Barbier (George).- Choderlos de Laclos

Barbier (George).- Miomandre (Francis de) Dessins sur les Danses de Vaslac Nijinsky, number 197 of 390 copies, 12 pochoir plates by George Barbier, black & white illustrations, broken and loose in ori

Laclos (Choderlos de) Dangerous Acquaintances, illustrated by Chas Laborde, London: Nonesuch Press 1940, full grained morocco gilt by Bayntun (Riviere). Bears ex libris of Charlotte and Eugene O'Neill

"Lac De Come" (Lake Como), fur coats by Max-A. Leroy, color stencil (pochoir) by George Barbier. Art Nouveau. From the "Gazette du Bon Ton" (Paris, 1924) no.10, plate 54. The Marian Angell Boyer and F

Paul Iribe (1883-1935), design of a fan for Paquin, color lithograph from: ''L'éventail et la fourrure chez Paquin. Dessins de Paul Iribe, George Barbier, Georges Lepape'', faint light margin, sh

Paul Iribe (1883-1935), hand-colored color lithograph from: ''L'éventail et la fourrure chez Paquin. Dessins de Paul Iribe, George Barbier, Georges Lepape'', somewhat stained in the margin, sheet

4 Pages of offset lithographs on wove paper. ++ 2 pages from Journal de la Decoration After Georges Barbier. 9 7/8" x 13 3/4". ++ After Mario Stroppa. Copertina. Modelli D'Arte Decorativa 1,7o. Alfier

Barbier (George).- Verlaine (Paul) Fêtes Galantes, one of 800 copies on velin de Rives from an edition limited to 1200, pochoir decorative title and 20 plates by George Barbier, endpapers lightly t

BARBIER, George (1882-1932) - GAUTIER, Theophile (1811-1872) - Le Roman de la Momie. Paris: Mornay, [1929]. Copy n. 599 from an edition of 1,000. 4to (200 x 150mm). Color pochoir frontispiece, head- a

Visez au coeur, belles dames!; Les Belles Sauvagesses de 1920, from the album Le Bonheur du jour or Les Graces à la Mode, 1924 Two etchings with pochoir on

Georges BARBIER (1882-1932)_x000D_ Elegante et majordome / Couple déguisé_x000D_ Ensemble de deux pochoirs sur papier. Signé et daté 1916 pour l'un _x000D_ 25,5 x 22 cm

"Le Trovatore" ("The Troubadour") polished bronze sculpture, signed and numbered 6/8, after Giorgio de Chirico (1888-1978). [12 1/2" H x 4" W x 3" D]. In good condition.

DESCRIPTION: Art Nouveau porcelain vase by Georges de Feure featuring a floral pattern around its celadon tone glazed body. Hallmarked on underside. CIRCA: Early 20th Century ORIGIN: France DIMENSIONS

GEORGE DE POGEDAIEFF (FRENCH / RUSSIAN, 1897-1971) LANDSCAPE PAINTING, oil on board, bold colors, depicting a village scene, signed and dated "59" in the lower left corner, retains original artist lab

BARBIER, GEORGE. 1882-1932. VERLAINE, PAUL. Fetes Galantes. Paris: H. Piazza, 1928. 4to (300 x 223 mm). 20 hors texte pochoir colored plates, pochoir vignettes to both covers and title page. Later re

GEORGE DE FOREST BRUSH Portrait Study of Nina Gaither. Red chalk on peach-tone paper, 1911. 493x335 mm; 19½x13 inches. Signed in red chalk, center right recto. With a figural study, verso.Exhibit

Fêtes Galantes

"Hammurabi" Oil on canvas Signed upper left: G De Groat; signed again and titled, verso 48" H x 36" W

(Maine 1929-1999), ink stipple drawing on paper, signed “De Lyra” upper right and signed and titled on reverse, framed, 16 x 19 inches.

LEE, HENRY, III ("Lighthorse Harry") Autograph letter to Colonel George De Neale in Alexandria, signed with initials. Baltimore, Md.: 31 January, 1812. Single page on a folded sheet the address panel

Three graphite sketches by George De Forest Brush, studies for "Indian and Swan", 8" x 11" and 9.5" x 5.5", with sketch of mother and daughter, 12" x 9", Robert Raley Estate

George de Forest Brush (American, 1855-1941) Portrait of a Woman pastel and graphite on paper signed Geo. de Forest Brush (lower right) 11 1/2 x 8 1/4 inches. Property from the Collection of William C

George de Forest Brush (1855-1941) antique hand-tinted print entitled "Aztec Potter). Original painting of this image painted in 1889. Original hand-carved and painted frame c1910. Excellent condition

His Baby Graphite Drawing 7" x 5 - 1/2". Signed and dated 1907 lower right

George De Groat (1917-1995) Chromatic Expressionism Painting Titled "Two Figures With Mandolin." 50.5 x 38.5in, sight 48 x 36in.