Antique typewriters hammered out big numbers at Auction Team Breker

Jackson Type I typewriter, which sold for €22,000 ($23,820, or $29,485 with buyer’s premium) at Breker.

COLOGNE, GERMANY — Although the modern typewriter ultimately assumed a single design, its invention was incremental, and was the product of numerous inquiring minds working independently or in competition across decades. However, as the pace of business communications changed in the late 19th century, so the pace of typewriter development accelerated.

Some of the most desirable typewriters in the collecting field were offered by technology specialist Auction Team Breker in its March 23 sale. They shared two features in common. All dated from a relatively brief period — circa 1890 to 1905 — and none experienced much in the way of commercial success.

Joseph Hassel Jackson’s Typewriter Company of Boston, Massachusetts advertised its first ‘time and labour saving’ product in August 1899. The Jackson Type I, designed by factory foreman Andrew Wilton Steiger (1856-1935), was promoted as the ‘fastest machine in the world’ and was priced at $100.

The curious ‘grasshopper-action’ is described by Darryl Rehr in the 1997 book Antique Typewriters and Office Collectibles as follows: “Each type-bar resembles an elongated pantograph, with the scissors action accomplishing the mechanical gymnastics [that causes each bar to] do a somersault on its way to the platen.”

With only a few units produced and sold across four years (the Jackson Type II made circa 1903 has a different typebar arrangement and keyboard layout), it is one of the rarest typewriters in the collecting hobby.

The example offered by Breker, bearing the maker’s plaque reading ‘Patented Jackson Typewriter, Boston, Mass’ with the serial no. 653, was estimated at €15,000-€20,000 and took €22,000 ($23,820, or $29,485 with buyer’s premium) from an online bidder using LiveAuctioneers. It is one of only a few Jackson Type II models known, although another with the serial no. 597 took €18,000 ($23,800) at the saleroom in April 2020.

The Ford typewriter was introduced in 1895 by Eugene Ford, an engineer (no relation to Henry) who later became chief development engineer at a firm called the Computing-Tabulating-Recording Company. It later changed its name to IBM. Unlike many competing typewriters of this time, the Ford was a forward-striking machine, which allowed the typist to see the text as it was typed, and it was the first typewriter to use aluminum in its construction. The copper-plated type-bar cover is beautifully decorated, and is its signature feature. The example on offer was in working, original condition and had a low serial number of 417. It hammered to an internet bidder for €29,000 ($31,395, or $38,870 with buyer’s premium) against a €16,000-€22,000 estimate.

The Kosmopolit, patented by the sewing machine manufacturer Guhl & Harbeck of Hamburg, was introduced to the German market at the end of 1888. An index machine, which had the user choose the letters with a pointer rather than rely on a keyboard, it could produce 90 different letters and symbols carried in two rows on a rubber type plate. The writing can be seen only when the typist raises the carriage. Admired for its clear typing, it was exported to several European countries, but it seems to disappear from the record around 1903. Now a rarity, it hammered to a LiveAuctioneers bidder for €18,000 ($19,490, or $46,380 with buyer’s premium) against an estimate of €8,000-€12,000.

Index machines were slower to use than keyboard type machines, but proved popular for a couple of decades as they were mechanically simpler, lighter, and cheaper. The model patented by Dr. George Williamson Coffman (1859-1943) of St. Louis in 1902, called the Coffman Pocket Typewriter, weighed under 1.5lbs and retailed at $5. The characters were selected with the right hand from a two-row rubber index plate using an indicator. They were probably only made for a couple of years, so the example presented at Auction Team Breker in its original wood casket is extremely scarce. Estimated at €3,000-€5,000, it went to a LiveAuctioneers bidder at €7,000 ($7,580, or $9,380 with buyer’s premium).

The sensational result in this auction was provided by one of only 95 Leica ‘Luxus’ 1 cameras produced from 1929 to 1931. This model, with its gold-plated upper and lower parts and snakeskin, is among the Holy Grail pieces for Leica collectors. Back in 2012, one sold for a record £600,000 (roughly $757,490) at Bonhams in Hong Kong.

