Palos Verdes gives sculptor Eugene Daub a ‘MONUMENTAL’ spotlight

Eugene Daub, ‘Lewis & Clark,’ Montana Capital Senate Chamber. Photo Courtesy of Palos Verdes Art Center
Eugene Daub, ‘Lewis & Clark,’ Montana Capital Senate Chamber. Photo Courtesy of Palos Verdes Art Center
Eugene Daub, ‘Lewis & Clark,’ Montana Capital Senate Chamber. Photo Courtesy of Palos Verdes Art Center

RANCHO PALOS VERDES, Calif. – The Palos Verdes Art Center / Beverly G. Alpay Center for Arts Education is pleased to announce Eugene Daub: MONUMENTALa retrospective of the internationally acclaimed sculptor’s large public works sited across the U.S. It will open on September 25 and continue through November 13.

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Joan Mitchell retrospective on view till January in San Francisco

Joan Mitchell, ‘No Rain,’ 1976; collection The Museum of Modern Art, New York, gift of the Estate of Joan Mitchell; © Estate of Joan Mitchell
Joan Mitchell, ‘No Rain,’ 1976; collection The Museum of Modern Art, New York, gift of the Estate of Joan Mitchell; © Estate of Joan Mitchell
Joan Mitchell, ‘No Rain,’ 1976; collection The Museum of Modern Art, New York, gift of the Estate of Joan Mitchell; © Estate of Joan Mitchell

SAN FRANCISCO — Joan Mitchell has long been hailed as a formidable creative force — a painter who attained critical acclaim and success in the male-dominated art circles of 1950s New York. She then spent nearly four decades in France creating distinctive, vibrant abstract paintings that draw on landscape, memory, poetry and music. With its world premiere at SFMOMA from September 4 through January 17, 2022, the eponymous exhibit Joan Mitchell is a comprehensive retrospective featuring approximately 80 distinguished works. In addition to rarely seen early paintings that established the artist’s career, the exhibition includes colorful large-scale multi-panel masterpieces from her later years.

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Obama portraits now on view in Brooklyn, with three more stops planned

Left: Kehinde Wiley, 'Barack Obama,'  a 2018 oil on canvas from the National Portrait Gallery, Smithsonian Institution, © 2018 Kehinde Wiley | Right: Amy Sherald, detail of 'Michelle LaVaughn Robinson Obama' a 2018 oil on linen from the National Portrait Gallery, Smithsonian Institution. The National Portrait Gallery is grateful to the generous donors who made these commissions possible and proudly recognizes them at npg.si.edu/obamaportraitstour. Support for the national tour has been generously provided by Bank of America.
Left: Kehinde Wiley, ‘Barack Obama,’  a 2018 oil-on-canvas from the National Portrait Gallery, Smithsonian Institution, © 2018 Kehinde Wiley | Right: Amy Sherald, detail of ‘Michelle LaVaughn Robinson Obama’ a 2018 oil-on-linen from the National Portrait Gallery, Smithsonian Institution

WASHINGTON – From the moment of their unveiling at the Smithsonian’s National Portrait Gallery in February 2018, the museum’s official portraits of President Barack Obama and Michelle Obama have become iconic. Kehinde Wiley’s portrait of President Obama and Amy Sherald’s portrait of the former First Lady have inspired unprecedented responses from the public.

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Artists take flight in 2021 ‘Birds in Art’ exhibition

Federico Uribe, ‘Blue Parrot,’ 2019, bullet and shotgun shells
Federico Uribe, ‘Blue Parrot,’ 2019, bullet and shotgun shells
Federico Uribe, ‘Blue Parrot,’ 2019, bullet and shotgun shells

WAUSAU, Wisc. – Ascending to new heights, Birds in Art 2021, opening Saturday, September 11 at the Leigh Yawkey Woodson Art Museum, offers inspiration to persevere, endure, and thrive. Artwork from 113 artists from throughout the world comprises the Birds in Art 2021 exhibition. This year, 510 artists submitted 813 artworks for consideration by the three-person jury.

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Smithsonian acquires stellar early American photography collection

Unidentified artist, ‘Untitled (family, painted backdrop),’ undated, tintype. Smithsonian American Art Museum, the L. J. West Collection of Early American Photography, Museum purchase made possible through the Franz H. and Luisita L. Denghausen Endowment
Unidentified artist, ‘Untitled (family, painted backdrop),’ undated, tintype. Smithsonian American Art Museum, the L. J. West Collection of Early American Photography, Museum purchase made possible through the Franz H. and Luisita L. Denghausen Endowment

WASHINGTON, D.C. – The Smithsonian American Art Museum (SAAM) has acquired a collection of objects related to early American photography from the collector Larry J. West that transforms the museum’s photography holdings. The L.J. West Collection includes 286 objects from the 1840s to about 1925 in three groupings: works by early African American daguerreotypists James P. Ball, Glenalvin Goodridge and Augustus Washington; early photographs of diverse portrait subjects and objects related to abolitionists, the Underground Railroad and the role of women entrepreneurs in it; and photographic jewelry that represents the bridge between miniature painting and early cased photography such as daguerreotypes, ambrotypes and tintypes.

