Title: Edward Hopper and Dike Blair, Gloucester, 2022
Artist: Edward Hopper and Dike Blair
Year: 2022
Medium Type: Poster on Paper
Frame: Unframed

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Edward Hopper
American, 1882–1967

Edward Hopper defined 20th-century realism with austere, eerie scenes that convey the isolation of modern life. He infused his paintings of spare architecture, desolate interiors, coastal views, and cityscapes with an appreciation of light and shade that contributes to a significant sense of alienation. In Hopper’s most famous painting, Nighthawks (1942), three customers sit at the counter of a well-lit diner while the streets outside remain dark and empty. After the artist received his first solo exhibition in 1920 at the recently opened Whitney Studio Club (a precursor to the Whitney Museum of American Art), he gained commercial and curatorial renown. In 1952, Hopper represented the United States at the Venice Biennale. His work has been acquired by such institutions as the Art Institute of Chicago, the Metropolitan Museum of Art, the Carnegie Museum of Art, and the Museum of Modern Art; on the secondary market, Hopper’s paintings have sold for multimillion-dollar prices.
Dike Blair
American, b. 1952

New York–based artist Dike Blair explores the relationship between sculpture and painting, solidity and light, in mixed-media installations. His gouache still lifes and landscapes on paper are photorealist (painted from his own snapshots) and show objects such as Coke cans, VHS tapes, sci-fi paperbacks, eyes, and botanical forms. These more traditional, personal works are contrasted against sculpture that tends toward post-minimal formality and incorporates industrial elements like carpeting, lamps, and power cords. In recent hybrid sculptures, Blair enclosed framed gouache paintings and other objects within painted shipping crates, which could be unpacked to generate larger, transient works.

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