Wolfman meets Picasso in Nov. 11-13 pop culture auction

‘Werewolf of London’ 1935 lobby card, rarest of six different Werewolf lobby cards entered in the auction, est. $5,000-$10,000. Hake’s image
‘Werewolf of London’ 1935 lobby card, rarest of six different Werewolf lobby cards entered in the auction, est. $5,000-$10,000. Hake’s image
‘Werewolf of London’ 1935 lobby card, rarest of six different Werewolf lobby cards entered in the auction, est. $5,000-$10,000. Hake’s image

YORK, Pa. – From Mickey Mouse to Picasso, Spider-Man to JFK, Hake’s will make a stop at nearly every popular collecting corner during its November 11-13, 2014 auction, with a few unexpected surprises along the way. A trusted source for entertainment memorabilia and historical Americana since 1967, Hake’s consistently lives up to its reputation as a knowledgeable, trustworthy source for authentic pop-culture collectibles. Their November absentee-auction event includes a number of antique and vintage items that even Hake’s own experts have never handled before.

The political memorabilia category is summarized by a statement from none other than Hake’s founder, Ted Hake, who described it as “…the overall best political section we have cataloged in 47 years of operation.”

“That’s saying something, when you consider that political items have been the cornerstone of almost every catalog we’ve produced since the beginning,” commented Hake’s president, Alex Winter. “Also, Ted is the author of several definitive price guides for political items. He doesn’t use the term ‘rare’ unless it’s deserved.”

On the subject of rare politicals, a prime example would be the card Abraham Lincoln autographed and dated Sept. 24, 1863 with an inscription to “A.R. Walker.” Was Walker an associate, friend or constituent? “We don’t know the answer to that,” Hake said, “but what we do know is that Lincoln had many other things on his mind that day, including sending a telegram to his wife in New York City to notify her that her brother-in-law had been among those killed in a Civil War battle at Chattanooga.” Accompanied by a JSA letter of authenticity and Hake’s COA, the card is estimated at $5,000-$10,000.

Thanks to Ken Burns’ recently released TV documentary The Roosevelts, a sharper focus has been cast on the political career of Theodore Roosevelt, who ran as the Progressive Party’s Presidential candidate in 1912 together with VP hopeful Hiram Johnson. An extremely scarce, sepia real-photo jugate button of the running mates with a bull moose logo is entered in Hake’s sale with a $2,000-$5,000 estimate. A visually appealing button in the classic 1.25-inch size, it comes with provenance from the prestigious Don and Mildred Wright collection.

Within the political memorabilia hobby, probably fewer than six examples are known of a “Jack Once More in ’64” 4-inch button produced in anticipation of John F. Kennedy’s 1964 campaign. “Buttons of this type rarely come to auction. The only other one we could document from the last five years or so was severely spotted,” said Hake. Estimate: $2,000-$5,000.

Representing a unique buying opportunity for art collectors, a 23- by 24-inch (framed) original artwork by Pablo Picasso (Spanish, 1881-1973) is titled Soleil de Mediterranee (Mediterranean Sunshine). The work depicts the shining sun of the French Riviera above the Mediterranean Sea. Clearly, it was created for someone Picasso knew well. In addition to being signed and dated “le 7.8.56 Cannes A.M.” beneath the words “La Californie,” referring to the town’s most exclusive neighborhood, it has an added personal inscription from the artist. Translated, it says, “My dear friend / my telephone here 901-82” and “My best to you / Picasso.” The wax pastel comes with extensive provenance that includes, on verso, the embossed seal and inked thumbprint of the artist’s daughter, Maya Widmaier-Picasso. The vibrant original artwork is estimated at $35,000-$50,000.

Many auction lots contain prized original comic strip art and cels. Among the highlights are three pen-and-ink daily strips by premier Mickey Mouse artist Floyd Gottfredson. One of them, dated Aug. 14, 1934, contains an installment of the “Bobo the Elephant” storyline in which Mickey and Minnie Mouse harbor the pachyderm and protect him from others who want to take him away. Annotated by the artist in blue pencil, this artwork was obtained by the consignor as a child in the 1950s and is fresh to the collecting community. Its estimate, like the estimate for the original art from a second “Bobo the Elephant” strip – dated Sept. 28, 1934 – is $10,000-$20,000.

Original art for a third Gottfredson strip – dated March 9, 1934 and also fresh to the market – illustrates an installment of “The Captive Castaways” storyline. In this adventure, Mickey and Minnie Mouse are taken aboard a smugglers’ ship by the evil Pegleg Pete. Estimate: $5,000-$10,000. Cels include two rare black and white cels of different scenes from the animated short Two-Gun Mickey, released Dec. 15, 1934. Each is estimated at $5,000-$10,000.

Peter Parker, a k a The Amazing Spider-Man, made his debut appearance in the 1962 Marvel comic book Amazing Fantasy #15. A key Silver Age comic, AF #15 is pursued by collectors in any condition; a 9.6 copy has sold for as much as one million dollars. Hake’s will offer an issue that was CGC-certified 5.0 VG/Fine with a presale estimate of $10,000-$20,000.

From the horror movie realm, few classics eclipse the 1935 film Werewolf of London when it comes to lobby cards. Hake’s will present at auction not one, but six, original Werewolf lobby cards from the series of eight issued by Universal Pictures. “Usually the title card is the most valuable in a set of lobby cards, but one particular Wolfman card in our sale is, by far, the hardest one to obtain. It could be the one that a lot of collectors need in order to complete their set,” said Winter. “It came from one of our earliest customers, who worked in a bookstore and started collecting ephemera many years ago.” Bidding will start at $2,000 and is expected to reach $5,000-$10,000.

Toy collectors can always count on a Hake’s to bring fresh collections to the open market. The November auction includes a superb private collection of toys of all types, including prototypes, vehicles, wind-ups and more. The collection will be on display at the Nov. 1 Allentown (Pa.) Antique Toy Show and Sale.

For information on any item in the sale, call tollfree: 866-404-9800 or 717-434-1600. Email: hakes@hakes.com. Visit Hake’s online at www.hakes.com.

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ADDITIONAL IMAGES OF NOTE


‘Werewolf of London’ 1935 lobby card, rarest of six different Werewolf lobby cards entered in the auction, est. $5,000-$10,000. Hake’s image
‘Werewolf of London’ 1935 lobby card, rarest of six different Werewolf lobby cards entered in the auction, est. $5,000-$10,000. Hake’s image
Abraham Lincoln Civil War-era autographed, inscribed card from Sept. 24, 1863. Est. $5,000-$10,000. Hake’s image
Abraham Lincoln Civil War-era autographed, inscribed card from Sept. 24, 1863. Est. $5,000-$10,000. Hake’s image
1912 Theodore Roosevelt & Hiram Johnson real-photo jugate button, sepia, 1.25 inches dia., ex Don and Mildred Wright collection, est. $2,000-$5,000. Hake’s image
1912 Theodore Roosevelt & Hiram Johnson real-photo jugate button, sepia, 1.25 inches dia., ex Don and Mildred Wright collection, est. $2,000-$5,000. Hake’s image
4-inch button produced in anticipation of John F. Kennedy’s 1964 campaign, one of fewer than six known, est. $2,000-$5,000. Hake’s image
4-inch button produced in anticipation of John F. Kennedy’s 1964 campaign, one of fewer than six known, est. $2,000-$5,000. Hake’s image
Pablo Picasso (Spanish, 1881-1973), ‘Soleil de Mediterranee,’ original wax pastel artwork, 23 x 24in framed, 8 x 8¼in matted, provenance from the artist’s daughter, Maya Widmaier-Picasso, est. $35,000-$50,000. Hake’s image
Pablo Picasso (Spanish, 1881-1973), ‘Soleil de Mediterranee,’ original wax pastel artwork, 23 x 24in framed, 8 x 8¼in matted, provenance from the artist’s daughter, Maya Widmaier-Picasso, est. $35,000-$50,000. Hake’s image
‘Amazing Fantasy’ #15, Marvel Comics, featuring the debut appearance of The Amazing Spider-Man, August 1962, CGC graded 5.0 VG/Fine, est. $10,000-$20,000. Hake’s image
‘Amazing Fantasy’ #15, Marvel Comics, featuring the debut appearance of The Amazing Spider-Man, August 1962, CGC graded 5.0 VG/Fine, est. $10,000-$20,000. Hake’s image
Mickey Mouse ‘Two-Gun Mickey’ (1934) original black & white nitrate production cel, est. $5,000-$10,000. Hake’s image
Mickey Mouse ‘Two-Gun Mickey’ (1934) original black & white nitrate production cel, est. $5,000-$10,000. Hake’s image
Original March 9, 1934 daily comic strip art for ‘Mickey Mouse – The Captive Castaways,’ by Floyd Gottfredson, est. $5,000-$10,000. Hake’s image
Original March 9, 1934 daily comic strip art for ‘Mickey Mouse – The Captive Castaways,’ by Floyd Gottfredson, est. $5,000-$10,000. Hake’s image

