Cottone annual fall sale Oct. 4-5 to live up to high standard

Rare Kylin standing temple censor, cast bronze, cloisonne and gilt highlights (est. $10,000-$15,000). Cottone Auctions image.

Rare Kylin standing temple censor, cast bronze, cloisonne and gilt highlights (est. $10,000-$15,000). Cottone Auctions image.

Rare Kylin standing temple censor, cast bronze, cloisonne and gilt highlights (est. $10,000-$15,000). Cottone Auctions image.

GENESEO, N.Y. – Over 700 lots of fine paintings, sculptures, Asian art, antique lamps, antiquities, art glass, fine estate jewelry, Persian rugs, period furniture and, for good measure, a vintage 1954 Rolls-Royce Silver Wraith automobile, will be sold the weekend of Oct. 4-5 by Cottone Auctions, in the firm’s spacious gallery. LiveAuctioneers.com will provide Internet live bidding.

It’s the annual Fall Fine Art & Antiques Auction, a huge event on the Cottone Auctions calendar and this year’s selection of offerings promise to make this sale as grand as any held in years past. The event will kick off Friday, Oct. 4, at noon Eastern with 70 lots of sterling silver. Top lots will include a rare Jewish three-tiered German silver seder by Gebruder Gutgessel, a Gorham sterling tea set in the Edgewater pattern, a Continental inkwell with dolphins, repousse and relief work, and a 220-piece Tiffany & Co. Saint Dunstan flatware set from the Strong Museum.

Also on Friday, Asian art and objects will be led by a signed five-piece Chinese enameled garniture set composed of a 17-inch-tall censor with gilt highlights, a pair of candlesticks and a pair of vases; a rare Kylin standing temple sensor, cast bronze with cloisonné and gilt highlights; a Qianlong celadon jade covered censor; and an enameled and jeweled carved ivory figure.

A 19th century Chinese carved hardwood screen with silk needlework, a Chinese carved hardwood display cabinet and a Chinese carved hardwood center table with marble top are all items that had been given to Charles Hiatt Darling, assistant secretary of the Navy under President Theodore Roosevelt, by the Rev. Peter Parker for his help in becoming the first missionary to China.

Rounding off the Friday session will be an array of fine estate jewelry, to include gold and diamond rings, brooches and bracelets. Then, on Saturday, Oct. 5, beginning promptly at 11 a.m., oil paintings and works of art will command center stage. A painting of chicks on a log by A.F. Tait (American, 1819-1905) was consigned by an estate out of Baltimore.

Also offered will be a Laguna Beach area seascape signed by the California artist Edgar Payne (1883-1947), 20 inches by 26 inches (est. $15,000-$25,000); an oil by Bruce Crane (American, 1857-1937), titled Spring Thaw, 26 inches by 36 inches (est. $10,000-$15,000); an oil on canvas painting by Jacques Martin Ferrieres (French, 1893-1972), titled Women in Kosovo, 13 inches by 18 inches (est. $2,000-$4,000); and several works by American artist Emile Gruppe (1896-1978).

The session will also feature marvelous paintings by Wilson Henry Irvine (American, 1869-1936) and Fritz G. Vogt (American, 1842-1900); a rendering near Augusta, Ga., by J.R. Meeker (American, 1827-1889); a second century marble Roman torso, 20 inches tall; a marble bust of a woman by Adolfo Cipriani (1880-1930); and works by Carl Peters, Roy Mason and George Renouard.

Decorative arts and porcelains will be highlighted by a monumental pair of Meissen armorial covered urns intricately decorated with figures, insects, flowers, cherubs, crowns and gold leaf and made to commemorate a member of the Saxon royal house, as Carola von Vasa (1833), the Princess of Sweden and Queen of Saxony, and her husband, King Albert (1828-1902) often gave Meissen objects as diplomatic gifts. The urns are expected to fetch $10,000-$15,000.

Also offered will be a pair of 19th century Meissen ewers from the “Four Elements” series (depicting Earth and Fire). The ewers, each standing 27 inches tall, are expected to bring $8,000-$12,000. A 19th century KPM painting on porcelain, one of many to be sold, of the Colosseum in Rome, stamped on the reverse and large at 16 inches by 20 inches, should bring 10,000-$15,000.

