forks and 20 spoons, is estimated at $2,500-$4,500. Lot 174 is Lalique’s La Femme whiskey decanter and tumblers, estimated at $1,200-$1,600.

Lot 144 is a Lalique enamel glass “Roger” box, estimated at $300-$600. Lot 100 is a late 19th century KPM hand-painted porcelain plaque of the Roman Empress Theodora, estimated at $2,000-$3,000. Lot 205 is an Hermes tortoiseshell traveling clock in original suede box, circa 1980, Paris, for the business traveler with aplomb. The estimate is $200-$300. Two charming Capo di Monte mirrors are estimated at $200-$300.

A couple of interesting clocks are Lot 114, a Lapis Lazuli carriage clock, estimated at $1,000-$1,500 and Lot 179, a bronze doré and enamel figural mantel clock with an Asian motif, estimated at $4,000-$6,000.

For details phone Morton Kuehnert Auctions & Appraisers at 713-827-7835.

View the fully illustrated catalog and register to bid absentee or live via the Internet as the sale is taking place by logging on to www.LiveAuctioneers.com.


ADDITIONAL LOTS OF NOTE


Japy Freres bronze dore Oriental-themed figural mantel clock, 26 3/4 x 16 1/2 x 10 inches. Estimate: $4,000-$6,000. Image courtesy of Morton Keuhnert Auctioneers & Appraisers.

Japy Freres bronze dore Oriental-themed figural mantel clock, 26 3/4 x 16 1/2 x 10 inches. Estimate: $4,000-$6,000. Image courtesy of Morton Keuhnert Auctioneers & Appraisers.

Ruby and diamond bracelet. Estimate: $20,000-$25,000. Image courtesy of Morton Keuhnert Auctioneers & Appraisers.
 

Ruby and diamond bracelet. Estimate: $20,000-$25,000. Image courtesy of Morton Keuhnert Auctioneers & Appraisers.

Italian Renaissance Revival dining room suite, table and 12 chairs, from Warner Brothers Studios. Estimate: $9,000-$12,000. Image courtesy of Morton Keuhnert Auctioneers & Appraisers.

Italian Renaissance Revival dining room suite, table and 12 chairs, from Warner Brothers Studios. Estimate: $9,000-$12,000. Image courtesy of Morton Keuhnert Auctioneers & Appraisers.

Robert Hall (1852-1942) still life, oil on canvas, 60 x 80 inches. Estimate: $4,000-$4,500. Image courtesy of Morton Keuhnert Auctioneers & Appraisers.
 

Robert Hall (1852-1942) still life, oil on canvas, 60 x 80 inches. Estimate: $4,000-$4,500. Image courtesy of Morton Keuhnert Auctioneers & Appraisers.

Tiffany Studios five-light pendant lamp, height 14 inches, diameter 18 1/2 inches. Estimate: $4,000-$6,000. Image courtesy of Morton Keuhnert Auctioneers & Appraisers.
 

Tiffany Studios five-light pendant lamp, height 14 inches, diameter 18 1/2 inches. Estimate: $4,000-$6,000. Image courtesy of Morton Keuhnert Auctioneers & Appraisers.

Skinner Inc. looks to build on Asian art success Dec. 3

Large, elaborate gilt and cloisonne Mount Penglai island, China, the heavily gilded, rectangular island with overall stylized tortoiseshell motif, with high relief carvings of Mount Penglai and a standing figure of the Taoist Lao Tzu. Qianlong six-character mark cast on base of tray, height 32 1/2, width 33 1/2, depth 15 1/8 inches. Estimate $20,000-$30,000. Image courtesy of Skinner Inc.

Large, elaborate gilt and cloisonne Mount Penglai island, China, the heavily gilded, rectangular island with overall stylized tortoiseshell motif, with high relief carvings of Mount Penglai and a standing figure of the Taoist Lao Tzu. Qianlong six-character mark cast on base of tray, height 32 1/2, width 33 1/2, depth 15 1/8 inches. Estimate $20,000-$30,000. Image courtesy of Skinner Inc.

Large, elaborate gilt and cloisonne Mount Penglai island, China, the heavily gilded, rectangular island with overall stylized tortoiseshell motif, with high relief carvings of Mount Penglai and a standing figure of the Taoist Lao Tzu. Qianlong six-character mark cast on base of tray, height 32 1/2, width 33 1/2, depth 15 1/8 inches. Estimate $20,000-$30,000. Image courtesy of Skinner Inc.

BOSTON – Skinner Inc. will host its auction of Asian Works of Art in three sessions, beginning Thursday, Dec. 1, through Saturday, Dec. 3, at its Boston gallery at 63 Park Plaza. This sale features more than 1,600 lots of impressive original paintings, furniture, rare jade, ivories, bronzes, porcelain and much more.

LiveAuctioneers.com will provide Internet live bidding.

