Formidable assembly of American art comes to Freeman’s Dec. 3

Mary Cassatt, Mrs. Harris Whittemore and Baby Helen, $300,000-$500,000 at Freeman's.

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PHILADELPHIA — Though it consists of only 98 lots in all, Freeman’s has assembled an amazing lineup of fine American and Pennsylvania Impressionist art for its auction on Sunday, December 3. The catalog is now available for bidding at LiveAuctioneers.

Leading all estimates is a classic mother-and-child portrait by Mary Cassatt (1844-1926). In Mrs. Harris Whittemore and Baby Helen, the infant places her hand on her mother’s face and looks out, while the mother gazes lovingly. These parent-child themes recur in Cassatt’s body of work and are highly favored by collectors. Painted in 1898, the work comes from a productive and successful period in Cassatt’s life, where she was receiving recognition and many requests for work. The painting is estimated at $300,000-$500,000.

Although executed in 1978, The Station by Henry Koerner (1915-1991) would not be exhibited until 1983 at the Carnegie Museum of Art in Pittsburgh. A colorful and reflective study of human nature in the mundane location of a commuter passenger train platform, the work remained in the artist’s possession for years until it was placed at ACA Gallery in New York, from where it was purchased by the consignor. At 61 by 50in, this is an impressive painting that carries an estimate of $250,000-$400,000.

New Hope art colony Impressionist Edward Willis Redfield (1869-1965) is also represented classically with Winter Holiday, a snow-filled winter scene of children sledding. The work is estimated at $100,000-$150,000.

American Realist Bo Bartlett (b. 1955-) offers rare insight into Fear of Division, a 1989 painted recollection of the moment he and his brother saw their first jet aircraft contrail in 1963, soon after the Cuban Missile Crisis: “My brother told me that the jet stream was the bomb, and that’s the moment I tried to capture in the painting, he is yelling, ‘Hit the Dirt, It’s the End of the World!’ I am crying on the ground. He kept it up, and I kept on crying.” He went on to say, “At the time, I was having petite-mal seizures and I was completely confounded with the concept of division in second grade — addition, multiplication, and subtraction, I could grasp, but division was the beginning of my dysfunctional relationship with math.” One of two Bartlett paintings in the sale, Fear of Division is estimated at $40,000-$60,000.
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Mary Cassatt, ‘Mrs. Harris Whittemore and Baby Helen,’ estimated at $300,000-$500,000 at Freeman’s.
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Henry Koerner, ‘The Station,’ estimated at $250,000-$400,000 at Freeman’s.
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Edward Willis Redfield, ‘Winter Holiday,’ estimated at $100,000-$150,000 at Freeman’s.
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Bo Bartlett, ‘Fear of Division,’ estimated at $40,000-$60,000 at Freeman’s.
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Guy Pène Du Bois, ‘Teddy at the Typewriter,’ estimated at $50,000-$80,000 at Freeman’s.
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Clarke’s Spooktacular Estate Auction scared up big results

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LARCHMONT, N.Y. — Clarke Auction Gallery rode a Halloween-themed sale to monstrously good results, with several fine art and decorative items scaring up excellent numbers well above their estimates on October 15. Complete results are available at LiveAuctioneers.

The Spooktacular Estate Sale was headlined by a Tiffany Studios Daffodil lamp from a Danbury, Connecticut estate. With minor cracks in the original shade, the 20in lamp hammered at $42,000 ($53,760 with buyer’s premium) against an estimate of $20,000-$30,000.

Henry Koerner (1915-1991) was an Austrian American painter and graphic designer whose works ranged from fine art to illustrated covers for Time magazine and American propaganda posters for the Office of War Information. After the war, Koerner continued to work for the U.S. government, but would also embark on more personal works, such as his acclaimed Showboat, which recently sold at Heritage Auctions for $262,500 including buyer’s premium. A newly discovered study for Showboat, created by Koerner and authenticated by his son, was a featured lot in the sale, with highly competitive bidding driving the final price to $40,000 ($51,200 with buyer’s premium) against an estimate of $3,000-$5,000.

Two Cartier Art Deco-era designs sold for more than double their top estimates. A Cartier rock crystal and diamond desk clock with its original leather-bound hard case was estimated at $10,000-$15,000 but hammered at $38,000 ($48,640 with buyer’s premium). A Cartier enamel with agate desk clock and barometer made $30,000 ($38,400 with buyer’s premium), doubling its high estimate.

A very interesting three-quarter-length portrait of an Elizabethan gentleman, attributed to the circle of the court painter George Gower (circa 1540-1596), hammered for $32,000 ($40,960 with buyer’s premium) against an estimate of $3,000-$5,000. Although in outwardly poor condition, the cracks to the panel had been cradled and several areas of paint loss were confined to the costume, where restoration could work wonders.

Equally, while the name of the subject dressed in the circa-1580 fashion was not identified, the Latin inscriptions and the heraldry (a shield of three gold escallops and two chevrons on a red ground) will give the purchaser some clues. Flanking the sitter are vignettes of cherubs and the words Quot capita, Tot sententiae (so many men, so many opinions) and the wistful lines Nemo ex omni parte beates (There is no perfection so absolute) and Eft virtus rara qua non fortuna guberuah (Rare is the virtue that’s not ruled by Fortune).
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Tiffany Studios Daffodil table lamp, which sold for $42,000 ($53,760 with buyer’s premium) at Clarke Auction Gallery.
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Henry Koerner, circa-1948 study for ‘Showboat’, which sold for $40,000 ($51,200 with buyer’s premium) at Clarke Auction Gallery.
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Cartier rock crystal and diamond desk clock, which sold for $38,000 ($48,640 with buyer’s premium) at Clarke Auction Gallery.
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Cartier enamel with agate desk clock and barometer, which sold for $30,000 ($38,400 with buyer’s premium) at Clarke Auction Gallery.
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Elizabethan-era portrait of an unidentified gentleman, attributed to the circle of George Gower, which sold for $32,000 ($40,960 with buyer’s premium) at Clarke Auction Gallery.
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Fred Rothenbusch-signed Rookwood vase, which sold for $6,500 ($8,320 with buyer’s premium) at Clarke Auction Gallery.
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Trio of Ernie Barnes works could together top $800K at Heritage, May 12

Ernie Barnes, ‘Quintet,’ estimated at $500,000-$700,000. Image courtesy of Heritage Auctions, ha.com
Ernie Barnes, ‘Quintet,’ estimated at $500,000-$700,000. Image courtesy of Heritage Auctions, ha.com

Ernie Barnes, ‘Quintet,’ estimated at $500,000-$700,000. Image courtesy of Heritage Auctions, ha.com

DALLAS — Heritage Auctions‘ Diverse Visions: Important Works by American Masters Signature® Auction, taking place Friday, May 12, promises much and is sure to deliver. Works in the sale represent the apex of American artistic achievement, with a host of both expected and unexpected pieces by names that make collectors and institutions sit up and pay attention: George Bellows, Charles White, George Tooker, Maurice Sendak and Winslow Homer. There are only 68 lots in the May 12 lineup, and each one of them is remarkable. Absentee and Internet live bidding will be available through LiveAuctioneers.

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