California Auctioneers to sell Butch Cassidy’s Colt .45, Sept. 30

Butch Cassidy's 'amnesty' Colt SAA .45 gun with holster and extensive documentation, sold to a LiveAuctioneers bidder for $175,000. Image courtesy of LiveAuctioneers.com Archive and California Auctioneers.
Butch Cassidy’s ‘amnesty’ Colt SAA .45 gun with holster and extensive documentation. Est. $150,000-$250,000. Image courtesy of LiveAuctioneers.com and California Auctioneers.

Butch Cassidy’s ‘amnesty’ Colt SAA .45 gun with holster and extensive documentation. Est. $150,000-$250,000. Image courtesy of LiveAuctioneers.com and California Auctioneers.

VENTURA, Calif. – On Sept. 29-30, California Auctioneers will conduct a sale of historic Old West relics, with Internet live bidding through LiveAuctioneers.com. The auction’s headliner is American outlaw Butch Cassidy’s amnesty Colt .45 gun. It is the very firearm Cassidy handed over in good faith to Juab County, Utah Sheriff Parley P. Christison in Oct. 1899, in an appeal for amnesty.

Additional highlights in the sale include the beaded jacket of Sioux legend Crazy Horse, who defeated Custer on the Western Plains, the Colt Navy percussion gun of infamous James Gang member Frank James, brother of Jesse.

The Butch Cassidy Colt is extremely well documented and has been featured in a number of magazines in years past, including Gun Journal, Guns, and Guns and the Gunfighters (published by Guns & Ammo).

“We’ve come to a time when we are two generations away from the folks who knew Cassidy. Fortunately former owner E. Dixon Larson launched a pilgrimage from 1967 to 1970, documenting and interviewing people who knew Cassidy and remembered this Colt,” said auctioneer Jewels Eubanks.

One of those people was Lula Parker Betenson, Cassidy’s younger sister, who can be seen holding the Colt on Page 2 of her book Butch Cassidy, My Brother. Pages 159-160 verify the serial number 158402. A number of photographs and original letters between Larson and Betenson are offered with the Colt, in addition to over a hundred pages of research and verification documents.

Included with the Colt .45 (158402) is Cassidy’s “Brill” jacket holster and never-before-seen documents, including an original letter and photo of William Darby who “rode with [Cassidy] …into the ‘hole.'” He recollects:

“Butch’s coat gun that he carried under his arm most of the time…without a question, this is it. (#158402). He was the only one that I can recall who had a nickel one. I handled it a few times…I remember the ‘eagles’ on the grips, as most of the boys’ (guns) had wood handles, except Logan, who had white ones…Reason I remember it so well, is that I always wanted one just like it. It was a .45 and most others were .44s.”

In additional to Darby’s testimony a never-before-seen conversation with Charles Hanks from 1969 confirms he visited with “Butch” in Vernal, Utah after he was reported killed in Bolivia. He also claims that he visited him again in Salem, Ore., in 1924. He remembers being 12 years old and seeing Butch with the nickel Colt, holster and black-eagle grips.

Two binders with well over 100 pages of documents are included with the original manila tag Parley P. Christison signed in Juab County, Utah, where Cassidy turned in this Colt and his Winchester. An original photograph of the Justice document filed Jan. 2nd, 1900 (after Cassidy did not return) also verifies the Colt 158402 and his Winchester. Correspondence with the owner of the Cassidy Winchester, Jim Earle, proved to have an exact copy of the same docket.

Cassidy’s attempt for amnesty with the help of his friend Matt Warner, Sheriff P.P. Christison and his lawyer, Orlando Powers, asking to meet Governor H.C. Wells, is well documented.

It was perhaps Cassidy’s last attempt on American soil “to lay down his sword and shield,” and in so doing, he left behind a piece of the Wild West. He turned in his Colt SAA .45; the jacket gun that Hanks claims could be seen poking out of his vest, under his jacket next to his heart; and the action of turning it in represents his last attempt to cooperate with the authorities for a life more ordinary.

The amnesty Colt remains a symbol of the duality of “the men of the West;” half hero, half outlaw, forged in steel conviction, yet fueled with the hope of the American dream. It is said Cassidy homesteaded in Argentina, further proof of his desire to settle down before being forced on to Bolivia.

Many, including Cassidy’s sister and Hanks, believe Cassidy found his way back to the States. The truth may never be known, but it is certain that the Robin Hood of the Wild West will remain one of the most intriguing American legends. The Pinkerton National Detective Agency described Cassidy as “a cheerful and amiable bandit with a pleasant, square-jawed face and an almost gentle appearance.” And, extremely dangerous.

California Auctioneers’ Saturday Sept. 29 session will feature a wide range of goods including French and American estate furniture, baby grand pianos, Galle, Lalique and Tiffany; Western and plein-air paintings, fine estate and antique jewelry; clocks, Lladro, antique dolls including some by Jumeau, toys, lighting, Oriental rugs, fine pottery, porcelain and glassware.

