Cycling tradition returns for 31st annual bicycle auction at Copake Oct. 21

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COPAKE, N.Y. — Good things always come back around, like the annual Copake Bicycle Auction, returning on Saturday, October 21 with bidding now available at LiveAuctioneers.

Now in its 31st year, Copake Auction Co. attracts the best consignors for its annual bicycle event. This year features items from Margaret Ann Baker, Ed Berry, the Lane Motor Museum and the Ed & Marion Gerling Collection. The auction lineup boasts 935 lots in total.

Bicycling has a long tradition in American life and industry, with the 19th-century explosion of interest resulting in hundreds of new manufacturing companies, primarily in the eastern U.S. People from all walks of life capitalized on the biking craze; before they took to the skies, aviation pioneers the Wright brothers operated a shop and manufactured their own bicycle brand in Dayton, Ohio.

The top lot of the day is an expertly restored 1902 Steffy Motor-Bike, complete with a new Mail frame and a Steffy clip-on motor. It’s outfitted with a carbide head lamp and a New York Standard Watch Company Cyclometer and is estimated at $20,000-$25,000.

High-wheeled bicycles were a late-19th century phenomenon, as represented by this 1886 Pony Star. Patened by George Pressey of Hammonton, New Jersey, and manufactured by the H. B. Smith Machine Co. of Smithville, New Jersey, the bike is serial numbered “1” and is “believed to be the rarest Star known,” according to the lot notes. It carries an estimate of $7,000-$10,000.

Another high-wheel example has an interesting provenance. Famed bike collector Ed Berry, who is also the consignor, used this 1884 Columbia to replicate Thomas Stevens’ 1886 ride across the United States. It’s estimated at $3,000-$5,000.
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1902 Steffy Motor-Bike, estimated at $20,000-$25,000 at Copake Auction.
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1886 Pony Star bearing serial number one, estimated at $7,000-$10,000 at Copake Auction.
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1884 Columbia high wheel bicycle, estimated at $3,000-$5,000 at Copake Auction.
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19th-century ‘boneshaker’ bicycle, estimated at $4,000-$6,000 at Copake Auction.
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John S. Freese tandem bicycle, estimated at $3,000-$5,000 at Copake Auction.
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Turner plans back-to-back antiques and art sales for Oct. 21

American School portrait of a young child holding a flower and an apple, estimated at $1,200-$1,800 at Turner Auctions + Appraisals.

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SOUTH SAN FRANCISCO – On Saturday, October 21, Turner Auctions + Appraisals will present two sales in succession. The Estate of Marian Hymel, featuring in excess of 150 lots, will commence at 1:30 pm Eastern time, and the Reed Applegate Collection, with more than 120 lots, will begin at 5:30 pm Eastern time. Absentee and Internet live bidding for both will be available through LiveAuctioneers.

Born and raised in New York, Marian Hymel (1932-2023) ultimately relocated to Los Gatos, California, where, during the course of three decades, she became a respected dealer in Early American antiques. Standouts from her personal collection include a charming American School portrait of a young child holding a flower and an apple, which has an estimate of $1,200-$1,800.

Antique furniture highlights include a Queen Anne carved maple flat-top high chest, made in Connecticut in the third quarter of the 18th century, which carries an estimate of $2,000-$3,000; and a late 18th-century Chippendale mahogany inlaid oxbow-front desk attributed to Ebner Toppen of Newburyport, Massachusetts. Its estimate is $1,500-$2,500.

The collection of lifelong Californian Reed Applegate (1943-2022) is the product of six decades of effort. Initially a graphic designer as well as an artist, he was able to devote himself to collecting full-time relatively early in his life. He lasered in on contemporary art by Northern Californians, and had a clear penchant for the work of David Gilhooly (1943-2013) – of the more than 120 lots on offer, no fewer than 60 are credited to him. Leading that group is Tall Burger, a 1988 painted bronze standing two feet high, with a cheerful-looking green frog perching atop the stack. Its estimate is $5,000-$7,000.

Earning the highest estimate overall is a colorful untitled 1998 acrylic on paper by Roland Petersen (b. 1926-) that shows two women, both in swimming attire, happily ensconced in their own worlds and not deigning to look at the viewer. The Petersen piece has an estimate of $10,000-$15,000.