Tim’s Inc. lines up major auction in historic town Nov. 1

Shelf clock made by Eli and Samuel Terry, the first clock makers in the United States, with woodworks made in Goshen. Tim’s Inc. Auctions image

Shelf clock made by Eli and Samuel Terry, the first clock makers in the United States, with woodworks made in Goshen. Tim’s Inc. Auctions image

Shelf clock made by Eli and Samuel Terry, the first clock makers in the United States, with woodworks made in Goshen. Tim’s Inc. Auctions image

GOSHEN, Conn. – An important on-site auction of three historic properties and the hundreds of treasures they hold is slated for Saturday, Nov. 1. The auction has just gotten better with the addition of estate items from prominent homes in Watertown and Old Greenwich, plus many new items that have only recently come to light after being unpacked and inventoried over the last month in Goshen.

LiveAuctioneers.com will provide Internet live bidding.

The auction, set to start at 11 a.m. Eastern time, already included an eight-acre farm with historic 1812 farmhouse and outbuildings located at 227 Old Middle St. in Goshen – where the auction will take place – an 1831 country store located at 10 Old Middle St (at Routes 63 and 4) in Goshen, and a circa-1900 home in Southbury known as “The Little Red Schoolhouse.”

Now add to that an 1870 home near the Green in charming Watertown that has been in the same family since 1900, plus its contents; and the contents of an upscale estate home in tony Old Greenwich, in Fairfield County. The Watertown home is on an acre of land at the corner of Route 63 and Woolson Street.

The cornucopia of items inside the buildings will be sold by Tim’s Inc. Auctions of Bristol and Litchfield. They are so numerous and wide-ranging, many will be offered in multiple lots, often many boxes comprising one lot. Additional treasures from prominent estates in Watertown and Old Greenwich have also been added, showcasing an already packed and exciting auction.

The four historic properties will be offered at 11 a.m. by Litchfield Real Estate Auctions LLC, brokers. The contents and treasures will be sold immediately afterward, at noon, by Tim’s Inc. Auctions. Offered will be a trove of Westmoreland Glass pieces, stunning estate jewelry items, wonderful period furniture, vintage lamps and lighting, gold and silver coins and more.

Discovered in the Old Greenwich estate, among the items that have been in the same family for decades, is a shelf clock made by Eli and Samuel Terry, the first clock makers in the United States, with woodworks made right in Goshen, where it will be sold, fittingly enough. A Goshen label on the clock is proof. The early 19th century shelf clock features beautiful sailing ships in the lower glass, outstanding Hitchcock-style stenciling throughout and other unique features.

One of the highlight items from the Watertown home is a highly collectible circa 1920s General Electric refrigerator – an older model, with the motor (or compressor) mounted on top. The refrigerator is even stocked with unopened vintage beer bottles, with beer, from the era.

Collectors of sports memorabilia will be astounded by an album containing dozens of signed photographs of baseball stars from years gone by, including Ted Williams and Mickey Mantle, plus some hockey and football autographs. The collector was a former decorated veteran of the Vietnam war, who used guile and determination to gather the autographs into one massive book. He died recently, and the entire proceeds of this lot will go toward paying for his burial expenses.

There are so many boxes of Westmoreland glass – easily 1,000 boxes or more – that some will be sold in multiple lots, as many as 50-60 boxes in a single offering. They were collected by the late Wilfred Reil of Litchfield, whose heirs are offering them now. The attic of the general store building is filled with china cabinets, bookcases and corner cabinets that are themselves filled with glass objects and other collectibles. Each cabinet will be sold, one by one, as a single lot.

Recently unpacked are huge leather-bound ledgers from Westmoreland Glass Co., a stack waist-high from the 1920s. Handwritten ledger entries document the firm’s business dealings with companies like Woolworth’s. Also just discovered are historical photos of the company that probably hung in the company’s main building and show some actual glass pieces that will be in the auction, plus a 1930s-era photo that was used as a window display at a Philadelphia bank.

Even fine art will be in the sale, highlighted by a bronze bust of a woman by the noted French artist Emmanuel Villanis (1858-1914). The sculpture, titled Lucrece, was rendered in the 19th century.

Period furniture will feature laminated rosewood carved chairs attributed to John H. Belter of New York; a rosewood carved rococo marble-top table with magnificent three-dimensional carvings, attributed to either Belter or J. & J.W. Meeks; and a monumental 72-inch-tall by 60-inch-wide mirrored-back sideboard, heavily carved with original finish, by Belter or Meeks.

A pair of very different lots both carry an eagle theme. One is a “Don’t Give Up the Ship” 28-inch-long by 9-inch-tall carved eagle made around the turn of the century by William Shephard of Mystic, Conn., with stars, stripes and shield in a nautical motif. The other is a Black Forest humidor, 22 inches tall, with a full spread eagle at the top, monumental and beautifully carved.

Lamps and lighting will include a Pairpoint Puffy table lamp with hummingbirds and flowers and a Pairpoint cut glass table lamp with dome shade (both made in Meriden, Conn.); Gone With the Wind lamps, to include one with a cut jewel shade by Bradley & Hubbard and one with a deep red etched satin shade with ram’s heads at the base, signed Bradley & Hubbard; hall lamps with opalescent shades; and several nice library lamps in various shapes and sizes.

Estate jewelry promises to be an exciting category in the auction, with new and dazzling pieces being uncovered by the day. Sold will be a Victorian bow pin with diamonds and sapphires, set in 18K gold and platinum; a women’s one-carat diamond ring; a pair of ancient Roman earrings; and a pair of David Webb (N.Y.) screw-back earrings complete with the original box.

Also sold will be 14K and 18K gold pocket watches; a circa-1790 century mid-Georgian pin with over one carat of diamonds and rubies; an Art Deco platinum diamond pin with sapphires, boasting over 3.5 carats of diamonds; and an early Victorian necklace with diamonds and sapphires, with one carat of diamonds and white sapphires with natural golden pearls.

Still more jewelry will feature a stunning 18K diamond necklace with over one carat of diamonds; an 18K women’s diamond and platinum ring with diamonds totaling just under three carats; a women’s single-stone 1.05-carat diamond ring; and a women’s diamond ring with two large diamonds totaling over two carats total weight. Also sold will be a lovely Cartier cigarette box.

The coins in the sale – and there will be many gold and silver coins – were still being inventoried at press time.

Even classic and vintage automobiles will cross the auction block. These will include a 1949 Buick Special, black, in absolute like-new condition, with just 15,000 miles on the odometer; a 1957 Buick Special, turquoise in color inside and out, also in showroom condition, with lots of chrome; a 1951 Buick sedan; and a 1926 Ford Model T two-door sedan, in running condition. All of the vintage cars are currently on view at the Goshen General Store (10 Old Middle St.).

Decorative items and collectibles will feature bride’s baskets, pickle casters, Flow Blue china, perfume bottles, Wave Crest, mesh purses a Nantucket sewing basket with swinging handle, a Rookwood vase, Roseville pottery and more. At press time, boxes were being opened and yet more treasures were being discovered. This will probably go on right up to the date of auction.

“The Little Red Schoolhouse” building features high ceilings, two bedrooms and a large kitchen. For more information on any of the four historic properties, call Mary Helen Levine at 203-525-4753; e-mail is mhla@aol.com.