The Sunday, Sept. 30 session will feature historic and antique firearms, Native-American artifacts and jewelry, rugs, baskets, pottery, Western art, American antique furniture, collectibles and more.

For additional information, call 805-649-2686 or e-mail info@calauctioneers.com.

View RMK and Red Sky’s short documentary on the Colt at the end of this page.

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View the fully illustrated catalog and register to bid absentee or live via the Internet as the sale is taking place by logging on to www.LiveAuctioneers.com.


ADDITIONAL LOTS OF NOTE


Butch Cassidy’s ‘amnesty’ Colt SAA .45 gun with holster and extensive documentation. Est. $150,000-$250,000. Image courtesy of LiveAuctioneers.com and California Auctioneers.

Butch Cassidy’s ‘amnesty’ Colt SAA .45 gun with holster and extensive documentation. Est. $150,000-$250,000. Image courtesy of LiveAuctioneers.com and California Auctioneers.

Historic beaded jacket that belonged to Crazy Horse, war leader of the Oglala Lakota. Provenance: private Texas collection. Est. $8,000-$12,000. Image courtesy of LiveAuctioneers.com and California Auctioneers.

Historic beaded jacket that belonged to Crazy Horse, war leader of the Oglala Lakota. Provenance: private Texas collection. Est. $8,000-$12,000. Image courtesy of LiveAuctioneers.com and California Auctioneers.

Outlaw Frank James’ Navy Colt percussion collection. Provenance: private Texas collection, Virginia museum. Image courtesy of LiveAuctioneers.com and California Auctioneers.

Outlaw Frank James’ Navy Colt percussion collection. Provenance: private Texas collection, Virginia museum. Image courtesy of LiveAuctioneers.com and California Auctioneers.

Photograph of Lula Betenson (Parker), sister of Butch Cassidy and author of the book ‘Butch Cassidy, My Brother,’ holding the Colt SAA .45 #158402, which will be auctioned Sept. 30. Image courtesy of California Auctioneers.
Photograph of Lula Betenson (Parker), sister of Butch Cassidy and author of the book ‘Butch Cassidy, My Brother,’ holding the Colt SAA .45 #158402, which will be auctioned Sept. 30. Image courtesy of California Auctioneers.


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Certified jade, collectible artworks at Michaan’s Oct. 7 sale

Anonymous: Japanese album of 12 erotica paintings. Estimate: $500-$700. Michaan’s Auctions Inc.

Anonymous: Japanese album of 12 erotica paintings. Estimate: $500-$700. Michaan’s Auctions Inc.
Anonymous: Japanese album of 12 erotica paintings. Estimate: $500-$700. Michaan’s Auctions Inc.
ALAMEDA, Calif. – The fine art selection in Michaan’s Oct. 7 Estate Auction will include over 160 lots from the 18th to 20th centuries. The sale is composed of, but not limited to, oil paintings, watercolors, etchings and woodblock prints as well as bronze and marble sculpture. Subjects range from landscapes to portraiture to genre paintings, with a large representation from European and American artists.

LiveAuctioneers.com will provide Internet live bidding for the 1,000-lot auction, which will begin at 10 a.m. PDT.

American artist Frederick William Becker’s Cypress Tree is featured as lot 105 in the sale ($2,000-$4,000). Cypress Tree is one such vibrant realist landscape oil in which the artist masterfully juxtaposes two natural subjects. A cypress tree is depicted on a seaside cliff with many of its branches clinging to the earth, helping to stabilize its position. In contrast, the ocean is seen in the background, fluid and effortless in nature. The image was inspired by the scenic 17-Mile Drive route along the Carmel/Monterey stretch of the road. The painting is signed “Frederick Becker.”

The jewelry selection offers over 175 lots with a wide variety of gemstone jewelry and Native American pieces available in October. Jade pieces are also substantially represented in bracelets, rings, pendants and brooches, including multiple lots of certified jadeite jade. Highlighting the sale is a gorgeous jade ring fashionably set in an Art Deco inspired mounting. The certified jade cabochon measures a substantial 11.7 x 18.1 x 8.1 millimeters and displays an ideal clover green hue with a lovely translucency. The simplicity of the jade is complemented by the clean, angular lines of the mounting – a beautiful marriage of East and West. The ring will be offered as lot 433 at an auction estimate of $7,000-$8,000.

Michaan’s Asian department presents over 160 lots, primarily from the 19th to 20th centuries. Scrolls, porcelains, bronzes, jade objects, furniture and Japanese artworks are among the available pieces. Lot 631 is a quality Japanese artwork of particular interest and one that is almost universally misunderstood. The album is dated to the 19th century and contains 12 erotic paintings in pencil and watercolor. Generally, this type of art known as shunga sought to express an ideal view of middle-class urban Japanese society. Shunga was largely perceived as conveying the enjoyment of life and not as a form of pornography, therefore, it did not detract from the artist’s reputation or prestige. The intriguing painting collection will be auctioned at an estimate of $500-$700.

