Title: Galeria Joan Prats
Technique: Offset lithograph on Fine art paper
size: 76 x 56 cm. (29,9 x 22,05 inch)
Framed: Not framed
More Information
Very nice Affiche of CHRISTO, really a collector's item.
Christo Vladimirov Javacheff (1935–2020) and Jeanne-Claude Denat de Guillebon (1935–2009), known as Christo and Jeanne-Claude, were artists noted for their large-scale, site-specific environmental installations, often large landmarks and landscape elements wrapped in fabric, including the Wrapped Reichstag, The Pont Neuf Wrapped, Running Fence in California, and The Gates in New York City's Central Park.
Born on the same day in Bulgaria and Morocco, respectively, the pair met and married in Paris in the late 1950s. Originally working under Christo's name, they later credited their installations to both "Christo and Jeanne-Claude". Until his own death in 2020, Christo continued to plan and execute projects after Jeanne-Claude's death in 2009.
Their work was typically large, visually impressive, and controversial, often taking years and sometimes decades of careful preparation – including technical solutions, political negotiation, permitting and environmental approval, hearings and public persuasion. The pair refused grants, scholarships, donations or public money, instead financing the work via the sale of their own artwork.
Christo and Jeanne-Claude described the myriad elements that brought the projects to fruition as integral to the artwork itself, and said their projects contained no deeper meaning than their immediate aesthetic impact; their purpose being simply for joy, beauty, and new ways of seeing the familiar.
About the artist
Christo Vladimirov Javacheff (1935–2020), born in Gabrovo, Bulgaria, and Jeanne-Claude Denat de Guillebon (1935–2009), born in Casablanca, Morocco, were artists best known for their monumental, temporary interventions in the landscape and urban environment. Working as an inseparable collaborative duo from the early 1960s, they created large-scale, site-specific installations that transformed iconic landmarks and natural sites by enveloping them in fabric, challenging conventional perceptions of public space and the relationship between art, architecture, and nature.
Their artistic practice was characterized by meticulous planning, often requiring years of negotiation, engineering, and community engagement before realization. Using vast quantities of woven synthetic fabric, steel cables, and anchoring systems, they temporarily wrapped buildings, bridges, and coastlines, creating ephemeral works that existed for only weeks before being dismantled. Projects such as Wrapped Reichstag in Berlin, The Pont Neuf Wrapped in Paris, Running Fence across the California hills, and The Gates in New York City's Central Park exemplified their commitment to creating accessible, free public art experiences. The duo financed their ambitious projects independently through the sale of preparatory drawings, collages, and scale models, maintaining complete artistic freedom.
Christo and Jeanne-Claude's work occupies a significant place within Land Art and conceptual art movements, redefining the boundaries of sculpture and installation. Their insistence on the temporary nature of their interventions underscored themes of impermanence and transformation, while the extensive bureaucratic and collaborative processes became integral to the artwork itself. Their demonstration that art can activate public consciousness, foster collective experience, and reimagine the built and natural environment on an unprecedented scale remains influential.
sku: CHRIST816