Goshen is a pretty town located 10 minutes north of Litchfield, in northwest Connecticut. It is celebrating its 275th anniversary.

A buyer’s premium of 23% will be applied to all purchases.

View the fully illustrated catalog and register to bid absentee or live via the Internet as the sale is taking place by logging on to www.LiveAuctioneers.com.


ADDITIONAL LOTS OF NOTE


Shelf clock made by Eli and Samuel Terry, the first clock makers in the United States, with woodworks made in Goshen. Tim’s Inc. Auctions image

Shelf clock made by Eli and Samuel Terry, the first clock makers in the United States, with woodworks made in Goshen. Tim’s Inc. Auctions image

‘Don’t Give Up the Ship’ 28-inch-long by 9-inch-tall carved eagle made around the turn of the century by William Shephard of Mystic, Conn. Tim’s Inc. Auctions image

‘Don’t Give Up the Ship’ 28-inch-long by 9-inch-tall carved eagle made around the turn of the century by William Shephard of Mystic, Conn. Tim’s Inc. Auctions image

Monumental 72 inch tall by 60 inch wide mirrored-back sideboard, heavily carved with original finish, by Belter or Meeks. Tim’s Inc. Auctions image

Monumental 72 inch tall by 60 inch wide mirrored-back sideboard, heavily carved with original finish, by Belter or Meeks. Tim’s Inc. Auctions image

Stunning ladies' diamond ring with two large diamonds totaling over two carats total weight. Tim’s Inc. Auctions image

Stunning ladies’ diamond ring with two large diamonds totaling over two carats total weight. Tim’s Inc. Auctions image

Autograph book containing signed photos of dozens of greats such as Ted Williams and Mickey Mantle. Tim’s Inc. Auctions image

Autograph book containing signed photos of dozens of greats such as Ted Williams and Mickey Mantle. Tim’s Inc. Auctions image

This 1926 Ford Model T two-door sedan, in running condition, is one of several vintage and classic cars in the auction. Tim’s Inc. Auctions image

This 1926 Ford Model T two-door sedan, in running condition, is one of several vintage and classic cars in the auction. Tim’s Inc. Auctions image

Nantucket sewing basket with swinging handle. Tim’s Inc. Auctions image

Nantucket sewing basket with swinging handle. Tim’s Inc. Auctions image

Early Victorian necklace with diamonds and sapphires, with one carat of diamonds and white sapphires with natural gold pearls. Tim’s Inc. Auctions image

Early Victorian necklace with diamonds and sapphires, with one carat of diamonds and white sapphires with natural gold pearls. Tim’s Inc. Auctions image

Pairpoint Puffy table lamp with hummingbirds and flowers, made in Meriden, Conn. Tim’s Inc. Auctions image

Pairpoint Puffy table lamp with hummingbirds and flowers, made in Meriden, Conn. Tim’s Inc. Auctions image

New phase for Crystal Bridges Museum: Contemporary art

Delita Martin: Little Rock, Ark. ‘The Dream Keeper,’ 2013, mixed media 52.5 x 36 in. Photo Joshua Asant.
Delita Martin: Little Rock, Ark. ‘The Dream Keeper,’ 2013, mixed media 52.5 x 36 in. Photo Joshua Asant.
Delita Martin: Little Rock, Ark. ‘The Dream Keeper,’ 2013, mixed media 52.5 x 36 in. Photo Joshua Asant.

BENTONVILLE, Ark. (AP) – Crystal Bridges Museum of American Art opened in 2011 in Wal-Mart’s hometown, Bentonville, with a respectable collection of work by famous artists from Norman Rockwell’s Rosie the Riveter to a George Washington portrait by Gilbert Stuart.

But the museum has just opened a massive exhibition of contemporary art called “State of the Art” that could be a game-changer. The museum is sometimes mocked by critics from outside the region for its location and Wal-Mart connections – its permanent collection was funded by Wal-Mart heiress Alice Walton – but the new show represents a serious effort to introduce contemporary art to a mainstream audience far from the rarefied galleries of hipster neighborhoods and urban centers.

“State of the Art” showcases more than 200 works by 102 artists from around the country. All the works were created since 2011, and the show resulted from a 100,000-mile road trip by museum president Don Bacigalupi and curator Chad Alligood to discover under-recognized artists.

“Crystal Bridges has already established itself with a major national presence due to the quality of its collection of American art from colonial times to the present day,” said Alligood in an interview. “What ‘State of the Art’ does is extend that story. Many of our audience members come from around here. For many of them, this is their first time having an experience in an art museum. We’re introducing contemporary art to this audience.”

The works are engaging, surprising and memorable. They include Lowrider Pinata, a life-size car made from colorful pinata-style paper and cardboard, by Justin Favela; Delita Martin’s The Dream Keeper, which brings elements of magical realism to a portrait of a black figure in work clothes, a bird perched on one hand; and Alberto Aguilar’s Sensitive Equipment, which invites visitors to hit a balloon back and forth using melodic hand-bells as bats.

Susie J. Lee’s silent video portraits of the faces of workingmen, called Fracking Fields, offer mesmerizing close-ups of faces in real time as their emotions wordlessly register. John Salvest stacked secondhand romance novels so that the book bindings, organized by color, spell out “FOREVER” in giant letters. Ghosts of Consumption, by Pam Longobardi, features man-made debris from the ocean. Jeila Gueramian’s textile piece, It’s You, creates a ceiling of colorful crocheted blankets. And the show opens with the Mom Booth, by Andy Ducett, in which real moms who are local volunteers sit at a table wearing aprons, knitting and dispensing hugs and advice.

Reviews of the show have been mixed. The Wall Street Journal called it “PG-13,” suggesting that it’s so accessible, it rules out art with provocative themes. Blair Schulman, a Kansas City-based art critic who contributes to The Huffington Post Blog, said he “loved” the works, but took issue with “how it was curated. It was a lot of good work in a very large space. … If they broke it into smaller exhibitions over a few years, it would have better represented what the artists were making.”

But Alligood says Crystal Bridges “didn’t create this show for critics. We expressly went into this project to shake up the paradigm of contemporary art – that it’s somehow not of the realm of everyday experience, that it’s inaccessible or disengaged from our lives or that it’s inexplicable. In fact, artists across this country are engaged in conversations in ways that welcome the viewer in.”

Admission to Crystal Bridges is free, and the museum is drawing more than 500,000 visitors a year, 60 percent from Arkansas. At the University of Arkansas at Fayetteville, 30 miles away, art department chairwoman Jeannie Hulen says the museum has “changed our students’ lives. It’s completely changed the way we teach. It has upped the game and given them a wider, more worldly view of what art is.”

As for “State of the Art,” she says, “It’s a positive show, it’s a very optimistic show, it’s a big show. It’s important for them being a new museum to be thinking about contemporary art. It is accessible, but there is a conversation about accessibility that’s happening in the art world now, that art is not just for artists, it’s not just for the elite. It’s for people.”

The curators, she said, “chose artists that want the viewer to leave with something they could understand. I don’t think that’s wrong.”

___

If You Go…

STATE OF THE ART: Through Jan. 19 at Crystal Bridges, 600 Museum Way, Bentonville, Ark., http://www.crystalbridges.org , 479-418-5700. Free. Open Monday and Thursday, 11 a.m.-6 p.m.; Wednesday and Friday, 11 a.m.-9 p.m.; Saturday-Sunday, 10 a.m.-6 p.m. Closed Tuesdays.

Copyright 2014 Associated Press. All rights reserved. This material may not be published, broadcast, rewritten, or redistributed.


ADDITIONAL IMAGES OF NOTE


Delita Martin: Little Rock, Ark. ‘The Dream Keeper,’ 2013, mixed media 52.5 x 36 in. Photo Joshua Asant.
Delita Martin: Little Rock, Ark. ‘The Dream Keeper,’ 2013, mixed media 52.5 x 36 in. Photo Joshua Asant.
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Delita Martin: Little Rock, Ark. ‘The Dream Keeper,’ 2013, mixed media 52.5 x 36 in. Photo Joshua Asant.
Delita Martin: Little Rock, Ark. ‘The Dream Keeper,’ 2013, mixed media 52.5 x 36 in. Photo Joshua Asant.
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AKC Museum of the Dog is canine friendly, of course

Maud Earl, 'Great Dane at the Seashore,' late 19th - early 20th century, oil on canvas.