This year, Skinner has experienced tremendous success and secured leadership in the Asian market as demand continues to grow. Skinner recently sold an album of painting and calligraphy by renowned modern Chinese artists, including Zhang Daqian and Wang Yachen, for $1.23 million, and its June sale was the highest grossing sale the company’s 40-year history. This sale promises to continue the trend and includes a fine selection of Chinese, Korean, Indian, and Japanese artwork and antiques.

Session one, Chinese paintings, will feature lots 1-550. Of particular interest, is an impressive collection of paintings, including many original works from notable artists such as Pu Ru, Gu Zeyang, Wu Changshuo, Gao Fenghan and Lin Zexu. Bidders should take note of lot 166, a handscroll with calligraphy on silk, inscribed with calligraphy “Chun Man Tao Yuan,” calligraphy signed “Shi An” and painting signed “Si Ma Rui Ming.” The lot is estimated to sell for between $800 and $1,200.

Another notable item in this session is lot 530: a large wooden floor screen intricately carved on both sides. The work features dragons coiling above Mount Penglai and waves, the bases are carved with dragons and reverse S-curve motifs. The lot is estimated between $2,000 and $4,000.

Asian furniture makes a bold appearance in session one as well. Lot 521, from the 17th-8th century, is a Zitan Kang table with a pierced waist, estimated between $600-800. Lot 535, from the Ming period (1368-1644), is a Huanghuali compound cabinet with marble panels estimated between $2,000 and $3,000.

Session two, rare jade and decorative arts, will feature lots 551-1,100. Jade is the focus with more than 300 lots featured. Of note is lot 900: a fine carved jade Rhyton cup from the 19th century, estimated between $300 and $500. A scholar’s rock in the shape of a mountain that comes from the ex-collection of C.C. Wang, lot 910, in another important piece to be offered and is estimated between $600 to $1,000.

Session three will feature lots 1101-1615. Lot 1316 is a large, elaborate gilt and cloisonné piece of Mount Penglai Island, China, featuring pearls, semiprecious stones, coral, malachite and a Qianlong six-character mark on the base of the tray. This piece is estimated to sell for between $20,000 and $30,000. The sale also offers an extensive collection of both Japanese and Chinese ivories and a good collection of snuff bottles, ranging from the 18th to 20th century.

Additionally, there is a private collection of early Sung porcelains that may be of the period. Other items being sold include great Japanese and Korean pieces, Chinese bronzes and hundreds of porcelain pieces.

Previews will be held on Tuesday, Nov. 29, noon-5 p.m.; Nov. 30, noon-7 p.m.; Dec. 1, 9-11 a.m.; Dec. 2, 9-11 a.m. and Dec. 3, 9-11 a.m.

For details visit www.skinnerinc.com or call 508-970-3000.

View the fully illustrated catalog and register to bid absentee or live via the Internet as the sale is taking place by logging on to www.LiveAuctioneers.com.


ADDITIONAL LOTS OF NOTE


Large, elaborate gilt and cloisonne Mount Penglai island, China, the heavily gilded, rectangular island with overall stylized tortoiseshell motif, with high relief carvings of Mount Penglai and a standing figure of the Taoist Lao Tzu. Qianlong six-character mark cast on base of tray, height 32 1/2, width 33 1/2, depth 15 1/8 inches. Estimate $20,000-$30,000. Image courtesy of Skinner Inc.
 

Large, elaborate gilt and cloisonne Mount Penglai island, China, the heavily gilded, rectangular island with overall stylized tortoiseshell motif, with high relief carvings of Mount Penglai and a standing figure of the Taoist Lao Tzu. Qianlong six-character mark cast on base of tray, height 32 1/2, width 33 1/2, depth 15 1/8 inches. Estimate $20,000-$30,000. Image courtesy of Skinner Inc.

Handscroll and calligraphy, China, ink and colors on silk, inscribed with calligraphy ‘Chun Man Tao Yuan,’ calligraphy signed ‘Shi An,’ painting signed ‘Si Ma Rui Ming,’ with 13 seals, 40 x 14 inches. Estimate: $800-$1,200. Image courtesy of Skinner Inc.
 

Handscroll and calligraphy, China, ink and colors on silk, inscribed with calligraphy ‘Chun Man Tao Yuan,’ calligraphy signed ‘Shi An,’ painting signed ‘Si Ma Rui Ming,’ with 13 seals, 40 x 14 inches. Estimate: $800-$1,200. Image courtesy of Skinner Inc.

Zitan Kang table/stand, China, 17th/18th century, pierced waist, pierced and carved archaic motif apron, with flat stretchers, height 7 1/4 inches, top 24 3/4 x 11 in. Estimate $600-$800. Image courtesy of Skinner Inc.
 

Zitan Kang table/stand, China, 17th/18th century, pierced waist, pierced and carved archaic motif apron, with flat stretchers, height 7 1/4 inches, top 24 3/4 x 11 in. Estimate $600-$800. Image courtesy of Skinner Inc.

