Year: 2006
Size: 120.2 x 121 cm (47.3 x 47.6 inches)
Frame Size: 129.5 x 130 cm (50.9 x 51 inches)

Signed and Dated by the artist
Signed in Devanagari and Dated '06' (upper right); signed in Devanagari, inscribed and dated '7/PRAMOD GANAPATYE' (on the reverse)

ACCOMPANIED WITH A CERTIFICATE OF AUTHENTICITY SIGNED BY THE ARTIST

This striking painting by Pramod Ganpatye distils the figure into a serene, iconic presence, drawing on the visual language of modern Indian classicism. The seated woman rendered in a monumental, frontal poserecalls the hieratic stillness of sculpture and the meditative gravitas associated with early Santiniketan figurative idioms. Her simplified anatomy, outlined in deliberate, calligraphic contours, evokes the linear discipline of kalighat pat while the flattened chromatic fields align the work with post-Independence modernist aesthetics.

The luminous ochre ground creates a sanctified aura, functioning almost like a haloed backdrop that elevates the figure into a timeless archetype. The draped garment, articulated through soft modulation and floral motifs, introduces a gentle decorative rhythm reminiscent of indigenous textile traditions. The artist's restrained palette dominated by slate greys and muted creams amplifies the contemplative mood, allowing the expressive weight to rest on posture, contour, and spatial quietude.

Overall, this work embodies Ganpatye's ability to fuse bhava (emotive essence) with modernist reduction, producing a visual idiom that is both rooted in Indian pictorial heritage and attuned to mid-20th-century stylistic refinement.

Artist once said in his interview that "the female figure is quite beautiful. But I do not take them merely as a form. I also give importance to their entire expression, the rhythm of their clothes. I see a woman as a woman, not as a goddess."

Good Condition