Ruling brings old Dodge City ledger closer to home

Wild West lawmen Wyatt Earp and Bat Masterson both had an association with Dodge City, Kansas. Public domain image.
Wild West lawmen Wyatt Earp and Bat Masterson both had an association with Dodge City, Kansas. Public domain image.
Wild West lawmen Wyatt Earp and Bat Masterson both had an association with Dodge City, Kansas. Public domain image.

WICHITA, Kan. (AP) – A historic Kansas police docket book with references to Wild West lawmen Wyatt Earp and Bat Masterson is one legal step closer to being returned to Dodge City following a federal court ruling removing all claimants to it except the city.

The ledger details city court cases from 1878 to 1882, and the FBI has said it’s worth about $100,000. It was seized in May from a home in Ohio.

Many of Dodge City’s historical documents were stolen during the 1960s, when the television series, Gunsmoke, was most popular, said George Laughead, president of Dodge City’s historical society. Only two of Earp’s signatures remain in the city today, Laughead said.

The ledger would contain all of Earp’s cases and many of Masterson’s, he said.

“These dates cover the high points of the cattle drives, so an awful lot of our mythology occurred between 1878 and 1882 and it is going to be in here,” Laughead said.

Ownership of the ledger has been in limbo since the U.S. attorney’s office filed a forfeiture case in a legal maneuver to return the wayward book to the city. The federal government alleged it was the proceeds of interstate transportation of stolen goods.

U.S. District Judge Monti Belot issued a partial default order Tuesday removing all potential claimants except Dodge City. No one else had claimed an interest in it. The government filed a motion Wednesday asking for a final forfeiture order, including a compromise settlement that would release the ledger to Dodge City.

FBI Special Agent Robin Smith said in an affidavit filed in the government’s case that city officials believe “persons unknown” stole the book sometime after 1950.

No criminal charges have been filed in the case, Jim Cross, spokesman for the U.S. attorney’s office, said Wednesday.

“There are a lots of historical documents that were taken from the court that we are still in process of trying to track down and gain possession, but none as important as this,” said Terry Malone, the attorney representing Dodge City.

“It gives it a kind of personal flavor – brings, I guess, history to life,” he said.

In his affidavit, Smith said the book was last documented in the city’s possession in the early 1950s. That’s when a writer used it while researching Dodge City’s past as a rollicking cattle town.

The author, Stanley Vestal, wrote a book on Dodge City history titled Queen of the Cowtowns Dodge City, The Wickedist Little City in America 1872-1886. The book contained several references to the police ledger.

Somehow, the ledger ended up in the possession of James Collins, of Blacklick, Ohio, outside Columbus. Smith said in his affidavit that Collins told FBI agents the ledger had been passed from his grandfather to his father to him.

Collins told agents he had been a pilot in the 1980s ferrying doctors between Wichita and Dodge City, but the family never lived in Dodge City, according to the affidavit.

Collins did not immediately return a message from The Associated Press left Wednesday at his home.

The ledger surfaced in 2007 after Collins agreed to turn it over to a Scottsdale, Ariz., dealer who sells cowboy collectibles to auction it on consignment. The dealer contacted an expert in old Western lore to authenticate the book and publicize it.

That’s when Laughead found a blog entry about the ledger and recognized it as missing city property, and alerted authorities. The antiques dealer ultimately returned the book to Collins rather than become entangled in a legal fight, according to the affidavit.

The ledger was seized from Collins’ home under a search warrant after he refused to allow agents to view it during an interview.

Dodge City filed a claim to the book in the forfeiture case, contending it owns the police docket, which it called an official record of the city.

Collins did not file a claim.

Copyright 2009 Associated Press. All rights reserved. This material may not be published, broadcast, rewritten, or redistributed.

AP-WS-09-30-09 1804EDT

Feds recover counterfeit copy of Wyeth watercolor

WILMINGTON, Del. – Federal authorities have recovered a counterfeit copy of a 1939 watercolor by artist Andrew Wyeth.

The painting is a copy of Wreck at Doughnut Point. It was recovered by the FBI after a California dealer who purchased it nine years ago for about $20,000 contacted a Texas auction house to sell it.

The auction house contacted the Brandywine River Museum in Chadds Ford, Pa. A curator there recognized it as a painting

Wyeth had identified as fake in response to an inquiry from a Connecticut art dealer a decade earlier.