The lamp and art glass collection will feature a rare Steuben Blue Aurene hanging shade with leaf and vine design, a Handel reverse-painted “Rose” lamp, and a Dirk Van Erp table lamp with a patinated bronze base and mica shade. Many desirable and interesting lamps will cross the auction block and over 50 pieces of Steuben, Galle and Thomas Webb will also be auctioned.

An eclectic selection of furniture will include a 17th century Italian court cupboard, dated 1659, carved oak with mother of pearl and bone inlay and a three-drawer interior (est. $5,000-$8,000); a large 19th century Napoleon III ebonized and gilt bronze display cabinet adorned with seven KPM porcelain plaques and columns; and a fine example of a Victorian Wooten desk.

Also selling will be an 18th century carved Italian chest with coat of arms and Americana pieces, to include a T. Harrington butter churn decorated with an exceptional bird on a stump and an 18th century Queen Anne lowboy with shell carving.

The 1954 Rolls-Royce Silver Wraith James Young Sports Saloon, with six-cylinder engine and a four-speed transmission, is in excellent condition. The vehicle, with an all aluminum body and just 39,000 miles on the odometer, comes with pedigree and provenance: its first owner was Wykeham Stanley, England’s Second Baron of Cornwallis. Other features of the car include right-hand drive, rear division window, a bar, black and silver in color with a tan interior and burl walnut throughout (est. $50,000-$80,000).

Cottone Auctions is always seeking quality consignments for future sales. To consign an item, an estate or a collection, call 585-243-3100 or email them at info@cottoneauctions.com.

View the fully illustrated catalog and register to bid absentee or live via the Internet as the sale is taking place by logging on to www.LiveAuctioneers.com.


ADDITIONAL LOTS OF NOTE


Rare Kylin standing temple censor, cast bronze, cloisonne and gilt highlights (est. $10,000-$15,000). Cottone Auctions image.

Rare Kylin standing temple censor, cast bronze, cloisonne and gilt highlights (est. $10,000-$15,000). Cottone Auctions image.

Monumental Napoleon III ebonized and inlaid porcelain cabinet with KPM plaques (est. $15,000-$25,000). Cottone Auctions image.

Monumental Napoleon III ebonized and inlaid porcelain cabinet with KPM plaques (est. $15,000-$25,000). Cottone Auctions image.

Marble Roman torso, executed in the second century, 20 inches in height (est. $20,000-$40,000). Cottone Auctions image.

Marble Roman torso, executed in the second century, 20 inches in height (est. $20,000-$40,000). Cottone Auctions image.

Meissen armorial covered urns, intricately decorated, probably given as gifts by the Princess of Sweden (est. $10,000-$15,000). Cottone Auctions image.

Meissen armorial covered urns, intricately decorated, probably given as gifts by the Princess of Sweden (est. $10,000-$15,000). Cottone Auctions image.

Pair of Meissen ewers from the ‘Four Elements’ series, depicting Earth and Fire (est. $8,000-$12,000). Cottone Auctions image.

Pair of Meissen ewers from the ‘Four Elements’ series, depicting Earth and Fire (est. $8,000-$12,000). Cottone Auctions image.

Nineteenth century KPM painting on porcelain of the Colosseum in Rome, 16 inches by 20 inches (est. $10,000-$15,000). Cottone Auctions image.

Nineteenth century KPM painting on porcelain of the Colosseum in Rome, 16 inches by 20 inches (est. $10,000-$15,000). Cottone Auctions image.

1954 Rolls-Royce Silver Wraith James Young Sports Saloon in excellent condition (est. $50,000-$80,000). Cottone Auctions image.

1954 Rolls-Royce Silver Wraith James Young Sports Saloon in excellent condition (est. $50,000-$80,000). Cottone Auctions image.

Oil on canvas seascape by Edgar Payne (est. $15,000-$25,000) of the Laguna Beach, Calif., area (est. $15,000-$25,000). Cottone Auctions image.

