Palm Beach gallery joins Picasso celebrations with show of prints, ceramics

Pablo Picasso, ‘Exposition Valluris 1962,’ 1962. Linoleum cut print, 25 by 21in (63.5 by 53.3cm), edition of 175. Image courtesy of Rosenbaum Contemporary gallery
Pablo Picasso, ‘AR 250 - Hen sujet (Hen Subject),’ 1954. White earthenware turned pitcher painted in blue, 4 7/8 by 7 by 4in (12.4 by 17.8 by 10.2cm), edition of 500. Image courtesy of Rosenbaum Contemporary gallery
Pablo Picasso, ‘AR 250 – Hen sujet (Hen Subject),’ 1954. White earthenware turned pitcher painted in blue, 4 7/8 by 7 by 4in (12.4 by 17.8 by 10.2cm), edition of 500. Image courtesy of Rosenbaum Contemporary gallery

PALM BEACH, Fla. — Picasso: Celebrating 50 Years, an exhibition of ceramics and prints by the peerless 20th-century artist, will be on view through May 31 at Rosenbaum Contemporary’s Palm Beach gallery. With this exhibition, Rosenbaum Contemporary joins more than 50 museums throughout the world this year in honoring the legacy of Pablo Picasso, whose influence on the art world still continues five decades after his death on April 8, 1973.

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Chiswick’s Apr. 18 sale of Raber-Urgessa painting to aid Ethiopian women’s charity

Nina Raber-Urgessa, ‘Die Kopffusslerin 1 (Mami),’ estimated at £4,000-£6,000. Proceeds from the sale of the work will benefit a charity that assists survivors of domestic violence in Ethiopia. Image courtesy of Chiswick Auctions
Nina Raber-Urgessa, ‘Die Kopffusslerin 1 (Mami),’ estimated at £4,000-£6,000. Proceeds from the sale of the work will benefit a charity that assists survivors of domestic violence in Ethiopia. Image courtesy of Chiswick Auctions
Nina Raber-Urgessa, ‘Die Kopffusslerin 1 (Mami),’ estimated at £4,000-£6,000. Proceeds from the sale of the work will benefit a charity that assists survivors of domestic violence in Ethiopia. Image courtesy of Chiswick Auctions

LONDON – An oil by the contemporary figurative painter Nina Raber-Urgessa (German, b. 1982-) will be auctioned to benefit her chosen charity, together with Saatchi Yates Gallery. Chiswick Auctions will offer the painting for sale on Tuesday, April 18 as part of its Post-War and Contemporary Art auction.

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Addison Gallery exhibition shines light on women abstract artists

Charmion von Wiegand, ‘Untitled (Geometric Abstraction),’ circa 1945, oil on canvas, 12 by 12in, Addison Gallery of American Art, Phillips Academy, Andover, Mass., museum purchase, 2003.40

ANDOVER, Mass. – On view until July 30 at the Addison Gallery of American Art is Women and Abstraction: 1741–Now. It offers a nuanced and expansive history of the development of abstraction in America, going beyond the traditional art-historical narrative of this movement.

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Art duo Gilbert and George open their own gallery in London

 

Gilbert and George’s 2010 set of four giclée prints in colors, ‘Death, Hope, Life, Fear,’ signed and inscribed, sold for £1,300 (about $1,600) plus the buyer’s premium in September 2019. Image courtesy of Forum Auctions and LiveAuctioneers.

Gilbert and George’s 2010 set of four giclée prints in colors, ‘Death, Hope, Life, Fear,’ signed and inscribed, sold for £1,300 (about $1,600) plus the buyer’s premium in September 2019. Image courtesy of Forum Auctions and LiveAuctioneers.

LONDON (AP) – Artists, if they have really made a mark, might get a gallery dedicated to their work once they are gone. Gilbert and George don’t want to wait that long. The dapper duo, who have been creating beguiling and unsettling art together for more than half a century, have poured their own time and money into the Gilbert and George Center, a permanent exhibition and research space devoted to their work. Located just off bustling Brick Lane in London’s East End, the building opened to the public Saturday, April 1 with an exhibition of the big, bold photo assemblies for which the pair has become famous.

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Berlin exhibition exclusively features 100 works by Gerhard Richter

Gerhard Richter, ‘MV 133,’ 2011. Varnish on color photograph, 10.1 by 15.1cm. Loan from the Gerhard Richter Art Foundation. © Gerhard Richter 2023 (31032023)
Gerhard Richter, ‘MV 133,’ 2011. Varnish on color photograph, 10.1 by 15.1cm. Loan from the Gerhard Richter Art Foundation. © Gerhard Richter 2023 (31032023)
Gerhard Richter, ‘MV 133,’ 2011. Varnish on color photograph, 10.1 by 15.1cm. Loan from the Gerhard Richter Art Foundation. © Gerhard Richter 2023 (31032023)

BERLIN (AP) – A new show of works by one of Germany’s most famous living artists, Gerhard Richter, opened at Berlin’s Neue Nationalgalerie museum on March 31. Gerhard Richter. 100 Works for Berlin shows for the first time the long-term loan from the artist’s foundation. At the center of the exhibition is Richter’s 2014 series Birkenau, the result of the artist’s decades-long engagement with Germany’s Nazi past and the Holocaust.