Arguably the finest teddy bear on the market, Steiff stuffed bears were born from a company unlike any other. German-born Margarete Steiff was diagnosed with polio in 1852. Despite her condition, she went on to establish a small sewing business. In 1902 Richard Steiff, Margarete’s favorite nephew, joined the company. Although Margarete was skeptical, she allowed Richard to present a bear design at the Leipzig Toy Fair. A breakthrough came when an American businessman took notice of the bear, buying 3,000 of them. From 1906 on it was then sold under the name “Teddy bear” after U.S. President Theodore “Teddy” Roosevelt. Its success brought the company to new international heights and established Steiff as the inventor of the teddy bear. Lot 1007 is a collection of six original vintage Steiff teddy bears. The lot includes an “original Teddy,” two “Zotty” bears, one “Cosy Orsi” bear and two “Teddy Baby” bears ($300-$400). Three other Steiff lots of assorted stuffed animals will also be available in the sale.

For more information please phone Michaan’s front desk at 510-740-0220.

View the fully illustrated catalog and register to bid absentee or live via the Internet as the sale is taking place by logging on to www.LiveAuctioneers.com.


ADDITIONAL LOTS OF NOTE


Frederick William Becker (American 1888-1974), ‘Cypress Tress,’ oil on canvas, 30 x 24 inches. Estimate: $2,000-$4,000. Michaan’s Auctions Inc.
Frederick William Becker (American 1888-1974), ‘Cypress Tress,’ oil on canvas, 30 x 24 inches. Estimate: $2,000-$4,000. Michaan’s Auctions Inc.
Jade, white and black stone, sterling silver ring. Estimate: $7,000-$8,000. Michaan’s Auctions Inc.
Jade, white and black stone, sterling silver ring. Estimate: $7,000-$8,000. Michaan’s Auctions Inc.
Six vintage Steiff stuffed bears. Estimate: $300-$400. Michaan’s Auctions Inc.
Six vintage Steiff stuffed bears. Estimate: $300-$400. Michaan’s Auctions Inc.

Retailers to market radical ‘focus later’ camera

Composite photo showing both ends of a Lytro light field camera, taken after a presentation by Lytro CEO Ren Ng at HP Auditorium, Soda Hall, University of California, Berkeley. Photo by Dcoetzee, made available under the Creative Commons CC0 1.0 Universal Public Domain Dedication.
Composite photo showing both ends of a Lytro light field camera, taken after a presentation by Lytro CEO Ren Ng at HP Auditorium, Soda Hall, University of California, Berkeley. Photo by Dcoetzee, made available under the Creative Commons CC0 1.0 Universal Public Domain Dedication.
Composite photo showing both ends of a Lytro light field camera, taken after a presentation by Lytro CEO Ren Ng at HP Auditorium, Soda Hall, University of California, Berkeley. Photo by Dcoetzee, made available under the Creative Commons CC0 1.0 Universal Public Domain Dedication.

SAN FRANCISCO (AFP) – A radical camera that lets users adjust the focus after taking pictures will be available in October at shops in Australia, Canada, Singapore, Hong Kong and the United States.

The move announced on Tuesday marked an expansion for the Lytro, which began shipping in March but has been available only by order on the Internet.

“Since introducing the Lytro camera just six months ago, nearly 400,000 light field pictures have been shared on Lytro.com,” said Lytro chief executive Charles Chi.

“We are excited to take this picture revolution one step further by making Lytro available to more photographers in the US and around the world.”

The Lytro is the creation of Ren Ng, who started work on the digital camera while studying for a doctorate in computer science at Stanford University in California.

The telescope-shaped camera uses what is known as “light field technology” to allow the focal point of a digital image to be changed after the picture is taken, a feature that Lytro calls “shoot now, focus later.”

Clicking on a Lytro picture displayed on a computer screen allows a viewer to shift the focus from a subject in the foreground, for example, to a subject in the background.

The Lytro can do this because it uses powerful sensors to capture significantly more light than a conventional camera.

Lytro executive chairman Ng, who was born in Malaysia and raised in Australia, describes the images as “living pictures” because of the ability to manipulate them.

When Lytro pictures are shared online, the “light field engine” travels with each image so anyone can change focal points as desired.

The 16-gigabyte model of the camera, which is about the same size as a stick of butter and can fit easily in a pocket, costs $499 and can hold 750 pictures. An 8GB version costs $399 and can capture 350 images.

Lytro said that expanding availability of the cameras come as demand increases for the technology around the world.

“Australians are asking for the Lytro camera and we’re excited to bring it to them,” said Dan Miall of Blonde Robot, with is distributing the cameras in that country.

“There has been a lot of excitement to be a part of this next phase in photography and start producing light field pictures in Australia.”

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ADDITIONAL IMAGE OF NOTE


Composite photo showing both ends of a Lytro light field camera, taken after a presentation by Lytro CEO Ren Ng at HP Auditorium, Soda Hall, University of California, Berkeley. Photo by Dcoetzee, made available under the Creative Commons CC0 1.0 Universal Public Domain Dedication.
Composite photo showing both ends of a Lytro light field camera, taken after a presentation by Lytro CEO Ren Ng at HP Auditorium, Soda Hall, University of California, Berkeley. Photo by Dcoetzee, made available under the Creative Commons CC0 1.0 Universal Public Domain Dedication.

