Abram Tromka,

Abram Tromka (American/Russian, 1896-1954) "Village Scene at Night" oil on board signed lower left, verso with a portrait sketch of a man. Period frame. 15-1/2" x 18", framed 23-1/2" x 26" Provenance:

Oil on paper. Signed lower right. Abram Tromka, Polish (1896-1954). Approx. 18" H x 24" W sight, 25" H x 31" W framed. (4194)

Oil on board. "Pretzel Vendor". Signed upper left. Titled verso. From a New York, NY collection. - Dimensions: 12" high x 9.75" wide

Oil on board. "Fat Boy". Signed upper left. Titled verso. From a New York, NY collection. - Dimensions: 11.5" high x 6.5" wide

Oil on masonite, signed lower left. Women selling pretzels in NYC. Abram Tromka (1896-1954) was a Polish-born American Jewish painter, etcher and serigrapher. He also worked under the name Abraham Phi

Abram Tromka Polish (1896-1954) Watercolor / Gouache Rural Scene Houses on a Hill by road with some figures. Approx. 19-1/2 H x 24-1/2 W sight, overall framed size 27-1/2 x 33 inches

Depicting a seated man wearing a hat, signed at the upper left corner. Dimensions: 21" x 16", the frame 30" x 25". Provenance: From a local estate.

Painting Judaica Oil on Canvas By Abram Tromka ( Polish/ Russian American 1896-1954 ) " Two Men Praying" Signed Upper Center. Appears to be in Original Frame, With Label from Marbella Gallery NY. Cond

Abram Tromka New York / Poland / Russian Federation (1896 - 1954) two old men paint on glass Signed upper right, and signed verso. Biography from the Archives of askART: The following, submitted Octob

Abram Tromka (1896-1954) Street Scene with Dreellicts- lithograph, ca. 1936, signed in pencil, edition of about 25 done for the NYC-WPA, light struck, foxing in margins. 11 x 14''

Abram Tromka (American 1896-1954)- Hobos Sleeping on Sidewalk- lithograph, ca. 1935-40, signed in pencil. 11 1/8 x 13 7/8''

Pastel. Signed lower right. Abram Tromka, Polish (1896-1954). Approx. 17" H x 23" W unframed, 24" H x 30" W framed. (4194)

Signed, bottom center. Abram Tromka (born Poland/active in America, 1896-1954). From a Larchmont, NY storage. - Dimensions: Sight: 16.25" high x 23" wide

Monhegan." Signed lower right, further signed and inscribed verso. Alfred Khouri Memorial Collection label affixed verso. Abram Tromka (Polish-American, 1896-1954). From an East 3rd St, NYC estate. Di

Wosera, New Guinea lintel, complete and intact. Wosera people, Middle Sepik Region. Decorated in polychrome red, yellow, white and black traditional paints. Line of eleven clan ancestor depictions in

A Pueblo Dance Panel of minimalistic design, circa 1900-1920. The use of the Indigo stripe on either side is unusual in a piece dating to this period. Excellent condition. Warp count 9, weft count 40.

Borneo. Hand forged iron. This dates to a period of active headhunting amongst the Kayan-Dayak peoples who had a collective belief in Animism. Taking heads was a means of revenge, and also a way of se

A set of three rare, museum quality copper "snake" currencies of spiral form from the Congo. These were associated with tribes of the Lake Leopold II Region, including the Mongo/Ngongo/and Lyembe peop

Crow parfleche case with crosses - Ex. Jay Gates, Washington, D.C. Ex. John Molloy, N.Y.C. Circa 1890.26 in. x 12 in. / 66.04 cm. x 30.48 cm.

A large granary door from Nagaland, NE India encompassing classic iconography of headhunter culture. Two carved taken heads, large, spreading mithun horns, 34 hornbills, and two dao holder representat

A Naga NE India crown of brass with spiral headhunting symbols, and trade beads. This would have been worn by a chief or warrior who had taken heads. 6 in. x 6.5 in. x 3 in. / 15.24 cm. x 16.51 cm. x

An interesting piece of folk art which parallels and anticipates abstract expressionism and many other contemporary art movements. This panel is from the home of a African-American Missouri woman, who

48 gambling sticks with "tattooed" engravings. Leather bag. 18th-19th Century. See another example Museum Natural History, NYC, Catalog No: 16.1 / 804 Field No: 63, those identified as Kitikshan, Uppe

An old Degha/Gurunsi Heddle Pulley from Burkina Faso depicting a bold, powerful female. These pulleys were used to run thread from the top to bottom of looms, and to provide distraction and inspiratio