Wyeth was the son of famed painter and book illustrator N.C. Wyeth and father of painter Jamie Wyeth. He died in January at his Chadds Ford home at age 91.

Copyright 2009 Associated Press. All rights reserved. This material may not be published, broadcast, rewritten, or redistributed.

Grateful Dead Archive truckin’ to new online home

SANTA CRUZ, Calif. (AP) – The world’s largest collection of Grateful Dead memorabilia has found new life on the Internet, where the psychedelic rock band’s recordings, photos and collectibles will be preserved online.

The Grateful Dead Archive is currently housed at the McHenry Library on the University of California, Santa Cruz campus.

The school’s library has received $615,000 grant from the Institute of Museum and Library Services to photograph the collection items and upload them to a new Web site, The Virtual Terrapin Station.

Once uploaded, the public will be able to access the collection online and contribute their own digital photos.

The extensive collection includes thousands of pictures, toys, posters, journals, show tickets and other pieces of paraphernalia donated by band members and fans.

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Information from: Santa Cruz Sentinel,
http://www.santacruzsentinel.com

Copyright 2009 Associated Press. All rights reserved. This material may not be published, broadcast, rewritten, or redistributed.

AP-WS-09-30-09 1247EDT

Auditors issue opinion: Barrett-Jackson complied to auction standards

SCOTTSDALE, Ariz. – An independent audit conducted by Deloitte & Touche LLP at the behest of Barrett-Jackson Auction Co. LLC was released today and indicates the classic car auctioneers complied with proper auction practices during the 2008-2009 season.

Barrett-Jackson ordered the audit to clear any doubts that may have lingered after a 2007 legal action in which a consignor alleged the Arizona auction house had engaged in improper auction activities. Barrett-Jackson, in turn, brought a suit against the consignor, which led to a settlement and exoneration of all allegations against the auction firm.

“The release of this report is part of Barrett-Jackson’s continued commitment to transparency in our auction practices,” said Craig Jackson, chairman and CEO of Barrett-Jackson. “Particularly in light of stories that have surfaced recently concerning business practices at other car auction companies, we felt the time was right to have an independent review and validation of our auction practices.”

Deloitte & Touche performed the examination of Barrett-Jackson’s auction records during the summer of 2009. The project, an “attestation” in formal terms, centered on a review of the “assertions” made by Barrett-Jackson’s management team that summarize the company’s auction-related business practices.

The examination covered Barrett-Jackson’s last full auction season, which included the 2008 Las Vegas event as well as the 2009 events in Scottsdale and West Palm Beach. The final Independent Accountants’ Report is dated September 17, 2009, and was issued by Deloitte & Touche to Barrett-Jackson on September 29, 2009.

The cover letter addressed to the Board of Directors of Barrett-Jackson Auction Company, LLC reads, in part, “We have examined management’s assertions, included in the accompanying Barrett-Jackson Auction Assertions and Criteria listing, that Barrett-Jackson Auction Company, LLC complied with specific criteria listed in the aforementioned listing for their Las Vegas, Nevada auction, which occurred in October 2008, the Scottsdale, Arizona auction, which occurred in January 2009, and the Palm Beach, Florida auction, which occurred in April 2009…In our opinion, Barrett-Jackson complied in all material respects with the aforementioned assertions and criteria for the auctions noted above.”

Craig Jackson said his company enlisted the services of Deloitte & Touche to conduct the independent probe “because they are a world class, globally recognized professional services and auditing firm…We wanted to send a clear message about the seriousness of this project…”

Barrett-Jackson’s president, Steve Davis, remarked, “Barrett-Jackson is proud of its ethical business practices and dedication to transparency, integrity and fairness in conducting the company’s collector car auctions. Particularly in these times of economic turbulence and distrust of the country’s financial institutions, we felt that it was a good time to take this proactive step to demonstrate to our customers and others who follow Barrett-Jackson that we offer a fair, trustworthy forum for buying or selling a collector car. It is rewarding to receive this third-party validation that Barrett-Jackson is a place where transparency is honored and customers are treated fairly.”

Topics reviewed by Deloitte & Touche in the project included: validity and consistency of Barrett-Jackson’s consignment procedures, accurate documentation of the terms of each sale, consistent and documented commission structure on both buyer and seller side, and timely payment of proceeds to consignors.

Davis said he encourages other classic car auction houses to initiate similar independent audits as a sign of good faith to collectors.

