Louisianans George Rodrigue and Jim Blanchard highlighted at Crescent City March 8-9

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NEW ORLEANS — Crescent City Auction Gallery’s Important March Estates Auction runs Friday, March 8 and Saturday, March 9, and includes lots as diverse as 19th-century Russian Orthodox Church icons and a Louis XV-style Art Nouveau bronze dore chandelier. However, it is the local talent that takes the spotlight at the two-day sale. The catalogs are now open for bidding at LiveAuctioneers.

George Rodrigue (1944-2013) began painting in the 1960s and focused on local Louisiana landscapes and other historic Louisiana historical scenes and events. But when he found his ultimate muse in his Blue Dog, he catapulted to international fame and wealth. The sale includes seven silkscreen prints featuring the wide-eyed pup in various Christmas-themed designs, ranging in estimates as low as $500 and as high as $2,000.

Truly Rudy is the top-estimated Rodrigue lot at $1,000-$2,000. Like all the prints, it is signed by the artist and numbered, in this case, 43 of a 350-piece run. On the more affordable side is Sweet Like You, a screen print with numerous floating blue dog heads around Christmas candy canes and holly. It is estimated at $500-$900 and is numbered 104 of 150.

Jim Blanchard (b. 1955-) bills himself as an “architectural archival artist,” meaning his paintings are of buildings — Louisiana buildings in particular. John Kemp, writing in Louisiana Cultural Vistas, said, “[Blanchard] pursues his paintings with the mathematic exactness of the architect’s rendering, and the visual elegance of an artist’s brush.” 

Crescent City has five Blanchard original watercolors on paper, all estimated at $1,500-$2,500, and each is signed by the artist and accompanied by his book, Jim Blanchard’s Magnificent Obsessions: New Orleans Business and Residences, 300 Years of New Orleans Architecture.

Marine Hospital, Natchez is dated 1993 and is classic Blanchard: dead-on flat perspective with incredible detail. Rev. John Bliss Warren House [Maple Street] is undated. And Van Court Townhouse is also from 1993. All Blanchard originals come in handsome frames.
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George Rodrigue, ‘Sweet Like You,’ estimated at $500-$900 at Crescent City.
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George Rodrigue, ‘Truly Rudy,’ estimated at $1,000-$2,000 at Crescent City.
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George Rodrigue , ‘HO HO HO,’ estimated at $800-$1,200 at Crescent City.
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Jim Blanchard, ‘Marine Hospital, Natchez,’ estimated at $1,500-$2,500 at Crescent City.
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Jim Blanchard, ‘Rev. John Bliss Warren House (Maple Street),’ estimated at $1,500-$2,500 at Crescent City.
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Jim Blanchard, ‘Van Court Townhouse,’ estimated at $1,500-$2,500 at Crescent City.
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William Edmondson ‘Mother and Child’ carving with modest estimate won $122K at Case

William Edmondson, ‘Mother and Child’, which sold for $122,000 with buyer’s premium at Case.

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KNOXVILLE, Tenn. – Case’s January 27-28 Winter Auction was a solid success, drawing more than 7,500 registered bidders and achieving a 98% sell-through rate.

It also reconfirmed the strength of the market for the works of self-taught carver and Tennessee native William Edmondson (1874-1951), the first African American artist featured in a solo show at the Museum of Modern Art in New York. The sale featured an undated Edmondson Mother and Child figure, the first carving of a human figure by the artist to come to market in four years. The house gave it a conservative estimate of $40,000-$44,000 in recognition of the fact that sections of its surface had been painted in a tan-gray color, but bidders were undeterred. The work hammered for $100,000 and sold for $122,000 to a private collector on the telephone, with four underbidders left empty-handed. The house reports that more than 1,400 watched the contest on LiveAuctioneers, where the full results for both sale dates can be seen.

John Case, president of the auction house, said of the two-day sale, “What encouraged me about this auction was the strength of demand across multiple categories, but especially American art. We saw some of the best prices on paintings nationwide in the last three years on artists like George Rodrigue, John Sloan, William Walker.”

