Edward Weston (Highland Park/Illinois 1886 – 1958 Wildcat Hill). Cypress, Point Lobos. 1929

Gelatin silver print by Cole Weston, 1974. 18,9 × 23,7 cm (7 ½ × 9 ⅜ in.). Laid down on cardboard (33,7 x 38,1 cm), thereupon on the reverse, the printer's stamp with signature facsimile: "NEGATIVE / BY / Edward Weston / PRINT / BY“; below that, signed in pencil by Cole Weston, as well as dated, titled, and the negative number: “9T”.
[2076]
Literature and illustration: Edward Weston: My Camera on Point Lobos. New York 1968 (Reprint, 1950), pl. 16 (there titled: Cypress Root) / Nancy Newhall (Ed.): Edward Weston. The flame of recognition. His photographs accompanied by excerpts from the Daybooks & Letters. New York 1971, p. 29 / Edward Weston: My Camera on Point Lobos. New York 1968 (Reprint 1950), pl. 16 (there titled: Cypress Root) / Nancy Newhall (Ed.): Edward Weston. The flame of recognition. His photographs accompanied by excerpts from the Daybooks & Letters. New York 1971, p. 29 / Ben Maddow (Ed.): Edward Weston. His Life and Photographs. The definitive volume of his Photographic Work. New York 1979, p. 128 (there dated: 1930) / Beaumont Newhall: Supreme Instants. The Photography of Edward Weston. New York & Boston 1986, pl. 93 / Amy Conger: Edward Weston. Photographs from the Collection of the Center for Creative Photography. Tucson 1992, unpaginated, ill. 559 / Gilles Mora (Hg.): Edward Weston. Forms of passion. London 1995, p. 163 / Manfred Heiting (Ed.): Edward Weston. 1886-1958. Cologne, London, Madrid, New York, Paris, Tokyo 1999, p. 127 / Ausst.-Kat.: Edward Weston. A legacy. San Marino, Huntington Library, 2003, p. 184, pl. 64 / Amy Conger: Edward Weston. The Form of the Nude. London 2005, p. 53

Condition report: In very good condition. Satin finish paper. In the edges minimal, only in raking light perceptible mirroring.

Price calculation for this lot: Differential taxation. For private individuals within the EU, we charge a 34% premium on the hammer price, which includes VAT. For buyers who are based outside the EU and export the work from the EU the premium is 29%. For EU-based businesses who are entitled to deduct input tax, standard taxation can be applied. A resale right fee of 4% of the hammer price may also be payable. For additional information please refer to Section 4 of our Conditions of Sale (General Terms of Business of Grisebach GmbH for Timed Auctions).
Edward Weston (Highland Park/Illinois 1886 – 1958 Wildcat Hill). Cypress, Point Lobos. 1929

Silbergelatineabzug von Cole Weston, 1974. 18,9 × 23,7 cm (7 ½ × 9 ⅜ in.). Auf Karton (33,7 x 38,1 cm) aufgezogen, darauf rückseitig Printerstempel mit Signaturfaksimile: „NEGATIVE / BY / Edward Weston / PRINT / BY“, darunter von Cole Weston mit Bleistift signiert, sowie datiert, betitelt und Neg.-Nr.: „9T".
[2076]
Literatur und Abbildung: Edward Weston: My Camera on Point Lobos. New York 1968 (Reprint von 1950), T. 16 (dort betitelt: Cypress Root) / Nancy Newhall (Hg.): Edward Weston. The flame of recognition. His photographs accompanied by excerpts from the Daybooks & Letters. New York 1971, S. 29 / Ben Maddow (Hg.): Edward Weston. His Life and Photographs. The definitive volume of his Photographic Work. New York 1979, S. 128 (dort datiert: 1930) / Beaumont Newhall: Supreme Instants. The Photography of Edward Weston. New York & Boston 1986, T. 93 / Amy Conger: Edward Weston. Photographs from the Collection of the Center for Creative Photography. Tucson 1992, unpaginiert, Abb. 559 / Gilles Mora (Hg.): Edward Weston. Forms of passion. London 1995, S. 163 / Manfred Heiting (Hg.): Edward Weston. 1886-1958. Köln, London, Madrid, New York, Paris, Tokyo 1999, S. 127 / Ausst.-Kat.: Edward Weston. A legacy. San Marino, Huntington Library, 2003, S. 184, T. 64 / Amy Conger: Edward Weston. The Form of the Nude. London 2005, S. 53

Zustandsbericht: In sehr gutem Zustand. Seidenmattes Papier. In den Kanten minimale, nur im Streiflicht wahrnehmbare Aussilberungen.

Preisberechnung für dieses Los: Differenzbesteuert. Wir berechnen für Privatpersonen innerhalb der EU auf den Hammerpreis 34% Aufgeld, welches die Mehrwertsteuer beinhaltet. Käufer, die außerhalb der EU angesiedelt sind und das Werk aus der EU exportieren zahlen 29% Aufgeld. Für EU-Unternehmer, die zum Vorsteuerabzug berechtigt sind, kann die Regelbesteuerung angewendet werden. Ggf. fällt zusätzlich eine Folgerechtsabgabe in Höhe von 4% des Hammerpreises an. Für zusätzliche Informationen lesen Sie bitte §4 unserer Versteigerungsbedingungen.