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Virginia man pieces together history from slave cabin

Row of slave quarters adjacent to the crop fields at Kingsley Plantation in Jacksonville, Florida. Structures show effects of erosion, vandalism and subsequent restoration. Public domain image.

Row of slave quarters adjacent to the crop fields at Kingsley Plantation in Jacksonville, Florida. Structures show effects of erosion, vandalism and subsequent restoration. Public domain image.
Row of slave quarters adjacent to the crop fields at Kingsley Plantation in Jacksonville, Florida. Structures show effects of erosion, vandalism and subsequent restoration. Public domain image.

LADYSMITH, Va. (AP) – The weathered cabin with the stone chimney regularly coughs up pieces of its past. A blue glass slave bead. A Civil War-era pipe. Kitchen utensils. A silver wedding band. Porcelain doorknobs.

Richard Moter carefully collects each offering, cataloging and dating the items as best he can.

Here’s a Navy button, dating to the 1870s, that he scraped from inside the chimney. And a bottle of cologne he pulled from under the front step, probably from the 1890s.

There’s a silk stocking from beneath the floorboards. And an eggbeater found in the wall. And a pewter cameo discovered near the cistern.

“There’s a lot of history here,” said Moter, 44, the caretaker of the cabin, which stands on his family’s Woodford property.

“A lot of these sites have been destroyed by loggers and landowners. I’m in here just trying to piece together the story.”

More than 150 years ago, the cabin housed slaves who toiled at the Poplar Grove plantation. After the Civil War, it was likely home to farm laborers.

Over the years, a series of residents patched up holes, modified doors, painted the beams and hung floral wallpaper, scraps of which still cling to the walls.

Sometime after 1936, when electricity came to rural Caroline County, someone screwed light bulbs into the cabin’s ceiling.

No one has lived in the two-story structure for probably 50 years, and its wood frame is weak and drafty.

But as a surviving example of slave housing, it offers history buffs like Moter – along with archaeological experts – a unique window into the past.

“This is a real survivor,” said Gary Stanton, a folklorist and historic-preservation professor at the University of Mary Washington who recently visited the cabin. “Usually this stuff’s plowed up and we never see it.”

Stanton and UMW colleague Carter Hudgins, a historian who also has training in historical archaeology, were invited by Moter to visit the cabin, along with a Free Lance-Star reporter.

Both professors have visited the remains of slave cabins throughout the area, working under a National Endowment for the Humanities grant secured by UMW Historic Preservation Chairman Doug Sanford and Dennis Pogue, associate director of restoration at Mount Vernon.

“It’s obviously gone through a lot of changes, but the carcass of the earliest part is still here,” said Hudgins, running a hand along a plank on the cabin’s second floor.

They plan to return to the property to measure the house and take more photographs, entering the information into a database that tracks the architecture of slave housing across decades and regions.

Using historical records, old fire insurance policies and evidence from existing buildings, the research team has collected descriptions of about 900 slave quarters in Virginia _ most of which are no longer standing, Sanford said.

“The good news is there are a lot more out there than we originally thought,” he said. “The bad news is a lot of them are not in great shape. People do not have the money to preserve them or restore them. Time is of the essence.”

Moter said he worries that his cabin may be on borrowed time.

Another on the property burned down in the 1950s, and what’s to say a strong wind won’t come along and finish the job time has already begun?

Until then, he painstakingly gathers all the treasures the cabin is willing to give up, hoping they’ll help him piece together the stories of those who once lived there.

Moter, a descendant of the Pratt family, grew up in the Westmont neighborhood of Fredericksburg.

He estimates his family owns about 10 historic properties in the area, including the old farm where he lives.

He built more than a few leaf forts on those properties as a youngster. But it wasn’t until adulthood, he said, that he came to appreciate the history socked away in those fields and forests.

Exploring them gave him direction, he said.

Before that, he traveled a bit out west, did some odd jobs, played his guitar, “made some mistakes, fixed some mistakes.”

His late great-uncle Beverley Crump Pratt, a local historian and attorney, inspired him to delve into the area’s past, said Moter, who has been at it faithfully for about a decade.

He reads a lot, particularly firsthand accounts of early life in these parts and the oral histories of former slaves, gathered during the 1930s under the Federal Writers Project.

As an amateur archaeologist, he sticks primarily to his family’s land, places like Camden, Auburn and Cedar Creek.