Red Baron back in action with extraordinary sale Sept. 29

Tiffany Arrowroot lamp with confetti glass. Red Baron's Private Reserve.
Tiffany Arrowroot lamp with confetti glass. Red Baron's Private Reserve.

Tiffany Arrowroot lamp with confetti glass. Red Baron’s Private Reserve.

ATLANTA – Red Baron’s Private Reserve – the new incarnation of the venerable auction firm formerly known as Red Baron Antiques – will hold an inaugural sale on Saturday, Sept. 29, in its new gallery facility at 8655 Roswell Road, five miles north of its previous Atlanta location. LiveAuctioneers will provide Internet live bidding, which begins at 10 a.m. EDT.

Among the 475 lots to be sold are six rare and outstanding pianos that are no longer in production.

“We are excited to be kicking off the fall season at our brand new facility with an auction packed with some of the highest quality antiques and décor items available anywhere,” said Bob Brown, Red Baron’s owner throughout its long and storied history. “Everything you’ve seen at Red Baron’s has been condensed into our new and improved location. I urge everyone to attend.”

Aside from the pianos, the auction will also feature a never-used copy of a late 1800s-style brewery, vintage and collectible automobiles, fantastic bars, statuary and fountains (staples at most Red Baron’s auctions), boats, estate jewelry, fine art, vintage guns, furniture, neons, garden accents, rare and unusual oddities and an overall inventory that can’t be found elsewhere.

The six pianos are expected to take center stage (as they no doubt have countless times in the past). One is the ultimate piano: a sleek black Steinway Model D-455 9-foot grand piano. It has graced the concert stage of virtually every performance venue in America, and boasts the largest dynamic range of any piano made, from whispering pianissimo to thundering fortissimo.

Another Steinway grand piano certain to garner attention is an important French ormolu-mounted mahogany, satin, sycamore and stained fruitwood marquetry piano, made circa 1913. Previously auctioned through Christie’s, the piano features a case made by Maison Jansen (Paris) from a model by Joseph-Emmanuel Zwiener. Movement is Steinway & Sons (serial #162332).

The other four pianos include a gold-mounted Bechstein grand piano with satinwood inlay and ormolu, circa 1883; a Samick white baby grand piano, Model SG-172; a Chickering ebonized baby grand piano, made circa 1924, Model #146544; and a Bechstein oak grand piano, Model #39038.

“To have six pianos of this caliber in one auction is extraordinary,” Brown said.

The late 19th century-style brewery is bound to attract attention, both for it rarity and its functionality. Made in Germany (and the only example currently in the United States), the gold medal-winning brewery has toured the U.S. and Germany and is valued at $400,000. It is 13 feet 1 inch by 10 feet, with a height of 12 feet. It goes with the auction’s Oktoberfest theme.

Oher notable pieces include an amazing Lalique cactus table, a Tiffany Arrowroot lamp, collectibles such as an F-16/15 aircraft ejection chair, completely authentic, polished and lacquered and ideal for use as a desk chair (and a surefire conversation starter); and a pre-Civil War pirate hook arm.

There is no admission fee for this auction, which will begin promptly at 10 a.m. and end around 7 p.m.

Red Baron’s Private Reserve is always in the hunt for quality consignments for future auctions. To inquire about consigning a single item, an estate or a collection, send an e-mail to info@rbprivatereserve.com or phone 404-640-4604.

View the fully illustrated catalog and register to bid absentee or live via the Internet as the sale is taking place by logging on to www.LiveAuctioneers.com.


ADDITIONAL LOTS OF NOTE


Late 19th century-style brewery, made in Germany and the only example currently in the U.S. Red Baron’s Private Reserve image.

Late 19th century-style brewery, made in Germany and the only example currently in the U.S. Red Baron’s Private Reserve image.

Steinway French ormolu-mounted mahogany, satin, sycamore and fruitwood piano, circa 1913. Red Baron’s Private Reserve image.

Steinway French ormolu-mounted mahogany, satin, sycamore and fruitwood piano, circa 1913. Red Baron’s Private Reserve image.

Lalique Cactus table. Red Baron's Private Reserve image.

Lalique Cactus table. Red Baron’s Private Reserve image.

Large-size green wrought iron solarium with tempered glass and detailed scrollwork decoration. Red Baron’s Private Reserve image.

Large-size green wrought iron solarium with tempered glass and detailed scrollwork decoration. Red Baron’s Private Reserve image.

 

Skinner decorative arts auction Oct. 6 laden with silver

Steve Retzlaff (American, 20th/21st century), ‘Freedom,’ cast .999 silver, on marble and walnut base, total height 34 inches. Estimate: $8,000-$12,000. Skinner Inc. image.

Steve Retzlaff (American, 20th/21st century), ‘Freedom,’ cast .999 silver, on marble and walnut base, total height 34 inches. Estimate: $8,000-$12,000. Skinner Inc. image.