The George Rodrigue was a late work that starred his iconic Blue Dog, titled Louisiana Sunday Morning. He painted it in 2012, after he learned that his cancer had gone into remission. (Sadly, the disease returned and claimed Rodrigue’s life in 2013). Louisiana Sunday Morning earned $103,700 with buyer’s premium, but it wasn’t the only work by the artist in the sale lineup: A cameo glass bowl emblazoned with Blue Dog imagery, estimated at $5,000-$6,000, realized an impressive $23,400 with buyer’s premium.

The John Sloan painting that Case mentioned above was a Taos landscape oil titled Land of Turquoise. It secured $36,400 – double the low end of its $18,000-$20,000 estimate – and was a key lot from the estate of noted Nashville art collector Ann Wells. And the William Walker work he cited was an undated, untitled coastal seascape, probably depicting Florida, which had been discovered in an antique shop in Tennessee priced at $25. Estimated at $7,000-$8,000, it ultimately sold for $39,000 with buyer’s premium.

The sale was also distinguished by four lots of ephemera relating to the 1913 International Exhibition of Modern Art, better known now as The Armory Show. All four found eager buyers, with the victor among them being a poster for the legendary art-world event, which sold for $29,280 with buyer’s premium.

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William Edmondson, ‘Mother and Child’, which sold for $122,000 with buyer’s premium at Case.
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George Rodrigue, ‘Louisiana Sunday Morning’, which sold for $103,700 with buyer’s premium at Case.
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George Rodrigue cameo glass Blue Dog bowl, which sold for $23,400 with buyer’s premium at Case.
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John Sloan, ‘Land of Turquoise’, which sold for $36,400 with buyer’s premium at Case.
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William Walker oil-on-linen seascape, which sold for $39,000 with buyer’s premium at Case.
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Exhibition poster for the 1913 Armory Show, which sold for $29,280 with buyer’s premium at Case.
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Tennessee collections and museum deaccessions star at Case Jan. 27-28

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KNOXVILLE, Tenn. — Case Antiques returns with its Winter Fine Art & Antiques sale on Saturday, January 27 and Sunday, January 28, boasting an impressive collection of items from local Tennessee estates and museums, including market-favorite George Rodrigue. The catalogs are now available for bidding at LiveAuctioneers.

2023 was a banner year for the works of George Rodrigue (1944-2013), the Louisiana artist known best for his wide-eyed Blue Dog paintings. Case’s sale includes two items by the artist, starting off with a handsome Blue Dog work titled A Louisiana Sunday morning. Painted in 2012, the upbeat image features symbolism from the artist’s life, having just been told his cancer was in remission. (Sadly, it would not last; he died of cancer in the following year.) According to the lot notes, the two candles refer to Rodrigue’s second chance at life, with the flowers representing rebirth. From a private collection, the painting was purchased directly from Rodrigue’s gallery in September 2012. It is estimated at $50,000-$60,000.

The second Rodrigue piece is unusual — created not by him alone, but in collaboration with artist Kelsey Murphy and the Pilgrim Glass Co. of West Virginia. In the 1980s, Murphy had perfected a technique of sandblasting glass to create a multi-layered work that featured fine relief designs. Rodrigue created a three-Blue Dog design that Murphy blasted into this cameo glass Blue Dog Bowl with stunning results. Numbered 15 of a limited edition of 35, the bowl is a must-have for Blue Dog fans, estimated at $5,000-$6,000.

Born to former slaves and sharecroppers in Tennessee, sculptor William Edmondson (1874-1951) had no formal training and began his art career late in life after receiving a divine visitation instructing him to carve a tombstone. He did just that and went on to carve other subjects, often using limestone debris recovered from local demolished buildings in Nashville. This 11.75in mother and child sculpture is from a series of similar Edmonson works, with the exception of the child here holding a book or pocketbook, something not seen on other examples. The carved limestone figure descended in a Nashville family and was used as a doorstop until last year, when its current owner saw images of Edmondson’s work online and realized he owned an important sculpture. It now carries an estimate of $40,000-$44,000.

Also featured is a large Impressionist Chicago street scene by William Clusmann, depicting Michigan Avenue from the steps of the Art Institute, with one of Edward Kemeys’ iconic bronze lions in the foreground. As with the Edmondson, the painting had been passed down in a family unaware of its value until recently; in this case, the family took it to the Antiques Roadshow 2022 taping in Nashville, where it was recognized as one of Clusmann’s most important works.

