519 十八世紀 白玉御製詩詠玉蘭、桂花抱月瓶
H27cm
御製詩：
御詠玉蘭 迎春樹樹綻芳? 蘭想清香玉想姿
却以詩人稱木筆 侵尋奪席笑辛夷
御詠桂 看無木本向庭栽 訝有天香撲鼻來
諦視方知爾為者 間他紫菊幾枝開
白玉質，細潤純淨，厚實堅密，色澤清淡高雅，沉蘊盎然。抱月瓶以碩大玉料為材雕 製，器分蓋與瓶。蓋面光素無紋，作四坡長方貌，中央起高束腰方形鈕，面光素無紋。 蓋及瓶口沿飾回紋一周，瓶呈扁圓形，平口，長束頸，豐肩，圓腹，下承長方形圈足。 長頸兩側各雕象首銜活環耳，頸前後面各琢楷書御製詩文一首，一面為「御詠玉蘭，迎 春樹樹綻芳?，蘭想清香玉想姿，却以詩人稱木筆，侵尋奪席笑辛夷。」；另面為「御 詠桂，看無木本向庭栽，訝有天香撲鼻來，諦視方知爾為者，間他紫菊幾枝開。」字體 娟秀，鐫刻細膩。

抱月瓶身形似滿月，故稱「抱月瓶」或「寶月瓶」，代表花好月圓，國泰民安的盛世景 象。本瓶腹前後兩面對稱圓形開光，採浮雕減地隱起技法雕琢，畫面中底緣突出石丘， 界定出地平線，一面側邊太湖石隙生長出一株娉婷玉蘭花，轉折曼妙，花開四瓣卷曲， 醇厚飽滿，脫俗清麗。其間一對綬帶鳥縈繞，憩於花枝，相互和鳴，於貴雅中增添喜悅 之景；另面坡地菊花綻放盛開，桂花由左上生長而下，花葉繁茂，疏朗雅致，一對綬帶 鳥身軀豐滿，羽毛層疊有序，紋絲不亂，停佇於枝頭，靈秀俊雅。

乾隆時期尤嗜仿古，常以玉器仿製青銅器形制。本件 抱月瓶造型充滿濃郁青銅器元素，源於戰國中期扁壺 之創新作品，其複刻原型可參閱《欽定四庫全書－西 清古鑑、卷二十二》，漢〈素匾壺一〉，然 此種器形為求外型圓滿規整，選材雕琢過程需耗費大 量玉料，不僅成本極高，工藝技術要求相對卓越。自 乾隆時期平定新疆，玉路通達以後，才得以製作如此 珍稀昂貴之形制，使其成為清代宮廷殿堂的重要陳設 器。另台北國立故宮博物院庋藏清乾隆〈玉渚岸水禽 扁壺〉，可作本件抱月瓶仿古風格比對之參 考依據。本品融合仿古與創新，其長頸御製詩〈御詠 玉蘭〉、〈御詠桂〉，瓶腹兩面刻劃玉蘭疊翠，花繁 葉茂，爭相怒放之景；桂花芳直不屈，清逸芳柔，幽 香聞十里油然而生，可謂結合詩、書、畫三位一體， 形成平面的花卉詩意構圖玉器，足以媲美絹本或紙本 山水畫作，極為稀少而珍貴。

明末清初以來，援引畫作為器物紋飾或直接請畫家為 器物造型製稿的情形，屢見不鮮，無論宮廷造辦處或 蘇、揚玉作，所選用玉器皆首重畫樣與選料功夫。台 北國立故宮博物院庋藏清〈玉松蔭插屏〉， 取清代張宗蒼〈松陰高士圖〉為樣稿，並詩錄於《清 高宗御製詩文全集（二）》，與本作同為乾隆以歷代 名家畫意並題畫詩之陳設玉器。

本品一面「御詠玉蘭」畫意取材自北京故宮博物院 庋藏清代錢維城〈花卉上冊－玉蘭〉，詩 錄於《清高宗御製詩文全集》〈玉蘭〉御製詩文 ；另面「御詠桂」畫意取材自北京故宮博 物院庋藏明代魯治〈花卉圖卷－局部（桂花）〉 ，詩錄於《清高宗御製詩文全集》〈桂〉 御製詩文。無論畫意或題詩，皆充盈濃郁 皇家氣息。此外，本件抱月瓶形制規整，線條婉轉 流暢，結合挖膛、透雕、淺浮雕等多種工藝製作， 構圖極為講究，法度嚴謹，動靜結合，頗具空間感 和清遠意韻，精緻典雅，詩畫相融，綽約獨具。
預估價：
TWD 2,800,000-3,200,000
RMB 636,400-727,300

AN EXTREMELY RARE IMPERIALLY INSCRIBED WHITE JADE 'MAGNOLIA AND OSMANTHUS' MOONFLASK
18TH CENTURY
H27cm

Yu Jen Taipei Auction
[Lot 519] Estimates: TWD 2,800,000-3,200,000

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