Oil on canvas seascape by Edgar Payne (est. $15,000-$25,000) of the Laguna Beach, Calif., area (est. $15,000-$25,000). Cottone Auctions image.

Clars caps $13M fiscal year with $1.6M sale Sept. 7-8

Chinese huanghuali armchairs. Clars image.

Chinese huanghuali armchairs. Clars image.

Chinese huanghuali armchairs. Clars image.

OAKLAND, Calif. – On Sept. 7-8, Clars brought to auction impressive offerings from distinguished private collections and museums. Collectors and buyers on the phone, saleroom floor and Internet fueled competitive bidding resulting in $1.6 million, the firm’s second strongest September sale in its history. LiveAuctioneers.com provided Internet live bidding.

Redge Martin, president of Clars, commented after the sale, “While this sale was not a record for the firm, more importantly, it concluded our fiscal year pushing our annual sales to over $13 million, the strongest in our history. It reflects an increase of 14 percent over last year and 6 percent over our 2011 fiscal year which previously was our best.” He added, “This sale had a great deal of strength across the board with all departments performing exceptionally well, and with many of the lots offered selling solidly over high estimate.”

The Asian category took top lot for the sale with a pair of Chinese huanghuali official’s hat armchairs surpassing high estimate by over $10,000 selling for $38,675. Furthering the unexpected high prices for Asian offerings was a Chinese Qing dynasty brocade textile hanging that was expected to achieve $3,000 to $5,000 but sold for an impressive $23,800. Following suit in this trend was a Chinese carved hardwood export settee, Republic Period, that achieved five times high estimate selling for $21,420.

European paintings and sculpture highlighted the fine art offerings. A handsome portrait of a gentleman that was attributed to Angelica (Maria Anna) Kauffman (Swiss, 1741-1807) surprised the crowd selling to one of the numerous European phone bidders for $29,750, well over its $5,000 estimate. Works by British artists held their own as well with a charming painting by Margaret Dovaston (1884-1955) selling for $16,660 followed by a modern, maquette sculpture by Ruth Duckworth (1919-2009) which sold for $15,470. French artwork had stellar results too with a bronze by Jean-Baptiste Carpeaux (1827-1875) titled S.A. Le Prince Imperial selling for $19,040, followed by a painting by Jean Jansem (1920-2013) titled Les Femmes us Marche which sold for $10,700. A lovely painting by Austria’s Alexander Demetrius Goltz (1857-1944) titled Nude in the Garden tallied an impressive $11,900. Italian paintings also fared well with Carlo Maria Mariani’s Allegoria Profetica selling for $19,040 and Natura Morta con Girasole by Fausto Pirandello fetching $9,520.

On the American side, a charming landscape by Maynard Dixon (1875-1946) titled Hills Through the Oaks” sold for an impressive $15,470 followed by a rare, and equally as charming, silkscreen and acrylic on canvas of Marilyn Monroe by Richard Pettibone selling for $13,090 with numerous bidders from all over the world participating.

Decorative arts and furnishings offered took several of the top lot spots. Earning just over $24,000 was a beautiful sterling George III covered tureen suite by Robert Sharp, London, 1800. An Italian Urbino, possible 16th century, majolica vase attributed to the Fontana workshop solidly surpassed its high estimate selling for $17,850. Prior to the sale, Deric Torres, vice president and director of decorative arts and furnishings, thought that this piece might be a surprise and indeed it was. From the master of studio art glass, Richard Marquis (American b. 1945), his stunning teapot goblet fetched an impressive $7,140.

An important collection of pre-Columbian vessels and figures from a prominent San Francisco estate performed well with a mixed polychrome cache vessel circa 1200-1521 selling for $7,140. From Hawaii, a collection of koa wood poi bowls was highlighted by an 18th century example that sold for $3,275.

In furniture, a definite surprise was had on a Renaissance Revival carved marble bench, 19th century, that was expected to sell for $6,000 on the high side but earned $10,710. An exquisite Simon Willard tall-case clock, Boston, circa 1800, brought a very respectable $6,545.