Maud Earl, 'Great Dane at the Seashore,' late 19th - early 20th century, oil on canvas.
Maud Earl, ‘Great Dane at the Seashore,’ late 19th – early 20th century, oil on canvas.
ST. LOUIS (AP) – Exhibits include dog paintings, dog sculptures and displays about famous dogs. But what really makes this St. Louis museum unique is the visitors: Dogs are welcome, and curators aren’t worried about the canines knocking things over or making a mess.

“We do it and have been doing it for many years, and to my knowledge it’s never caused a problem,” said Stephen George, executive director of the American Kennel Club Museum of the Dog.

“The dogs are trained and socialized well. Little dogs, big dogs, in-between dogs. … We have dogs here virtually every day,” he said, adding with a laugh that people are more likely to cause problems in museums.

The museum, housed in an 1853 historic home in Queeny Park, is affiliated with the American Kennel Club. Its exhibits include a Hall of Fame that honors champion dogs from various competitions, along with dogs from pop culture, such as Rin Tin Tin, and service dogs of distinction, like those that have done search-and-rescue work.

The museum also hosts guest dogs so visitors can learn about various breeds, and offers space for dog club meetings and dog trainings. A lecture series includes an upcoming program Nov. 2 on Jim the Wonder Dog, who lived in Marshall, Mo, and gained a reputation in the 1930s for supposedly being able to predict competition winners and the gender of unborn babies.

The museum was founded in 1982 in New York City, but moved to St. Louis a few years later. George, who took over the museum about a year ago, says the museum still relatively unknown. It attracts about 10,000 visitors annually, but he hopes to broaden the outreach.

One of the most striking things about dog paintings is how hard it is to guess their age. When art depicts people or objects, there are often clues to the era from dress or decor. But a dog painted in the 19th century may not appear all that different from a dog painted in the 21st century.

The museum relies on donations and bequests, and it doesn’t claim to have a comprehensive survey of famous dog art – there are no William Wegman weimaraners, or Cassius Marcellus Coolidge’s images of hounds playing poker. But it does have some noteworthy pieces, including Maud Earl’s Great Dane at the Seashore, and several 1830s works by Edwin Landseer, who painted Queen Victoria’s dogs.

There are also unusual artifacts: century-old dog collars, a carved canine from a 19th century carousel, even antique dog toys.

As for the numerous displays of porcelain figurines, George says they are all fine art –including Royal Doulton pieces – not the “kitschy stuff” found in gift shops or grandma’s curio cabinet.

“There are a lot of works that people don’t understand that we have here, so it’s an awakening experience for a lot of people,” he said.

___

If You Go…

AMERICAN KENNEL CLUB MUSEUM OF THE DOG: 1721 S. Mason Road, in Queeny Park, St Louis; http://www.museumofthedog.org or 314-821-3647. Tuesday to Saturday, 10 a.m.- 4p.m.; Sundays, 1 p.m.-5 p.m. Adults, $5; seniors, $2.50; children, ages 5-14, $1.

Copyright 2014 Associated Press. All rights reserved. This material may not be published, broadcast, rewritten, or redistributed.

AP-WF-10-15-14 1928GMT


ADDITIONAL IMAGE OF NOTE


Maud Earl, 'Great Dane at the Seashore,' late 19th - early 20th century, oil on canvas.
Maud Earl, ‘Great Dane at the Seashore,’ late 19th – early 20th century, oil on canvas.

Kovels Antiques & Collecting: Week of Oct. 20, 2014

This 19th century Dutch walnut secretary with inlay sold for $2,214 at New Orleans Auction Galleries. It is an example of the bargains that are now seen at auctions because of the drop in prices of what the trade calls 'brown furniture.'
This 19th century Dutch walnut secretary with inlay sold for $2,214 at New Orleans Auction Galleries. It is an example of the bargains that are now seen at auctions because of the drop in prices of what the trade calls 'brown furniture.'
This 19th century Dutch walnut secretary with inlay sold for $2,214 at New Orleans Auction Galleries. It is an example of the bargains that are now seen at auctions because of the drop in prices of what the trade calls ‘brown furniture.’

BEACHWOOD, Ohio – What a bargain! Often an authentic antique sells for less than a modern copy. Since the price of antique wooden (“brown”) furniture has dropped in the last few years, the good news is that there are many bargains for a buyer looking for an older style.

Fewer home sales mean fewer furnishings sales, and the prices of antiques have suffered.

Few Americans grew up with a 19th-century inlaid secretary from Holland in the house. Dutch designs were elaborate, with curved legs, domed cornices, mirrored door fronts, even a slant-front opening covered by a flip top that served as a desk. And of course there were drawers, candle slides and cubbyholes. It is the perfect piece for a period room or as an accent piece in a simple modern room. And the drawers furnish good storage space.

A new reproduction piece like this would have plain, not inlaid, surfaces and probably straighter legs and less trim. A top-quality copy would cost about $5,000. At a 2014 auction, a 7-foot-high secretary desk that could easily be moved into a modern room with the usual 8-foot ceiling sold for $2,214 at New Orleans Auction Galleries. More good news, an antique has a better chance than a copy to go up in value.

Q: I was 3 years old in 1937 when I was flower girl in my aunt’s wedding. I wore a pale blue dress with pink trim and ivory lace at the neck. The tag inside reads “A Nannette Toddler Shirley Temple Brand” along with a picture of Shirley Temple. I still have the dress. What is it worth?

A: Shirley Temple was 5 when she made her film debut. Her 1930s and ’40s retail dresses were designed like her movie costume dresses, in a toddler style even though she wasn’t a toddler. They were made by Nannette Manufacturing Co. of New York City, a division of Rosenau Brothers. The basic design was a skirt with soft pleats and contrasting collar. Fabrics were cotton, organdy and dotted Swiss in prints, plaids, checks and embroidery. There wasn’t much trimming, maybe a small bow, an appliqued figure or narrow lace edging. A 1936 newspaper advertised Shirley Temple dresses for $1.89 each. Dresses for older little girls were made by Cinderella, also a division of Rosenau. Shirley Temple dresses for sale in online shops are priced $30 to $60.

Q: I have a set of Norman Rockwell prints I received as a premium for subscribing to Reader’s Digest in the early 1970s. They depict the four seasons. Each one is signed and numbered 2945. I was wondering if they might be collector’s items.

A: You don’t say what size the prints are, but they’re probably small if they were sent to you as a premium. Norman Rockwell (1894-1978) was a hugely popular U.S. artist and illustrator in the middle decades of the 20th century. Respect for his work has grown again in recent years. Large Rockwell prints that were actually autographed by Rockwell sell for high prices. Your set might sell for $25 or so.

Q: I have a little bronze figure of a man wearing a turban and sitting on a donkey facing backward. He’s holding the donkey’s tail. The donkey is 3 1/2 inches tall and 4 1/2 inches long. I have had this for more than 25 years and nobody knows anything about it. What can you tell me?

A: You have a figure of Nasreddin Hoca (1208-1294), a Turkish philosopher and wise man. “Hoca” is Turkish for “teacher.” Nasreddin is a popular folk figure in many countries, especially in the Muslim world, and humorous stories about him have been translated into several languages. He has been called “a master of the negative way.” When people told him he was riding his donkey backward, he answered “No, it is not that I am sitting on the donkey backwards, it is the donkey that is facing the wrong way!” UNESCO declared 1996 “Nasreddin Hoca year.” Your Nasreddin figure is worth about $25.

Q: I bought a set of Gerber Swiss Bells and it’s still in the original package. There are five plastic bells, each in a different color. It has the original price tag of $1 still attached. When was it made and how much is it worth?

A: Dorothy Gerber (Mrs. Dan Gerber of Gerber Products Co.) wrote about the bells in her popular newspaper column, “Bringing Up Baby,” in 1965. But online sources that offer these musical bells for sale claim they are from the 1950s. A set of the bells in good condition but without the packaging recently sold for $20. Another set, in the original package, sold for $25.

