Title: Prisoner, 2023
Artist: Tetsuya Ishida
Year: 2023
Medium type: Print | Glicee on paper
Frame: Unframed
Certificate and Signature: Accompanied by a Certificate of Authenticity from the Publisher
Edition: Edition of 50
Additional Notes: Quoted dimensions include the margins

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Tetsuya Ishida
Japanese, 1973–2005

Tetsuya Ishida’s Kafkaesque paintings reflect the psychological malaise of growing up in Japan’s “lost decade” of economic turmoil. His paintings depict humanoid figures in surreal environments, reflecting on uncertainty and unease. Ishida’s practice grew out of a self-portraiture that used absurdist humor to address his emotional abjection. “I tried to make myself—my weak self, my pitiful self, my anxious self—into a joke or something funny that could be laughed at,” the artist once said. In Waiting for a Chance (1999), Ishida paints a hospital room and captures melancholy and apprehension in his figure’s face. Yet the patients sit and lie on derelict cars instead of beds: a farcical gesture that ties the painting’s emotional atmosphere to questions of the uncertainty of Japan’s industrial, economic, and social futures.

Upon very close inspection, a very minor crease noted on the bottom right. No other apparent condition issues noted.