Over 100 lots of exceptional antique and fine jewelry were offered. Topping this category was a stunning diamond and 18K white gold bracelet that featured 150 princess-cut diamonds that earned $13,090, followed by a Heyman Brothers diamond, platinum and 18K yellow gold pair of earrings set with 62 full vivid yellow diamonds. This pair brought $11,900. A Victorian old-in-quartz 14K rose gold pocket watch, chain and fob sold well over high estimate for $8,330.

One happy winning bidder drove off in a 1968 single-owner Chevy Camaro convertible for $24,990.

For complete information and prices realized for Clars’ Sept. 7-8 auction call 510-428-0100 or email: info@clars.com.

Click here to view the fully illustrated catalog for this sale, complete with prices realized.


ADDITIONAL LOTS OF NOTE


Chinese huanghuali armchairs. Clars image.

Chinese huanghuali armchairs. Clars image.

Chinese settee. Clars image.

Chinese settee. Clars image.

Angelica Kauffman portrait. Clars image.

Angelica Kauffman portrait. Clars image.

Jean-Baptiste Carpeaux bronze. Clars image.

Jean-Baptiste Carpeaux bronze. Clars image.

Carlo Maria Mariani painting. Clars image.

Carlo Maria Mariani painting. Clars image.

Urbino vase. Clars image.

Urbino vase. Clars image.

Marquis teapot goblet. Clars image.

Marquis teapot goblets. Clars image.

Diamond and gold bracelet. Clars image.

Diamond and gold bracelet. Clars image.

Russia probes $1.5-million fraud in refit of Hermitage

The Raphael Loggias at the Hermitage Museum, St. Petersburg, Russia. Photo by John Solomon, licensed under the Creative Commons Attribution 2.0 Generic license.
The Raphael Loggias at the Hermitage Museum, St. Petersburg, Russia. Photo by John Solomon, licensed under the Creative Commons Attribution 2.0 Generic license.
The Raphael Loggias at the Hermitage Museum, St. Petersburg, Russia. Photo by John Solomon, licensed under the Creative Commons Attribution 2.0 Generic license.

ST. PETERSBURG, Russia (AFP) – On Thursday, Russia said it was carrying out raids as part of a probe into the alleged embezzlement of $1.5 million of state funding allocated for refitting St. Petersburg’s celebrated Hermitage museum.

The interior ministry said its investigators were probing the embezzlement of 50 million rubles ($1.5 million, 1.1 million euros) from the federal budget intended for reconstruction work at the museum renowned for its priceless collection of Western art.

The ministry said in a statement on its website that it was carrying out raids in Moscow and St. Petersburg as part of the investigation.

A group of unnamed individuals “with the goal of stealing budgetary funds … made unjustified alterations to previously agreed documentation for the project,” the ministry said.

Police on Thursday morning raided the offices of a St. Petersburg construction firm, Intarsiya, which was contracted in 2008 to undertake the renovations, the company’s press service told AFP.

In July, Russia’s Audit Chamber asked the interior ministry to investigate after finding “indications of corruption” in a deal signed by the city government-owned St. Petersburg Fund of Investment Building Projects with Intarsiya worth 6.2 billion rubles.

The Audit Chamber said the funding came both from the federal budget and the International Bank for Reconstruction and Development, part of the World Bank.

The state-owned Hermitage said Thursday in a statement quoted by the RIA Novosti news agency that it did not take any part in distributing the money or drawing up documentation.

Housed in the vast Winter Palace, once home to Russia’s tsars, the Hermitage has a collection of more than 2.5 million items, including paintings by Matisse and Picasso, that attracts more than two million visitors per year.

The past decade has seen major renovations at the museum, which fell into disrepair following the collapse of the USSR. It stands in St. Petersburg’s historic center, which is listed as a UNESCO World Heritage Site.

The Hermitage has already experienced large-scale theft.

In 2006, it was discovered that a curator had pilfered $2.5 million worth of jewelry from the museum over several years.

The curator dropped dead of a heart attack when confronted by investigators.


