Print, John Beech

John Beech (British, b. 1964), "Car Mat Print," 1997, halftone print, pencil signed and dated lower right, titled lower center, edition 30/30, sheet (unframed): 22"h x 22"w

Copper Plate Published 1812, London & York for "Silva: Or, A Discourse of Forest-Trees..." by John Evelyn. Drawn & Engraved by John Miller. Paper Size: 11.5 x 9 inch (29 x 23cm) Minor toning, otherwis

Copper Plate Published 1786, London & York for "Silva: Or, A Discourse of Forest-Trees..." by John Evelyn. Drawn & Engraved by John Miller. Paper Size: 12 x 9 inch (30 x 23cm) Small background tone sp

Mulbery & Beech. Copper Plates Published 1786, London & York for "Silva: Or, A Discourse of Forest-Trees..." by John Evelyn. Drawn & Engraved by John Miller. Paper Size: 11 x 9 inch (28 x 23cm) Good C

John Sloan (American, 1871-1951), "Indian Detour," etching, pencil signed lower right, titled lower center, edition of 100, image: 6"h x 7.25"w, overall (with mat): 13"h x 13.5"w

John Cage (American 1912-1992) ""Smoke Weather Stone Weather "" 1991 37 unique color prints: spit bite and sugarlift aquatints with softground etching on smoked paper pencil signed and dated lower rig

John Baldessari (American, b. 1931), Person with Conscience (Green) Animals Quiescent, 1991, photogravure and aquatint in colors, on irregularly shaped Somerset (as issued) paper, pencil signed and da

John Melville Kelly (American, 1879-1963), “Bread Fruit- Hawaii,” etching, pencil signed lower right, titled lower left, image: 11"h x 10"w, sheet: 14"h x 11.5"w

John Melville Kelly (American, 1879-1962), "Bread Fruit, Hawaii," etching with aquatint, pencil signed lower right, titled lower left, image: 10.75"h x 9.75"w, overall (with frame): 21"h x 18"w.

John Andreas Savio (Norwegian, 1902-1938), "Ro," woodcut, pencil signed lower right, titled lower left, image: 8"h x 10"w, sheet: 8.75"h x 11"w, mat: 10.5"h x 12.75"w

John French Sloan (American, 1871-1951), "14th Street, The Wigwam," 1928, etching, pencil signed lower right, edition 100/100, overall (with frame): 22"h x 18.5"w

John Marin (American, 1870-1953), "Ponte Paradiso, Venice," 1907, etching, pencil signed lower right, plate signed and dated lower left, titled lower right, edition 2/30, image: 7"h x 5"w, sight: 7.5"

John Beech (British/American, b. 1964), Untitled, 2001, monotype, pencil signed and dated lower center, sight: 28.5"h x 20.75"w, overall (with frame): 36.75"h x 29.25"w

John Beech Coated drawing (Silver/Basel with Hoses) 2004-2005black and white photograph, enamel, lacquer 16 h × 20 w in (41 × 51 cm) Dated to lower right edge '12. 2004'. Signed and dated to

John Martin (British, 1789-1854), "Satan in Council," circa 1824, mezzotint and engraving, image: 18.5"h x 27.5"w, overall (with frame): 25.5"h x 32.5w. Reference: Campbell-Wees, 87

John Melville Kelly (American, 1879-1963), “Mokihana- Hawaii,” etching, pencil signed lower right, titled lower left, image: 8"h x 10"w, sheet (unframed): 9.75"h x 12.5"w

Massachusetts Hall, Unitarian Church, Harvard College, 1859. Photograph is attributed unequivocally to Whipple, but is unsigned as is typical of Whipple's Harvard salt prints. Look online for 'Salt Pr

John James Audubon (American, 1785-1851), "Canis (Vulpes) Fulvus, American Cross Fox," 1843, lithograph with hand coloring, printed by John T. Bowen, sight: 17.75"h x 23.5"w, overall (with frame): 32.

John Beech (British/American, b. 1964), "Rotating Painting #48," 2001, mixed media, signed, titled and dated verso, overall (unframed): 8"h x 8"w x 2.75"d.

John McCrady (American, 1911-1968), "The Robert E. Lee and the Natchez," 1945, lithograph, pencil signed lower right, titled lower left, image: 9.75"h x 14.5"w, overall (with mat): 14"h x 18"w

John Coburn (Australian, 1925-2006), "Walbiri," 1984, screenprint, pencil signed lower right, titled lower center, edition 69/70, image: 28"h x 19"w, sheet (unframed): 30"h x 22.5"w

John Piper (British, 1903-1992), "Eye and Camera: Red and Black," screenprint, pencil signed lower right, titled verso, edition 47/77, sheet (unframed): 22.75"h x 31"w. Provenance: Triton Museum (Sant

John Piper (British, 1903-1992), "Eye and Camera: Blue to Yellow," screenprint, titled verso, edition 66/77, sheet (unframed): 22. 75"h x 30.5"w. Provenance: Triton Museum (Santa Clara, CA)

John Piper (British, 1903-1992), "Eye and Camera: Yellow and Green," screenprint, titled verso, edition 34/77, sheet (unframed): 22.75"h x 30.5"w. Provenance: Triton Museum (Santa Clara, CA)