Sometimes he has used a metal detector, other times a shovel. Often, he has relied on historical maps and his own two hands.

He has uncovered farm tools, jewelry, pottery and horseshoes.

At the cabin behind his home, he has found old picture frames, doll parts and a button made of bone dating to the 1860s. Nearby, he dug up two poker chips and several marbles that may go as far back as the Colonial era.

“It’s like a giant pachinko machine,” Hudgins said of the cabin. “Stuff is just falling out.”

Moter said he has sold one or two items over the years to make ends meet. But he has no plans to sell any more.

He’d like to see the items displayed, possibly in the National Museum of African American History and Culture, set to open on the National Mall in 2015.

His work in and around the cabin has given him a much greater understanding of what life must have been like for slaves, Moter said. He hopes his collection can ultimately do the same for others.

“I’ve had quite a few emotional moments while doing it,” he said. “It’s a very serious, heavy thing, not to be taken lightly at all. You’re looking into people’s lives and you’re looking back into times when people suffered. I’m kind of here to clear the air of all the karma.”

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Information from: The Free Lance-Star,
http://www.fredericksburg.com/

Copyright 2009 Associated Press. All rights reserved. This material may not be published, broadcast, rewritten, or redistributed.

AP-ES-09-29-09 2029EDT

Virginia Tech acquires Carter, Cash families’ collection

Johnny Cash and June Carter Cash in a 1969 photograph taken by LOOK Magazine photographer Joel Baldwin. Source: Library of Congress, Prints & Photographs Division, Look Magazine Photograph Collection, card number lmc1998005787/PP.
Johnny Cash and June Carter Cash in a 1969 photograph taken by LOOK Magazine photographer Joel Baldwin. Source: Library of Congress, Prints & Photographs Division, Look Magazine Photograph Collection, card number lmc1998005787/PP.
Johnny Cash and June Carter Cash in a 1969 photograph taken by LOOK Magazine photographer Joel Baldwin. Source: Library of Congress, Prints & Photographs Division, Look Magazine Photograph Collection, card number lmc1998005787/PP.

BLACKSBURG, Va. (AP) – Virginia Tech has acquired a collection of sheet music, memoirs and other memorabilia related to The Carter Family, Johnny Cash and other musicians of the Carter and Cash families.

Virginia Tech said Tuesday that the collection is available for research in the Special Collections department of Newman Library.

The material includes a collection of Carter Family sheet music with a biography written in 1980 by Johnny Cash.

Other items include Maybelle Carter’s hunting and fishing license, programs from performances and festivals, photographs, and newspaper and magazine articles.

Copyright 2009 Associated Press. All rights reserved. This material may not be published, broadcast, rewritten, or redistributed.

AP-ES-09-29-09 0902EDT

Under wraps, scan of mummy reveals fatal ailments

Mummy at The Vatican, photographed Dec. 18, 2006 by Joshua Sherurcij.
Mummy at The Vatican, photographed Dec. 18, 2006 by Joshua Sherurcij.
Mummy at The Vatican, photographed Dec. 18, 2006 by Joshua Sherurcij.

LITTLE ROCK, Ark. (AP) – The tightly wrapped fabric that holds the mummified remains of Hetep-Bastet contain indications of what may have killed her 2,500 years ago. The sarcophagus that served as her vessel bears the scars of more recent history.

The mummy, on display at the “World of the Pharaohs” exhibition in Little Rock that opens Friday, is on loan from University of Quebec at Montreal, where the coffin was damaged in a student protest in 1969.

A CT scan of the mummy taken last year revealed that Hetep-Bastet had abscessed teeth and a broken femur and hip, which may have become infected and caused or contributed to her death. There are conflicting estimates of her age, from about 40 to about 60.

Hetep-Bastet’s tooth problems came as no surprise to Egyptologist and mummy expert Bob Brier. During a walk through the exhibit Wednesday, Brier noted grain of the time contained bits of the stone used to grind it, along with sand that blew in, and wore down teeth. With the tooth pulp exposed, people were at great risk of dangerous infections.

“That was a common cause of death,” said Brier, the author of The Murder of Tutankhamen and other books on ancient Egypt.

The exhibition has two mummies, the other of which is from the Roman period and shows evidence of the diminished skills among craftsmen who weren’t valued by the western rulers. The coarsely drawn figures on its coffin don’t have the correct animal images and some are mislabeled.