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Smithsonian doubles African American photography holdings

Hooks Brothers, ‘Pullman Porters,’ undated silver emulsion photograph. Smithsonian American Art Museum, the Dr. Robert L. Drapkin collection, museum purchase through the Luisita L. and Franz H. Denghausen endowment, TL-20-2022-114. Courtesy of SAAM
Hooks Brothers, ‘Pullman Porters,’ undated silver emulsion photograph. Smithsonian American Art Museum, the Dr. Robert L. Drapkin collection, museum purchase through the Luisita L. and Franz H. Denghausen endowment, TL-20-2022-114
Hooks Brothers, ‘Pullman Porters,’ undated silver emulsion photograph. Smithsonian American Art Museum, the Dr. Robert L. Drapkin collection, museum purchase through the Luisita L. and Franz H. Denghausen endowment, TL-20-2022-114. Courtesy of SAAM

WASHINGTON — The Smithsonian American Art Museum (SAAM) has acquired a wide-ranging collection of photographs that represent African Americans from the medium’s early years to the near present — roughly the 1840s to the 1970s — from Dr. Robert Drapkin. The collection includes 404 objects, including daguerreotypes, ambrotypes and tintypes, as well as mixed paper prints. The Dr. Robert L. Drapkin collection looks broadly at how photography was adapted by Black makers and consumers to self-represent, and how it was used by others to recast racial tropes using the new medium to represent and to misrepresent African American history and culture.

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Myths and legends re-emerge at Chiswick’s Old Masters sale, April 12

This oil on panel depicting a scene of Orpheus charming the animals, attributed to Gillis Coignet, is among the highlights of Chiswick’s April 12 auction. The painting is estimated at £4,000-£6,000. Courtesy of Chiswick Auctions
This oil on panel depicting a scene of Orpheus charming the animals, attributed to Gillis Coignet, is among the highlights of Chiswick’s April 12 auction. The painting is estimated at £4,000-£6,000.
This oil on panel depicting a scene of Orpheus charming the animals, attributed to Gillis Coignet, is among the highlights of Chiswick’s April 12 auction. The painting is estimated at £4,000-£6,000 ($4,900-$7,400).

LONDON – A Flemish painting depicting the much-loved scene of Orpheus charming the animals is among the highlights of Chiswick Auctions’ Old Masters sale on Wednesday, April 12. The oil on panel attributed to Gillis Coignet (Flemish, circa 1542-1599) comes from a London private collection with an earlier provenance to the dealership Dickinson Fine Art. The work is estimated at £4,000-£6,000 ($4,900-$7,400).

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Met presents Anxiety and Hope in Japanese Art, starting April 8

Image: Detail of ‘Universal Gateway,’ Chapter 25 of the Lotus Sutra, Japan, Kamakura Period (1185–1333), dated 1257. Handscroll; ink, color, and gold on paper. The Metropolitan Museum of Art, New York, purchase, Louisa Eldridge McBurney gift, 1953.
Image: Detail of ‘Universal Gateway,’ Chapter 25 of the Lotus Sutra, Japan, Kamakura Period (1185–1333), dated 1257. Handscroll; ink, color, and gold on paper. The Metropolitan Museum of Art, New York, purchase, Louisa Eldridge McBurney gift, 1953.

Detail of ‘Universal Gateway,’ Chapter 25 of the Lotus Sutra, Japan, Kamakura Period (1185–1333), dated 1257. Handscroll; ink, color, and gold on paper. The Metropolitan Museum of Art, New York, purchase, Louisa Eldridge McBurney gift, 1953.

NEW YORK — Opening at the Metropolitan Museum of Art on Saturday, April 8, Anxiety and Hope in Japanese Art focuses on the human stories behind art and art-making. Drawn from the Met’s renowned collection of Japanese art, this exhibition explores the twin themes of anxiety and hope through more than 250 works — from ancient religious sculpture and ritual objects to modern woodblock prints and photographs — presented across four display rotations. It will continue through July 14, 2024.

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Reynolds co-acquired by UK’s National Portrait Gallery and Getty Museum

Installation view of ‘Portrait of Mai (Omai),’ Sir Joshua Reynolds, circa 1776. Oil on canvas, 236 by 145.5cm. Image courtesy of the owner
Installation view of ‘Portrait of Mai (Omai),’ Sir Joshua Reynolds, circa 1776. Oil on canvas, 236 by 145.5cm. Image courtesy of the owner
Installation view of ‘Portrait of Mai (Omai),’ Sir Joshua Reynolds, circa 1776. Oil on canvas, 236 by 145.5cm. Image courtesy of the owner

LONDON and LOS ANGELES – The National Portrait Gallery in London and the Getty Museum in Los Angeles announced plans on March 31 to jointly acquire and share ownership of Sir Joshua Reynolds’ masterpiece, Portrait of Mai (Omai), in a new model of international collaboration that will maximize public access to this important work.

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