Feb. 4-5: Palm Beach Modern to auction stellar modern art, Picasso pottery, Studio 54 celebrity photos

Fernand Leger (French, 1881-1955), ‘Projet Pour Le Ballet, David Triomphant,’ original gouache on paper, artist-signed, to be included in catalogue raisonne, est. $50,000-$75,000

 

W. PALM BEACH, Fla. – While it would have been quite enough for co-owners Rico Baca and Wade Terwilliger to showcase their finest-ever selection of vetted art for Palm Beach Modern’s (PBMA) Feb. 4-5, 2017 auction, they didn’t stop there. To create an event that would spark interest worldwide, they also secured several spotlight collections that are headline-makers on their own. There’s a collection of 16 original T.H. Robsjohn-Gibbings furnishings from a celebrated mid-century residence in California, the estate archive of uncensored Studio 54 gelatin silver prints taken by photographer Richard Manning, and eight exceptional pieces of Picasso pottery. Absentee and Internet live bidding will be available through LiveAuctioneers.

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Mid-Hudson Auction Galleries to sell collection of Audubon prints Jan. 21- 22

J. J. Audubon. aquatint. Burrowing Owl, Large Headed Burrowing, Little Night Owl, Columbian Owls, Short Cared Owls. ‘The Birds of America,’ First Edtiion. R. Havell 1838. Gallery matted and framed. Excellent condition. Image size 31 x 23 inches. Estimate: $4,000-$6,000. Mid-Hudson Auction Galleries image

 

NEW WINDSOR, N.Y. – Mid-Hudson Auction Galleries will sell the Joseph Cerniglia Collection of John J. Audubon aquatints and lithographs on Jan. 21 and 22 at 1 p.m. Eastern Time each day. The collection includes Audubon birds and quadrupeds in the Octavo and Imperial folio size. Absentee and Internet live bidding will be available through LiveAuctioneers.

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Knott’s Berry Farm to Auction Memorabilia, Mobster’s Estate Items, and More Fresh News

Entrance to Knott’s Berry Farm, billed as America’s 1st Theme Park. Photo by METRO96, licensed under the Creative Commons Attribution-Share Alike 3.0 Unported license.

 

News and updates from around the arts and auction community:

  •  Memorabilia from the famed California theme park Knott’s Berry Farm will be auctioned this spring. Heritage Auctions is handling the sale, which includes historic artifacts from Ghost Town, Camp Snoopy, Knott’s Scary Farm, rides and other attractions. [Read more from NBC Los Angeles]
  • Wise guy, huh? Personal possessions of one of the last of the old-time Mafia bosses will be auctioned this weekend. The items are from the residence of the late Santo Trafficante Jr., and include furniture, a serving tray, an unopened bottle of cherry brandy, and a decorative front-door gate. [Read more from Auction Central News]
  • Sotheby’s will host a series of blockbuster sales from Jan. 18-21 during Americana Week in New York. To oversee the creation of displays for guests to enjoy during the popular auction series, Sotheby’s has enlisted the services of David Korins, set designer for the smash Broadway musical Hamilton. [Read more from Artfix Daily]
  •  John Lennon’s 1965 Mercedes-Benz 230SL convertible is being auctioned in Scottsdale Arizona on January 18. The car comes to auction by way of a museum in Florida and still has its original UK registration with Lennon’s distinctive signature on it. [Read more from LiveAuctioneers]

For more news and updates, follow LiveAuctioneers on Twitter and Facebook.

Art of ancient cultures showcased in Artemis Gallery’s premier Jan. 18-19 auction

20th-century Cameroon Mambila wooden helmet mask, est. $5,000-$7,500

 

BOULDER, Colo. – On Wednesday and Thursday, Jan. 18 and 19, Artemis Gallery of Boulder, Colorado, will auction 454 expertly curated lots of classical antiquities and Asian, Pre-Columbian and ethnographic art. Without exception, every item in this exciting auction event is unconditionally guaranteed to be authentic, as described in the catalog, and legal to acquire according to federal guidelines. A certificate of authenticity will accompany each purchase, and all goods will be packed in house by the gallery’s own staff to ensure an enjoyable and stress-free experience for all buyers. Bid absentee or live via the Internet through LiveAuctioneers.

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Newark Museum debuts William Kentridge’s ‘What Will Come’

William Kentridge, ‘What Will Come,’ 2007, anamorphic projection; 35mm film transferred to DVD, 8-minute loop, with cold-rolled steel table and cylinder. Museum purchase 2016 © 2007 William Kentridge. All rights reserved

 

NEWARK, N.J. – In anticipation of the relocation and reinstallation of its Arts of Global Africa collection in November, the Newark Museum debuts a newly acquired video installation by artist William Kentridge, What Will Come (2007). The installation will be on view in the Arts of Global Africa’s dedicated space for video art from January through May 2017.