Radiating an undeniably Californian sensibility is Untitled: Palm Tree / Glass, an acrylic on paper by Paul Wonner (1920-2008) that has an estimate of $6,000-$8,000. Stark and simple, it depicts a single slim palm tree silhouetted against a pink sky.

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American School portrait of a young child holding a flower and an apple, estimated at $1,200-$1,800 at Turner Auctions + Appraisals.
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Queen Anne carved maple flat-top high chest, estimated at $2,000-$3,000 at Turner Auctions + Appraisals.
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Chippendale mahogany inlaid oxbow-front desk, estimated at $1,500-$2,500 at Turner Auctions + Appraisals.
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David Gilhooly, ‘Tall Burger,’ estimated at $5,000-$7,000 at Turner Auctions + Appraisals.
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Untitled Roland Petersen acrylic on paper, estimated at $10,000-$15,000 at Turner Auctions + Appraisals.
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Paul Wonner, ‘Untitled: Palm Tree / Glass,’ estimated at $6,000-$8,000 at Turner Auctions + Appraisals.

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Norman Lewis, Sam Gilliam and other superstars of African American art showcased at Swann Oct. 19

Sam Gilliam, ‘Untitled,’ estimated at $150,000-$250,000 at Swann Auction Galleries.

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NEW YORK – Swann Auction Galleries launched its African American art department in 2006 and has done much to build the category. Still helmed by founder Nigel Freeman, the department will conduct its next African American art sale on Thursday, October 19. Absentee and Internet live bidding will be available through LiveAuctioneers. Every artist discussed in this story are those for whom Swann currently holds the world auction record for their work.

Drawing the highest estimate in the sale lineup, at $600,000-$900,000, is Moon Madness, a 1959 oil on linen canvas by Norman Lewis (1909-1979). It fully earns its high numbers. Moon Madness is one from a group of important nocturnal-themed Lewis works from the 1950s, and its first owner was a friend of the artist who sat for a portrait painted by him. In addition, the upper stretcher bar on the back of Moon Madness bears a label from the Willard Gallery of New York, which raised his profile and would give him a solo show in 1961.

American color field painter Sam Gilliam (1933-2022) gained fame for liberating the canvas from its stretcher in a range of innovative ways. One of the most striking and powerful iterations is his draped canvas, which is exactly what it sounds like – the painted canvas is displayed in the manner of a swag of fabric or a section of bunting. Gilliam’s 1979 Untitled draped painting stands out for its provenance as much as its alluring hues rendered in acrylic and metallic paint. It comes from the collection of artist and printmaker Lou Stovall, who died earlier this year and maintained a friendship with Gilliam that lasted five decades. Bearing the artist’s studio inventory tag at the lower left, it has an estimate of $150,000-$250,000.

Also on offer are seven works by Hughie Lee-Smith (1915-1999), led by the 1954 oil on Masonite Untitled (Two Young Men on a Beach), estimated at $120,000-$180,000; three by Faith Ringgold (b. 1930-), distinguished by her vibrant 2007 color screenprint on wove paper titled Somebody Stole My Broken Heart, estimated at $4,000-$6,000; and three by Carrie Mae Weems (b. 1953-), including a 2014 limited edition titled Blue Notes (Basquiat): Who’s Who or a Pair of Aces #1. Its estimate is $30,000-$40,000.

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Norman Lewis, ‘Moon Madness,’ estimated at $600,000-$900,000 at Swann Auction Galleries.
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Sam Gilliam, ‘Untitled,’ estimated at $150,000-$250,000 at Swann Auction Galleries.
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Hughie Lee-Smith, ‘Untitled (Two Young Men on a Beach),’ estimated at $120,000-$180,000 at Swann Auction Galleries.
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Faith Ringgold, ‘Somebody Stole My Broken Heart,’ estimated at $4,000-$6,000 at Swann Auction Galleries.
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Carrie Mae Weems, ‘Blue Notes (Basquiat): Who’s Who or a Pair of Aces #1,’ estimated at $30,000-$40,000 at Swann Auction Galleries.
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‘Pursuit of Beauty’ features American and French Art Nouveau and Art Deco pieces at Heritage Oct. 26

R. Lalique clear glass Cinq Chevaux mascot (aka hood ornament), estimated at $7,000-$9,000 at Heritage Auctions.

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DALLAS — Heritage Auctions explores the creative bonds between American and French designers during the Art Nouveau and Art Deco periods with Pursuit of Beauty, a 475-lot event featuring the biggest names in period design on Thursday, October 26. The catalog is now available for bidding at LiveAuctioneers.