Beauford Delaney (1901-1979) was born in Knoxville, Tennessee and would rise to become one of the Harlem Renaissance group of Black American artists in the 1930s. This yellow gouache on paper abstract painting is typical of his later work, which is signed and dated 1961. It is estimated at $10,000-$12,000.
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George Rodrigue, ‘A Louisiana Sunday morning,’ estimated at $50,000-$60,000 at Case Antiques.
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George Rodrigue cameo glass Blue Dog bowl by Kelsey Murphy and Pilgrim Glass, estimated at $5,000-$6,000 at Case Antiques.
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William Edmonson mother and child sculpture, estimated at $40,000-$44,000 at Case Antiques.
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Beauford Delaney untitled gouache on paper, estimated at $10,000-$12,000 at Case Auctions.
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Large Impressionist street scene by William Clusmann, estimated at $28,000-$32,000 at Case Antiques.
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Historic New Orleans Jazz & Heritage Festival posters swing into Crescent City Nov. 3

[av_heading heading=’Historic New Orleans Jazz & Heritage Festival posters swing into Crescent City Nov. 3′ tag=’h1′ style=” subheading_active=” show_icon=” icon=’ue800′ font=’entypo-fontello’ size=” av-desktop-font-size-title=” av-medium-font-size-title=” av-small-font-size-title=” av-mini-font-size-title=” subheading_size=” av-desktop-font-size=” av-medium-font-size=” av-small-font-size=” av-mini-font-size=” icon_size=” av-desktop-font-size-1=” av-medium-font-size-1=” av-small-font-size-1=” av-mini-font-size-1=” color=” custom_font=” subheading_color=” seperator_color=” icon_color=” margin=’,,35px,’ av-desktop-margin=” av-desktop-margin_sync=’true’ av-medium-margin=” av-medium-margin_sync=’true’ av-small-margin=’,,20px,’ av-mini-margin=” av-mini-margin_sync=’true’ headline_padding=” headline_padding_sync=’true’ av-desktop-headline_padding=” av-desktop-headline_padding_sync=’true’ av-medium-headline_padding=” av-medium-headline_padding_sync=’true’ av-small-headline_padding=” av-small-headline_padding_sync=’true’ av-mini-headline_padding=” av-mini-headline_padding_sync=’true’ padding=’10’ av-desktop-padding=” av-medium-padding=” av-small-padding=” av-mini-padding=” icon_padding=’10’ av-desktop-icon_padding=” av-medium-icon_padding=” av-small-icon_padding=” av-mini-icon_padding=” link=” link_target=” title_attr=” id=” custom_class=” template_class=” av_uid=’av-lnt183ub’ sc_version=’1.0′ admin_preview_bg=”][/av_heading]

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NEW ORLEANS — A colorful and historic selection of promotional posters for the New Orleans Jazz & Heritage Festival are a key group of lots in Crescent City Auction Gallery‘s Important November Estates sale on Friday, November 3. The catalog is now open for bidding at LiveAuctioneers.

Since 1970 (with early attempts in 1968 and 1969), the event known as Jazzfest has entertained countless attendees with performances from jazz’s undisputed greats, such as Louis Armstrong, Duke Ellington, and Mahalia Jackson. Early posters from the first years exist, but were largely promotional in nature. Since 1975, commemorative posters have been produced for collectors, becoming icons for Jazzfest as well as valued items in their own right, often created by noted local artists.

A prime example is the 1976 poster featuring Fats Houston. Created by local artisan Maria Laredo, this signed edition is numbered 801/1000 and carries an estimate of $2,000-$4,000.

Noel Rockmore (1928-1995) achieved fame in his hometown of New York as a painter, draftsman and sculptor. His career took a dramatic turn in 1970, when he suddenly changed his name from Noel Davis to Rockmore, adopting his mother’s maiden name, and relocated to New Orleans.

This pair of unsigned chromolithographs created by Rockmore for event producer George Wein date to 1970 and reflect a combination of art and graphic design with the goal of selling event tickets. They feature bold graphics and original art by Rockmore of Sister Gertrude Morgan and Chicken Henry, drummer for the Olympia Brass Band. The pair are estimated at $1,500-$2,500.