This Cologne Luxus 1, with the serial number 48442, dates from 1931 and has a link to Fritz and Alfred Rotter — the most prominent private theater directors during the Weimar Republic before they fled Berlin in 1933. With the estimate set at a relatively modest €18,000-€24,000, it hammered at €150,000 ($162,390, or $201,040 with buyer’s premium).

Walt Kuhn found substance in the lives of circus performers

Walt Kuhn’s ‘Contralto,’ a 1947 oil portrait of a singer, earned $42,500 plus the buyer’s premium in March 2022. Image courtesy of Barridoff Auctions and LiveAuctioneers.
ABOVE: Walt Kuhn’s ‘Contralto,’ a 1947 oil portrait of a singer, earned $42,500 plus the buyer’s premium in March 2022. Image courtesy of Barridoff Auctions and LiveAuctioneers.

NEW YORK — Almost all artists are intrigued by alternative lifestyles, and Walt Kuhn (1877-1949) was no exception. He painted bold and psychologically charged portraits of circus and vaudeville performers that still resonate though vaudeville is extinct and the circus might soon join it.

Kuhn was born in Brooklyn, New York, and was fascinated with show performers and the entertainment industry. His mother reportedly introduced him to art and theater as a young child, and he attended countless performances of the Ringling Brothers and Barnum & Bailey circus. He once secured a press pass to its Madison Square Garden performances, allowing him wide access to the performers backstage. This helped give his portraits more of an intimate look, such as in an oil-on-canvas painting of a ruddy-cheeked red-headed acrobat that attained $50,000 plus the buyer’s premium in February 2018 at Clars Auction Gallery.

This 1944 painting of a red-haired acrobat by Walt Kuhn attained $50,000 plus the buyer’s premium in February 2018. Image courtesy of Clars Auction Gallery and LiveAuctioneers.
This 1944 painting of a red-haired acrobat by Walt Kuhn attained $50,000 plus the buyer’s premium in February 2018. Image courtesy of Clars Auction Gallery and LiveAuctioneers.

According to the Sullivan Goss gallery’s website, “For the remainder of his life, employment in the entertainment industry acted as a second career and source of income for the artist. More importantly, it provided limitless inspiration for his canvases.” Shortly before he was institutionalized in 1948, he had even hoped to launch an open-air venue for circus and show business acts in Ogunquit, Maine, close to his studio in Cape Neddick, where he summered.

Kuhn rode a wave of American Modernism that took off shortly after the famous 1913 Armory Show in New York, which he helped organize. A prolific artist who created some 3,000 studies and paintings in his lifetime, he is best known for his oil portraits of performers. He often painted sitters from real life, though sometimes he relied on models. His subjects have a strong frontal gaze and are pictured without all the trappings of the circus in order to focus attention on the person.

Walt Kuhn’s 1927 portrait ‘The Tumbler’, a watercolor on paper, took $21,000 plus the buyer’s premium in August 2021. Image courtesy of Barridoff Auctions and LiveAuctioneers.

Walt Kuhn’s 1927 portrait ‘The Tumbler’, a watercolor on paper, took $21,000 plus the buyer’s premium in August 2021. Image courtesy of Barridoff Auctions and LiveAuctioneers.

“There’s not a lot of people who can get away with painting these outlandish characters and having them bring big money, but that’s really where he brings his big money,” said Jeremy Fogg, a fine art consultant at Barridoff Auctions in South Portland, Maine. “His landscapes bring a fraction of what his performers bring. He created this fascination with that circus lifestyle.”

In his portraits, he removes the performers from the stage and sets them against a monochromatic backdrop, usually painted in jewel-like tones of greens, reds, or purples, and sometimes white or black. Instead of delighting the audience with a performance, his sitters adopt solemn facial expressions. Some even look downcast or angry, perhaps illustrating to viewers the hardships they faced in life.

Detail of Walt Kuhn’s ‘Contralto,’ a 1947 oil portrait that earned $42,500 plus the buyer’s premium in March 2022. Image courtesy of Barridoff Auctions and LiveAuctioneers.
Detail of Walt Kuhn’s ‘Contralto,’ a 1947 oil portrait that earned $42,500 plus the buyer’s premium in March 2022. Image courtesy of Barridoff Auctions and LiveAuctioneers.