ADDITIONAL IMAGE OF NOTE


The Raphael Loggias at the Hermitage Museum, St. Petersburg, Russia. Photo by John Solomon, licensed under the Creative Commons Attribution 2.0 Generic license.
The Raphael Loggias at the Hermitage Museum, St. Petersburg, Russia. Photo by John Solomon, licensed under the Creative Commons Attribution 2.0 Generic license.

Little Rock marks 150 years since fall to Union forces

The U.S. Arsenal Building in Little Rock, Ark., where Douglas MacArthur was born. Image by L. Allen Brewer. This file is licensed under the Creative Commons Attribution 2.0 Generic license.

The U.S. Arsenal Building in Little Rock, Ark., where Douglas MacArthur was born. Image by L. Allen Brewer. This file is licensed under the Creative Commons Attribution 2.0 Generic license.
The U.S. Arsenal Building in Little Rock, Ark., where Douglas MacArthur was born. Image by L. Allen Brewer. This file is licensed under the Creative Commons Attribution 2.0 Generic license.
LITTLE ROCK, Ark. (AP) – Arkansas’ capital marked 150 years since it was seized by U.S. troops during the Civil War on Tuesday, opening an exhibit of two battle flags that hadn’t been in Little Rock since the city’s capture.

Seemingly appropriate, the power went out Tuesday afternoon at the MacArthur Military Museum, located in the old arsenal where Gen. Douglas MacArthur was born in 1880. The darkened staircases gave the place an especially historic feel before the museum highlighted standards from the conquering 3rd Iowa Calvary and the 37th Arkansas Volunteer Infantry, which was captured at the Battle of Helena.

“This is the first time that they’re back in Arkansas,” said Sheila Hanke, the conservator and collections manager for the Iowa Battle Flag Project at the State Historical Society of Iowa.

The arsenal served Confederate and Union forces during the Civil War and survived an attempt by retreating rebels to destroy its cache of weapons before federal troops moved in.

“The grounds were still a functioning arsenal. Our building housed all the ammunition,” said Stephan McAteer, the museum’s director. “They were trying to blow up the building. Had those Confederate forces been able to do that, we wouldn’t be here today. We can thank the quick arrival of federal troops at the arsenal with saving the building.”

Little Rock—the fourth Confederate capital to fall—surrendered two months after Union troops seized Vicksburg and Helena, key cities on the Mississippi River, and helped keep people on the frontier from supplying aid to the heart of Dixie, said Jan Sarna, president of the Civil War Roundtable of Arkansas. He proposed that, if Little Rock hadn’t fallen, Arkansas, Louisiana, Texas and Indian Territory could have provided food and other goods to the South even if troops couldn’t cross the river.

Iowa troops defeated the 37th Arkansas at Helena and carried the unit’s banner with them to Little Rock two months later, McAteer said. Correspondence from victorious troops told of hoisting the company colors over the arsenal grounds while someone else raced to the Capitol building to hoist another set. The seizure left southern Arkansas in Confederate control, with a capital at Washington, Ark., while Little Rock and the north were controlled by federal troops.

“You can imagine the fall of a state capitol had a considerable impact on the morale of Confederate soldiers,” McAteer said.

Hanke said she had seen correspondence from troops that talked about their battle flag being a constant companion.

“The flag was like a living, breathing member of their unit. They saw them through their anguish. They saw them through their triumphs. It made them think of home,” she said in an interview from Des Moines. “If you serve four years under one thing, that is your guiding light.”

And for members of the 37th Arkansas: “They would be absolutely devastated. It would have been lost on the battlefield.”

The Little Rock Arsenal was built in 1840 to help protect people from the threat of an Indian attack, McAteer said. Confederate troops held it from May 1861 until 5 p.m. on Sept. 10, 1863, six hours after the Confederate commander ordered his troops out of the city as U.S. forces advanced.

Copyright 2013 Associated Press. All rights reserved. This material may not be published, broadcast, rewritten, or redistributed.