Famed “Blue Dog” Louisiana artist George Rodrigue (1944-2013) had his own contributions to the series in 1996 (clarinetist Pete Fountain) and 2000 (famed trumpet player Al Hirt). The 2000 poster is signed and numbered 5372/10,000, while the 1996 example is unsigned and numbered 4904/1000. The Al Hirt poster carries an estimate of $800-$1,200, while the Pete Fountain one is at $600-$900.
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Maria Laredo, 1976 New Orleans Jazz Fest poster featuring Fats Houston, estimated at $2,000-$4,000 at Crescent City Auction Gallery.
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Noel Rockmore, pair of 1970 Jazz and Heritage Festival posters, estimated at $1,500-$2,500 at Crescent City Auction Gallery.
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George Rodrigue, Pete Fountain: New Orleans Jazz and Heritage Festival poster for 1996, estimated at $600-$900 at Crescent City Auction Gallery.
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George Rodrigue, Al Hirt: New Orleans Jazz & Heritage Festival poster for 2000, estimated at $800-$1,200 at Crescent City Auction Gallery.
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Two New Orleans Jazz and Heritage Festival posters from the years 1977 and 1978, together estimated at $600-$1,200 at Crescent City Auction Gallery.
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George Rodrigue originals top their estimates at Neal Auction Company

[av_heading heading=’George Rodrigue originals top their estimates at Neal Auction Company ‘ tag=’h1′ style=” subheading_active=” show_icon=” icon=’ue800′ font=’entypo-fontello’ size=” av-desktop-font-size-title=” av-medium-font-size-title=” av-small-font-size-title=” av-mini-font-size-title=” subheading_size=” av-desktop-font-size=” av-medium-font-size=” av-small-font-size=” av-mini-font-size=” icon_size=” av-desktop-font-size-1=” av-medium-font-size-1=” av-small-font-size-1=” av-mini-font-size-1=” color=” custom_font=” subheading_color=” seperator_color=” icon_color=” margin=’,,35px,’ av-desktop-margin=” av-desktop-margin_sync=’true’ av-medium-margin=” av-medium-margin_sync=’true’ av-small-margin=’,,20px,’ av-mini-margin=” av-mini-margin_sync=’true’ headline_padding=” headline_padding_sync=’true’ av-desktop-headline_padding=” av-desktop-headline_padding_sync=’true’ av-medium-headline_padding=” av-medium-headline_padding_sync=’true’ av-small-headline_padding=” av-small-headline_padding_sync=’true’ av-mini-headline_padding=” av-mini-headline_padding_sync=’true’ padding=’10’ av-desktop-padding=” av-medium-padding=” av-small-padding=” av-mini-padding=” icon_padding=’10’ av-desktop-icon_padding=” av-medium-icon_padding=” av-small-icon_padding=” av-mini-icon_padding=” link=” link_target=” title_attr=” id=” custom_class=” template_class=” av_uid=’av-lmhobfa3′ sc_version=’1.0′ admin_preview_bg=”][/av_heading]

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NEW ORLEANS — A pair of George Rodrigue originals sold above their estimates at Neal Auction Company’s Premier Collections event held September 7 and 8. The sales were available online via LiveAuctioneers (Day 1, Day 2).

As anticipated, Rodrigue’s Big Stop Sign from 2002 featuring his familiar blue dog sold above its estimate of $40,000-$60,000, but instead of spirited bidding, the artwork sold with a single bid of $70,000 ($89,600 with buyer’s premium).

One of Rodrigue’s early works, Doc Moses, Cajun Traiteur from 1974, captures traditional Cajun medicine in a swampy setting. Estimated at $30,000-$50,000, it sold to the floor after rising steadily to $35,000 ($44,800 with buyer’s premium).

Louisianan Ida Rittenberg Kohlmeyer began her career as a figurative painter but shifted to Abstract Expressionism after taking a workshop with famed Abstract Expressionist Hans Hoffman in 1956. Ships at Sea, painted in that year, is an oil on canvas that captures this transition in the moment. Estimated at $7,000-$10,000, the artwork sold for $35,000 ($44,800 with buyer’s premium) after extensive floor bidding.