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Mad Men Archive Gifted to Univ. of Texas, Jesse James Photo, and More Fresh News

Mad Men publicity photo courtesy of Lionsgate

News and updates from around the arts and auction community:

  •  An archive of scripts, props, costumes and more from the acclaimed TV series Mad Men has been donated to the Harry Ransom Center, a humanities research library and museum at the University of Texas at Austin. The donation was made by Matthew Weiner, the series’ creator, and Mad Men producer Lionsgate. [Read more from the Harry Ransom Center]
  • Any collector of Old West memorabilia would love to add a photo of Jesse James to their collection, but an image of the ruthless outlaw that’s being auctioned this weekend comes with a bonus. The photo shows James seated alongside Robert Ford, the man who would go on to shoot and kill him. [Read more from Austin360]
  • In Britain, the public is being asked for their help in solving the mystery of a hoard of gold found hidden inside an antique upright piano. The valuable stash was discovered by its owners while tuning their new purchase. [Read more from i News]
  •  A Chinese Qing Dynasty vase from the Qianlong period (1711-1799) has sold at an auction in Beijing for $3.24 million. Reportedly, the vase was stolen in 1860 and taken from China to England, where it appeared in auctions many times over the next 150+ years. [Read more from ChinaDaily]

For more news and updates, follow LiveAuctioneers on Twitter and Facebook.

Overbeck pottery: pure Arts & Crafts

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Working from their modest home in east-central Indiana, the Overbeck family of artists produced a relatively small, but highly regarded, amount of art pottery in the first quarter of the 20th century.

“Their production of quote-unquote important pieces is rather low in the scheme of things. Yet in spite of that, they have gained a very good name in Arts & Crafts circles. After all, it is really close to as pure an Arts & Crafts pottery as there is because basically it’s all made by hand,” said Don Treadway of Treadway Toomey Galleries. His company regularly sells Overbeck pottery at its auctions in Chicago and Cincinnati, but seldom more than several pieces per year.

“If you wanted to go out and buy or build a large collection of important pieces of Overbeck, it would be very difficult. A large collection would be a dozen pieces,” said Treadway, adding, “In terms of really fine examples, it’s in limited supply.”

Misfortune certainly played a hand in the dearth of Overbeck pottery available. Margaret, the second eldest of the six Overbeck sisters, died at age 49 in 1911, the year she and three siblings founded Overbeck Pottery. Margaret attended Cincinnati Art Academy in the 1890s, later studied under Arthur Dow of Columbia University and spent a summer working at a Zanesville pottery works. She taught art at several private schools and finally at DePauw University. She returned home after being injured in an auto accident in 1910 and died the following year.

Hanna Overbeck, who attended Cincinnati Art Academy and Indiana State University, is considered the ultimate designer of the family. Between 1903 and 1916 many of her sketches were published in Keramic Studio, a leading journal for china painters. She taught art in public schools before returning home in poor health. Plagued by severe neuritis, she continued to design for the pottery. She died in 1931 at the age of 61.

Elizabeth Overbeck became the ultimate potter after studying at the New York State School of Clay Working and Ceramics under noted ceramicist Charles F. Binns. She taught, lectured and exhibited widely, bringing considerable recognition to the pottery. Chiefly the potter and technician, she did little designing or decorating. Elizabeth died in 1936.

The youngest Overbeck sister, Mary Frances, was considered the jack-of-all-trades. She designed bookplates, sculpted and painted in addition to creating pottery. Working alone after the death of Elizabeth, she concentrated on sculpting pottery figures. Mary Frances died in 1955.

Two other sisters, Ida and Harriet, and a brother, Charles, rounded out the family. Ida, the eldest and only Overbeck sister to marry, operated a photography studio in Cambridge City. Harriet was an accomplished musician who gave private lessons and maintained the Overbeck household for many years.

Two principles that guided the Overbecks from start to finish were that all borrowed art, such as motifs and designs from Europe and Japan, was dead art; and all good applied design is original.

