A Rare Francois Linke, Louis XVI Style Ormolu, Amaranth and Jasperware Porcelain Gueridon, 19th Century. In the manner of Adam Weisweiler, Paris, Model Number 860. The circular bevelled glass top protecting a blue jasperware plaque depicting Bacchus with female attendants, within a beaded, stiff-leaf and ribbon-bound reeded border, above four basket-bearing caryatid supports with spreading frond and oak-leaf-cast stems, joined by an 'X'-shaped loop stretcher, on tapering frond-cast feet, the inner rim of the top border signed F. Linke.
2ft 5/8"" High, 1ft 7 3/8""Wide
Francois Linke was born in Pankraz in Bohemia and was celebrated by the French as one of the greatest ébénistes of meubles de style at the turn of the century. He began his apprenticeship with a Bohemian master at the age of thirteen. Four years later, he toured Austria, settling and working in Vienna for two years. By 1875 he had arrived in Paris, where he seems to have been associated with Zwiener. By 1881, Linke established his own small workshop at 170 rue du Faubourg St. Antoine. Taking 18th century styles as his starting point and adapting earlier styles to contemporary taste, Linke produced fine quality furniture, steadily expanding his business during the next 20 years. He firmly established his reputation after receiving a gold medal at the Paris Universal Exhibition of 1900 for his extraordinary Grand Bureau. Linke's highly original designs sprang from the Régence and Rococo styles but were imbued with something quite new - Rococo curves were laden with gilt-bronze sculptural mounts in the tradition of A.-C. Boulle (1642-1732) or Charles Cressent (1685-1758). Stylistically, the new designs still adhered to the Rococo; the novelty, however, was Linke's fusion of the Rococo with the liveliness and the fluidity of the 'art nouveau'. The Revue called Linke's creations entierement nouveau, and continued to say that 'Linke's stand is the biggest show in the history of art furniture in the year 1900...' The mounts, or rather sculpture, were characteristic of the finest pieces from the Linke workshops. The most original designs were almost certainly created in collaboration with the enigmatic sculptor Léon Messagé, who excelled in creating lively, high relief, allegorical figures recalling the styles of Boucher and Falconet. Linke's greatest successes were achieved during the years after 1900 and up to the beginning of World War I. He opened a showroom in the fashionable Place Vendôme and business flourished until World War II, although the popularity of the ancien régime styles already started to decline. Linke died at the venerable age of 91.

Good condition with the exception of normal age wear.