Robert Rauschenberg (1925-2008); Tibetan Locks (Avenue);

Description

Robert Rauschenberg (1925-2008) Tibetan Locks (Avenue) (Gemini 1309), 1987 Multiple sculpture with photo-screenprint with hand-painting in colors on steel, with printed signature, dated 1986 and numbered 9/21 (there were also eight artist's proofs), with the printed stamp of the publisher, Gemini G.E.L., Los Angeles, the full sheet. overall 72 x 18 x 1 1/2 in. (182.9 x 45.7 x 3.8 cm) For further information on this lot please visit Bonhams.com For further information about this lot please visit the lot listing

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Robert Rauschenberg (1925-2008); Tibetan Locks (Avenue);

Lot 0101

Estimate $2,500-$4,500

Jun 18, 2026, 1:16 PM EDT

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Prints & Photographs Online

Jun 08, 2026 12:00 PM EDT

Marlborough, MA, United States

Reginald Marsh (1898-1954); Wooden Horses;: Reginald Marsh (1898-1954) Wooden Horses (Sasowsky 171), 1936 Etching and engraving on wove paper, signed in pencil and annotated 'forty proofs', with full margins, framed. 8 x 13 1/4in (20.2 x

Reginald Marsh (1898-1954); Wooden Horses;

Rembrandt Harmensz van Rijn (1606-1669); The Raising of Lazarus: The Larger Plate;: Rembrandt Harmensz van Rijn (1606-1669) The Raising of Lazarus: The Larger Plate (Bartsch, Hollstein 73), c. 1632 Etching and engraving on wove paper, Bartsch's tenth state (of ten), with thin

Rembrandt Harmensz van Rijn (1606-1669); The Raising of Lazarus: The Larger Plate;

Rembrandt Harmensz van Rijn (1606-1669); The Bathers;: Rembrandt Harmensz van Rijn (1606-1669) The Bathers (Bartsch, Hollstein 195), 1651 Etching on laid paper, Bartsch's second state (of two), with thread margins, framed. plate 4 1/4 x 5 3/8 in. (10.8 x

Rembrandt Harmensz van Rijn (1606-1669); The Bathers;

Rembrandt Harmensz van Rijn (1606-1669); The Flight into Egypt: Crossing a Brook;: Rembrandt Harmensz van Rijn (1606-1669) The Flight into Egypt: Crossing a Brook (Bartsch, Hollstein 55), 1654 Etching on laid paper, Bartsch's only state, with thin margins, framed. plate 3 3/4 x 5

Rembrandt Harmensz van Rijn (1606-1669); The Flight into Egypt: Crossing a Brook;

Rembrandt Harmensz van Rijn (1606-1669); The Circumcision in the Stable;: Rembrandt Harmensz van Rijn (1606-1669) The Circumcision in the Stable (New Hollstein 280), 1654 Etching on wove paper, New Hollstein's fourth state (of 5), with 2 previously unshaded white areas

Rembrandt Harmensz van Rijn (1606-1669); The Circumcision in the Stable;

Rembrandt Harmensz van Rijn (1606-1669); Adoration of the Shepherds; The Holy Family;: Rembrandt Harmensz van Rijn (1606-1669) Adoration of the Shepherds; The Holy Family (Bartsch, Hollstein 45; Bartsch, Hollstein 62), c. 1654; c. 1632 Two etching on wove paper and thin-wove paper,

Rembrandt Harmensz van Rijn (1606-1669); Adoration of the Shepherds; The Holy Family;

Pierre-Auguste Renoir (1841-1919); Le Fleuve Scamandre, 2e planche;: Pierre-Auguste Renoir (1841-1919) Le Fleuve Scamandre, 2e planche (Delteil/Stella 25), c. 1900 Etching on laid paper, Stella's first state (of two) before the reduction of the plate, from the edition

Pierre-Auguste Renoir (1841-1919); Le Fleuve Scamandre, 2e planche;

Susan Rothenberg (1945-2020); Untitled (May #2);: Susan Rothenberg (1945-2020) Untitled (May #2), 1979 Etching on Fabriano etching paper, signed in pencil, annotated 'AP XII/XII' and dated, published by Parasol Press Ltd., New York, with the

Susan Rothenberg (1945-2020); Untitled (May #2);

