Early Bengal School (20th Century) The Lover signed or titled 'Devi' lower left watercolour and ink on paper, framed 17.5 x 21.7cm (6 7/8 x 8 9/16in). Footnotes: Provenance Property from a private collection, UK. Acquired in India in the 1940s; Thence by descent. Note: There is a John Mathieson & Co label on the reverse. The title 'The Lover' by K. Roy Choudhury has been added in ink, which appears to be a later addition, which is why the title appears to be 'Devi' as inscribed on the front of the painting. The Lover presents a poignant meditation on loss and longing. A lone woman sits beside a grave, her body turned away from the viewer, her posture and forlorn expression conveying a quiet, intimate sorrow. The grave itself is softened by overgrown foliage, and the composition seems to float in an almost ethereal space, suggesting a realm between the earthly and the celestial. Dominated by greens and whites, the canvas evokes serenity tinged with melancholy, while the subtle red of small flowers punctuates the scene with tender, almost hesitant life. The painting is a delicate balance of grief and transcendence, capturing the emotional depth and lyrical sensibility characteristic of the Early Bengal School of art. The Early Bengal School of Art, emerging in the early 20th century, is known for its revival of Indian traditions combined with a lyrical, spiritual sensibility. Its works often feature soft, flowing lines, delicate colour palettes, and an emphasis on mood and emotion over strict realism. Subjects frequently draw from Indian mythology, poetry, and nature, portrayed with a sense of ethereal beauty and introspection. The style favours subtle symbolism, harmony, and an evocative, almost dreamlike atmosphere, reflecting both a nationalistic pride and a contemplative, spiritual depth. For further information on this lot please visit Bonhams.com For further information about this lot please visit the lot listing