Tennessee collections and museum deaccessions star at Case Jan. 27-28

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KNOXVILLE, Tenn. — Case Antiques returns with its Winter Fine Art & Antiques sale on Saturday, January 27 and Sunday, January 28, boasting an impressive collection of items from local Tennessee estates and museums, including market-favorite George Rodrigue. The catalogs are now available for bidding at LiveAuctioneers.

2023 was a banner year for the works of George Rodrigue (1944-2013), the Louisiana artist known best for his wide-eyed Blue Dog paintings. Case’s sale includes two items by the artist, starting off with a handsome Blue Dog work titled A Louisiana Sunday morning. Painted in 2012, the upbeat image features symbolism from the artist’s life, having just been told his cancer was in remission. (Sadly, it would not last; he died of cancer in the following year.) According to the lot notes, the two candles refer to Rodrigue’s second chance at life, with the flowers representing rebirth. From a private collection, the painting was purchased directly from Rodrigue’s gallery in September 2012. It is estimated at $50,000-$60,000.

The second Rodrigue piece is unusual — created not by him alone, but in collaboration with artist Kelsey Murphy and the Pilgrim Glass Co. of West Virginia. In the 1980s, Murphy had perfected a technique of sandblasting glass to create a multi-layered work that featured fine relief designs. Rodrigue created a three-Blue Dog design that Murphy blasted into this cameo glass Blue Dog Bowl with stunning results. Numbered 15 of a limited edition of 35, the bowl is a must-have for Blue Dog fans, estimated at $5,000-$6,000.

Born to former slaves and sharecroppers in Tennessee, sculptor William Edmondson (1874-1951) had no formal training and began his art career late in life after receiving a divine visitation instructing him to carve a tombstone. He did just that and went on to carve other subjects, often using limestone debris recovered from local demolished buildings in Nashville. This 11.75in mother and child sculpture is from a series of similar Edmonson works, with the exception of the child here holding a book or pocketbook, something not seen on other examples. The carved limestone figure descended in a Nashville family and was used as a doorstop until last year, when its current owner saw images of Edmondson’s work online and realized he owned an important sculpture. It now carries an estimate of $40,000-$44,000.

Also featured is a large Impressionist Chicago street scene by William Clusmann, depicting Michigan Avenue from the steps of the Art Institute, with one of Edward Kemeys’ iconic bronze lions in the foreground. As with the Edmondson, the painting had been passed down in a family unaware of its value until recently; in this case, the family took it to the Antiques Roadshow 2022 taping in Nashville, where it was recognized as one of Clusmann’s most important works.

Beauford Delaney (1901-1979) was born in Knoxville, Tennessee and would rise to become one of the Harlem Renaissance group of Black American artists in the 1930s. This yellow gouache on paper abstract painting is typical of his later work, which is signed and dated 1961. It is estimated at $10,000-$12,000.
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George Rodrigue, ‘A Louisiana Sunday morning,’ estimated at $50,000-$60,000 at Case Antiques.
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George Rodrigue cameo glass Blue Dog bowl by Kelsey Murphy and Pilgrim Glass, estimated at $5,000-$6,000 at Case Antiques.
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William Edmonson mother and child sculpture, estimated at $40,000-$44,000 at Case Antiques.
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Beauford Delaney untitled gouache on paper, estimated at $10,000-$12,000 at Case Auctions.
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Large Impressionist street scene by William Clusmann, estimated at $28,000-$32,000 at Case Antiques.
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