The deep shadowing in a 1947 portrait, Contralto, adds to its emotional intensity, and the heavy makeup the sitter wears appears more like a mask to dissuade the viewer from getting to know her. The portrait earned $42,500 plus the buyer’s premium in March 2022 at Barridoff Auctions.

While his oil portraits bring the most money, Kuhn’s watercolors and works on paper perform well, with several commanding $20,000 to $40,000. A 1927 watercolor portrait, The Tumbler, took $21,000 plus the buyer’s premium in August 2021 at Barridoff Auctions. Dressed in a one-piece blue costume with a sash around his waist, the performer adopts a slightly jaunty stance and defensively crosses his arms in front of him.

An atypical subject matter for Walt Kuhn is this 1944 seascape oil on canvas, which brought $23,000 plus the buyer’s premium in August 2021. Image courtesy of Barridoff Auctions and LiveAuctioneers.
An atypical subject matter for Walt Kuhn is this 1944 seascape oil on canvas, which brought $23,000 plus the buyer’s premium in August 2021. Image courtesy of Barridoff Auctions and LiveAuctioneers.

Kuhn didn’t just paint performers, however. His subjects also included still lifes and landscapes, which also find favor with buyers. A 1944 seascape oil on canvas of his brought $23,000 plus the buyer’s premium in August 2021 at Barridoff Auctions. Images of waves crashing against the rocky shore is a perennially popular subject with New England audiences.

Fogg said the auction market has recorded a wide range of prices for Kuhn’s works, from a $1.5 million portrait of a circus performer that sold in 2021 at Christie’s to quick sketches and small drawings that can bring about $1,000. “It really depends, there’s just a big jump. There is a lot of work out there for him,” he said. “He did a lot of works on paper that people love, little sketches where he is doing the same figures, but really quick and moving fast. Because there are people who want to get into his market at every level, those pieces find their way onto the market.”

A 1929 still life of flowers by Walt Kuhn realized $4,500 plus the buyer’s premium in February 2024. Image courtesy of Freeman’s Hindman and LiveAuctioneers.
A 1929 still life of flowers by Walt Kuhn realized $4,500 plus the buyer’s premium in February 2024. Image courtesy of Freeman’s Hindman and LiveAuctioneers.

Among his paintings that are accessible to new collectors are his still lifes of flowers, which he painted in a slightly more traditional manner. An example realized $4,500 plus the buyer’s premium in February 2024 at Freeman’s Hindman.

Kuhn watercolors also appear at reasonable prices, particularly those that do not depict his signature subject matter. A watercolor and ink drawing titled Indian Brave on Horseback sold for $1,400 plus the buyer’s premium in May 2022 at Freeman’s Hindman. While born in New York, he actually started his career as an illustrator in San Francisco, California. Traveling out west, he was taken with the landscape and even created a series titled An Imaginary History of the West, which was inspired in part by the Western novels he read.

Walt Kuhn’s watercolor titled ‘Indian Brave on Horseback’ went out at $1,400 plus the buyer’s premium in May 2022. Image courtesy of Freeman’s Hindman and LiveAuctioneers.
Walt Kuhn’s watercolor titled ‘Indian Brave on Horseback’ went out at $1,400 plus the buyer’s premium in May 2022. Image courtesy of Freeman’s Hindman and LiveAuctioneers.

Despite a lack of attention across the years  — the last major Walt Kuhn exhibition was a retrospective at the DC Moore Gallery in 2013, commemorating the centennial of the Armory Show —  prices for Kuhn’s work have been strong recently. “I do think he’s having a little moment in the sun right now,” Fogg said.

Gorham Martelé turtle soup tureen and plates come to Doyle April 10

Gorham Martelé Sterling Silver Covered Terrapin Soup Tureen on Stand, estimated at $10,000-$20,000 at Doyle.