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Frankenthaler: Late Works exhibition opens Oct. 14 in Palm Springs

Helen Frankenthaler, Janus, 1990. Acrylic on canvas, 57 x 94 3/4 in. (144.8 x 240.7 cm). Helen Frankenthaler Foundation, New York © 2021 Helen Frankenthaler Foundation, Inc. / Artists Rights Society (ARS), New York

PALM SPRINGS, Calif. – This fall, Palm Springs Art Museum will present Helen Frankenthaler: Late Works, 1990-2003, the first museum exhibition dedicated to the late work of Helen Frankenthaler. The exhibition will feature 20 paintings on paper and 10 paintings on canvas on loan from the Helen Frankenthaler Foundation. It opens Oct. 14, 2021 and will run through February 27, 2022.

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Kandinsky: Around the Circle opens Oct. 8 at the Guggenheim

Vasily Kandinsky, ‘Dominant Curve (Courbe dominante),’ April 1936 (detail). Oil on canvas, 50 7/8 × 76 1/2 inches (129.2 × 194.3 cm). Solomon R. Guggenheim Museum, New York, Solomon R. Guggenheim Founding Collection 45.989
Vasily Kandinsky, ‘Dominant Curve (Courbe dominante),’ April 1936 (detail). Oil on canvas, 50 7/8 × 76 1/2 inches (129.2 × 194.3 cm). Solomon R. Guggenheim Museum, New York, Solomon R. Guggenheim Founding Collection 45.989. © 2021 Artists Rights Society (ARS), New York/ADAGP, Paris

NEW YORK — From October 8, 2021 through September 5, 2022, the Solomon R. Guggenheim Museum presents Vasily Kandinsky: Around the Circle. Drawing from the Guggenheim’s exceptional collection of works by Kandinsky, the exhibition features approximately 80 paintings, watercolors, and woodcuts, as well as a selection of his illustrated books, spanning the artist’s earlier years in Russia and Germany and through his exile in France at the end of his life. The presentation, installed along the midsection of the museum’s spiral rotunda, reconsiders Kandinsky’s career not as a fixed path from representation to abstraction, but as a circular passage through persistent themes centered around the pursuit of one dominant ideal: the impulse for spiritual expression.

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Berlin’s Neue Nationalgalerie reopens after 6-month refurbishment

The Neue Nationalgalerie (New National Gallery), Mies van der Rohe architect. Opened in 1968. Manfred Bruckels image, licensed through Creative Commons Attribution-Share Alike 3.0

BERLIN (AP) – Berlin’s Neue Nationalgalerie, an iconic modern art museum designed by Bauhaus pioneer Ludwig Mies van der Rohe, reopened to the public Sunday after a six-year refurbishment of the glass-fronted building.

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Advance tickets available for Boca Raton Museum’s Machu Picchu exhibition

14K gold alloy frontal adornment from an Andean headdress, dating between year 1 and year 800. Photo courtesy of World Heritage Exhibitions
14K gold alloy frontal adornment from an Andean headdress, dating between year 1 and year 800. Photo courtesy of World Heritage Exhibitions
14K gold alloy frontal adornment from an Andean headdress, dating between year 1 and year 800. Photo courtesy of World Heritage Exhibitions

BOCA RATON, Fla. – The Boca Raton Museum of Art will host Machu Picchu and the Golden Empires of Peru, an exhibit that combines a display of 192 ancient Peruvian artifacts with a spectacular virtual-reality expedition of the famed UNESCO World Heritage Site via drone footage and virtual reality (VR) technology. Advance tickets are now available to purchase for the show, which opens on October 16 and continues for what’s described as a limited run ahead of a planned worldwide tour.

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Emerging Black artists featured at ICP ‘Inward’ exhibition

Djeneba Aduayom, Self-Portrait, 2021. © Djeneba Aduayom

NEW YORK — This fall, the International Center of Photography (ICP) presents a new exhibition focusing on the work of five emerging Black artists who have turned the lens inward to explore and capture the “unseen” moments of their lives during a time of unprecedented change. INWARD: Reflections on Interiority features newly commissioned photographs by Djeneba Aduayom, Arielle Bobb-Willis, Quil Lemons, Brad Ogbonna, and Isaac West. On view September 24, 2021 through January 10, 2022, INWARD is curated by Isolde Brielmaier, PhD, ICP’s curator-at-large, and newly-appointed Deputy Director, the New Museum. Presented in the museum’s new building at 79 Essex Street in New York, which opened in January 2020, the fall/winter season at ICP also will feature the exhibitions Gillian Laub: Family Matters and Diana Markosian: Santa Barbara.

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