Alma W. Thomas and Alvin D. Loving, Jr. outperformed at Swann’s African American Art sale

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NEW YORK — Leading names in modern and contemporary African American art outperformed estimates in spirited bidding at Swann Auction Galleries on October 19. The 216-lot sale’s complete results are available for viewing at LiveAuctioneers.

The sale’s highest-estimated lot, Untitled by Sam Gilliam (1933-2022), hammered just above its low estimate at $160,000 ($208,000 with buyer’s premium).

Instead, it was the work of Alma W. Thomas (1891-1978) that delivered the most exuberant results. Thomas, who for most of her career taught art at a Washington, D.C. junior high school, grew in stature to become recognized as a leading Expressionist.

Etude, an acrylic on arches paper from 1968, hammered at $130,000 ($169,000 with buyer’s premium) against an estimate of $50,000-$75,000, while Transcendental sold at $120,000 ($156,000 with buyer’s premium).

Hard-edged geometric abstractions are the domain of Al Loving (1935-2005). His precise work leaves the viewer’s eye with a myriad directions to view each piece, such as in Janice, a 1970 acrylic on shaped cotton canvas. Active bidding drove Janice from a start of $44,000 to a hammer of $120,000 ($156,000 with buyer’s premium), well above its estimate of $60,000-$90,000.

One lot in the sale came with a very interesting past. Untitled (Flight Into Egypt) is thought to be a design study by Henry Ossawa Tanner (1859-1937) for his eventual Flight Into Egypt of 1923. The first African American artist to gain international acclaim, Tanner was known for his biblically themed paintings, which he produced as an expatriate in France. Untitled was thought by his son and documentarian Jessie O. Tanner and others to be the famous artwork’s design study (the original hangs at the Metropolitan Museum of Art in New York). It sold for $90,000 ($117,000 with buyer’s premium), far above the $40,000-$60,000 estimate.
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Sam Gilliam, ‘Untitled,’ which sold for $160,000 ($208,000 with buyer’s premium) at Swann Auction Galleries.
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Alma W. Thomas, ‘Etude,’ which sold for $130,000 ($169,000 with buyer’s premium) at Swann Auction Galleries.
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Alma W. Thomas, ‘Transcendental,’ which sold for $120,000 ($156,000 with buyer’s premium) at Swann Auction Galleries.
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Al Loving, ‘Janice,’ which sold for $120,000 ($156,000 with buyer’s premium) at Swann Auction Galleries.
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Henry Ossawa Tanner, ‘Untitled (Flight Into Egypt),’ which sold for $90,000 ($117,000 with buyer’s premium) at Swann Auction Galleries.
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Simone Leigh, ‘Untitled,’ which sold for $120,000 ($156,000 with buyer’s premium) at Swann Auction Galleries.
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Rose Art Museum marks sixth decade with anniversary exhibit

Sam Gilliam, ‘Wide Narrow,’ 1972, acrylic on canvas, Rose Art Museum, Brandeis University. Rose Art Museum Acquisition Fund, Gift of Monroe and Edith Geller. Charles Mayer Photography.
Sam Gilliam, ‘Wide Narrow,’ 1972, acrylic on canvas, Rose Art Museum, Brandeis University. Rose Art Museum Acquisition Fund, Gift of Monroe and Edith Geller. Charles Mayer Photography.
Sam Gilliam, ‘Wide Narrow,’ 1972, acrylic on canvas, Rose Art Museum, Brandeis University. Rose Art Museum Acquisition Fund, Gift of Monroe and Edith Geller. Charles Mayer Photography.

WALTHAM, Mass.  – “I don’t want to wallow in art history,” wrote Jack Whitten. “I want to use art history as a catapult.” As an artist, Whitten recognized the past as both a foundation and a launching pad to reach uncharted realms. Organized in celebration of the Rose’s 60th anniversary and opened June 25, the exhibition re: collections, Six Decades at the Rose Art Museum, casts a critical eye in these two directions: highlighting the Rose’s radical roots while showcasing the potential for future transformations. Following the example of artists featured in the exhibition, re: collections challenges art historical conventions and cultural hierarchies by charting alternative genealogies that link artworks drawn from the museum’s stellar permanent collection. The show will be on view for three years, with several rotations.

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