The naive art of Henri Hecht Maik continues to do well in the contemporary market. This example, Dans les Nuages from 1974, carries the original label of Wally Findlay Gallery of Beverly Hills, his early American champion and seller of many of Maik’s works. It sold for $22,000 ($28,160 with buyer’s premium) against an estimate of $6,000-$8,000.
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George Rodrigue, ‘Big Stop Sign,’ sold for $70,000 ($89,600 with buyer’s premium) at Neal Auction Company.
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George Rodrigue, ‘Doc Moses, Cajun Traiteur,’ sold for $35,000 ($44,800 with buyer’s premium) at Neal Auction Company.
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Ida Rittenberg Kohlmeyer, ‘Ships at Sea,’ sold for $35,000 ($44,800 with buyer’s premium) at Neal Auction Company.
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Henri Hecht Maik, ‘Dans les Nuages,’ sold for $22,000 ($28,160 with buyer’s premium) at Neal Auction Company.
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Jacques Martin-Ferrieres, ‘Sur la Plage,’ sold for $20,000 ($25,600 with buyer’s premium) at Neal Auction Company.
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Continental School, 18th or 19th century, ‘View of City of Constantinople,’ sold for $22,000 ($28,160 with buyer’s premium) at Neal Auction Company.
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Cast-iron garden figure of a greyhound, sold for $11,000 ($14,080 with buyer’s premium) at Neal Auction Company.
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Two very different George Rodrigue originals headline at Neal Auction Co., Sept. 7-8

George Rodrigue (American/Louisiana, 1944-2013), "Big Stop Sign" (2002), estimated at $40,000-$60,000.

[av_heading heading=’Two very different George Rodrigue originals headline at Neal Auction Co., Sept. 7-8′ tag=’h1′ style=” subheading_active=” show_icon=” icon=’ue800′ font=’entypo-fontello’ size=” av-desktop-font-size-title=” av-medium-font-size-title=” av-small-font-size-title=” av-mini-font-size-title=” subheading_size=” av-desktop-font-size=” av-medium-font-size=” av-small-font-size=” av-mini-font-size=” icon_size=” av-desktop-font-size-1=” av-medium-font-size-1=” av-small-font-size-1=” av-mini-font-size-1=” color=” custom_font=” subheading_color=” seperator_color=” icon_color=” margin=’,,35px,’ av-desktop-margin=” av-desktop-margin_sync=’true’ av-medium-margin=” av-medium-margin_sync=’true’ av-small-margin=’,,20px,’ av-mini-margin=” av-mini-margin_sync=’true’ headline_padding=” headline_padding_sync=’true’ av-desktop-headline_padding=” av-desktop-headline_padding_sync=’true’ av-medium-headline_padding=” av-medium-headline_padding_sync=’true’ av-small-headline_padding=” av-small-headline_padding_sync=’true’ av-mini-headline_padding=” av-mini-headline_padding_sync=’true’ padding=’10’ av-desktop-padding=” av-medium-padding=” av-small-padding=” av-mini-padding=” icon_padding=’10’ av-desktop-icon_padding=” av-medium-icon_padding=” av-small-icon_padding=” av-mini-icon_padding=” link=” link_target=” title_attr=” id=” custom_class=” template_class=” av_uid=’av-lldofxuw’ sc_version=’1.0′ admin_preview_bg=”][/av_heading]

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NEW ORLEANS — It’s a study in contrast as an original George Rodrigue acrylic on canvas from his famed Blue Dog series and an earlier Doc Moses, Cajun Traiteur oil on canvas, dating to 1974, come to the market for the first time in Neal Auction Company’s Premier Collections event on Thursday, September 7, and Friday, September 8.

Big Stop Sign, dating to 2002, is one of the beloved Blue Dog acrylics painted by the Louisiana artist. It was acquired from the artist by the Roland Begneaud family collection of Lafayette, Louisiana.

Doc Moses, Cajun Traiteur, from 1974, is part of Rodrigue’s study in Cajun culture. It, too, comes from the Roland Begneaud family collection and is also a first-to-market offering.

Rodrigue is well known for his artistic collaborations with major brands such as Xerox, Neiman Marcus, Absolut and the New Orleans Jazz Fest. After this period, he began his exploration of abstraction with hard edges, patterns, flat planes of color and shapes.