Q: I have a ball-shaped, clear glass jar embossed “National Biscuit Company” in capital letters. I’m told it was in my family’s restaurant in the early 1940s. The jar, with the lid on, is 11 inches tall. It’s a little over 10 inches in diameter at its widest point. Please tell us its approximate age and value.

A: The National Biscuit Co. was founded in East Hanover, N.J., in 1898. We know the company as “Nabisco,” which became its corporate name in 1971. It’s likely your jar dates from the early post-World War II era. There are other versions of National Biscuit Co. glass jars. Yours sells for $65 to $75.

Tip: If you are remodeling or redecorating, think about antiques and collectibles displayed in the work area. A workman will hammer on a wall without worrying about shelves on the other side.

Terry Kovel and Kim Kovel answer questions sent to the column. By sending a letter with a question, you give full permission for use in the column or any other Kovel forum. Names, addresses or email addresses will not be published. We cannot guarantee the return of photographs, but if a stamped envelope is included, we will try. The amount of mail makes personal answers or appraisals impossible. Write to Kovels, Auction Central News, King Features Syndicate, 300 W. 57th St., New York, NY 10019.

CURRENT PRICES

Current prices are recorded from antiques shows, flea markets, sales and auctions throughout the United States. Prices vary in different locations because of local economic conditions.

  • Disney hooked rug, Mickey Mouse as train engineer, Disney characters, multicolor, 46 x 57 inches, $60.
  • Mettlach stein, No. 2005, 1600s tavern scene, four drinkers, signed “H.D.,” 1901, half-liter, $270.
  • Paris porcelain vase, men, rowboats, waves, whale, bears, flowers, gilt highlights, c. 1850, 7 inches, pair, $480.
  • Belt buckle, silver armadillo pattern, overlapping links, Mexico, c. 1953, 4 3/4 inches, $530.
  • Cabinet, Arts & Crafts, oak, two panel doors, carved sides, iron hardware, 49 x 61 inches, $565.
  • Baseball jersey, New York Mets, World Series Champions, autographed, 23 players, 1986, $750.
  • Railroad poster, “Visit Washington, Symbol of Democracy, Pennsylvania Railroad,” J. Collins, c. 1950, 46 x 29 inches, $1,250.
  • Toy truck, stake, black, yellow, rubber tires, Buddy L, Junior series, c. 1925, 17 inches, $2,370.
  • Bronze sculpture, hunter with bloodhound, signed “P.J. Mene,” 1879, 18 11/16 inches, $3,125.
  • Vienna Porcelain urn, lid, egg shape, woman water carrier and man, indoor domestic scenes, multicolor on cobalt blue ground, gilt, beehive mark, E.L. Hermann, 43 3/4 inches, $11,250.

New! Kovels’ Antiques & Collectibles Price Guide, 2015, 47th edition, is your most accurate source for current prices. It’s available now and includes a special bonus section that helps you determine prices if you’re downsizing and selling your collectibles and antiques. If you order directly from the Kovels, you’ll receive our free xompanion eBook with all of the book’s 35,000 prices – ready for downloading to your eReader. “Kovels” is the best book to own if you buy, sell or collect. The large-size paperback has more than 2,500 color photographs 700 categories of antiques and collectibles. You’ll also find hundreds of factory histories and marks, a report on record prices, and helpful sidebars and tips about buying, selling, collecting and preserving your treasures. Available for $27.95 plus $4.95 postage. Purchase directly from the Kovels if you want the eBook Companion. Visit KovelsOnlineStore.com, call 800-303-1996, or write to Price Book, P.O. Box 22900, Beachwood, OH 44122.

© 2014 by Cowles Syndicate Inc.


ADDITIONAL IMAGE OF NOTE


This 19th century Dutch walnut secretary with inlay sold for $2,214 at New Orleans Auction Galleries. It is an example of the bargains that are now seen at auctions because of the drop in prices of what the trade calls 'brown furniture.'
This 19th century Dutch walnut secretary with inlay sold for $2,214 at New Orleans Auction Galleries. It is an example of the bargains that are now seen at auctions because of the drop in prices of what the trade calls ‘brown furniture.’

Bertoia’s presents Max Berry antique bank & toy collection, Nov. 14-15

Althof Bergmann suffragette drummer with horse bell toy, hand-painted tin, cast-iron wheels, 10in long, est. $1,800-$2,250. Bertoia Auctions image

Althof Bergmann suffragette drummer with horse bell toy, hand-painted tin, cast-iron wheels, 10in long, est. $1,800-$2,250. Bertoia Auctions image

Althof Bergmann suffragette drummer with horse bell toy, hand-painted tin, cast-iron wheels, 10in long, est. $1,800-$2,250. Bertoia Auctions image

VINELAND, N.J. – At this point in the evolution of antique toy and bank collecting, it could be argued that there are two basic groups of collectors: those who have had the privilege of viewing the Max N. Berry collection, and those who will see it for the first time on November 14-15, 2014 at Bertoia’s. Over those two days in mid-November, the family-owned New Jersey company will auction a total of 479 lots of early toys and mechanical banks from the distinguished Berry collection, with nearly 100 lots planned for the Friday evening session, and the balance to follow on the Saturday. Internet live bidding will be available through LiveAuctioneers.

“I don’t know where you would go to top the Max Berry collection for ‘wow factor.’ Max has been astonishing his fellow collectors for decades, with one impossibly rare toy after another,” said Bertoia Auctions associate Rich Bertoia. “Max set his sights on buying primarily from pedigreed collections whose name value gave the toys and banks automatic provenance.”

Of the nearly 200 mechanical banks to be offered in Bertoia’s November sale, many are so rare, they fall under the heading of “less than a handful known.”

A prime example would be Berry’s 1880s “Darky Fisherman” mechanical bank, designed by Charles A. Bailey of Cobalt, Connecticut. Formerly in the Steven and Marilyn Steckbeck collection, it is one of only two known examples designed with an original fish dangling at the end of the fisherman’s line. Bertoia’s estimate is $225,000-$250,000.

Another extraordinarily rare bank in the Berry collection is a J. & E. Stevens Preacher at the Pulpit. Patented in 1876 and one of three known, it comes to auction with a long and storied line of provenance that goes back to pioneer collector Dr. Arthur E. Corby. Estimate: $150,000-$175,000.

The only known original example of a circa-1890s Target in Vestibule mechanical bank, ex Steckbeck and L.C. Hegarty collections, is of unknown American manufacture. In near-mint condition, it is estimated at $30,000-$40,000. A rather obscure circa-1878 Rival mechanical bank with a “springing” monkey figure could reach $30,000-$45,000; while a circa-1880 C.G. Bush Clown on Bar bank, ex Hegarty collection, it is estimated at $60,000-$80,000.

A horse-theme “Trotter” mechanical bank purported to be the only surviving example was made around 1890 by an unknown manufacturer. When a coin is dropped into the saddle, the horse’s front leg paws the ground. “There is a mold for a still bank that has a similar appearance, but being non-mechanical, it does not have a moving leg,” Bertoia noted. The Horse bank is entered with an $18,000-$25,000 estimate.

Other prizes include an 1882-patented Shoot That Hat mechanical bank, $40,000-$60,000; an American Mechanical Sewing Machine bank, $18,000-$22,000; and an 1884-patented Presto Penny Changes to Quarter bank that “magically” converts a deposited penny to a quarter. It will take much more than 25 cents to own this intriguing bank, which is estimated at $40,000-$55,000.

At the top tier of mechanical banks in the Max Berry collection are two original models, both made of lead, formerly in the Hegarty collection. One is a Wishbone bank in which two figures “pull” on a wishbone that comes apart; the other is a circa-1881 Charles A. Bailey-designed Old Aunt Dinah and the Fairy. Both of these patterns will be auctioned with an $80,000-$100,000 estimate.