Treadway said the Overbecks are best known for their incised and painted matte pottery, and noted that collectors want vases that command a presence on a shelf, specifically “anything that is multicolored—the more colors the better. Nine times out of ten it’s going to be incised. Many times it’s going to have a geometric feel to it, whether it’s organic or figural. That’s inherent to their pottery,” he said.
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An abstract landscape of houses bowl, 5 inches in diameter, impressed OBK mark on the bottom. Treadway Toomey image.
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Cloaked women 6-1/2-inch blue matte vase. Treadway Toomey image.
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14 1/2-inch Overbeck vase, signed with the artists’ initials E and H. Treadway Toomey image.
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Stylized pinecones vase, 5 3/4-inch vase, sold for $7,475 at Treadway Toomey’s June 2007 auction.
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Overbeck 2 1/2-inch vase, sold at auction in May 2006 for $5,750. Treadway Toomey image.
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Early Overbecks’ Arts & Crafts style, 14-1/4-inch vase sold for $67,850 at Cincinnati Art Galleries June 2007, at that time an auction record for an Overbeck piece with a floral motif. Cincinnati Art Galleries image.
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Overbeck-commissioned 1920 9-1/8-inch black vase as a gift to a woman celebrating her 18th birthday. Cincinnati Art Galleries image.
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While Rookwood and Newcomb produced lines of painted matte pottery, theirs differed in theme and subject matter, said Treadway. “When you see a piece of Overbeck you normally don’t have to pick it up and look at the bottom for a signature. The artwork, the way it was produced, the coloration and many times the shape; it all just screams Overbeck,” he said.

“Overbeck is a specific type of work and there are few companies that produced that look. The Overbecks were very good at what they did. It was a small output, but they did it very well,” said Treadway. Because of the Overbecks’ limited output, Treadway said some collectors are content to own a single example of their work.

“Anyone who wants a well-rounded collection, whether it’s American art pottery or Arts & Crafts pottery, and has the pocketbook to match that taste, really should have a piece of Overbeck. That said, I cannot emphasize how hard it is to find the right piece. It’s something that does not come along every day,” said Treadway.

Prices for choice Overbeck pottery regularly range from several thousand dollars to more than $20,000. “The highest prices have been paid just recently, but the really good pieces have not been cheap for a long time,” said Treadway.

Crafting items that were functional was also important to the Overbecks. For every large vase they made, they produced many more tea sets, all of which were handmade.

“There’s that old bugaboo that utilitarian things taking a back seat to the strictly artistic. A vase is always going to be more exciting to collectors than a teapot,” said Riley Humler, former art pottery specialist at Cincinnati Art Galleries, which sold a 14 1/2-inch Overbeck vase at its Keramics 2007 auction in June for $67,850.

Humler said the Overbecks’ most popular pottery was made in the Arts & Crafts period prior to 1920. “Then they began to do some things that are a bit more Art Deco, which I like but the Arts & Crafts people aren’t as enamored with,” he said.

The Overbeck mystique and the scarcity of their work make the pottery all the more popular today. “There couldn’t have been a huge output, particularly early on. Rarity has an impact. I think the whole story of the six sisters, four of whom were involved with the production of the pottery, is a factor. Here in this tiny town in Indiana with a tiny facility these women produced some amazing stuff in a true studio pottery setting.” said Humler. “Rookwood made some truly incredible pottery with a whole raft of workers, artisans, chemists and technical people. At the same time the Overbeck sisters made some amazing things in a backyard setting.”
Even without the support of professional ceramists and the best equipment, the Overbecks managed to create art pottery that holds up well technically to their contemporaries. “Artistically in many cases it’s superb, but from a technical point of view it may not be as good as some of the things Grueby and Teco produced in terms of consistency,” said Humler.

Even the Overbecks’ functional pieces are scarce because the sisters held steadfast to the Arts & Crafts creed of producing only handmade wares. They declined offers from major department stores to mass-produce their wares.

“Ayers and Marshall Field tried to get them to take orders, but they didn’t want to have to do anything that had to be done on time. They were just artists. They were not in the production business whatsoever,” said Phyllis Worl of the Overbeck Museum in Cambridge City.

However, the Overbecks often took orders from individual customers. “We have a piece … that was a present for a girl’s 18th birthday. It was a commission. They went to the Overbecks’ house and said here’s what we want. Can you make it?” said Humler.

Worl said the Overbecks were accommodating to customers and visitors. “When you went there, they offered you a cup of tea. They had beautiful manners and were very ladylike,” she said. Worl scoffed at the notion there was anything odd or unnatural about five unmarried sisters living under one roof. “I could see how they could live together. They got along because they were artists. They were a team. In those days a woman couldn’t get married, raise a family and still have a career,” she said.

“They were extremely talented and left the world a lot of beautiful things to prove it,” said Worl.
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