NEW YORK – A turtle soup tureen and 12 matching soup plates from Gorham’s exclusive Martelé range will be presented at Doyle New York. Offered as part of the Manhattan firm’s Wednesday, April 10 auction of American Art, Silver, Furniture & Décor, the two lots are estimated at $10,000-$20,000 and $7,000-$10,000, respectively.

Turtle soup, which first became a delicacy on European tables with the emergence of the West Indies trade in the 18th century, was hugely popular among the elite of American society at the turn of the 20th century. It was the favorite dish of the 27th U.S. president, William Howard Taft, who went so far as to hire a chef at the White House for the specific purpose of preparing turtle soup.

Gorham’s archives list four similar ‘terrapin sets’ in the handmade Martelé line. Another terrapin tureen of a differing model, with 12 bowls, was sold by Sotheby’s New York in April 2023 for $30,000.

Like the others, Doyle’s example would have been hugely expensive. As a point of reference, the archives report that a similar Martelé tureen took 136 hours to make and 158 hours to chase, all in the context of a 60-hour week. The net factory price was $520. The dishes, priced at $50 each, took more than eight hours each to ‘raise’, and thereafter required around 20 hours of chasing.

The tureen, with its turtle finial and stand with stylized shell and seaweed feet, dates to 1912 and weighs 124 troy ounces. Across the bombe-form body and domed cover it is chased with scrolling seaweed and ripples to replicate water.

Each of the dozen matching soup plates are chased and engraved to the scalloped borders with turtles, shells, and seaweed. They weigh a total of 147 troy ounces.

The trade name Martelé derives from the French verb ‘marteler’ (to hammer), denoting the distinctive hand-hammered surface of the silverware. The range was produced in Gorham’s Providence, Rhode Island workshops by its best silversmiths under the direction of Englishman William Christmas Codman (1839-1921).

Leading the 18th-century silver is a previously unrecorded inverted pear form teapot by Swiss-born silversmith Daniel Christian Fueter (1720-1785), who worked in the latest fashions in New York. Dated 1762 to the base, it is engraved with the crest and initials of descendants of Albert Albertszen Terhune (circa 1623-1685), a Huguenot ribbon weaver from Holland who settled in Gravesend in Kings County (now part of Brooklyn). The teapot, one of only a few examples of holloware by Fueter in private hands, is estimated at $6,000-$8,000.

Three Maud Lewis works and the Greg Hisey Canadiana collection featured at Miller & Miller April 13

Maud Lewis, 'Cow In Spring Meadow,' estimated at CA$25,000-CA$30,000 ($18,460-$22,150) at Miller & Miller.

NEW HAMBURG, Canada — In response to market demand from collectors, three more Maud Lewis naîve works head to market, along with the Greg Hisey Canadiana collection, on Saturday, April 13 at Miller & Miller. The catalog is now available for review and bidding at LiveAuctioneers.

Maud Lewis (1903-1970) continues to see strong market demand as a result of recent Miller & Miller sales. The sale’s three art lots are topped by Cow In Spring Meadow from either late 1965 or 1966. The mixed media on beaver board measures 12 by 14in and is estimated at CA$25,000-CA$30,000 ($18,460-$22,150).

Fans of vintage automata will take note of a Blaise Bontems caged singing bluebird, estimated at CA$9,000-CA$12,000 ($6,645-$8,860). In perfect operating condition, the bird has lifelike actions and sings the realistic warbling for which Bontems was known. A master watchmaker, he turned to mechanical birds but retired in 1881, making this piece from an earlier date.

Dating to the early 1900s, this Dr. Lesure’s Famous Remedies point-of-sale display cabinet features terrific horse artwork and is in remarkable, original condition. It is accompanied by an original sales brochure for the company’s equine medicine line and is estimated at CA$3,500-CA$5,000 ($2,585-$3,690).

Coca-Cola was an early entrant to the nascent Canadian soda market. Before World War II restrictions halted steel production, the soft drink behemoth manufactured this French-language porcelain sign for the Quebec market. Measuring an impressive 4 by 8ft, the sign carries an estimate of CA$3,500-CA$5,000 ($2,585-$3,690).