The coffin of Hetep-Bastet, dating to between 644 and 525 B.C., is much more skillfully painted, showing gold and red and earth tones. Brier noted that she is depicted on a funeral couch with four canopic jars underneath, where her organs would be stored so she could use them in the afterlife. Anubis, the jackal-headed god of embalming, stands over her.

Much of the exhibit’s 200-plus items were found in tombs, collected by an archaeologist in the early 20th century working for Harvard University and the Museum of Fine Arts in Boston, which loaned the items for the show, except the mummies.

One of the first objects patrons will see is an upper fragment of a granite colossus of Ramses the Great.

Many scholars believe Ramses the Great, who built fabulous monuments in his 67-year reign, was the pharaoh during the Exodus of the Jews from Egypt.

“This is the only face from the Bible that you can ever see,” Brier said. “This is what the guy looked like when he was young.”

On the left rear is a hieroglyphic inscription with Ramses’ name and the image of a cobra with a solar disk.

Brier, who has studied images of Ramses II’s mummy, said the pharaoh had a sizable hole in his mandible, indicating he also had a terrible tooth infection.

“I think the pharaoh of the Exodus had a lot of pain,” Brier said.

The mummies are an important part of the exhibit, but the other human images carry an immediacy that can be more powerful than art from other cultures, Brier said.

“It’s super-realism,” he said. “It’s not two-dimensional, flat, like looking at Medieval paintings,” he said. “You’re looking across 2,000 years or more. It’s the realism, and that they’re so old.”

The Hetep-Bastet mummy was a gift in 1927 from the Cairo Museum of Antiquities to the precursor of the University of Quebec. Its rest was disturbed when the sarcophagus was knocked over during a protest against the university’s administration 40 years ago.

Arkansas Arts Center Curator Joe Lampo said the coffin sustained significant damage.

“The central part of the top of the coffin was split down the middle,” Lampo said. Another piece that broke off is in a separate display.

Some of the paint flaked from the casket, which conservators at the Canadian Museum of Civilization in Gatineau, Quebec, recently restored. Lampo said there were “many” tiny fragments that were meticulously fitted back in place. But museum patrons who look carefully will be able to see the white undercoat that was applied to the wood, which was then painted, and how bits could easily become dislodged in a jostling, he said.

The “World of the Pharaohs” exhibit runs through July 5, 2010. Adult admission is $22, though various discounts are available for groups, children, seniors and military.

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On the Net:

Arkansas Arts Center: http://www.arkarts.com

Copyright 2009 Associated Press. All rights reserved. This material may not be published, broadcast, rewritten, or redistributed.

AP-WS-09-23-09 1828EDT

Titanic exhibit being prepared in Louisville

The RMS Titanic, photographed before departing on its maiden voyage from Southampton, England on April 5, 1912.
The RMS Titanic, photographed before departing on its maiden voyage from Southampton, England on April 5, 1912.
The RMS Titanic, photographed before departing on its maiden voyage from Southampton, England on April 5, 1912.

LOUISVILLE, Ky. (AP) – The Titanic exhibit being set up at the Louisville Science Center may be the most significant attraction ever to be displayed at the West Main Street museum, said Joanna Haas, the center’s executive director.
Haas declined to say how much the center had to pay to get “Titanic: The Artifact Exhibition,” scheduled to run Oct. 3 to Feb. 15. But, she said “it was a negotiation that required a lot of work” and took almost a year to wrap up. She wouldn’t speculate on whether the center would make a profit, but she predicted about 50,000 people will see it during its local run.

Every deal, Haas said, poses “risks and opportunities, and we’re hoping the exhibit elevates the prominence” of the Louisville center and “puts us on the radar screen of more folks. It is a big deal for us, and a great thing for the region. I can’t underscore that enough.”

Haas said Louisville is one of the first cities to land a scaled-down version of the Titanic exhibit that has been specifically developed for midsize markets.

Seven touring versions of the Titanic exhibit have been developed by Premier Exhibitions Inc. of Atlanta. They have been viewed by more than 22 million people worldwide since 1994. Besides the one being set up in Louisville, Titanic exhibits are currently being shown in Rochester, N.Y.; New York City; St. Paul, Minn.; Las Vegas; Montreal; and Lisbon, Portugal.

Becky Parker, a curator for the Titanic exhibit at the science center, said the 150 artifacts to go on display in Louisville were trucked in from Atlanta. Most of the items had been recently exhibited at the Georgia Aquarium in Atlanta.

