Frank Bowling’s Americas on at MFA Boston through April 9

Frank Bowling, ‘Middle Passage,’ 1970. Synthetic polymer paint, silkscreen ink, spray paint, wax crayon and graphite on canvas. Menil Collection, Houston. Image by Adam Neese. © Frank Bowling. All rights reserved, DACS, London & ARS, New York 2022.
Frank Bowling, ‘Middle Passage,’ 1970. Synthetic polymer paint, silkscreen ink, spray paint, wax crayon and graphite on canvas. Menil Collection, Houston. Image by Adam Neese. © Frank Bowling. All rights reserved, DACS, London & ARS, New York 2022.
Frank Bowling, ‘Middle Passage,’ 1970. Synthetic polymer paint, silkscreen ink, spray paint, wax crayon and graphite on canvas. Menil Collection, Houston. Image by Adam Neese. © Frank Bowling. All rights reserved, DACS, London & ARS, New York 2022.

BOSTON — In 1966, driven by the desire to expand the possibilities of painting, Frank Bowling (b. 1934-) ventured to New York City. It was his second move across the Atlantic — he had previously left British Guiana, his birthplace, for London in 1953. During the next decade, when New York was his primary residence, Bowling charted a journey of profound artistic discovery and self-determination. Now on view at the Museum of Fine Arts, Boston (MFA), Frank Bowling’s Americas delves for the first time into this pivotal early chapter of the boundary-crossing artist’s career. The exhibition brings together more than 30 of Bowling’s powerful paintings in the country of their making — including monumental, color-soaked canvases and rarely seen examples on loan from private collections. Following its presentation at the MFA through April 9, Frank Bowling’s Americas will travel to the San Francisco Museum of Modern Art (SFMOMA), where it will be on view from May 13 through September 10.

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MFA Houston to debut Afro-Atlantic Histories exhibition in October

Aaron Douglas, ‘Into Bondage,’ 1936, oil on canvas, National Gallery of Art, Washington, D.C., Corcoran Collection (museum purchase and partial gift from Thurlow Evans Tibbs, Jr., the Evans‐Tibbs Collection). © 2021 Heirs of Aaron Douglas / Licensed by VAGA at Artists Rights Society (ARS), NY
Aaron Douglas, ‘Into Bondage,’ 1936, oil on canvas, National Gallery of Art, Washington, D.C., Corcoran Collection (museum purchase and partial gift from Thurlow Evans Tibbs, Jr., the Evans‐Tibbs Collection). © 2021 Heirs of Aaron Douglas / Licensed by VAGA at Artists Rights Society (ARS), NY
Aaron Douglas, ‘Into Bondage,’ 1936, oil on canvas, National Gallery of Art, Washington, D.C., Corcoran Collection (museum purchase and partial gift from Thurlow Evans Tibbs, Jr., the Evans‐Tibbs Collection). © 2021 Heirs of Aaron Douglas / Licensed by VAGA at Artists Rights Society (ARS), NY

HOUSTON — In October, the Museum of Fine Arts, Houston, will debut the US tour of Afro-Atlantic Histories, an unprecedented exhibition that visually explores the history and legacy of the transatlantic slave trade. Initially organized and presented in 2018 by the Museu de Arte de Sao Paulo (MASP), the exhibition comprises more than 130 artworks and documents made in Africa, the Americas, the Caribbean, and Europe from the 17th to the 21st centuries. In collaboration with MASP and the National Gallery of Art in Washington, DC, the MFAH will present Afro-Atlantic Histories at its Caroline Wiess Law Building from Sunday, October 24 through Monday, January 17, 2022. The exhibition will then travel to the National Gallery of Art to be on view in its West Building from Sunday, April 10, 2022 through Sunday, July 17, 2022, with the Los Angeles County Museum of Art and additional venues confirmed to follow.

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