Collectors of tin banks will find many exciting rarities in the Berry collection, as well. The only known example of a Weeden clockwork Chinese Ball Tosser, with its original box, is expected to make $70,000-$90,000. Also featured are two Saalheimer & Strauss Mickey Mouse money boxes in very fine condition, est. $15,000-$30,000 each; and an extremely rare, German-made Automatic Savings Bank depicting a circus strongman punching a sailor character, est. $10,000+.

A prominent Washington attorney and trusted high-level political adviser, Max Berry purchased his first mechanical bank in 1967, but his toy buying didn’t begin until 1970.

“In the beginning, the only reason I purchased toys was because I knew the big bank collectors wouldn’t sell their duplicates, but they would trade them if you had a rare toy to offer to them,” said Berry. “Before long, I was buying and collecting both toys and mechanical banks, and I ended up with a couple of thousand pieces in my collection.”

Berry’s wise bartering strategy resulted in an enviable sub-collection of early American horse-drawn cast-iron toys. Few would argue that the piece de resistance is an exquisite Ives Cutter Sleigh, the only one known that retains its original seated figure. Estimate: $125,000-$150,000. A Hubley Revolving Monkey Cage Wagon, one of possibly three known, could reach $75,000-$100,000. Additionally, many early cast-iron firefighting toys will be offered.

A Who’s Who of bell toys includes many scarce pieces. A circa-1885 Woman Drummer is a quintessential American patriotic toy, depicting a seated woman in an open cart with eagle finial. As though in a parade, the center bell rings as the toy is pulled along. Estimate: $22,000-$25,000. Additionally, the auction offers a three-dimensional brass pattern for a bell toy called “Christmas Morning,” an endearing depiction of children with toys and a cat. It was formerly in the collection of financier Edwin H. Mosler Jr (1919-1982) and reportedly was one of his favorite toys.

Early American tin was another of Max Berry’s favorite categories, and he had his share of great examples from the finest makers, including George Brown, Althof Bergmann, Merriam, and Hall & Stafford. There are platform toys with suffragette figures and a menagerie of animals that includes elephants, goats, and horses with trainers.

Jeanne Bertoia, owner of Bertoia Auctions, said anyone wishing to learn about antique toys will have the perfect opportunity to do so at the preview and auction.

“What makes Max so special as a collector is that his personal satisfaction has never been tied to the idea of amassing a large quantity of toys. His greatest pleasure has always come from sharing his lifetime of knowledge in hopes of inspiring others to collect,” she said. “Having him in the room is like having access to a graduate course in antique toys, with the most fascinating professor imaginable in charge. Our preview and auction are going to be welcoming, hospitable events to honor Max, whom we have no doubt will be the center of attention.”

To contact Bertoia’s about any item in the auction, call 856-692-1881 or email toys@bertoiaauctions.com.

View the fully illustrated catalog and sign up to bid absentee or live via the Internet at www.LiveAuctioneers.com.

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ADDITIONAL LOTS OF NOTE


Althof Bergmann suffragette drummer with horse bell toy, hand-painted tin, cast-iron wheels, 10in long, est. $1,800-$2,250. Bertoia Auctions image

Althof Bergmann suffragette drummer with horse bell toy, hand-painted tin, cast-iron wheels, 10in long, est. $1,800-$2,250. Bertoia Auctions image

Cast-iron mechanical bank of unknown manufacture and reportedly given away by the American Sewing Machine Co., circa 1880s, est. $12,000-$15,000. Bertoia Auctions image

Cast-iron mechanical bank of unknown manufacture and reportedly given away by the American Sewing Machine Co., circa 1880s, est. $12,000-$15,000. Bertoia Auctions image

Saalheimer & Strauss Mickey Mouse mechanical tin bank, circa 1930s, est. $15,000-$18,000. Bertoia Auctions image

Saalheimer & Strauss Mickey Mouse mechanical tin bank, circa 1930s, est. $15,000-$18,000. Bertoia Auctions image

Ives Flying Artillery, circa 1890, a classic American firefighting toy, 21in long, est. $2,500-$3,500. Bertoia Auctions image

Ives Flying Artillery, circa 1890, a classic American firefighting toy, 21in long, est. $2,500-$3,500. Bertoia Auctions image

Ives Cutter Sleigh, circa 1893, 19½in long, considered by many the finest American toy ever produced, illustrious line of provenance, est. $100,000-$150,000. Bertoia Auctions image

Ives Cutter Sleigh, circa 1893, 19½in long, considered by many the finest American toy ever produced, illustrious line of provenance, est. $100,000-$150,000. Bertoia Auctions image

Christmas Morning bell toy brass pattern of unknown manufacture. Provenance: collections of Edwin H. Mosler Jr., Al Davidson. Est. $8,000-$10,000. Bertoia Auctions image

Christmas Morning bell toy brass pattern of unknown manufacture. Provenance: collections of Edwin H. Mosler Jr., Al Davidson. Est. $8,000-$10,000. Bertoia Auctions image

Hubley clockwork amusement ride toy, circa 1885, 19in long, est. $25,000-$30,000. Bertoia Auctions image

Hubley clockwork amusement ride toy, circa 1885, 19in long, est. $25,000-$30,000. Bertoia Auctions image

Boy on clockwork tricycle, cast-iron frame with tin open card, hand-painted all-wood figure, 16in long, est. $6,000-$7,500. Bertoia Auctions image

Boy on clockwork tricycle, cast-iron frame with tin open card, hand-painted all-wood figure, 16in long, est. $6,000-$7,500. Bertoia Auctions image

Marklin (Germany) oversize hansom cab, 28in long, est. $15,000-$18,000. Bertoia Auctions image

Marklin (Germany) oversize hansom cab, 28in long, est. $15,000-$18,000. Bertoia Auctions image

Father Christmas penny toy, Meier (Germany), lithographed tin with removable lid on basket for access to candy, est. $4,000-$5,000. Bertoia Auctions image

Father Christmas penny toy, Meier (Germany), lithographed tin with removable lid on basket for access to candy, est. $4,000-$5,000. Bertoia Auctions image

J. & E. Stevens Preacher in the Pulpit cast-iron mechanical bank, circa 1876, superb provenance including Dr. Arthur Corby, L.C. Hegarty, Stanley Sax. Est. $150,000-$200,000. Bertoia Auctions image

J. & E. Stevens Preacher in the Pulpit cast-iron mechanical bank, circa 1876, superb provenance including Dr. Arthur Corby, L.C. Hegarty, Stanley Sax. Est. $150,000-$200,000. Bertoia Auctions image

Sterling Associates to host creepy ‘Danse Macabre’ auction, Oct. 22

Selection of four African throwing knives with engraved blades and wrapped handles. Sterling Associates image

Selection of four African throwing knives with engraved blades and wrapped handles. Sterling Associates image

Selection of four African throwing knives with engraved blades and wrapped handles. Sterling Associates image

CLOSTER, N.J. – “It will creep you out,” warned Sterling Associates’ owner, Stephen D’Atri, describing the vast contents of the estate to be auctioned on Wednesday, October 22, with Internet live bidding through LiveAuctioneers. “By day, Mark Falk was a high-level government employee who went to church regularly and played music as a hobby. All of his friends say he was a wonderful, interesting guy. But what made him different was that he also had a fascination with death.”

Falk’s harmless but unusual obsession led to his amassing an extraordinary collection of sheet music, books, photographs, artwork and other objects – even human bones – that had a connection to death.

“Because of his interest in music, Mr. Falk collected hundreds of thousands of pieces of sheet music and music journals, some of them hand-published, from the 18th century to contemporary times. The music covers all sorts of themes, but we named our auction ‘Danse Macabre’ because, in one particular section of his sheet music collection, he had many renditions of the song titled ‘Danse Macabre,’ by various composers and arrangers,” D’Atri said.

D’Atri and his team spent well over two months sorting through and lotting the sheet music, which D’Atri said would appeal to individual collectors as well as online and brick-and-mortar sheet music dealers. A specialty section of the sale is geared especially toward retailers and buyers of 18th, 19th and 20th-century music.

“All of it is original material,” said D’Atri. “You can tell that, over the years, Mr. Falk bought sheet music from sources in many different countries. Many items were priced in lira, franks, Deutschmarks, or later on, in euros.”