A Premier subsidiary, RMS Titanic Inc., is the only entity permitted under a federal court ruling to recover objects from the wreck of the ill-fated ocean liner.

Parker said the company’s representatives have made seven expeditions to the wreck and recovered more than 5,500 artifacts. She said her company is the caretaker of the items, not the owner. The ownership of the wreck is uncertain and has never been settled by a court ruling.

The Titanic sank in April 1912 about 250 miles northeast of Newfoundland in the North Atlantic. It broke in half when it sank after striking an iceberg and the two halves lie about a mile apart about 21/2 miles down on the ocean floor. Parker said the vessel will never be raised.

The last survivor of the sinking, Millvina Dean, died this year. She was nine months old when the ship sank.

The exhibit will be divided into seven galleries. The first shows how the ship was designed, including early photographs. Subsequent galleries focus on the launch, the passengers, the third-class accommodations and the iceberg. A sixth gallery explores how the wreckage was discovered in 1985 and the last is a memorial gallery that lists each passenger.

When they enter the exhibit, visitors will be given a boarding pass with the name of one of the 2,228 passengers on the maiden voyage of the ship that many considered to be unsinkable. In the last gallery visitors can check the passenger list to see if the passenger named on the boarding pass survived the sinking.

The exhibit features a large replica of an iceberg, developed with the help of refrigeration equipment that allows layers of ice to build up on metal sheets.

Among the 150 items on display will be a wrench, a porthole, British and American coins, floor tiles, furniture, china, fuses, a toothpaste container, a sauce pan, bathtub fixtures, perfume vials, cooking pots, dishes and personal items.
Six items in the exhibit were recently conserved and have never been on display before, Parker said. They are a gold braided chain, two postcards, a marriage certificate, a metal hairpin and a small gold-plated cosmetic canister.

Throughout its run at the science center, the basic adult admission, usually $12, will be $18. Tours of the exhibit will be self-guided, but audio tours are available for an additional $5.
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Information from: The Courier-Journal,
http://www.courier-journal.com

Copyright 2009 Associated Press. All rights reserved. This material may not be published, broadcast, rewritten, or redistributed.

AP-CS-09-25-09 1411EDT

Armed robbers steal Magritte painting worth $1.1 million

BRUSSELS (AP) – Two armed robbers made off with a $1.1 million painting by Belgian surrealist Rene Magritte in a morning heist at a small museum in the Belgian capital on Thursday.

Brussels city police spokesman Johan Berckmans said the two men escaped with the 1948 Olympia oil painting by car on Thursday after holding museum staff and tourists at gunpoint.

He said the thieves had planned their heist at the appointment-only exhibit well.

“It is likely an ordered job,” Berckmans said. “It (the painting) has a street value of 750,000 euros ($1.1 million).”

One thief had entered the building first “and as soon as he came in he threatened personnel with a weapon,” Berckmans said. The first thief then let in his accomplice who moved the people in the museum, which included several tourists, to another room, while the other removed the painting.

The canvas portrays a woman with a shell at the seaside, and is believed to be a portrait of Magritte’s wife, Georgette, Berckmans said.

The painting hung at Magritte’s former house, which has been turned into a small museum, which includes various keepsakes, furniture and a small collection of works by the famous artist who died in 1967.

It is separate from a larger Magritte museum, home to 200 of his works, that opened in June.

Copyright 2009 Associated Press. All rights reserved. This material may not be published, broadcast, rewritten, or redistributed.

AP-ES-09-24-09 0953EDT

Huge hoard of Anglo-Saxon treasure uncovered in UK

LONDON – It’s an unprecedented find that could revolutionize ideas about medieval England’s Germanic rulers: An amateur treasure-hunter searching a farmer’s field with a metal detector unearthed a huge collection of Anglo-Saxon gold and silver artifacts.

The discovery sent a thrill through Britain’s archaeological community, which said Thursday that it offers new insight into the world of the Anglo-Saxons, who ruled England from the fifth century until the 1066 Norman invasion and whose cultural influence is still felt throughout the English-speaking world.

“This is just a fantastic find completely out of the blue,” Roger Bland, who managed the cache’s excavation, told The Associated Press. “It will make us rethink the Dark Ages.”

The treasure trove includes intricately designed helmet crests embossed with a frieze of running animals, enamel-studded sword fittings and a checkerboard piece inlaid with garnets and gold. One gold band bore a biblical inscription in Latin calling on God to drive away the bearer’s enemies.