Steve Retzlaff (American, 20th/21st century), ‘Freedom,’ cast .999 silver, on marble and walnut base, total height 34 inches. Estimate: $8,000-$12,000. Skinner Inc. image.

BOSTON – Skinner Inc. will host an auction of European Furniture and Decorative Arts on Oct 6 in its Boston gallery. LiveAuctioneers.com will provide Internet live bidding as Skinner sells an array of silver, Continental porcelain, glass, statuary, clocks, paintings and prints, lighting, rugs, textiles and antique furniture. The collection of renowned actor, director, and master teacher Michael Howard will also be offered during the 900-lot auction, which begins at 10 a.m. EDT.

The silver session features nearly 450 lots, with a broad range of flatware and hollow ware from the United States, Europe, the Middle East, and Central and South America. The bidding begins with British silver, and features two assembled Paul Storr covered tureens with unicorn finials (lot 40, estimated between $5,000 and $7,000).

Continental silver follows with highlights that include a large sterling silver compote with pendant grape clusters by Georg Jensen (lot 144, $9,000 to $12,000), as well as several Georg Jensen flatware sets including one in the Cactus pattern (lot 137, $10,000 to $15,000) and another in the Acorn pattern (lot 159, $3,000 to $4,000).

Offerings by American makers are particularly strong. An early 20th century Gorham presentation sterling silver punch bowl service (lot 300, $30,000 to $50,000) offers a fine example of Gorham design and craftsmanship. The punch bowl is lightly hammered and cast with grape and vine decoration. The tray and 12 cup holders bear a similar decorative motif, including grapes, oak leaves and acorns.

Highlights from Tiffany & Co. include four Chrysanthemum pattern sterling silver candlesticks (lot 310, $18,000 to $22,000) and a Persian-style sterling silver coffee service (lot 333, $6,000 to $8,000), both from the early 20th century. Several lots of silver designed by Elsa Perretti are expected to generate interest, including a sterling silver covered tureen and underplate (lot 151, $4,000 to $6,000) and a pair of Bone pattern sterling silver candlesticks (lot 153, $2,000 to $4,000).

The final lot of the session is a patinated .999 silver and bronze figure of an eagle, entitled Freedom, by contemporary American sculptor Steve Retzlaff (lot 442, $8,000 to $12,000). The sculpture stands 30 inches tall and the silver content amounts to nearly 700 troy ounces.

The sale will also feature approximately 50 lots of collectibles associated with theater from the personal collection of Michael Howard. Howard is a renowned actor, director and teacher of the dramatic arts, having taught at the Julliard School, Yale School of Drama, American Conservatory Theatre, and most notably at his own studio. Citing his master teacher, Lee Strasberg, as a major influence not only professionally but also as a collector, Howard has been actively collecting since his career started more than 60 years ago.

Much of the Michael Howard collection relates to Shakespearean characters and the actors who played them. Examples include a painting of Edwin Booth as Iago by Thomas Hicks (lot 509, $4,000 to $6,000) and three Chinese reverse paintings on glass illustrating scenes from The Winter’s Tale, The Tempest and Hamlet (lots 531-533, each $3,000 to $5,000).

Nineteenth century English actors and actresses are represented in paintings, needlework samplers, porcelain and pottery objects, and tinsel prints. The Commedia dell’Arte is represented in several lots including a collection highlight: a large needlework piece portraying an early stage production, complete with the characters Harlequin, Il Dottore and Scaramouche (lot 544, $4,000 to $6,000).

English pieces of note include a William IV amboyna and yew wood writing table (lot 746, $8,000 to $12,000), a Regency mahogany drum table (lot 792, $2,000 to $4,000), and a George III parcel-gilt and caned bergere (lot 829, $4,000 to $6,000).

The variety of Continental furniture is demonstrated by two case pieces. The first, a fine 18th century Dutch walnut armoire (lot 574, $15,000 to $25,000) is marquetry-inlaid throughout. The second, a brass- and alabaster-mounted mahogany veneer secretaire abattant (lot 606, $5,000 to $7,000) features burl- and string-inlaid fronts, a tambour door and other exquisite details. An important circular marble tabletop (lot 811, $6,000 to $8,000) inlaid with micromosaics and bordered by a rouge marble band depicts St. Peter’s Square and ruins in the Roman Forum.

American Victorian furniture is represented by a Renaissance Revival walnut cabinet secretary Wooton desk (lot 852, $6,000 to $8,000), and two Aesthetic Movement ebonized cherry side chairs attributed to Herter Brothers (lot 908, $4,000 to $6,000).

Highlights from the wide variety of Continental porcelain include several well-painted KPM plaques. One depicts the Tyrolean Rebellion of 1809 after the painting Vor Dem Aufstand 1809 in Tirol by Franz Defregger (lot 698, $1,200 to $1,800) and another, a portrait of Christopher Columbus in chains, after Gustave Wappers (lot 877, $600 to $800).

Notable decorative pieces also include an assortment of bronze sculptures highlighted by a Georges Gardet (French, 1863-1939) parcel-gilded casting titled Lioness Discovering a Foo Dog with a Barbedienne foundry mark (lot 550, $3,000 to $5,000).