The “macabre” section of the sale contains 50 to 60 lots of books and other literary works, many published prior to 1920. Examples include: “The Ultimate Jack the Ripper Companion,” “The Quacks of Old London,” and “Devils, Drugs and Doctors.” Some are more scientific in their approach, such as “Post Mortem – Essays, Historical and Medical,” “Mistakes and Accidents of Surgery,” and the 1866 publication “What to Observe at the Bedside and After Death in Medical Cases.” Additional subjects covered include mass murderers, poisoners, the devil, pirates, and American Indian “horrors and massacres.” Books will be offered in lots by category.

A number of large edged weapons will be auctioned, including crude African tribal daggers and Nepalese “kukris.” Among the voodoo and vampire-related items are two vampire-killing sets – one of which is housed in a large coffin – and a 24- by 12-inch voodoo priestess box that contains effigy dolls, brushes, mystical herbs and other paraphernalia. “So far, the vampire and voodoo items have been the most visited lots in our online catalog,” said D’Atri.

The macabre selection also includes taxidermied insects (tarantulas, spiders, beetles, etc.), 1850s-1870s post-mortem daguerreotypes, and several human bones. “In the bone grouping there’s a foot, hand, pelvis and a partial skull. We already have multiple absentee bids on all of them,” D’Atri said.

“Aside from the morbid aspects of Mark Falk’s estate, it contains many of the types of things you’d expect to find in a nice home,” D’Atri observed. “There are clocks, sculptures, paintings and other decorative objects.”

The auction also includes two baby grand pianos – a 2005 Vogel V 180 Royal (by Schimmel), of lacquered mahogany; and a Chickering. Both will be auctioned at the beginning of the sale, together with 150 lots of sheet music. The music section will be followed by books, then all other categories.

There are many ways to participate in Sterling Associates’ October 22, 2014 Danse Macabre Auction, but the company conducts its auctions a bit differently than most.

“All bidding is conducted remotely, but we’re very much a permanent brick-and-mortar company where anyone can come in to inspect the goods,” said D’Atri. “It will be run exactly like a live auction, but without a live audience.”

The Wednesday, Oct. 22, 2014 auction will commence at 3 p.m. Eastern Time, two hours earlier than usual. The live gallery preview is from 10-3 on Oct. 20, 21 and 22; or by appointment. The gallery is located at 70 Herbert Ave., Closter, NJ 07624. Absentee and Internet live bidding will be available through LiveAuctioneers.com.

Click to view a narrated video tour of highlights from the auction. Caution — it’s not for the faint of heart!

View the fully illustrated catalog and sign up to bid absentee or live via the Internet at www.LiveAuctioneers.com.

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For additional information on any item in the auction or to reserve a phone line, call 201-768-1140 or e-mail sterlingauction@optimum.net. Online: www.antiquenj.com. View the fully illustrated catalog online at www.LiveAuctioneers.com


ADDITIONAL LOTS OF NOTE


Selection of four African throwing knives with engraved blades and wrapped handles. Sterling Associates image
 

Selection of four African throwing knives with engraved blades and wrapped handles. Sterling Associates image

Vogel V 180 Royal (by Schimmel) baby grand piano, German, lacquered mahogany. Sterling Associates image

Vogel V 180 Royal (by Schimmel) baby grand piano, German, lacquered mahogany. Sterling Associates image

Collection of six antique music journals containing sheet music from various composers. Sterling Associates image

Collection of six antique music journals containing sheet music from various composers. Sterling Associates image

Bound album of handwritten sheet music, possibly by Mozart, 19th century. Sterling Associates image

Bound album of handwritten sheet music, possibly by Mozart, 19th century. Sterling Associates image

Victorian post-mortem ambrotype / daguerreotype of an infant. Sterling Associates image

Victorian post-mortem ambrotype / daguerreotype of an infant. Sterling Associates image

Regimental silver mounted Gurkha kukri with Royal Cypher of Queen Elizabeth II; rear pouch contains two horn-handle knives. Sterling Associates image

Regimental silver mounted Gurkha kukri with Royal Cypher of Queen Elizabeth II; rear pouch contains two horn-handle knives. Sterling Associates image

Vampire-killing kit with wood stakes, silver crucifixes and other accouterments in coffin-shape box. Sterling Associates image

Vampire-killing kit with wood stakes, silver crucifixes and other accouterments in coffin-shape box. Sterling Associates image

Nineteenth-century voodoo priestess box with various hexing paraphernalia, including wax doll, skull, claw, mystical herbs, etc. Sterling Associates image

Nineteenth-century voodoo priestess box with various hexing paraphernalia, including wax doll, skull, claw, mystical herbs, etc. Sterling Associates image

From a grouping of human bones, a portion of a skull. Sterling Associates image

From a grouping of human bones, a portion of a skull. Sterling Associates image

Breker to tally early computer in tech auction Nov. 14-15

Capable of solving a range of complex equations, this 1958 Mechanical Analogue Computer, or M.A.C., was an early flight simulator. Auction Team Breker image
Capable of solving a range of complex equations, this 1958 Mechanical Analogue Computer, or M.A.C., was an early flight simulator. Auction Team Breker image

Capable of solving a range of complex equations, this 1958 Mechanical Analogue Computer, or M.A.C., was an early flight simulator. Auction Team Breker image

COLOGNE, Germany – In May 2013 Auction Team Breker set a new world record for selling a 1976 Apple I computer for $671,400 (516,500 euros). The Apple I is the iconic first product of today’s most successful technology company, yet its inventor Steve Wozniak might be surprised to discover that a MAC computer that existed 18 years before Apple Inc. was founded is being offered by Auction Team Breker at its Nov. 14-15 auction of science and technology which will also include fine toys and automata.

LiveAuctioneers.com will provide Internet live bidding.

M.A.C. is the acronym for a Mechanical Analogue Computer built by the English firm Air Trainers Link Ltd. of Aylesbury in 1958. Capable of solving a range of complex equations, this early flight simulator was the first tape-controlled computer system in the world. Input and output data was presented on a moving paper recorder. Although kits were also offered for the technically ambitious, a glance at the complex machinery of shafts, levers and pulleys explains why its case was the size of a large wardrobe (64 x 77 x 24 inches) – a far cry from today’s compact Mac products. This example was discovered on the British Isle of Wight and is believed to be one of only two still in existence. The other is one at the Science Museum London. Auction Team Breker estimates the early computer at $13,500-$27,000 (10,000-20,000 euros).

Another important piece of historic technology on offer is a combined radio detector and Morse receiver of circa 1910, a unique laboratory prototype of early wireless technology (estimate: $6,500-$10,000 / 5,000-8,000 euros). Also included in Breker’s auction is a rare Marconi Magnetic Detector, or “Maggie,” of the sort that once outfitted R.M.S. Titanic’s radio room. The device is credited with saving some 700 lives on board the ill-fated passenger ship (estimate: $10,000-$15,000 / 8,000-12,000 euros).

A more recent historic event is the subject of a satirical automaton of Russian President Vladimir Putin signing the agreement of Accession of the Crimea to Russia on March 18, 2014. The work of well-known author and automata-maker Christian Bailly, Paris, this automaton was modeled on a late 19th century automaton “Pierrot Writer” by Gustave Vichy. Bailly portrays the Putin at a desk; as the light of the old-fashioned lamp dims, the president grows weary, his head drops and his hand pauses. Then, waking again, he turns up the lamp and continues writing (estimate: $33,000-$46,000 / 25,000-35,000 euros).

An imposing forte piano grand format musical box by Nicole Frères carries an interesting history. The property of J.A. Guichard, a merchant in Manila during the 1860s, it was discovered in a farmhouse in rural Maine in 1959, carefully restored and then enjoyed by summer visitors in one of the oldest privately owned mechanical music museums on the East Coast (estimate: $13,000-$20.000 / 10,000-15,000 euros).

Two rare developments in recorded sound from the turn of the century feature in Breker’s auction. The first, a Polygraphon by Polyphonwerk of Leipzig, combines a traditional disc music box with a 78 rpm record player (estimate: $10,000-$15,000 / 8,000-12,000 euros). The second, a Bébé Lioretgraphe, combines a beautiful bisque-headed doll by Jumeau with an ingenious celluloid-cylinder phonograph patented by the French clockmaker and sound pioneer Henri Lioret in 1893 (estimate: $6,500-$10,000 / 5,000-8,000 euros).