The Anglo-Saxons were a group of Germanic tribes who invaded England starting in the wake of the collapse of the Roman Empire. Their artisans made striking objects out of gold and enamel, and their language, Old English, is a precursor of modern English.

The cache of gold and silver pieces was discovered in what was once Mercia, one of five main Anglo-Saxon kingdoms, and is thought to date to between 675 and 725.

For Terry Herbert, the unemployed metal-detecting enthusiast who made the discovery on July 5 while scouring a friend’s farm in the western region of Staffordshire, it was “more fun than winning the lottery.”

The 55-year-old spent five days searching the field alone before he realized he needed help and notified authorities. Professional archaeologists then took over the find.

“I was going to bed and in my sleep I was seeing gold items,” Herbert said of the experience.

The gold alone in the collection weighs 11 pounds and suggests that early medieval England was a far wealthier place than previously believed, according to Leslie Webster, the former curator of Anglo-Saxon archaeology at the British Museum.
She said the crosses and other religious artifacts mixed in with the military items might shed new light on the relationship between Christianity and warfare among the Anglo-Saxons – in particular a large cross she said may have been carried into battle.

The hoard was officially declared treasure by a coroner on Thursday, which means it will be valued by experts and offered up for sale to a museum in Britain. Proceeds will be split 50-50 between Herbert and his farmer friend, who has not been identified. The find’s exact location is being kept secret to deter looters.

Bland said he could not give a precise figure for the value of the collection, but said the two could each be in line for a “seven-figure sum.”

Kevin Leahy, the archaeologist who catalogued the find, said the stash includes dozens of pommel caps – decorative elements attached to the knobs of swords – and appeared to be war loot. He noted that “Beowulf,” the Anglo-Saxon epic poem, contains a reference to warriors stripping the pommels of their enemies’ weapons as mementoes.

“It looks like a collection of trophies, but it is impossible to say if the hoard was the spoils from a single battle or a long and highly successful military career,” he said.

“We also cannot say who the original, or the final, owners were, who took it from them, why they buried it or when? It will be debated for decades.”

Experts said they’ve so far examined a total of 1,345 items. But they’ve also recovered 56 pieces of earth that X-ray analysis suggests contain more artifacts – meaning the total could rise to about 1,500.

The craftsmanship was some of the highest-quality ever seen in finds of this kind, Leahy said, and many British archaeologists clearly shared his enthusiasm.

Bland, who has documented discoveries across Britain, called it “completely unique.” Martin Welch, a specialist in Anglo-Saxon archaeology at University College London, said no one had found “anything like this in this country before.”

Herbert said one expert likened his discovery to finding Egyptian Pharoah Tutankhamen’s tomb, adding: “I just flushed all over when he said that. The hairs on the back of my neck stood up.”

The collection is in storage at the Birmingham Museum and Art Gallery, where some of the items are to go on display starting Friday.

It’s unclear how the gold ended up in the field, although archaeologists suggested it may have been buried to hide the loot from roving enemies, a common practice at the time. The site’s location is unusual as well – Anglo-Saxon remains have tended to cluster in the country’s south and east, while the so-called “Staffordshire hoard” was found in the west.

In the meantime, archaeologists say they’re likely to be busy for years puzzling out the meaning of some of the collection’s more unusual pieces – like five enigmatic gold snakes or a strip of gold bearing a crudely written and misspelled Biblical inscription in Latin.

“Rise up, O Lord, and may thy enemies be dispersed and those who hate thee be driven from thy face,” reads the inscription, believed to be from the Book of Numbers.

Also of interest is the largest of the crosses, which experts say may have been an altar or processional piece. It had been folded, possibly to make it fit into a small space prior to burial, and the apparent lack of respect shown to such a Christian symbol may point to the hoard being buried by pagans.

“The things that we can’t identify are the ones that are going to teach us something new,” Leahy said.

For England, a country at the edge of Europe whose history owes an enormous debt to the Anglo-Saxons, the find has the potential to become one of its top national treasures, according to Webster.

Caroline Barton, assistant treasure registrar at the British Museum, said objects over 300 years old and made up of more that 10 percent precious metal are only offered for sale to accredited museums in Britain, so the collection will not be leaving the country.
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Associated Press writer Karolina Tagaris in London contributed to this report.
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