For details contact Stuart Slavid, director of European furniture and decorative arts at Skinner Inc., 508-970-3278.

View the fully illustrated catalog and register to bid absentee or live via the Internet as the sale is taking place by logging on to www.LiveAuctioneers.com.


ADDITIONAL LOTS OF NOTE


Steve Retzlaff (American, 20th/21st century), ‘Freedom,’ cast .999 silver, on marble and walnut base, total height 34 inches. Estimate: $8,000-$12,000. Skinner Inc. image.

Steve Retzlaff (American, 20th/21st century), ‘Freedom,’ cast .999 silver, on marble and walnut base, total height 34 inches. Estimate: $8,000-$12,000. Skinner Inc. image.

Four Tiffany & Co. Chrysanthemum pattern sterling silver candlesticks, New York, early 20th century, 10 inches high. Estimate: $18,000-$22,000. Skinner Inc. image.

Four Tiffany & Co. Chrysanthemum pattern sterling silver candlesticks, New York, early 20th century, 10 inches high. Estimate: $18,000-$22,000. Skinner Inc. image.

Georges Gardet (French, 1863-1939), ‘Lioness Discovering a Foo Dog,’ cast gilt bronze, on a marble base, 13 x 25 inches. Estimate: $3,000-$5,000. Skinner Inc. image.

Georges Gardet (French, 1863-1939), ‘Lioness Discovering a Foo Dog,’ cast gilt bronze, on a marble base, 13 x 25 inches. Estimate: $3,000-$5,000. Skinner Inc. image.

Wooten Desk Co. walnut cabinet secretary, Indiana, circa 1874-80. Estimate: $6,000-$8,000. Skinner Inc. image.

Wooten Desk Co. walnut cabinet secretary, Indiana, circa 1874-80. Estimate: $6,000-$8,000. Skinner Inc. image.

William IV writing table, England, circa 1840, finely veneered in amboyna wood with calamander banding to the top. Estimate: $8,000-$12,000. Skinner Inc. image.

William IV writing table, England, circa 1840, finely veneered in amboyna wood with calamander banding to the top. Estimate: $8,000-$12,000. Skinner Inc. image.

Italian micromosaic tabletop, with central roundel depicting St. Peter's Square, encircled by six roundels of scenes of Rome, diameter 20 3/4 inches. Estimate: $6,000-$8,000. Skinner Inc. image.

Italian micromosaic tabletop, with central roundel depicting St. Peter’s Square, encircled by six roundels of scenes of Rome, diameter 20 3/4 inches. Estimate: $6,000-$8,000. Skinner Inc. image.

Regency mahogany drum table, England, early 19th century, gilt-tooled red leather-inset top, diameter 44 1/4 inches. Estimate: $2,000-$4,000. Skinner Inc. image.

Regency mahogany drum table, England, early 19th century, gilt-tooled red leather-inset top, diameter 44 1/4 inches. Estimate: $2,000-$4,000. Skinner Inc. image.

Early ‘Mona Lisa’ to be shown in Geneva

Leonardo da Vinci (Italian, 1452-1519), 'Mona Lisa,' painted circa 1503-1506. Permanent collection of The Louvre, Paris.
Leonardo da Vinci (Italian, 1452-1519), 'Mona Lisa,' painted circa 1503-1506. Permanent collection of The Louvre, Paris.
Leonardo da Vinci (Italian, 1452-1519), ‘Mona Lisa,’ painted circa 1503-1506. Permanent collection of The Louvre, Paris.

GENEVA (AFP) – What is believed to be an earlier version of Leonardo da Vinci’s “Mona Lisa” will be shown to journalists in Geneva on Thursday, according to the Mona Lisa Foundation.

The Zurich-based foundation said it would present “the stunning portrait of Lisa del Giocondo,” along with results from 35 years of research and scientific tests indicating that “it was indeed executed by Leonardo approximately a decade earlier than its famous sister in the Louvre.”

The foundation said in a statement that it would “present historical, comparative and scientific evidence, which demonstrates that there have always been two portraits of the Mona Lisa by Leonardo da Vinci, the ‘Earlier Version’ and the ‘Jaconde’.”

A 320-page book titled “Mona Lisa — Leonardo’s Earlier Version”, encompassing evidence that da Vinci painted the piece, will be launched at the same time, the foundation said, without revealing the book’s author.

Among the participants in Thursday’s media event will be Alessandro Vezzosi, the director of the Leonardo da Vinci Museum in Vinci, Italy and a world-renowned expert on the artist and the Mona Lisa, the foundation said.

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ADDITIONAL IMAGE OF NOTE


Leonardo da Vinci (Italian, 1452-1519), 'Mona Lisa,' painted circa 1503-1506. Permanent collection of The Louvre, Paris.
Leonardo da Vinci (Italian, 1452-1519), ‘Mona Lisa,’ painted circa 1503-1506. Permanent collection of The Louvre, Paris.

