Lot 0074

Chiesa e Basilica di S.Paolo Apost

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6 European and Contemporary prints: 6 European and Contemporary prints- 1.) Maurice Utrillo- Street Scene- lithograph; 2.) and 3.) Giuseppe Vasi- ''Collegio de Neofiti'' and ''Monastero, e Chiesa di S.Egidio..''- engravings of Churches

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Antique Italian Hand Colored Etching Giuseppe Zocchi: Veduta della piazza, e chiesa di S. Giovannino de PP. Gesuaiti e de palazzi dei SS.ri Marchese Riccardi e Panciatichi. Measures 34.5" x 28" including frame, 27" x 20" image only. #Art #Lithographs Art

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Giuseppe Vasi - La veduta della Basilica di S. Paolo fuori delle Mura ed adiacente dal Monte Aventin: Large etching "La veduta della Basilica di S. Paolo fuori delle Mura ed adiacente dal Monte Aventino, e dal Fiume Tevere." by Giuseppe Vasi piblished in Rome, Italy. Size: 69 cm x 100 cm.

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Giuseppe VASI: Port & Landscape - Print: Giuseppe Vasi (Italian, 1710-1782) prints, "La Veduta della Basilica di Santa Maria Maggiore" and "La Veduta della Basilica di San Paolo". Provenance: From the Collection of renowned architect and des

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Louise Nevelson (Kiev 1899 - New York 1988): Presenza grafica - silver, 1975 Due incisioni all’acquaforte acquatinta e collage di carte argentate, ess. 5/90 e 70/90 (dalla tiratura complessiva di 90 ess. e XV ess. P.A.), ciascun foglio cm 70 x

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da REMBRANDT. Self-portrait with plumed hood.: Da REMBRANDT. Self-portrait with plumed hood. 1634.Acquaforte e puntasecca di 130x102 mm. in ovale. In basso a dx: Rembrandt f. 1634. Incollata su cartoncino agli angoli. Bell’esemplare.Tiratura

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LORRAIN. The rising sun.: Claude LORRAIN1600-1682The rising sun.1634Acquaforte e puntasecca di 130x195 mm. In basso a dx, sul filomargine, una firma: Claudius inv. et F. Roma sub licentia. Incollata su cartoncino agli angoli.

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Roberto Matta, For Gog Magog I, 1971: Litografia a colori; Dimensioni foglio 51,5 x 65 cm; Firmata in basso a destra a matita dall'Artista; E.A.; Certificato di autenticitÃ . Color lithograph; Paper sizes 51,5 x 65 cm ; Signed lower rig

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Alberto Magnelli, Litografia a colori: Litografia a colori; Dimensioni foglio 65,5 x 46 cm; Dimensioni immagine 47 x 40,5 cm; Firmata in basso a destra a matita dall'Artista; E.A.; Certificato di autentcitÃ . Colors lithograph; Paper siz

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Max Bill - Geometric Composition: Max Bill "Geometric Composition". Beautiful hand signed chromolithograph by the german master Max Bill. Size: 40x50 CM. Certificate of Authenticity by Biennale Internazionale di Arte e Cultura, Rome.

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Giuseppe Capogrossi (Roma 1900 - 1972): Senza titolo, 1971 litografia a colori, es. 8/10 E.A. (dalla tiratura di 90 ess. in numeri arabi e X in numeri romani), cm 62 x 44,5 (cm 82 x 64,5 misure del foglio) Firma a matita in basso a destra I

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George Segal (New York 1924 - New Brunswick 2000): Blue Jeans: Man in red shirt, 1975 Due incisioni all’acquaforte acquatinta, ess. 6/51 e 40/51 (dalla tiratura complessiva di 51 ess. e XIV ess. P.A.), ciascuno cm 62,8 x 55,8 (cm 99 x 70,5 misure de

2015George Segal (New York 1924 - New Brunswick 2000)See Sold Price

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Alexander Liberman (Kiev 1912 - Miami 1999): Isola 2, 1978 Due incisioni all’acquaforte acquatinta e rilievo, ess. 15/44 e 17/44 (dalla tiratura complessiva di 44 ess. e VI ess. P.A.), ciascuna cm 65 x 48,5 (cm 71 x 99,5 misure del foglio), (s

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Album Shunga. Rotolo shunga giapponese.: Album Shunga. Rotolo shunga giapponese.Fine XIX secoloMm. 2500 x 2600 aperto, composto di 8 tavole a colori su carta â€“ tessuto, allâ€™estremitÃ fascia di seta con ideogrammi e motivi fl

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REMBRANDT. Clement de Jonghe, prints merchant.: REMBRANDT, Harmenszoon van Rijn. Clement de Jonghe, mercante di stampe.1606 - 1669Acquaforte, puntasecca e bulino. Mis. mm 207 x 161. Piccolo margine. Stato: VI. Firmata e datata: Rembrandt f. 1651. F

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REMONDINI. Vanitas Vanitatum et Omnia Vanitas.: Vanitas Vanitatum et Omnia Vanitas.Bassano, Remondini, XVIII secolo Incisione al bulino. Foglio mm. 330x230. Margini. Sotto l’immagine versi in italiano e titolo in latino. Buono stato di conser

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Item Details

Description

Domenico PRONTI (act.c.1790) 2 original 18th century engravings on the same sheet. "Chiesa e Basilica di S.Paolo Apost." and "Chiesa e Basilica di s. Groce in Gerusalemme" copper engraving published in Nuova Raccolta ... Della Citta di Roma e Sue Vicinanze by Domenico Pronti, about 1790. Plate mark and good margins. Each approx. 3 x 4.5".