“In Big Stop Sign from 2002, Rodrigue stops the viewer in their tracks with saturated, primary colors, and shapes defined by those colors, that highlight the Blue Dog and connect it to the canvas,” state the lot notes from Neal Auction Company. “The static image is enlivened by the highly contrasting hues, vibrating with energy and further solidifying the Blue Dog as a graphic icon as equally familiar as the ubiquitous stop sign.”

“One of George Rodrigue’s most captivating and memorable early works, Doc Moses, Cajun Traiteur, depicts a unique and fascinating element of Cajun life,” according to the Neal Auction Company lot notes, which also explain that “A traiteur is a traditional Cajun faith healer with an inherited gift for healing, and traiteur is the Cajun French word for ‘treater.’ Some traiteurs treat any ailment, while others specialize.”
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[av_slide slide_type=’image’ id=’177660′ video=’https://’ mobile_image=” fallback_link=’https://’ title=” video_ratio=’16:9′ custom_title_size=” av-desktop-font-size-title=” av-medium-font-size-title=” av-small-font-size-title=” av-mini-font-size-title=” custom_size=” av-desktop-font-size=” av-medium-font-size=” av-small-font-size=” av-mini-font-size=” font_color=” custom_title=” custom_content=” heading_tag=” heading_class=” link_apply=’image’ link=’manually,https://www.liveauctioneers.com/item/158707147_george-rodrigue-americanlouisiana-1944-2013′ link_target=’_blank’ av_uid=’av-lldp1fuc’ sc_version=’1.0′ video_autoplay=” video_controls=” video_mute=” video_loop=”]
George Rodrigue, ‘Big Stop Sign,’ estimated at $40,000-$60,000. Image courtesy of Neal Auction Co. and LiveAuctioneers.
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Detail of George Rodrigue’s ‘Big Stop Sign,’ estimated at $40,000-$60,000. Image courtesy of Neal Auction Co. and LiveAuctioneers.
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Obverse of George Rodrigue’s ‘Big Stop Sign,’ estimated at $40,000-$60,000. Image courtesy of Neal Auction Co. and LiveAuctioneers.
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Detail of George Rodrigue’s ‘Big Stop Sign,’ estimated at $40,000-$60,000. Image courtesy of Neal Auction Co. and LiveAuctioneers.
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[av_slide slide_type=’image’ id=’177664′ video=’https://’ mobile_image=” fallback_link=’https://’ title=” video_ratio=’16:9′ custom_title_size=” av-desktop-font-size-title=” av-medium-font-size-title=” av-small-font-size-title=” av-mini-font-size-title=” custom_size=” av-desktop-font-size=” av-medium-font-size=” av-small-font-size=” av-mini-font-size=” font_color=” custom_title=” custom_content=” heading_tag=” heading_class=” link_apply=’image’ link=’manually,https://www.liveauctioneers.com/item/158707148_george-rodrigue-americanlouisiana-1944-2013′ link_target=’_blank’ av_uid=’av-lldpj3iq’ sc_version=’1.0′]
George Rodrigue, ‘Doc Moses, Cajun Traiteur,’ estimated at $30,000-$50,000. Image courtesy of Neal Auction Co. and LiveAuctioneers.
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[av_slide slide_type=’image’ id=’177665′ video=’https://’ mobile_image=” fallback_link=’https://’ title=” video_ratio=’16:9′ custom_title_size=” av-desktop-font-size-title=” av-medium-font-size-title=” av-small-font-size-title=” av-mini-font-size-title=” custom_size=” av-desktop-font-size=” av-medium-font-size=” av-small-font-size=” av-mini-font-size=” font_color=” custom_title=” custom_content=” heading_tag=” heading_class=” link_apply=’image’ link=’manually,https://www.liveauctioneers.com/item/158707148_george-rodrigue-americanlouisiana-1944-2013′ link_target=’_blank’ av_uid=’av-lldpj8ta’ sc_version=’1.0′]
Detail of George Rodrigue’s ‘Doc Moses, Cajun Traiteur,’ estimated at $30,000-$50,000. Image courtesy of Neal Auction Co. and LiveAuctioneers.
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[av_slide slide_type=’image’ id=’177666′ video=’https://’ mobile_image=” fallback_link=’https://’ title=” video_ratio=’16:9′ custom_title_size=” av-desktop-font-size-title=” av-medium-font-size-title=” av-small-font-size-title=” av-mini-font-size-title=” custom_size=” av-desktop-font-size=” av-medium-font-size=” av-small-font-size=” av-mini-font-size=” font_color=” custom_title=” custom_content=” heading_tag=” heading_class=” link_apply=’image’ link=’manually,https://www.liveauctioneers.com/item/158707148_george-rodrigue-americanlouisiana-1944-2013′ link_target=’_blank’ av_uid=’av-lldpjhw8′ sc_version=’1.0′]
Detail of George Rodrigue’s ‘Doc Moses, Cajun Traiteur,’ estimated at $30,000-$50,000. Image courtesy of Neal Auction Co. and LiveAuctioneers.
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[av_slide slide_type=’image’ id=’177667′ video=’https://’ mobile_image=” fallback_link=’https://’ title=” video_ratio=’16:9′ custom_title_size=” av-desktop-font-size-title=” av-medium-font-size-title=” av-small-font-size-title=” av-mini-font-size-title=” custom_size=” av-desktop-font-size=” av-medium-font-size=” av-small-font-size=” av-mini-font-size=” font_color=” custom_title=” custom_content=” heading_tag=” heading_class=” link_apply=’image’ link=’manually,https://www.liveauctioneers.com/item/158707148_george-rodrigue-americanlouisiana-1944-2013′ link_target=’_blank’ av_uid=’av-lldpjo46′ sc_version=’1.0′]
Detail of George Rodrigue’s ‘Doc Moses, Cajun Traiteur,’ estimated at $30,000-$50,000. Image courtesy of Neal Auction Co. and LiveAuctioneers.
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Capsule plans two exceptional auctions for March 17