AP-WF-09-11-13 0021GMT


ADDITIONAL IMAGE OF NOTE


The U.S. Arsenal Building in Little Rock, Ark., where Douglas MacArthur was born. Image by L. Allen Brewer. This file is licensed under the Creative Commons Attribution 2.0 Generic license.
The U.S. Arsenal Building in Little Rock, Ark., where Douglas MacArthur was born. Image by L. Allen Brewer. This file is licensed under the Creative Commons Attribution 2.0 Generic license.

Artist objects to covering of 16-year-old public artwork

Hawaii Convention Center, where the mural has been for the last 16 years. Image by Vernon Brown. This file is licensed under the Creative Commons Attribution-Share Alike 2.0 Generic license.

Hawaii Convention Center, where the mural has been for the last 16 years. Image by Vernon Brown. This file is licensed under the Creative Commons Attribution-Share Alike 2.0 Generic license.
Hawaii Convention Center, where the mural has been for the last 16 years. Image by Vernon Brown. This file is licensed under the Creative Commons Attribution-Share Alike 2.0 Generic license.
HONOLULU (AP) – A California artist says he was not consulted before a mural created more than a decade ago was suddenly hidden from view by the Hawaii Tourism Authority.

Hans Ladislaus tells KITV-TV that he’s concerned that someone can throw a tarp over art that has been hanging in public view for 16 years.

The Hawaii Tourism Authority ordered Forgotten Inheritance, a 10-foot-by-30-foot mural at the Honolulu Convention Center, to be draped in black cloth last week after a Hawaii woman complained that its depiction of bones in sand was offensive.

Ladislaus says the mural was never meant to be offensive and underwent scrutiny in 1997 by government and by Native Hawaiians.

A University of Hawaii law professor says the draping may violate federal law that protects artwork from mutilation.

___

Information from: KITV-TV, http://www.kitv.com/index.html

Copyright 2013 Associated Press. All rights reserved. This material may not be published, broadcast, rewritten, or redistributed.

AP-WF-09-10-13 1644GMT


ADDITIONAL IMAGE OF NOTE


Hawaii Convention Center, where the mural has been for the last 16 years. Image by Vernon Brown. This file is licensed under the Creative Commons Attribution-Share Alike 2.0 Generic license.
Hawaii Convention Center, where the mural has been for the last 16 years. Image by Vernon Brown. This file is licensed under the Creative Commons Attribution-Share Alike 2.0 Generic license.

Quinn & Farmer ushers in fall season with Sept. 21 Gallery Auction

Picasso pottery ‘Chouettes’ (Owls), each 11¾in tall, to be auctioned separately, each with a $5,000-$8,000 estimate. Quinn & Farmer image.

Picasso pottery ‘Chouettes’ (Owls), each 11¾in tall, to be auctioned separately, each with a $5,000-$8,000 estimate. Quinn & Farmer image.

Picasso pottery ‘Chouettes’ (Owls), each 11¾in tall, to be auctioned separately, each with a $5,000-$8,000 estimate. Quinn & Farmer image.

CHARLOTTESVILLE, Va. – The selection that awaits bidders at Quinn & Farmer’s Sept. 21 Gallery Auction has the look of a carefully curated residential interior – furniture by revered American craftsmen, tasteful paintings and bronzes; Mucha lithographs and wonderful collector pieces, including Picasso pottery.

The 477-lot auction, with Internet live bidding through LiveAuctioneers, opens with American and European furniture, with options to suit any décor from rustic to formal. The incomparable designs of architect and woodworker George Nakashima (Japanese/American, 1905-1990) will feature prominently. Two of Nakashima’s Conoid Cushion Chairs of black walnut with hickory spindles and original upholstery will be offered as a pair with an $8,000-$15,000 estimate. A 1976 custom-designed American black walnut blanket chest or clothes hamper is estimated at $12,000-$15,000, while a 1976 Nakashima piano bench is entered with a $6,000-$8,000 estimate – both were custom designs.

With its near-minimalist lines and emphasis on beautiful wood, a Jere Osgood (American, b. 1936-) curly maple queen-size bed is just as sophisticated today as it was in 1973, the year of its production. A studio piece signed by Osgood – a noted teacher of furniture design – the bed is expected to reach $8,000-$12,000 at auction.