Among the traditional tin toys is an elegant open motor coach with passengers by Gebr. Bing – the first model automobile by this maker – from circa 1900 (estimate: $6,500-$10,000 / 5,000-8,000 euros) and a fresh-to-the-market collection of over 70 tin toy motorcycles.

View the fully illustrated catalog and register to bid absentee or live via the Internet as the sale is taking place by logging on to www.LiveAuctioneers.com.


ADDITIONAL LOTS OF NOTE


Capable of solving a range of complex equations, this 1958 Mechanical Analogue Computer, or M.A.C., was an early flight simulator. Auction Team Breker image

Capable of solving a range of complex equations, this 1958 Mechanical Analogue Computer, or M.A.C., was an early flight simulator. Auction Team Breker image

Rare Marconi magnetic detector, or ‘Maggie,’ of the type that was installed in the R.M.S. Titanic's radio room, estimate: $10,000-$15,000 (8,000-12,000 euros). Auction Team Breker image

Rare Marconi magnetic detector, or ‘Maggie,’ of the type that was installed in the R.M.S. Titanic’s radio room, estimate: $10,000-$15,000 (8,000-12,000 euros). Auction Team Breker image

This musical cathedral clock was likely created as an exhibition piece by B.A. Bremond of Geneva around 1870, estimate: $5,500-$8,000 (4,000-6,000 euros). Auction Team Breker image

This musical cathedral clock was likely created as an exhibition piece by B.A. Bremond of Geneva around 1870, estimate: $5,500-$8,000 (4,000-6,000 euros). Auction Team Breker image

'Sur-plateau’ musical repeater gold pocket watch, circa 1820, estimate: $10,000-$15,000 (8,000-12,000 euros). Auction Team Breker image

‘Sur-plateau’ musical repeater gold pocket watch, circa 1820, estimate: $10,000-$15,000 (8,000-12,000 euros). Auction Team Breker image

This Polygraphon combines a traditional disc music box with a 78 rpm record player, estimate: $10,000-$15,000 (8,000-12,000 euros). Auction Team Breker image

This Polygraphon combines a traditional disc music box with a 78 rpm record player, estimate: $10,000-$15,000 (8,000-12,000 euros). Auction Team Breker image

Bébé Lioretgraphe combines a bisque-headed doll by Jumeau with an ingenious celluloid-cylinder phonograph patented by the French clockmaker and recorded sound pioneer Henri Lioret, estimate: $6,500-$10,000 (5,000-8,000 euros). Auction Team Breker image

Bébé Lioretgraphe combines a bisque-headed doll by Jumeau with an ingenious celluloid-cylinder phonograph patented by the French clockmaker and recorded sound pioneer Henri Lioret, estimate: $6,500-$10,000 (5,000-8,000 euros). Auction Team Breker image

Bing open motor coach with passengers, circa 1900, estimate: $6,500-$10,000 (5,000-8,000 euros). Auction Team Breker image

Bing open motor coach with passengers, circa 1900, estimate: $6,500-$10,000 (5,000-8,000 euros). Auction Team Breker image

One of more than 70 tin toy motorcycles that will be sold by Auction Team Breker on Nov. 14-15. Auction Team Breker image

One of more than 70 tin toy motorcycles that will be sold by Auction Team Breker on Nov. 14-15. Auction Team Breker image

Arts panel approves design for Eisenhower Memorial

Model of the proposed Dwight D. Eisenhower Memorial. Eisenhower Memorial Commission image, courtesy of Wikimedia Commons.
Model of the proposed Dwight D. Eisenhower Memorial. Eisenhower Memorial Commission image, courtesy of Wikimedia Commons.
Model of the proposed Dwight D. Eisenhower Memorial. Eisenhower Memorial Commission image, courtesy of Wikimedia Commons.

WASHINGTON (AP) – A key arts panel has approved a revised design for a memorial to honor President Dwight D. Eisenhower in Washington, which could clear the way for groundbreaking.

The U.S. Commission of Fine Arts voted Thursday to approve Frank Gehry’s design. A federal planning agency also recently approved the design.

The Eisenhower Memorial Commission that’s working to build the $140 million project says the approvals clear the way for groundbreaking in 2015.

Congress must still fund the project, however. So far, $63 million has been appropriated. The memorial group has $25 million of that on hand. But critics, including Eisenhower’s family, have delayed the project.

Gehry designed a memorial park with statues of Eisenhower. A large metal tapestry depicting the Kansas landscape of his boyhood home would serve as the backdrop.

Copyright 2014 Associated Press. All rights reserved. This material may not be published, broadcast, rewritten, or redistributed.

AP-WF-10-16-14 2251GMT


ADDITIONAL IMAGE OF NOTE


Model of the proposed Dwight D. Eisenhower Memorial. Eisenhower Memorial Commission image, courtesy of Wikimedia Commons.
Model of the proposed Dwight D. Eisenhower Memorial. Eisenhower Memorial Commission image, courtesy of Wikimedia Commons.

Crews begin demolition of Packard plant in Detroit

Ruins of the Packard plant in Detroit. Image by Albert Duce. This file is licensed under the Creative Commons Attribution-ShareAlike 3.0 Unported license.

Ruins of the Packard plant in Detroit. Image by Albert Duce. This file is licensed under the Creative Commons Attribution-ShareAlike 3.0 Unported license.
Ruins of the Packard plant in Detroit. Image by Albert Duce. This file is licensed under the Creative Commons Attribution-ShareAlike 3.0 Unported license.
DETROIT (AP) – Demolition started Friday on a section of the massive and crumbling Detroit Packard auto factory complex – a symbol of the city’s blight and past manufacturing glory.

A high reach demolition excavator was used to rip out reinforced concrete exterior wall and floor supports.

Resembling a large toothy metal claw, the heavy equipment also sent chunks of wood, brick and concrete crashing to the closed-off street below.

Friday’s work was meant “to make the area safer for the community, but also safer for our workers that are going to be here on site,” said Kari Smith, Packard project manager.

Peruvian developer Fernando Palazuelo bought the 40-acre site last year for $405,000 at a Wayne County tax foreclosure auction. He wants to bring in apartments, retail, high-tech entrepreneurs, light industrial operations and artist studios.

Palazuelo told The Associated Press in June that the total redevelopment cost should be near $350 million. It would be paid with rent he receives from his projects in Lima, he said.

Built in the early 1900s, the Packard plant was designed by Albert Kahn. The company became a dominant luxury carmaker in the United States in the late 1920s and by the 1940s had 36,000 employees.

The last auto was made there in the mid- to late-1950s and the various buildings eventually were used as warehouses, other manufacturing and small industrial projects.

Former owners failed to pay thousands of dollars in back taxes. City officials have said razing the structures and cleaning out polluted soil could cost as much as $20 million.

“We have clear ownership,” Smith said. “Taxes are paid and now we’re moving forward with redevelopment. The whole thing takes time when you’re dealing a project of this size.

“What we’ll expect to see is a complete cleanup and remediation of all the environmental toxins, all the debris and the reinforced concrete pieces that are causing safety issues in the neighborhood.”

A sweep of the building’s interior was done before work started Friday to make sure no one was inside.

“Security is an issue,” Smith said. “It’s a very large place, but we’re taking all the precautions.”

British graffiti artist Banksy is credited with painting a mural at the site with the message, “I remember when all this was trees.”

The art was moved to a gallery, but Palazuelo would like to get it back.

Copyright 2014 Associated Press. All rights reserved. This material may not be published, broadcast, rewritten, or redistributed.

AP-WF-10-17-14 2105GMT


ADDITIONAL IMAGE OF NOTE


Ruins of the Packard plant in Detroit. Image by Albert Duce. This file is licensed under the Creative Commons Attribution-ShareAlike 3.0 Unported license.
Ruins of the Packard plant in Detroit. Image by Albert Duce. This file is licensed under the Creative Commons Attribution-ShareAlike 3.0 Unported license.