Left, George Nelson for Herman Miller Comprehensive Storage System (CSS), est. $5,000-$8,000; Right, ‘Strand (Beach)’ by Salome, est. $12,000-$18,000
Left, George Nelson for Herman Miller Comprehensive Storage System (CSS), est. $5,000-$8,000; Right, ‘Strand (Beach)’ by Salome, est. $12,000-$18,000

NEW YORK – Capsule Auctions will present two auctions on Thursday, March 17: C2: March Art + Design will start at 11 am Eastern time and will include pieces by Ken Price, Ray and Charles Eames for Herman Miller, and Robert Rauschenberg, as well as mid-century modern design, Art Deco, and stylized works ranging from the abstract to the figurative. The second sale, titled 20th Century Art, begins at 3 pm Eastern time. A curated auction of contemporary art, it will feature works from the collection of Seymour Stein, the collection of Josie Natori, and the collection of Joyce Kootz, widow of renowned gallerist Sam Kootz. Notable lots include original art by Keith Haring, George Rodrigue, Theodoros Stamos and George Mathieu as well as editions by Niki de Saint Phalle, Robert Indiana and Ellsworth Kelly. Absentee and Internet live bidding for both will be available through LiveAuctioneers.

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Case sells Beauford Delaney abstract for $348K

Beauford Delaney abstract, $348,000
Beauford Delaney abstract, $348,000
Beauford Delaney abstract, $348,000

KNOXVILLE, Tenn. – 20th century Art – particularly works by artists of color – dominated Case Antiques Inc. Auctions & Appraisals‘ Summer Auction July 24-25 at the company’s headquarters in Knoxville, Tennessee.

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George Rodrigue’s ‘Blue Dog’ leads the pack at Case, July 24-25

George Rodrigue ‘Blue Dog’ acrylic on canvas, estimated at $68,000-$72,000
George Rodrigue ‘Blue Dog’ acrylic on canvas, estimated at $68,000-$72,000
George Rodrigue ‘Blue Dog’ acrylic on canvas, estimated at $68,000-$72,000

KNOXVILLE, Tenn. – 20th century art – particularly works by artists of color – has attracted strong pre-sale interest at the Summer Case Antiques Auction, set for July 24-25 at the headquarters of Case Antiques Inc. Auctions & Appraisals in Knoxville, Tennessee. Absentee and Internet live bidding will be available through LiveAuctioneers.

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