James E. Allen lithograph

James E. Allen (American 1894-1964)- ''Pipe Layers'' (Ryan 29)- lithograph, 1937, signed and annotated 'Ed 50' in pencil, part of a series of 12 images commissioned by U.S. Foundry Company in 1937, ve

James E. Allen (American 1894-1964)- ''Oil Refinery II'' (Ryan 25)- lithograph, edition of 15. 15 1/2 x 9''

James E. Allen (American 1894-1964)- ''Oil Refinery I.'' (Ryan 24)- lithograph, signed and annotated 'ed. 40', light straining upper left margin edge, well away from image. 14 5/8 x 9 3/8''

James E. Allen (American 1894-1964)- ''Kill Creek'' (Ryan 16)- lithograph, 1937, signed and annotated 'Ed. 25' in pencil. 11 7/8 x 9'' Exhibited: ''Working America'', Metropolitan Museum, 1983.

James E. Allen (American 1894-1964)- ''Statue of Liberty'' (Ryan 30)- lithograph, ca. 1941, paper light struck. 11 1/2 x 13 1/4''

Two (2) Works Progress Administration-era regionalist prints. 1st item: James Edmund Allen (American/New York/Louisiana, 1894-1964) lithograph on paper titled "Heavy Plowing" depicting two horses and

Lithograph Each pencil signed lower right, unframed overall: 16-1/2 x 13 in. (largest sheet) Provenance: The Estate of Vincent Fulgenzi, Bronxville, NY

James E. Allen (1894-1964) was an important American printmaker famous for his etchings and lithographs that documented the American worker and the American industry of the 1930s. Title: Teeming Ingot

James E. Allen (American 1894-1964)- ''Teeming Ingots'' (Ryan 88)- etching, 1935, signed in pencil, published in an edition of 100 by Society of American Etchers. 11 7/8 x 9 7/8''

James Allen (American 1894-1964)- ''Bell Pipe'' (Ryan 4)- lithograph, ca. 1940, signed and annotated 'Ed.50' in pencil, very good condition. 18 3/4 x 13 3/4'' Provenance: Estate of Bernard Rosenshein,

James Allen (American 1894-1964)- ''The Trench'' (Ryan 43)- lithograph, signed and annotated 'Ed/20' in pencil. 15 1/8 x 10 1/4'' Provenance: Estate of Bernard Rosenshein, West Chester, NY.

James Allen (American 1894-1964)- ''Brazilian Builders'' (Ryan 62)- etching, 1933, signed in pencil, good condition. 16 3/4 x 8 1/2''

James E. Allen (American, 1894-1964) lithographic etching titled, "The Breakers," dated 1937 and numbered "ED 90". Shows men in a rowboat sailing on rough seas. Pencil signed and dated bottom right, n

James E. Allen (American, 1894-1964), Woman Resting on a Bed Faced Down, etching, pencil signed lower right, image: 3"h x 5.25"w, overall (framed): 9.25"h x 12.25"w

~

James E. Allen. ''James E. Allen.'' Introduction by David W. Kiehl. Mary Ryan Gallery, 1984, New York, NY. Paperback.

Depression era prints & charcoal, industrial, includes print, oil rigs, signed James E. Allen, 10.5" by 6.75" (art only), this print in loose, not framed; "The Forgotten Men", by Morton D. Levine, 6"

James E. Allen (American, 1894-1964). Etching on paper titled "Teaming Ingots" depicting a pair of metalworkers standing before a bright furnace. Signed in pencil along the lower right. Alte

(American 1894-1964), "Caribou", 1944, pencil signed l.r. and identified on label on reverse, image 10 inches x 13.5 inches, framed 18.5 inches x 21.5 inches

Asawa Booth Bay. Signed lower right. From a Bronx NY estate. Dimensions: 11.75" h x 9.75" w. Fr: 22.75" h x 19.75" w.

attributed to JOSEPH HORACE EATON (American 1815-1896) PASTEL ON PAPER, "The Nightingale of Boston," likely inspired by the original hand colored lithograph after James E. Buttersworth, Charles Parson

Profile pencil drawing of Theodore Dreiser signed by both Dreiser and the artist, James E. Kelly, in 1923 (15" x 12"); Lithograph of Masefield, famous English poet, signed (14" x 11"); Portrait of Edw

TITLE: 1889, CUSTER'S LAST FIGHT_CYCLORAMA_SCENE#1 ARTIST/SOURCE: ALLEN & ROWELL PHOTOGRAPHERS, AFTER E. PIERPONT MEDIUM: PUBLISHED CONTEMPORARY PHOTO-LITHOGRAPH; AFTER ALLEN & ROWELL PHOTOGRAPHS OF E

TITLE: 1889, CUSTERS LAST FIGHT_CYCLORAMA_SCENE#2 ARTIST/SOURCE: ALLEN & ROWELL PHOTOGRAPHERS, AFTER E. PIERPONT MEDIUM: PUBLISHED CONTEMPORARY PHOTO-LITHOGRAPH; AFTER ALLEN & ROWELL PHOTOGRAPHS OF E.