In the early 1900s, the United States and France were both at the top of their design games, with Tiffany Studios going head to head with titans such as R. Lalique and Daum. The result was a stunning array of objects that now fascinate collectors worldwide.

“I am, along with Nick Dawes, Heritage’s senior vice president of special collections, honored to present our third Pursuit of Beauty auction of 2023 — our most successful year to date,” said Heritage’s Director of Decorative Arts and Design Samantha Robinson. “This auction features a wide variety of fresh-to-market treasures drawn primarily from private collections and estates.”

From the American side comes this beautiful circa-1905 Tiffany Studios leaded glass and patinated bronze jeweled geometric table lamp. Both its shade and base are accented with matching rows of blue favrile “jewels” — iridescent cabochons that evoke blue, gray and black sea pearls. It is estimated at $60,000-$80,000.

Beyond lamps, Tiffany Studios also pursued art glass, such as this circa-1899 Cypriote favrile glass vase, produced immediately before the firm’s Grand Prix-winning presentation at the 1900 Paris Exposition. Cypriote glass was inspired by ancient Cyprian glass artifacts excavated by Luigi Palma di Cesnola in the 1860s, with the bubbled and pockmarked texture characteristic of the Tiffany Studios line. It carries an estimate of $10,000-$15,000.

Heritage’s entries from France are equally impressive. A Cinq Chevaux mascot, aka hood ornament from René Lalique, a design from circa 1925, is a stunning example of Art Deco, featuring five rearing horses in clear glass. It is estimated at $7,000-$9,000.

An R. Lalique electric blue glass Poissons vase, its design dating to circa 1921, is in nearly perfect original condition and comes from a Bel Air, California estate. It is estimated at $12,000-$16,000.
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Tiffany Studios leaded glass and patinated bronze jeweled geometric table lamp, estimated at $60,000-$80,000 at Heritage Auctions.
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Tiffany Studios Cypriote favrile glass vase, estimated at $10,000-$15,000 at Heritage Auctions.
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R. Lalique clear glass Cinq Chevaux mascot (aka hood ornament), estimated at $7,000-$9,000 at Heritage Auctions.
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R. Lalique electric blue glass Poissons vase, estimated at $12,000-$16,000 at Heritage Auctions.
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Circa-1935 Charles Robinson Sykes ‘Spirit of Ecstasy’ gilt bronze, estimated at $12,000-$18,000 at Heritage Auctions.
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Bid Smart: Teenage Mutant Ninja Turtles collectibles are no joke

A copy of Teenage Mutant Ninja Turtles #1 signed by co-creators Kevin Eastman and Peter Laird achieved $55,000 plus the buyer’s premium in April 2021. Image courtesy of Heritage Auctions and LiveAuctioneers.

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A copy of Teenage Mutant Ninja Turtles #1 signed by co-creators Kevin Eastman and Peter Laird achieved $55,000 plus the buyer’s premium in April 2021. Image courtesy of Heritage Auctions and LiveAuctioneers.
A copy of Teenage Mutant Ninja Turtles #1 signed by co-creators Kevin Eastman and Peter Laird achieved $55,000 plus the buyer’s premium in April 2021. Image courtesy of Heritage Auctions and LiveAuctioneers.

NEW YORK — The Teenage Mutant Ninja Turtles (TMNT) franchise is something of an accidental success. Artists Kevin Eastman and Peter Laird collaborated on a comic book that parodied some of their favorite comic series, and inadvertently gave rise to a multibillion-dollar franchise about four baby turtles that were transformed into human-like mutant superheroes and learned to be ninjas from a sewer rat that named them after the Renaissance artists Leonardo, Donatello, Michelangelo and Raphael.

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