Dutch Van Gogh Museum closes, masterpieces moved

Among the masterpieces in the permanent collection of the Van Gogh Museum in Amsterdam is the work 'Vase with Fifteen Sunflowers,' created in 1889.
Among the masterpieces in the permanent collection of the Van Gogh Museum in Amsterdam is the work 'Vase with Fifteen Sunflowers,' created in 1889.
Among the masterpieces in the permanent collection of the Van Gogh Museum in Amsterdam is the work ‘Vase with Fifteen Sunflowers,’ created in 1889.

AMSTERDAM (AP) – The operation began moments after the Van Gogh Museum in Amsterdam closed Sunday evening. Men removed alarm tags from behind some of Vincent Van Gogh’s greatest masterpieces, including Sunflowers, Irises and the famously crooked Bedroom, and quickly pulled the paintings down from the museum’s walls.

Fortunately, they were not thieves carrying out an epic heist, but curators preparing the works for transport to a temporary location across town where they will be on display for the next seven months while the museum is closed for renovations.

In all, 75 pieces — the cream of the biggest collection of Vincent Van Gogh’s work — are moving to The Hermitage, an Amsterdam dependency of the Russian state museum.

Watching the lifeblood of his museum disappear, Director Axel Ruger said he wasn’t nervous about the possibility the paintings could be damaged or stolen before they return next year.

“We do this all the time,” when individual paintings go on loan to another museum, he said. But never on this scale, he added.

“I cannot really say much about the (security) measures that are being taken, because you will understand that we need to keep those confidential in order to safeguard the security of the transport,” he said.

Standing near a blank space on the wall where Van Gogh’s final work, the 1890 painting Wheatfield with Crows, had hung just minutes earlier, Curator Leo Jansen described in brief the treatment the paintings would undergo.

After being loaded onto felt-covered trolleys, they would be taken to a workshop to be wrapped in protective insulation and packed into hard-shell carrying cases called “turtles” that are resistant to both physical shocks and temperature changes.

The cases have been assigned code numbers rather than bearing the paintings’ individual names.

About an hour later, the first shipment was loaded onto a yellow van and then driven away under police escort. The route each shipment followed was kept secret until the last moment.

The operation continued like clockwork through Sunday night and into the day Monday in order to get the paintings on display again as soon as possible: the Van Gogh Museum is Amsterdam’s most popular, attracting 1.6 million visitors in 2011 — eclipsing both the Rembrandt-rich Rijksmuseum and the Anne Frank House museum.

The exhibit at The Hermitage opens Saturday and runs through mid-April, with the Van Gogh Museum to reopen on April 25, 2013.

The closure of the Van Gogh Museum was timed in part to coincide with the reopening next door of the lesser-known Stedelijk, or city museum, which houses works by Dutch Modernists Piet Mondriaan and Gerrit Rietveld, as well as Pablo Picasso, Marcel Duchamp, Henri Matisse and many others.

Dubbed “the bathtub” by local press, the most notable new feature of the renovated Stedelijk is a white roof with an overhang that stretches so far from the side of the building it looks like it might simply break off.

Architects say it is structurally sound, made possible thanks to a stronger-than-steel composite material.

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Copyright 2012 Associated Press. All rights reserved. This material may not be published, broadcast, rewritten, or redistributed.


ADDITIONAL IMAGE OF NOTE


Among the masterpieces in the permanent collection of the Van Gogh Museum in Amsterdam is the work 'Vase with Fifteen Sunflowers,' created in 1889.
Among the masterpieces in the permanent collection of the Van Gogh Museum in Amsterdam is the work ‘Vase with Fifteen Sunflowers,’ created in 1889.
The Van Gogh Museum in Amsterdam has the largest Van Gogh collection in the world, comprising 200 paintings, 400 drawings and 700 letters. Photo by Wladyslaw, licensed under the Creative Commons Attribution-Share Alike 3.0 Unported license.
The Van Gogh Museum in Amsterdam has the largest Van Gogh collection in the world, comprising 200 paintings, 400 drawings and 700 letters. Photo by Wladyslaw, licensed under the Creative Commons Attribution-Share Alike 3.0 Unported license.

Purple Heart found amongst memorabilia is returned to NC family

Purple Heart in presentation case, awarded to a United States Army soldier in World War II. Photo by Jonathunder, available under the Creative Commons CC0 1.0 Universal Public Domain Dedication.
Purple Heart in presentation case, awarded to a United States Army soldier in World War II. Photo by Jonathunder, available under the Creative Commons CC0 1.0 Universal Public Domain Dedication.

JACKSONVILLE, N.C. (AP) – A Purple Heart found in a box of memorabilia in Jacksonville is headed to the family of the man who received the prestigious recognition in 1943.

The Daily News of Jacksonville reported that Debera Allen found the Purple Heart belonging to Olin White in a box and began searching for White’s family.

“I contacted everybody in the family and nobody knew who (Olin White) was,” said Debera Allen, the woman who found the Purple Heart in her family home. “That (Purple Heart) represented a life for our country and I didn’t want anything to happen to it.”