Dated 1902, a Charles Rohlfs (American, 1853-1936) black-painted oak stand with stylized foliate piercings carries the maker’s mark “R 1902” inside its door. The 31½in stand has the distinctive look of a Rohlfs Arts & Crafts creation and opens to two shelves with fitted glass holders. Estimate: $3,000-$5,000.

A century before Rohlfs began working in wood, European furniture was the predominant choice in many elegant homes. A quintessential example of Scottish dining room furniture of the early 19th century is the circa-1800 mahogany with fruitwood marquetry sideboard entered with an estimate of $1,500-$2,500. Inlaid with classical forms such as oval paterae, swags, urns, shells and acanthus-leaf scrolls, its presentation is a testament to the skill and artistic eye of its creator.

An early 19th-century Southern pine pie safe is quaintly American in its approach to form and functionality. Its six tin door panels are elaborately punched with decorative hearts, circles and semicircles, which allowed freshly baked pies to vent while cooling inside. The estimate on the pie safe is $500-$1,500.

The best of Art Nouveau will cross the auction block in the form of three Alphonse Mucha (Czechoslovakian, 1860-1939) lithographs, each depicting Sarah Bernhardt as star of a play, including “Medee (Medea),” “Tragique Histoire D’Hamlet/Prince De Danemark,” and “Lorenzaccio.” All three lithographs are linen backed, framed under glass, and measure 82in to 83 inches in length. Each is estimated at $6,000-$8,000.

Decorative-art highlights include a signed 1906 Frederick William Sievers (American, 1872-1966) bronze sculpture titled “Locked on Point.” Measuring 10in high by 26in long by 12in wide, it is the largest of three Sievers bronzes in the sale that depict pointer dogs in action. The work descended from the artist’s personal collection to the consignors and is estimated at $8,000-$12,000.

Interest in Picasso pottery has been at an all-time high since Christie’s 2012 sale in London of the incomparable Ramie collection. To find premier examples of the Spanish master’s pottery designs, US collectors turn to auctions, and they won’t be disappointed on September 21st in Charlottesville. Quinn & Farmer will present two superb, hand-painted figural vessels known as “Chouettes” or “Wood Owls.” Both stand 11¾in tall and carry correct Madoura studio stamps. The predominantly white with brown bird is numbered 18/500, while the owl with a black glaze is numbered 64/500. Each is estimated at $5,000-$8,000.

Other items of note in the sale include a 19th-century folk painting of a young boy holding fruit, est. $2,000-$4,000; and a Tiffany & Co. platinum ring with a square, emerald step-cut diamond surrounded by bullet-shape diamonds – total diamond weight: 2.15 carats. The center stone is graded VS1 for clarity and is F-G in color. Estimate: $10,000-$15,000.

The September 21, 2013 auction will be held at Quinn & Farmer’s gallery located at 2109 India Road, Charlottesville, VA 22901. Start time: 10 a.m. Eastern. All forms of bidding will be available, including live via the Internet through LiveAuctioneers. View the fully illustrated catalog online at www.LiveAuctioneers.com.

For additional details on any lot in the sale or to organize a phone or absentee bid, call 434-293-2904 or e-mail information@quinnfarmer.com. Visit Quinn & Farmer’s website at www.quinnfarmer.com.

# # #

View the fully illustrated catalog and register to bid absentee or live via the Internet as the sale is taking place by logging on to www.LiveAuctioneers.com.


ADDITIONAL LOTS OF NOTE


Picasso pottery ‘Chouettes’ (Owls), each 11¾in tall, to be auctioned separately, each with a $5,000-$8,000 estimate. Quinn & Farmer image.

Picasso pottery ‘Chouettes’ (Owls), each 11¾in tall, to be auctioned separately, each with a $5,000-$8,000 estimate. Quinn & Farmer image.

19th-century American folk art painting of young boy seated in a classical chair, holding a piece of fruit. Oil on canvas, 29in by 24in sight. Descent through Virginia family. Est. $2,000-$4,000. Quinn & Farmer image.