Paula Scher (born 1948); Paris;: Paula Scher (born 1948) Paris, 2012 Screenprint in colors on wove paper, signed in pencil, titled, dated and numbered 36/60, published by Pentagram Press, New York, with full margins. 33 1/4 x 35in

Paula Scher (born 1948); Paris;

Takashi Murakami (born 1962); Yonaguni;: Takashi Murakami (born 1962) Yonaguni, 2022 Screenprint and pigment print in colors on wove paper, signed in pencil, dated and numbered 56/100, published by Kaikai Kiki Co., Ltd., Tokyo, the full

Takashi Murakami (born 1962); Yonaguni;

Takashi Murakami (born 1962) & mebae (born 1979); Smile_02;: Takashi Murakami (born 1962) & mebae (born 1979) Smile_02, 2022 Pigment print and screenprint in colors on wove paper, signed in pencil by the artists, dated and numbered 91/100, published by Kaikai

Takashi Murakami (born 1962) & mebae (born 1979); Smile_02;

Takashi Murakami (born 1962) & Hisashi Eguchi (born 1956); Famicom;: Takashi Murakami (born 1962) & Hisashi Eguchi (born 1956) Famicom, 2025 Screenprint and pigment print in colors on wove paper, signed in pencil by the artists and numbered 59/100, with the blindstamp

Takashi Murakami (born 1962) & Hisashi Eguchi (born 1956); Famicom;

Bruce Nauman (born 1941); Doe Fawn;: Bruce Nauman (born 1941) Doe Fawn (Cirrus p.319), 1973 Lithograph in colors on wove paper, signed in pencil, dated and numbered 25/50 (there were also 10 artist's proofs), with the blindstamp of the

Bruce Nauman (born 1941); Doe Fawn;

Ben Nicholson (1894-1982); Large Jug, Small Mug, alternatively titled Rafael;: Ben Nicholson (1894-1982) Large Jug, Small Mug, alternatively titled Rafael (Lafranca 44), 1967 Etching on wove paper, signed and dated in pencil, numbered 5/100, published by Marlborough Fine Art,

Ben Nicholson (1894-1982); Large Jug, Small Mug, alternatively titled Rafael;

Adriaen van Ostade (1610-1685); Man and Woman Talking; The Woman Spinning; (2): Adriaen van Ostade (1610-1685) Man and Woman Talking; The Woman Spinning (Bartsch, Duthuit, Godefroy, Hollstein 37; 31), c. 1650; 1652 Two etchings on laid paper, Hollstein's fourth state (of 5) and

Adriaen van Ostade (1610-1685); Man and Woman Talking; The Woman Spinning; (2)

Joseph Pennell (1857-1926); The Woolworth Building;: Joseph Pennell (1857-1926) The Woolworth Building (Wuerth 675), 1915 Etching on laid paper, signed in pencil, from the edition of approximately 100, with margins, framed. plate 11 7/8 x 7 7/16 in.

Joseph Pennell (1857-1926); The Woolworth Building;

Pablo Picasso (1881-1973); L'Étreinte;: Pablo Picasso (1881-1973) L'Étreinte (Bloch 1115, Baer 1108), 1963 Aquatint and drypoint on Rives BFK paper, signed in pencil and numbered 9/50 (there were also 15 artist's proofs), published in

Pablo Picasso (1881-1973); L'Étreinte;

Pablo Picasso (1881-1973); Peintre néo-classique dans son atelier (Dans l'atelier);: Pablo Picasso (1881-1973) Peintre néo-classique dans son atelier (Dans l'atelier) (Bloch 1137, Baer 1134), 1963 Etching on wove paper, signed in pencil and numbered 9/50 (there were also 15

Pablo Picasso (1881-1973); Peintre néo-classique dans son atelier (Dans l'atelier);

Pablo Picasso (1881-1973); Peintre debout et modèle;: Pablo Picasso (1881-1973) Peintre debout et modèle (Bloch 1158, Baer 1146), 1964 Etching with aquatint on Richard de Bas paper, Baer's second (final) state, signed in pencil and numbered 44/50

Pablo Picasso (1881-1973); Peintre debout et modèle;

John Piper (1903-1992); Fountains Abbey, Yorkshire;: John Piper (1903-1992) Fountains Abbey, Yorkshire (Levinson 351), 1983 Screenprint in colors on wove paper, signed in pencil and numbered 120/150, with the blindstamps of the co-publishers Christie's

John Piper (1903-1992); Fountains Abbey, Yorkshire;

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