Eventually, Dan Stoy of the Military Order of the Purple Heart picked up the search. He found White’s niece, Lynn White, living in China Grove. He delivered the Purple Heart on Saturday.

The two of them had an emotional conversation when he called to tell White the Purple Heart had been found.

“My wife can tell you I just sat there and pretty much cried in front of my computer after I called her,” Stoy said. “To me, this guy’s a hero for what he did in the past. It’s a World War II vet — there’s not a lot of them around anymore — and it’s an honor to be able to take this and deliver it back to the family.”

Olin White, a teenager when he received the Purple Heart, was one of 183 soldiers who sank with the USS Drexler when Japanese kamikaze pilots struck it during World War II. Stoy says the medal will give the family closure since White’s body was never found.

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Information from: The Daily News, http://www.jdnews.com

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ADDITIONAL IMAGE OF NOTE


Purple Heart in presentation case, awarded to a United States Army soldier in World War II. Photo by Jonathunder, available under the Creative Commons CC0 1.0 Universal Public Domain Dedication.
Purple Heart in presentation case, awarded to a United States Army soldier in World War II. Photo by Jonathunder, available under the Creative Commons CC0 1.0 Universal Public Domain Dedication.

National Portrait Gallery acquires bust of Thomas Hollis

Thomas Hollis by Sir Joseph Wilton, c. 1760 © National Portrait Gallery, London
Thomas Hollis by Sir Joseph Wilton, c. 1760 © National Portrait Gallery, London
Thomas Hollis by Sir Joseph Wilton, c. 1760 © National Portrait Gallery, London

LONDON – The National Portrait Gallery has acquired the last portrait of the 18th-century British thinker Thomas Hollis – one of the architects of American independence – to remain in Britain.

The compelling marble bust, of circa 1760, by Joseph Wilton, RA (1722-1803), the greatest native-born sculptor in mid-18th-century Britain, is recognized as the finest likeness of the internationally renowned defender of civil liberty.

At his death Londoner Thomas Hollis (1720-1774) was known as a champion of liberty but, due to his retiring nature, his historical importance is only now being recognized. An advocate of the rights of the American Colonists, he was closely associated with Benjamin Franklin and John Adams. The growing mismanagement of the American Colonies through penal and coercive legislation saw Hollis lead the opposition to the Stamp Act of 1765, which sought to tax legal transactions of subjects who were denied representation in Parliament. This ultimately led to the American War of Independence.

Devoting his life to lobbying for parliamentary reform, opposing corruption and promoting democracy, the liberal thought engendered by his interaction with the Founding Fathers eventually influenced the writing of the American Constitution. He was a generous donor to Harvard University where Hollis, the Library’s electronic catalog system, continues to commemorate his patronage and influence on the founding tenets of American liberty.

Hollis represented American interests to the Prime Minister and tried to change British policy through both Parliament and the press. He influenced domestic and international politics by distributing works of radical political philosophy in England and America and this helped forge a framework for legitimate dissent. He also published the works of leading American radicals, to the extent that by 1770 Hollis had become, said historian Professor Caroline Robbins, “the busiest literary agent for American writers against the ‘usurpations’ of George III’s ministers.”

Wilton’s bust shows Hollis bare-chested in the character of the senator Brutus, and incorporates the emblems of Liberty cap and daggers to represent Hollis’s commitment to the principles of Roman democracy. With its naturalistic carving and unusual half-smile the bust has a surprisingly life-like quality which, in keeping with Wilton’s finest works and intimacy with the sitter, encourages the viewer to see the philosopher as a complex and dynamic character.

The celebration of the bust by other contemporaries was neatly encapsulated, more than 12 years after Hollis’s death, when John Adams, the future president of the United States of America, saw Wilton’s sculpture in 1786 and commented on “the bust of my friend … in beautiful white marble.”

Wilton was one of the foremost sculptors of his age and though he produced relatively few portrait busts his finest are unequalled – and this is one of his finest. Its powerful naturalism and starkness were groundbreaking and was at the forefront of the transition from the baroque to the neo-classical idiom in British portrait sculpture. The National Portrait Gallery owns busts by Wilton of William Pitt, First Earl of Chatham and General Wolfe.

“This bust captures Hollis’s personality and principles and conveys his uncompromising devotion to the principles of liberty. It will now be in the displays to help explore questions of 18th-century political protest and to tell the story of the foundations of both British democracy and British sculpture.” said Dr. Lucy Peltz, curator of 18th century portraits, National Portrait Gallery, London.

The gallery acquired the portrait following a loan period from a private collection, for £293,157 having received £100,000 towards its purchase from the National Heritage Memorial Fund (NHMF) and £57,000 from the Art Fund.

The purchase was made possible following a generous offer of the bust to the Gallery at less than its market value by the vendor Dr. David Wilson and a negotiated tax arrangement to the advantage of the vendor and the Gallery in a Private Treaty transaction approved by HM Revenue and Customs for a pre-eminent work of national heritage. That arrangement further reduced the purchase price paid by the Gallery to £293,157. David Wilson begins trading this week as a dealer in fine art (www.davidwilsonfineart.com).