19th-century American folk art painting of young boy seated in a classical chair, holding a piece of fruit. Oil on canvas, 29in by 24in sight. Descent through Virginia family. Est. $2,000-$4,000. Quinn & Farmer image.

Early 19th-century pie safe with six punched-tin door panels, est. $500-$1,500. Quinn & Farmer image.

Early 19th-century pie safe with six punched-tin door panels, est. $500-$1,500. Quinn & Farmer image.

Circa-1800 Scottish mahogany with fruitwood marquetry sideboard, inlaid with classical forms, est. $1,500-$2,500. Quinn & Farmer image.

Circa-1800 Scottish mahogany with fruitwood marquetry sideboard, inlaid with classical forms, est. $1,500-$2,500. Quinn & Farmer image.

Tiffany & Co. platinum ring with emerald step-cut diamond, surrounding bullet-shape diamonds, total weight 2.15 carats, est. $10,000-$15,000. Quinn & Farmer image.

Tiffany & Co. platinum ring with emerald step-cut diamond, surrounding bullet-shape diamonds, total weight 2.15 carats, est. $10,000-$15,000. Quinn & Farmer image.

Frederick William Sievers (American, 1872-1966) bronze sculpture, ‘Locked on Point,’ 1906 copyright, est. $8,000-$12,000. Quinn & Farmer image.

Frederick William Sievers (American, 1872-1966) bronze sculpture, ‘Locked on Point,’ 1906 copyright, est. $8,000-$12,000. Quinn & Farmer image.

George Nakashima (Japanese/American, 1905-1990), pair of Conoid Cushion Chairs, black walnut with hickory spindles, original upholstery, est. $8,000-$15,000. Quinn & Farmer image.

George Nakashima (Japanese/American, 1905-1990), pair of Conoid Cushion Chairs, black walnut with hickory spindles, original upholstery, est. $8,000-$15,000. Quinn & Farmer image.

Jere Osgood (American, b. 1936-) curly maple queen-size bed, made in 1973, signed, est. $8,000-$12,000. Quinn & Farmer image.

Jere Osgood (American, b. 1936-) curly maple queen-size bed, made in 1973, signed, est. $8,000-$12,000. Quinn & Farmer image.

Three Alphonse Mucha (Czechoslovakian, 1860-1939) lithographs, each depicting Sarah Bernhardt as star of a play. Each is framed under glass, measures 82in to 83 inches in length and is estimated at $6,000-$8,000. Quinn & Farmer image.

Three Alphonse Mucha (Czechoslovakian, 1860-1939) lithographs, each depicting Sarah Bernhardt as star of a play. Each is framed under glass, measures 82in to 83 inches in length and is estimated at $6,000-$8,000. Quinn & Farmer image.

Smithsonian awarded $1M to conserve Chinese paintings

The original Smithsonian Building in Washington D.C. Image courtesy of Wikimedia Commons.
The original Smithsonian Building in Washington D.C. Image courtesy of Wikimedia Commons.
The original Smithsonian Building in Washington D.C. Image courtesy of Wikimedia Commons.

WASHINGTON (AP) – The Andrew W. Mellon Foundation is awarding the Smithsonian’s Freer and Sackler Galleries a $1 million grant to help conserve Chinese paintings.

The Smithsonian says its galleries of Asian art house the only U.S. program that teaches conservators how to care for delicate Chinese paintings. The new grant will endow a position for an assistant Chinese painting conservator to train and support the program.

As a condition of the Mellon grant, the museum must match the funds with an additional $750,000 by 2016 to endow the position.

Museum officials say there are a shrinking number of experts trained to care for Chinese paintings, which are often very old and made of layers of unique materials. There are thousands of such works in U.S. museums but only four expert conservators.

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AP-WF-09-11-13 1345GMT


ADDITIONAL IMAGE OF NOTE


The original Smithsonian Building in Washington D.C. Image courtesy of Wikimedia Commons.
The original Smithsonian Building in Washington D.C. Image courtesy of Wikimedia Commons.