Large standing screen, China, elaborately carved wood in 21 sections, both front and back carved with dragons coiling above Mount Penglai and waves, width 175 inches, height 102 inches. Estimate $2,000-$4,000. Image courtesy of Skinner Inc.

Large standing screen, China, elaborately carved wood in 21 sections, both front and back carved with dragons coiling above Mount Penglai and waves, width 175 inches, height 102 inches. Estimate $2,000-$4,000. Image courtesy of Skinner Inc.

History Channel’s new auction reality show is the ‘Real Deal’

Las Vegas dealer Glen Parshall (left) considers making a cash offer on a fossilized woolly mammoth tooth brought in during the taping of 'Real Deal,' HISTORY Channel's new auction house reality show based at Don Presley Auctions in Orange, Calif. Image courtesy of HISTORY.
Las Vegas dealer Glen Parshall (left) considers making a cash offer on a fossilized woolly mammoth tooth brought in during the taping of 'Real Deal,' HISTORY Channel's new auction house reality show based at Don Presley Auctions in Orange, Calif. Image courtesy of HISTORY.
Las Vegas dealer Glen Parshall (left) considers making a cash offer on a fossilized woolly mammoth tooth brought in during the taping of ‘Real Deal,’ HISTORY Channel’s new auction house reality show based at Don Presley Auctions in Orange, Calif. Image courtesy of HISTORY.

ORANGE, Calif. – A 1956 Lincoln Mark II in flawless condition rolls into the lot. Its owner knows that only a handful of these beauties were produced, and he thinks he can get $70,000 for it. The dealer offers him $30,000. Should he take the money and run? The tension builds. No, the seller decides. For a collectible car in perfect running condition, he’s sure he can get top dollar at auction.

The market for collectibles is unpredictable, and everyone wants to make a profit. ‘Real Deal,’ a new 10-part / 30-minute series premiering Sunday, Nov. 27 at 9 p.m. Eastern Time on the History Channel, zeroes in on the dramatic interaction between buyers and sellers as they haggle over the best price for a piece of history.

Taped at Don Presley Auctions’ gallery in Orange, Calif., Real Deal captures the tension that fuels the art of the deal. Antique dealers must summon their expansive knowledge of antiques – and human nature – to clinch the deal. But it’s the sellers who have the advantage. They can walk away from the table at any time and head straight to the auction block, where big money could be awaiting. But there’s always the risk of going home with far less than the dealer offered – or even empty handed.

Whether it’s a collection of footballs signed by NFL legends or an autograph by Harry Houdini, a WWII German Storm Trooper dagger or a 19th-century spittoon, everything that comes into the auction reveals something about an earlier time and the way people lived in the past. But an article that’s rich with history doesn’t necessarily make its owner rich. One seller thinks he can get $580 for a 1904 home electrotherapy machine. The dealer offers $240. No deal, decides the seller, and heads to the auction house, where he gets only $225 for it.

But a gamble can sometimes pay off, as it did for Gary, the owner of the Lincoln who rejected the dealer’s $30,000 offer. At the auction house, he gleefully looks on as bids keep rising. Eventually the vintage vehicle fetches $45,000…and Gary goes home a winner.

“With this show, the name tells it all. It’s the real deal – the most authentic antiques and auction show on television,” said auctioneer Don Presley. “I believe auctions are the best way of determining fair market value, and that’s what this show does.”

Presley explained the premise of the show: “People come into the auction house with an antique or collectible item and sit down at a poker table across from one of a team of four very smart dealers with a stack of cash to spend. They discuss the item and haggle back and forth on price; then the dealer makes them an offer. The seller can accept the offer or consign the item to auction. Viewers get to watch the entire process as it unfolds, all the way through to the bang of the gavel. It’s very entertaining,” Presley said.

New episodes will air on the following dates, with back-to-back new episodes on Sundays:

Sunday 11/27 – 9 p.m. and 9:30 p.m.

Monday 11/28 – 11 p.m.

Sunday 12/4 – 9 p.m. and 9:30 p.m.

Monday 12/5 – 11 p.m.

Sunday 12/11 – 9 p.m. and 9:30 p.m.

Sunday 12/18 – 9 p.m. and 9:30 p.m.

# # #


ADDITIONAL IMAGE OF NOTE


Las Vegas dealer Glen Parshall (left) considers making a cash offer on a fossilized woolly mammoth tooth brought in during the taping of 'Real Deal,' HISTORY Channel's new auction house reality show based at Don Presley Auctions in Orange, Calif. Image courtesy of HISTORY.
Las Vegas dealer Glen Parshall (left) considers making a cash offer on a fossilized woolly mammoth tooth brought in during the taping of ‘Real Deal,’ HISTORY Channel’s new auction house reality show based at Don Presley Auctions in Orange, Calif. Image courtesy of HISTORY.