Trove of Georgia O’Keeffe travel correspondence delivered at Swann

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NEW YORK — A fascinating look into the reclusive life of American modernist icon Georgia O’Keeffe (1887-1986) from the perspective of correspondence with her longtime travel agent came to market October 26 at Swann Auction Galleries. Four lots of mostly handwritten documents retained by the agency all exceeded their estimates. Complete results for the Fine Books & Autographs sale are now available at LiveAuctioneers.

The lifetime output of O’Keeffe, spanning realism and abstractionism in both photography and paintings, makes her difficult to define. Her marriage to photographer Alfred Stieglitz in New York helped propel her to fame, but her true muse would come in the form of the American Southwest, where she ultimately settled and spent the rest of her life creating iconic pieces such as Cow’s Skull and Summer Days.

Though situated in New Mexico at her Abiquiú home and studio, O’Keeffe kept up a travel schedule associated with gallery exhibitions, visits to other artists, and similar business-oriented callings. As revealed in the dozens of letters sent to her travel agent Donald Ferguson, O’Keeffe used the occasions to arrange travel as a cover for reaching out and dispensing both mundane and heartfelt musings on her life and loves. The excerpts provided by Swann show a remarkable intimacy on the part of O’Keeffe with regard to her travel agent and his employees, feeling free to discuss whatever she needed to communicate.

Some excerpts include:

I just wrote these two pages of Biographical Data–if you want to call it that–throw it in the waste basket if you want to–I don’t care.

I am a painter–always have been.

I have had large retrospective exhibitions at the Chicago Art Institute, The Museum of Modern Art of N.Y. and at present have twelve paintings hanging at the Metropolitan Museum, N.Y. It is an exhibition of Fourteen Americans–from Colonial Times to today. I lived in N.Y. City from 1918 ’till 1950 and had exhibitions almost every year.

Now I live in the country 100 miles from the railroad station–60 miles from an airport. I have no telephone and think I have a very good life. . . .

I have no radio–no television–but I have a very good Hifidelity setup. Monteverdi is my favorite composer.

I like my garden, my dogs: I prefer dark–black or blue–chows and I like to walk.

I usually get up before sunrise in the morning. When my city friends ask what I do evenings I always have to laugh–I work hard and I am usually so tired I have to go to bed.

I would rather live where I live than any other place I have ever seen. Maybe going ’round the world I may find something better, but I doubt it. . .

The top O’Keeffe lot was an archive of 47 items, most written by hand and generally signed G. OK. The material ranged in age from the late 1950s through the mid-1960s and while discussing travel, her letters would invariably veer into personal musings that must have been fascinating and a little perplexing to Ferguson and his staff. Estimated at $15,000-$25,000, the lot hammered at $90,000 and sold for $117,000 with buyer’s premium.

Hammering at $26,000 and selling for $33,800 with buyer’s premium was a two-item lot from which the quotes above were drawn. Dozens of floor bids kept the lot climbing until the moment of sale.

A letter to Ferguson discussing an upcoming Worcester, Massachusetts O’Keeffe retrospective in 1960 also included a signed passport photograph showing the aged artist scowling at the camera. It hammered for $9,000 and sold for $11,700 with buyer’s premium.
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Document from a Georgia O’Keeffe archive of 47 items, each signed in full or as ‘G.OK,’ which sold for $90,000 ($117,000 with buyer’s premium) at Swann Auction Galleries.
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One of two items Georgia O’Keeffe sent to her travel agent Donald Ferguson, which sold for $26,000 ($33,800 with buyer’s premium) at Swann Auction Galleries.
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One of two items Georgia O’Keeffe sent to her travel agent Donald Ferguson, which sold for $9,000 ($11,700 with buyer’s premium) at Swann Auction Galleries.
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One of two items Georgia O’Keeffe sent to her travel agent Donald L. Ferguson, which sold for $5,400 ($7,020 with buyer’s premium) at Swann Auction Galleries.
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75-year Southern art collection featured in Everard’s Oct. 18-20 series

Virginia and John Duncan, with their Cavalier King Charles spaniel Emma, enjoy some quiet time in the front parlor of their antique- and art-filled home, the historic Thomas-Levy House in Savannah, Georgia. Their collection will be auctioned in the October 19 and 20 sessions of Everard’s three-day series. Photo by Richard Leo Johnson, provided by Everard Auctions

SAVANNAH, Ga. – Everard Auctions takes great pleasure in announcing highlights of its Oct. 18 Fall Southern Estates auction to be followed on October 19-20 by a very special sale of the John and Virginia Duncan collection of fine, folk and ethnographic art and antiques. Amassed over 75 years, the Duncan collection encompasses fine, folk & ethnographic art; antiques, furniture, rare maps and broad range of material culture of Southeastern United States. Bid absentee or live online through LiveAuctioneers.

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O’Keeffe photo exhibition runs through June 12 at Addison Gallery

Georgia O'Keeffe, ‘Jimsonweed (Datura stramonium),’ 1964–68, black-and-white Polaroid, Georgia O’Keeffe Museum, Santa Fe. © Georgia O’Keeffe Museum
Left, Todd Webb, ‘Georgia O’Keeffe with Camera,’ 1959, printed later, inkjet print, Todd Webb Archive. © Todd Webb Archive, Portland, Maine. Right, Georgia O'Keeffe, ‘Jimsonweed (Datura stramonium),’ 1964–68, black-and-white Polaroid, Georgia O’Keeffe Museum, Santa Fe. © Georgia O’Keeffe Museum
Left, Todd Webb, ‘Georgia O’Keeffe with Camera,’ 1959, printed later, inkjet print, Todd Webb Archive. © Todd Webb Archive, Portland, Maine. Right, Georgia O’Keeffe, ‘Jimsonweed (Datura stramonium),’ 1964–68, black-and-white Polaroid, Georgia O’Keeffe Museum, Santa Fe. © Georgia O’Keeffe Museum

ANDOVER, Mass. – The Addison Gallery of American Art’s exhibition titled “Georgia O’Keeffe, Photographer,” the first exhibition devoted to a largely unknown aspect of the iconic American artist’s practice, will run through June 12.

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