JAMES FAGON, DRYPOINT ETCHING, "IDLE HOUR"

Half Moon Bay, signed and titled in pencil, published by The Print Makers Society of California, in original presentation folder. Plate 8.3/8 by 6 3/8 inches. Mat 17 3/8 by 11 7/8 inches.

Original James McArdle Drypoint Etching Signed. "The Spey Valley" original drypoint by James McArdle, pencil signed. Professionally matted and framed. Frame measures 16 inches x 12 inches.

James Abbott McNeill Whistler (France, 1834-1903) La Vieille aux Loques 1871 Signed in the plate lower right, noted within the plate 'Imp. Delatre Rue St. Jacques 71.', from from Twelve Etchings from

Mid-20th century American dry point etching on paper by James Swann (1905- 1985). The dry point etching on handcrafted paper art is depicting a Lake Jara landscape scene with tree and mountain. The ar

Hardie, Martin, ''Etchings and Drypoints from 1902-1924 by James McBey'', P & D. Colnaghi & Co., London, 1925, with an original etching by artist as the frontispiece, no. 425 of a limited edition of 5

James McNeil Whistler, etching and drypoint, James Abbott McNeil Whistler (American, 1834-1903), "Annie Seated", c. 1858-59, signed in the plate lower left, likely the 3rd state (of 3), 5.125"h x 3.75

William Strang (British, 1859-1921), "James Craig Annan," 1916, drypoint etching, pencil signed lower right, titled lower left, plate initialed and dated lower left, state II/II from an edition of 40,

Alice Standish Buell- ''Noon Hour''- etching and drypoint, signed in pencil, light struck. 8 1/2 x 5 7/8''

James Abbott McNeill Whistler (American, 1834-1903) "La Vielle Aux Loques", from "Twelve Etchings From Nature". Signed in the plate lower right, noted within the plate "Imp. Delatre Rue St. Jacques 71

James McNeill Whistler (American, British 1834���1903). Framed drypoint on cream paper. The work titled "The Forge," from "A Series of Sixteen Etchings of Scenes on the Thames and Other

James Swann (American 1905-1985)- ''Winter in Texas'' (Czestochowski 118); ''Winter Twilight'' (C. 167)- 1 drypoint, 1941 and 1 etching in colors, 1947, both signed in pencil, edition of 200, publishe

James Jacques Joseph Tissot (England; 1836 - 1902) original dry point etching on paper titled " A Tideous Story". Plate signed and dated to upper right. Titled to verso. Measures: 9-3/4" W x 14-1/8" H

A Miscellaneous Collection of Thirty Books and Librettos Pertaining to the Arts (Fine Art, Theater, Opera and Poetry), Including James McBey's 'Etching and Drypoints, from 1902-1924' (London: P&D Coln

JAMES MCNEILL WHISTLER (AMERICAN, LOWELL, MASS.1834–03 LONDON) ETCHING AND DRYPOINT, 1883 H 5.25" W 3.188" SWAN AND IRIS (Sketch After Cecil Lawson's Swan and Iris). Printed in black on waterma

Dry Point Etching Attributed to James Swann (1905-1985) , (Signed on the back with personal inscription) . Measures about 10" x 12.5"

JAMES JACQUES TISSOT L'Été. Etching and drypoint on cream laid paper, 1878. 376x208 mm; 14¾x8½ inches, full margins. Edition of approximately 100. A superb, dark and early impressi

188. Whistler, James A. M..Becquet. Etching and drypoint on cream laid Japanese ganpi paper. Image size 10-1/4 x 7-3/4 inches, overall 13-3/4 x 10 inches; some foxing, heavier at lower margin, small m

DESCRIPTION: James McNeill Whistler etching and drypoint, Titled: "Annie Seated" signed in plate lower left side "Whistler" label attached to verso "From the Vincent Prince collection" CIRCA: 19th Cen

DESCRIPTION: James McNeill Whistler etching and drypoint, Titled: "La Vieille aux Loques" Signed in plate "Whisler" lower right side. Complete mounted in a gilt wood frame. CIRCA: 19th Cent. ORIGIN: U

James Swann (1905-1985) Willow 1953 The drypoint etching from an edition of 200 is signed by the artist in pencil lower right and titled lower left. This image served as the twenty-third Prairie Print

Louis Icart (1888-1950) Etching "Speed", c.1927. Drypoint etching with hand coloring on paper. Depicts a female from the Art Deco era holding the leashes of three racing Greyhounds. Artist signed in p

"On the Maas - Dordrecht"; c. 1905; Drypoint Etching; 2" x 4.5"; Signed Lower Right; Framed (under glass).

"Le Chapeau Epingle"; c. 1894; Drypoint Etching; 4.5" x 3.5"; Signed Lower Left (in plate); Framed (under glass); Note: condition - natural toning

LOT OF TWO: A. "Wall Street, NY"; 1948; Drypoint Etching; 12" x 7.5"; Signed Lower Right; Framed (under glass); Note: "J. Assenheim & Son" label on verso / B. "New York Stock Exchange"; 1927; Drypoint